IV.

During the fortnight or three weeks following the departure of Battery

G it became clear to everyone that the War was as good as over. It had

lasted already a whole year, but now the end was obviously at hand.

The Union Army had the Rebels cooped up in Yorktown—the identical

place where the British had been compelled to surrender at the close of

the Revolution—and it was impossible that they should get away. The

very coincidence of locality was enough in itself to convince the most

skeptical.

We read that Fitz John Porter had a balloon fastened by a rope, in

which he daily went up and took a look through his field-glasses at

the Rebels, all miserably huddled together in their trap, awaiting

their doom. Our soldiers wrote home now that final victory could only

be a matter of a few weeks, or months at the most. Some of them said

they would surely be home by haying time. Their letters no longer

dwelt upon battles, or the prospect of battles, but gossiped about

the jealousies and quarrels among our generals, who seemed to dislike

one another much more than they did the common enemy, and told us long

and quite incredible tales about the mud in Virginia. No soldier's

letter that spring was complete without a chapter on the mud. There

were stories about mules and their contraband drivers being bodily sunk

out of sight in these weltering seas of mire, and of new boots being

made for the officers to come up to their armpits, which we hardly

knew whether to believe or not. But about the fact that peace was

practically within view there could be no doubt.

Under the influence of this mood, Miss Parmalee's ambitious project for

a grand fair and festival in aid of the Field Hospital and Nurse Fund

naturally languished. If the War was coming to a close so soon, there

could be no use in going to so much worry and trouble, to say nothing

of the expense.

Miss Julia seemed to take this view of it herself. She ceased active

preparations for the fair, and printed in the Thessaly _Banner of

Liberty_ a beautiful poem over her own name entitled "The Dove-like

Dawn of White-winged Peace." She also got herself some new and

summery dresses, of gay tints and very fashionable form, and went to

be photographed in each. Her almost daily presence at the gallery

came, indeed, to be a leading topic of conversation in Octavius.

Some said that she was taking lessons of Marsena—learning to make

photographs—but others put a different construction on the matter and

winked as they did so.

As for Marsena, he moved about the streets these days with his head

among the stars, in a state of rapt and reverent exaltation. He had

never been what might be called a talker, but now it was as much as

the best of us could do to get any kind of word from him. He did

not seem to talk to Julia any more than to the general public, but

just luxuriated with a dumb solemnity of joy in her company, sitting

sometimes for hours beside her on the piazza of the Parmalee house, or

focusing her pretty image with silent delight on the ground glass of

his best camera day after day, or walking with her, arm in arm, to the

Episcopal church on Sundays. He had always been a Presbyterian before,

but now he bore himself in the prominent Parmalee pew at St. Mark's

with stately correctness, rising, kneeling, seating himself, just as

the others did, and helping Miss Julia hold her Prayer Book with an

air of having known the ritual from childhood.

No doubt a good many people felt that all this was rough on the absent

Dwight Ransom, and probably some of them talked openly about it; but

interest in this aspect of the case was swallowed up in the larger

attention now given to Marsena Pulford himself. It began to be reported

that he really came of an extraordinarily good family in New England,

and that an uncle of his had been in Congress. The legend that he had

means of his own did not take much root, but it was admitted that he

must now be simply coining money. Some went so far as to estimate his

annual profits as high as $1,500, which sounded to the average Octavian

like a dream. It was commonly understood that he had abandoned an

earlier intention to buy a house and lot of his own, and this clearly

seemed to show that he counted upon going presently to live in the

Parmalee mansion. People speculated with idle curiosity as to the

likelihood of this coming to pass before the War ended and Battery G

returned home.

Suddenly great and stirring news fell upon the startled North and set

Octavius thrilling with excitement, along with every other community

far and near. It was in the first week or so of May that the surprise

came; the Rebels, whom we had supposed to be securely locked up in

Yorktown, with no alternative save starvation or surrender, decided not

to remain there any longer, and accordingly marched comfortably off in

the direction of Richmond!

Quick upon the heels of this came tidings that the Union Army was in

pursuit, and that there had been savage fighting with the Confederate

rear-guard at Williamsburg. The papers said that the War, so far from

ending, must now be fought all over again. The marvellous story of the

Monitor and Merrimac sent our men folks into a frenzy of patriotic

fervor. Our women learned with sinking hearts that the new Corps which

included our Dearborn County regiments was to bear the brunt of the

conflict in this changed order of things. We were all off again in a

hysterical whirl of emotions—now pride, now horror, now bitter wrath

on top.

In the middle of all this the famous Field Hospital and Nurse Fund Fair

was held. The project had slumbered the while people thought peace so

near. It sprang up with renewed and vigorous life the moment the echo

of those guns at Williamsburg reached our ears. And of course at its

head was Julia Parmalee.

