CHAPTER XVII.

"My Dear Lavirotte,

"I cannot tell you how deeply grieved we both were to hear the

occasion of your flight from Milan. Your landlady, Maria, told me the

sad news. I was, indeed, greatly shocked and grieved to hear it. We

can easily understand how it was, in the first terrible moment of your

affliction, you should not care to come near even us. But I cannot

help wishing that by some accident or another it had so chanced I left

Milan by the train that took you away, though I might not be allowed

to intrude upon you in the journey.

"My dear Lavirotte, I know as well as anyone that under occasions of

this kind words of consolation are generally outrages. My whole object

in writing this letter is simply to say how sorry I am that I am not

with you, and how sorry we both are for the cause which took you away.

"I am _sure_ the best thing you can do, under the circumstances, is to

come back here as quickly as ever you can. Do not lose a moment. I am

altogether thinking of you, and not of the desire either of us has to

see you. To show you I am in earnest in this, if you tell me you will

come, I will promise never to go near you until you give me leave. It

is the commonest of commonplaces, but it is one of the truest, that

hard work is the best way of occupying time, when time is bitter or

heavy. My dear Lavirotte, come back and plunge headlong into work. We

will not trouble you. When you wish to see us you know where to find

us. I will not now say any more, except what you well know already,

that our hearts are, and always will be, with you.

"Yours as ever,

"Eugene O'Donnell."

When Lavirotte finished reading this letter he fell into a long

reverie. With head depressed and slow steps, he passed down Cheapside,

Newgate Street, and over the Viaduct. A couple of hours ago it seemed

to him his mind was made up beyond the possibility of change. And now

he was not thinking of change. He was not thinking at all, but

allowing to drift slowly across his imagination a long panorama of

that future which he had resolved to abandon.

He saw once more the life at Milan, the life he had been leading, the

life Eugene would continue to lead for a while longer. He saw the

moment when Eugene would finally take leave of that city and come

northward, perfected in his art.

He saw Eugene's arrival in London, with such good words for heralds as

made him sought after in his profession. He saw obsequious managers

with Eugene, flattering him, coaxing him, pressing him to accept

splendid engagements. He saw the admiring faces at the private trial

of Eugene's voice. He saw the smiles of delight, the hands that

applauded. He saw the flush of triumph upon Eugene's face, Eugene's

bows of acknowledgment. And behind all, he saw Nellie.

He saw her radiant, transfigured, divine, sitting apart, isolated from

all by the exquisite delicacy of her beauty, the exquisite delicacy of

her love, the exquisite delicacy of her spirit. He saw the glance that

shot from Eugene's faithful eyes to hers. He saw that in that room,

that hall, the only thought between these two people was the thought

of their love, the high and holy love of perfect faith, in which there

is no more room for desire in the heart, in which the two spirits are

not one in essence, but one in form, wherein neither exists apart, and

each is complementary to the other.

He saw these two married lovers had no need for words. They were with

each other. That was enough. Each of them knew what this meant, how

much it meant, down to the utmost limit of their joint happiness.

Ah, what happiness was this! What joy, what unutterable rapture! To

love thus wholly and without guile and without thought, without even

consciousness of loving. What could be more! What could be more than

this rich completion of spirit! What were all the gross, material

ambitions of the world compared to such love as this! This was not the

love of line and colour, the love of form and voice, the love of youth

and sprightliness, the love of device or trick. Time would be

powerless against this. The line and colour, the form and voice had

been to this but the prelude to the imperial theme. These two spirits

were now commingling to the perfect tones of the most glorious anthem,

chanted by the angels for the accord of man on earth.

He saw the crowded theatre, the blaze of light, the circles of wealth,

and youth, and beauty, and fashion, of title and distinction, hushed

for the great moment. He heard the orchestra pick up a thread of

silver melody. He listened as the orchestra seemed, in carelessness,

to lose that hint of melody. He heard that hint again, from a single

string, and then to a note of sonorous undertone, he saw the great

tenor step forth. He heard that voice begin farther away than the most

delicate breathing of the instruments below, like a murmur coming from

mid-air, under the stars. The sound descended, broadening and

mellowing as it came, until it touched the earth in notes of resonant

manhood, and then burst forth, complaining loud. Complaining of love

denied, of true love lost for ever.

He heard the song go on to the melodious climax of its final woe, and

then he heard a mighty crash like the sound of an avalanche shot from

a giddy, frozen cliff down a precipitous way to the valley below.

He looked, he saw men on their feet cheering and clapping their hands,

and women waving their handkerchiefs. Women flung their bouquets,

their bracelets, their rings upon the stage--these women drunk on a

human voice. He heard the "bravos," the "encores," cried by thousands

of throats, by those people who were at once the slaves and tyrants of

Eugene.

Then, again, he heard the orchestra pick up that silver thread of

melody----

He threw up his head. Where was this? Had he got so far? and how had

he wandered here?

Ah! Lincoln's Inn Fields!

The College of Surgeons!

Surgery, pain, disease, death! What a contrast to that great vision he

had just seen! Good God, what a contrast!

He turned hastily out of Lincoln's Inn Fields. He could not endure the

dingy, decayed look of that rusty old square. He had once been told

that the area of this square corresponded with the area of the base of

the great Pyramid.

Surgeons and embalmers, the Great Pyramid and mummies, Lincoln's Inn

Fields and ghouls! These were ghastly subjects. He had never noticed

before how stark and bleak and cold, how skeleton-like the houses in

Lincoln's Inn Fields were. It was a horrible place at this time of

year, when the leaves were dropping, when the leaves already down had

begun to rot.

The youth and manhood of the year were gone. It was in the sere, the

yellow leaf. No wholesomeness or joy could now be hoped for until the

spring was rife once more. The earth had ceased to aspire to heaven,

and all the glorious and beautiful efflorescence of earth towards the

sun was falling back once more to the dun clay from which, by the aid

of silver rains and violet and ruby dews, the sun of spring had stolen

such verdant marvels.

The dun clay, the dun earth, surgeons and mummies, pyramids and

ghouls; ah, there was no cheerfulness, no wholesomeness in any of

them! Think of an English river with willows and swans, and the

light of summer, and the blue sky, and the delicate, slender,

upward-pointing reflections in the water, and the music of the bees,

and the inextricably-mingled odour of innumerable flowers, and the

songs of birds, surprising the mellow shades of inner woods. And then

the beauty of woman, and the strength and glory of youth in man, and

the triumph and glory of song in man, and then the voice of song that

made the birds seem but the lifting of one leaf amid the tuneful

murmurs of a mighty wood, and the voice of woman answering to love in

the accents of the song----

Surgeons and mummies, pyramids and ghouls. God made none of these for

man. But all the others had the touch of his great handicraft, the

imperial fashion of his august design, the tones of sound and colour,

half hidden from the heedless, but revealed in their exquisite

perfection to the poetic sense.

Surgeons and mummies, pyramids and ghouls. Bah!

Overhead, what a gloomy sky!

The sun was now shining on all the squares and streets of Milan!

The Last Call: A Romance (Vol. 3 of 3) · 第 10 / 23 章