IVAN MATVEYITCH

BETWEEN five and six in the evening. A fairly well-known man of

learning--we will call him simply the man of learning--is sitting

in his study nervously biting his nails.

"It's positively revolting," he says, continually looking at his

watch. "It shows the utmost disrespect for another man's time and

work. In England such a person would not earn a farthing, he would

die of hunger. You wait a minute, when you do come . . . ."

And feeling a craving to vent his wrath and impatience upon someone,

the man of learning goes to the door leading to his wife's room and

knocks.

"Listen, Katya," he says in an indignant voice. "If you see Pyotr

Danilitch, tell him that decent people don't do such things. It's

abominable! He recommends a secretary, and does not know the sort

of man he is recommending! The wretched boy is two or three hours

late with unfailing regularity every day. Do you call that a

secretary? Those two or three hours are more precious to me than

two or three years to other people. When he does come I will swear

at him like a dog, and won't pay him and will kick him out. It's

no use standing on ceremony with people like that!"

"You say that every day, and yet he goes on coming and coming."

"But to-day I have made up my mind. I have lost enough through him.

You must excuse me, but I shall swear at him like a cabman."

At last a ring is heard. The man of learning makes a grave face;

drawing himself up, and, throwing back his head, he goes into the

entry. There his amanuensis Ivan Matveyitch, a young man of eighteen,

with a face oval as an egg and no moustache, wearing a shabby, mangy

overcoat and no goloshes, is already standing by the hatstand. He

is in breathless haste, and scrupulously wipes his huge clumsy boots

on the doormat, trying as he does so to conceal from the maidservant

a hole in his boot through which a white sock is peeping. Seeing

the man of learning he smiles with that broad, prolonged, somewhat

foolish smile which is seen only on the faces of children or very

good-natured people.

"Ah, good evening!" he says, holding out a big wet hand. "Has your

sore throat gone?"

"Ivan Matveyitch," says the man of learning in a shaking voice,

stepping back and clasping his hands together. "Ivan Matveyitch."

Then he dashes up to the amanuensis, clutches him by the shoulders,

and begins feebly shaking him.

"What a way to treat me!" he says with despair in his voice. "You

dreadful, horrid fellow, what a way to treat me! Are you laughing

at me, are you jeering at me? Eh?"

Judging from the smile which still lingered on his face Ivan

Matveyitch had expected a very different reception, and so, seeing

the man of learning's countenance eloquent of indignation, his oval

face grows longer than ever, and he opens his mouth in amazement.

"What is . . . what is it?" he asks.

"And you ask that?" the man of learning clasps his hands. "You know

how precious time is to me, and you are so late. You are two hours

late! . . . Have you no fear of God?"

"I haven't come straight from home," mutters Ivan Matveyitch, untying

his scarf irresolutely. "I have been at my aunt's name-day party,

and my aunt lives five miles away. . . . If I had come straight

from home, then it would have been a different thing."

"Come, reflect, Ivan Matveyitch, is there any logic in your conduct?

Here you have work to do, work at a fixed time, and you go flying

off after name-day parties and aunts! But do make haste and undo

your wretched scarf! It's beyond endurance, really!"

The man of learning dashes up to the amanuensis again and helps him

to disentangle his scarf.

"You are done up like a peasant woman, . . . Come along, . . .

Please make haste!"

Blowing his nose in a dirty, crumpled-up handkerchief and pulling

down his grey reefer jacket, Ivan Matveyitch goes through the hall

and the drawing-room to the study. There a place and paper and even

cigarettes had been put ready for him long ago.

"Sit down, sit down," the man of learning urges him on, rubbing his

hands impatiently. "You are an unsufferable person. . . . You know

the work has to be finished by a certain time, and then you are so

late. One is forced to scold you. Come, write, . . . Where did we

stop?"

Ivan Matveyitch smooths his bristling cropped hair and takes up his

pen. The man of learning walks up and down the room, concentrates

himself, and begins to dictate:

"The fact is . . . comma . . . that so to speak fundamental forms

. . . have you written it? . . . forms are conditioned entirely by

the essential nature of those principles . . . comma . . . which

find in them their expression and can only be embodied in them

. . . . New line, . . . There's a stop there, of course. . . . More

independence is found . . . is found . . . by the forms which have

not so much a political . . . comma . . . as a social character . ."

"The high-school boys have a different uniform now . . . a grey

one," said Ivan Matveyitch, "when I was at school it was better:

they used to wear regular uniforms."

"Oh dear, write please!" says the man of learning wrathfully.

"Character . . . have you written it? Speaking of the forms relating

to the organization . . . of administrative functions, and not to

the regulation of the life of the people . . . comma . . . it cannot

be said that they are marked by the nationalism of their forms . . .

the last three words in inverted commas. . . . Aie, aie . . .

tut, tut . . . so what did you want to say about the high school?"

"That they used to wear a different uniform in my time."

"Aha! . . . indeed, . . . Is it long since you left the high school?"

"But I told you that yesterday. It is three years since I left

school. . . . I left in the fourth class."

"And why did you give up high school?" asks the man of learning,

looking at Ivan Matveyitch's writing.

"Oh, through family circumstances."

"Must I speak to you again, Ivan Matveyitch? When will you get over

your habit of dragging out the lines? There ought not to be less

than forty letters in a line."

