POTTERY ANTICIPATED BY BASKETRY.

This crude beginning of the wicker-art in connection with

water-vessels points toward the development of the wonderful

water-tight basketry of the southwest, explaining, too, the

resemblance of many of its typical forms to the shapes of

gourd-vessels. Were we uncertain of this, we might again turn to

language, which designates the impervious wicker water-receptacle of

whatever outline as _tóm ma_, an evident derivation from the

restricted use of the word _tóm me_ in connection with gourd or cane

vessels, since a basket of any other kind is called _tsí ì le_.

It is readily conceivable that water-tight osiery, once known, however

difficult of manufacture, would displace the general use of

gourd-vessels. While the growth of the gourd was restricted to limited

areas, the materials for basketry were everywhere at hand. Not only

so, but basket-vessels were far stronger and more durable, hence more

readily transported full of water, to any distance. By virtue of their

rough surfaces, any leakage in such vessels was instantly stopped by a

daubing of pitch or mineral asphaltum, coated externally with sand or

coarse clay to harden it and overcome its adhesiveness.

[Illustration: FIG. 501.--Havasupai clay-lined roasting-tray.]

We may conclude, then, that so long as the Pueblo ancestry were

semi-nomadic, basketry supplied the place of pottery, as it still does

for the less advanced tribes of the Southwest, except in cookery.

Possibly for a time basketry of this kind served in place of pottery

even for cookery, as with one of the above-mentioned tribes, the _Ha

va su paí_ or Coçoninos, of Cataract Cañon, Arizona. These people,

until recently, were cut off from the rest of the world by their

almost impenetrable cañon, nearly half a mile in depth at the point

where they inhabit it. For example, when I visited them in 1881, they

still hafted sharpened bits of iron, like celts, in wood. They had not

yet forgotten how to boil food in water-tight basketry, by means of

hot stones, and continued to roast seeds, crickets, and bits of meat

in wicker-trays, coated inside with gritty clay. (See Fig. 501.) The

method of preparing and using these roasting-trays has an important

bearing on several questions to which reference will be made further

on. A round basket-tray, either loosely or closely woven, is evenly

coated inside with clay, into which has been kneaded a very large

proportion of sand, to prevent contraction and consequent cracking

from drying. This lining of clay is pressed, while still soft, into

the basket as closely as possible with the hands and then allowed to

dry. The tray is thus made ready for use. The seeds or other

substances to be parched are placed inside of it, together with a

quantity of glowing wood-coals. The operator, quickly squatting,

grasps the tray at opposite edges, and, by a rapid spiral motion up

and down, succeeds in keeping the coals and seeds constantly shifting

places and turning over as they dance after one another around and

around the tray, meanwhile blowing or puffing, the embers with every

breath to keep them free from ashes and glowing at their hottest.

That this clay lining should grow hard from continual heating, and in

some instances separate from its matrix of osiers, is apparent. The

clay form thus detached would itself be a perfect roasting-vessel.

A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522 · 第 15 / 27 题