It would take a long time and a powerful ransacking of memory to

catalogue the remarkable things which this active young woman did

toward making that fair the success it undoubtedly was. Even more

notable were the things which she coaxed, argued, or shamed other folks

into doing for it. Years afterward there were old people who would tell

you that Octavius had never been quite the same place since.

For one thing, instead of the Fireman's Hall, with its dingy aspect and

somewhat rowdyish associations, the fair was held in the Court House,

and we all understood that Miss Julia had been able to secure this

favor on account of her late uncle, the Judge, when anyone else would

have been refused. It was under her tireless and ubiquitous supervision

that this solemn old interior now took on a gay and festal face. Under

the inspiration of her glance the members of the Fire Company and the

Alert Baseball Club vied with each other in borrowing flags and hanging

them from the most inaccessible and adventurous points. The rivalry

between the local Freemasons and Odd Fellows was utilized to build

temporary booths at the sides and down the centre—on a floor laid over

the benches by the Carpenters' Benevolent Association. The ladies'

organizations of the various churches, out of devotion to the Union

and jealousy of one another, did all the rest.

At the sides were the stalls for the sale of useful household articles,

and sedate and elderly matrons found themselves now dragged from the

mild obscurity of homes where they did their own work, and thrust

forward to preside over the sales in these booths, while thrifty,

not to say penurious, merchants came and stood around and regarded

with amazement the merchandise which they had been wheedled into

contributing gratis out of their own stores. The suggestion that they

should now buy it back again paralyzed their faculties, and imparted

a distinct restraint to the festivities at the sides of the big

court-room.

In the centre was a double row of booths for the sale of articles not

so strictly useful, and here the young people congregated. All the

girls of Octavius seemed to have been gathered here—the pretty ones

and the plain ones, the saucy ones and the shy, the maidens who were

"getting along" and the damsels not yet out of their teens. Stiff,

spreading crinolines brushed juvenile pantalettes, and the dark head of

long, shaving-like ringlets contrasted itself with the bold waterfall

of blonde hair. These girls did not know one another very well, save

by little groups formed around the nucleus of a church association,

and very few of them knew Miss Parmalee at all, except, of course, by

sight. But now, astonishing to relate, she recognized them by name as

old friends, shook hands warmly right and left, and blithely set them

all to work and at their ease. The idea of selling things to young

men abashed them by its weird and unmaidenly novelty. She showed them

how it should be done—bringing forward for the purpose a sheepishly

obstinate drug-store clerk, and publicly dragooning him into paying

eighty cents for a leather dog-collar, despite his protests that he had

no dog and hated the whole canine species, and could get such a strap

as that anywhere for fifteen cents—all amid the greatest merriment.

Her influence was so pervasive, indeed, that even the nicest girls soon

got into a state of giggling familiarity with comparative strangers,

which gave their elders concern, and which in some cases it took many

months to straighten out again. But for the time all was sparkling

gaiety. On the second and final evening, after the oyster supper, the

Philharmonics played and a choir of girls sang patriotic songs. Then

the gas was turned down and the stereopticon show began.

As the last concerted achievement of the firm of Pulford & Shull,

this magic-lantern performance is still remembered. The idea of it,

of course, was Julia's. She suggested it to Marsena, and he gladly

volunteered to make any number of positive plates from appropriate

pictures and portraits for the purpose. Then she pressed Newton Shull

into the service to get a stereopticon on hire, to rig up the platform

and canvas for it, and finally to consent to quit his post among the

Philharmonics when the music ceased, and to go off up into the gallery

to work the slides. He also, during Marsena's absence one day, made a

slide on his own account.

Mr. Shull had not taken very kindly to the idea when Miss Julia first

broached it to him.

"No, I don't know as I ever worked a stereopticon," he said, striving

to look with cold placidity into the winsome and beaming smile with

which she confronted him one day out in the reception-room. She had

never smiled at him before or pretended even to know his name. "I guess

you'd better hire a man up from Tecumseh to bring the machine and run

it himself."

"But you can do it so much better, my dear Mr. Shull!" she urged. "You

do everything so much better! Mr. Pulford often says that he never

knew such a handy man in all his life. It seems that there is literally

nothing that you can't do—except—perhaps—refuse a lady a great

personal favor."

Miss Julia put this last so delicately, and with such a pretty

little arch nod of the head and turn of the eyes, that Newton Shull

surrendered at discretion. He promised everything on the spot, and he

kept his word. In fact, he more than kept it.

The great evening came, as I have said, and when the lights were

turned down to extinction's verge those who were nearest the front

could distinguish the vacant chair which Mr. Shull had been occupying,

with his bass viol leaning against it. They whispered from one to

another that he had gone up in the gallery to work this new-fangled

contrivance. Then came a flashing broad disk of light on the screen

above the judges' bench, a spreading sibilant murmur of interest, and

the show began.