"What, do you suppose I do it on purpose?" says Ivan Matveyitch,

offended. "There are more than forty letters in some of the other

lines. . . . You count them. And if you think I don't put enough

in the line, you can take something off my pay."

"Oh dear, that's not the point. You have no delicacy, really. . . .

At the least thing you drag in money. The great thing is to be

exact, Ivan Matveyitch, to be exact is the great thing. You ought

to train yourself to be exact."

The maidservant brings in a tray with two glasses of tea on it, and

a basket of rusks. . . . Ivan Matveyitch takes his glass awkwardly

with both hands, and at once begins drinking it. The tea is too

hot. To avoid burning his mouth Ivan Matveyitch tries to take a

tiny sip. He eats one rusk, then a second, then a third, and, looking

sideways, with embarrassment, at the man of learning, timidly

stretches after a fourth. . . . The noise he makes in swallowing,

the relish with which he smacks his lips, and the expression of

hungry greed in his raised eyebrows irritate the man of learning.

"Make haste and finish, time is precious."

"You dictate, I can drink and write at the same time. . . . I must

confess I was hungry."

"I should think so after your walk!"

"Yes, and what wretched weather! In our parts there is a scent of

spring by now. . . . There are puddles everywhere; the snow is

melting."

"You are a southerner, I suppose?"

"From the Don region. . . . It's quite spring with us by March.

Here it is frosty, everyone's in a fur coat, . . . but there you

can see the grass . . . it's dry everywhere, and one can even catch

tarantulas."

"And what do you catch tarantulas for?"

"Oh! . . . to pass the time . . ." says Ivan Matveyitch, and he

sighs. "It's fun catching them. You fix a bit of pitch on a thread,

let it down into their hole and begin hitting the tarantula on the

back with the pitch, and the brute gets cross, catches hold of the

pitch with his claws, and gets stuck. . . . And what we used to do

with them! We used to put a basinful of them together and drop a

bihorka in with them."

"What is a bihorka?"

"That's another spider, very much the same as a tarantula. In a

fight one of them can kill a hundred tarantulas."

"H'm! . . . But we must write, . . . Where did we stop?"

The man of learning dictates another twenty lines, then sits plunged

in meditation.

Ivan Matveyitch, waiting while the other cogitates, sits and, craning

his neck, puts the collar of his shirt to rights. His tie will not

set properly, the stud has come out, and the collar keeps coming

apart.

"H'm! . . ." says the man of learning. "Well, haven't you found a

job yet, Ivan Matveyitch?"

"No. And how is one to find one? I am thinking, you know, of

volunteering for the army. But my father advises my going into a

chemist's."

"H'm! . . . But it would be better for you to go into the university.

The examination is difficult, but with patience and hard work you

could get through. Study, read more. . . . Do you read much?"

"Not much, I must own . . ." says Ivan Matveyitch, lighting a

cigarette.

"Have you read Turgenev?"

"N-no. . . ."

"And Gogol?"

"Gogol. H'm! . . . Gogol. . . . No, I haven't read him!"

"Ivan Matveyitch! Aren't you ashamed? Aie! aie! You are such a nice

fellow, so much that is original in you . . . you haven't even read

Gogol! You must read him! I will give you his works! It's essential

to read him! We shall quarrel if you don't!"

Again a silence follows. The man of learning meditates, half reclining

on a soft lounge, and Ivan Matveyitch, leaving his collar in peace,

concentrates his whole attention on his boots. He has not till then

noticed that two big puddles have been made by the snow melting off

his boots on the floor. He is ashamed.

"I can't get on to-day . . ." mutters the man of learning. "I suppose

you are fond of catching birds, too, Ivan Matveyitch?"

"That's in autumn, . . . I don't catch them here, but there at home

I always did."

"To be sure . . . very good. But we must write, though."

The man of learning gets up resolutely and begins dictating, but

after ten lines sits down on the lounge again.

"No. . . . Perhaps we had better put it off till to-morrow morning,"

he says. "Come to-morrow morning, only come early, at nine o'clock.

God preserve you from being late!"

Ivan Matveyitch lays down his pen, gets up from the table and sits

in another chair. Five minutes pass in silence, and he begins to

feel it is time for him to go, that he is in the way; but in the

man of learning's study it is so snug and light and warm, and the

impression of the nice rusks and sweet tea is still so fresh that

there is a pang at his heart at the mere thought of home. At home

there is poverty, hunger, cold, his grumbling father, scoldings,

and here it is so quiet and unruffled, and interest even is taken

in his tarantulas and birds.

The man of learning looks at his watch and takes up a book.

"So you will give me Gogol?' says Ivan Matveyitch, getting up.

"Yes, yes! But why are you in such a hurry, my dear boy? Sit down

and tell me something . . ."

Ivan Matveyitch sits down and smiles broadly. Almost every evening

he sits in this study and always feels something extraordinarily

soft, attracting him, as it were akin, in the voice and the glance

of the man of learning. There are moments when he even fancies that

the man of learning is becoming attached to him, used to him, and

that if he scolds him for being late, it's simply because he misses

his chatter about tarantulas and how they catch goldfinches on the

Don.

The Chorus Girl and Other Stories · 第 39 / 45 题