It was an oddly limited collection of pictures—mainly thin and feeble

copies of newspaper engravings, photographic portraits, and ideal heads

from the magazines. Winfield Scott followed in the wake of Kossuth, and

Garibaldi led the way for John C. Frémont and Lola Montez. There was

applause for the long, homely, familiar face of Lincoln, and a derisive

snicker for the likeness of Jeff Davis turned upside down. Then came

local heroes from the district round about—Gen. Boyce, Col. McIntyre,

and young Adjt. Heron, who had died so bravely at Ball's Bluff—mixed

with some landscapes and statuary, and a comic caricature or two. The

rapt assemblage murmured its recognitions, sighed its deeper emotions,

chuckled over the funny plates—deeming it all a most delightful

entertainment. From time to time there were long hitches, marked

by a curious spluttering noise above, and the abortive flashes of

meaningless light on the screen, and the explanation was passed about

in undertones that Mr. Shull was having difficulties with the machine.

It was after the longest of these delays that, all at once, an

extremely vivid picture was jerked suddenly upon the canvas, and,

after a few preliminary twitches, settled in place to stare us out of

countenance. There was no room for mistake. It was the portrait of

Miss Julia Parmalee standing proudly erect in statuesque posture, with

one hand resting on the back of a chair, and seated in this chair was

Lieut. Dwight Ransom, smiling amiably.

There was a moment's deadly hush, while we gazed at this unlooked-for

apparition. It seemed, upon examination, as if there was a certain

irony in the Lieutenant's grin. Someone in the darkness emitted an

abrupt snort of amusement, and a general titter arose, hung in the air

for an awkward instant, and then was drowned by a generous burst of

applause. While the people were still clapping their hands the picture

was withdrawn from the screen, and we heard Newton Shull call down from

his perch in the gallery:

"You kin turn up the lights now. They ain't no more to this."

In another minute we were sitting once again in the broad glare of

the gaslight, blinking confusedly at one another, and with a dazed

consciousness that something rather embarrassing had happened. The

boldest of us began to steal glances across to where Miss Parmalee and

Marsena sat, just in front of the steps to the bench.

What Miss Julia felt was beyond guessing, but there she was, at any

rate, bending over and talking vivaciously, all smiles and collected

nerves, to a lady two seats removed. But Marsena displayed no such

presence of mind. He sat bolt upright, with an extraordinarily white

face and a drooping jaw, staring fixedly at the empty canvas on the

wall before him. Such absolute astonishment was never depicted on human

visage before.

Perhaps from native inability to mind his own business, perhaps with a

kindly view of saving an anxious situation, the Baptist minister rose

now to his feet, coughed loudly to secure attention, and began some

florid remarks about the success of the fair, the especial beauty of

the lantern exhibition they had just witnessed, and the felicitous

way in which it had terminated with a portrait of the beautiful and

distinguished young lady to whose genius and unwearying efforts they

were all so deeply indebted. In these times of national travail and

distress, he said, there was a peculiar satisfaction in seeing her

portrait accompanied by that of one of the courageous and noble young

men who had sprung to the defence of their country. The poet had

averred, he continued, that none but the brave deserved the fair, and

so on, and so on.

Miss Julia listened to it all with her head on one side and a modestly

deprecatory half-smile on her face. At its finish she rose, turned to

face everybody, made a pert, laughing little bow, and sat down again,

apparently all happiness. But it was noted that Marsena did not take

his pained and fascinated gaze from that mocking white screen on the

wall straight in front.

They walked in silence that evening to almost the gate of the Parmalee

mansion. Julia had taken his arm, as usual; but Marsena could not but

feel that the touch was different. It was in the nature of a relief to

him that for once she did not talk. His heart was too sore, his brain

too bewildered, for the task of even a one-sided conversation, such as

theirs was wont to be. Then all at once the silence grew terrible to

him—a weight to be lifted at all hazards on the instant.

"Shull must have made that last slide himself," he blurted out. "I

never dreamt of its being made."

"I thought it came out very well indeed," remarked Miss Parmalee,

"especially his uniform. You could quite see the eagles on the buttons.

You must thank Mr. Shull for me."

"I'll speak to him in the morning about it," said Marsena, with gloomy

emphasis. He sighed, bit his lip, fixed an intent gaze upon the big

dark bulk of the Parmalee house looming before them, and spoke again.

"There's something that I want to say to _you_, though, that won't

keep till morning."

A tiny movement of the hand on his arm was the only response.

"I see now," Marsena went on, "that I ain't been making any real

headway with you at all. I thought—well—I don't know as I know just

what I did think—but I guess now that it was a mistake."

Yes—there was a distinct flutter of the little gloved hand. It put a

wild thought into Marsena's head.

"Would you," he began boldly—"I never spoke of it before—but would

you—that is, if I was to enlist and go to the War—would that make any

difference?—you know what I mean."

She looked up at him with magnetic sweetness in her dusky, shadowed

glance. "How can any able-bodied young patriot hesitate at such a time

as this?" she made answer, and pressed his arm.

Marsena, and Other Stories of the Wartime · 第 9 / 28 题