I gripped him by the shoulder.

"There isn't a soul here," I rasped out. "What does it mean, what on

earth does it mean?"

"There should be three hundred at least," he answered.

I broke away at a run, flung open the first door I came to and peered

in. It was some sort of a sleeping-room, there were bunks and couches

all around the walls. Each one of them was empty. I had time to see

that, and also that a stand of short carbines and cutlasses was full of

weapons.

Then I had to back out quickly for the late inmates had left an odorous

legacy behind them.

Pu-Yi faced me.

"That was one of the patrol rooms," he said.

Then I remembered our coming two days ago.

"Mulligan!" I cried. "Nobody could get here except through the

guard-room, nobody could leave here except through that, could they?"

"Not unless they threw themselves from the side of the tower."

"Well, it's quite impossible to believe that three hundred people have

committed suicide during the night without a sound being heard. Quick!

let's get to the bottom of this."

Pu-Yi led. He didn't seem really to run, only to glide along the ghostly

streets and passages. But I had hard work to keep up with him, all the

same. My mouth felt as if it had been sucking a brass tap. The most

deadly fear clutched at my heart--that noiseless, pattering run through

the deserted town in the air, accompanied always by the mouthing,

gibbering ghosts of the mist, was appalling.

We dashed down the last corridor and were brought up by a stout door.

Pu-Yi bent down to the handle, turned it gently, and--it opened.

We tiptoed into that room. Directly I was over the threshold, the

spiritual odor of death, of violent death, came to me.

A fire of logs was still burning redly upon the hearth. For the rest the

room was lit only by its skylight, through which filtered a dirty and

opaque illumination which was only sufficient to give every object a

shape of the sinister or bizarre. The red glow from the fire glistened

upon the polished screen of steel which divided the room into two

portions. And it also fell, redly, upon something else.

This was the corpse of Mulligan.

It was seated in a chair which had been pulled up to the screen with its

back towards it, as if in mockery and derision of its power to keep it.

He had been strangled by a yard of catgut, twisted, tourniquet-fashion,

by a piece of stick at the back of the neck. The catgut had sunk far

into the flesh, reducing the neck to less than half its ordinary size,

and the great staring head hung down upon one shoulder.

One of the logs in the grate fell with a crackle of sparks. For the

rest, dead silence.

"They have come," Pu-Yi said simply.

"But what has happened?" I whispered, my throat was so dry that the

sound was like the rustling of paper.

"I shall know soon. I am going to find out. There is not a minute to

lose. Can you, dare you, wait here--"

I nodded and he was out of the room in a flash. Upon the dead man's

table was the usual array of bottles and glasses. I took some brandy and

gulped it down and my brain cleared instantly. There was a little touch

of infinite pathos even in this hideous moment, for by the side of an

empty glass I saw a string of beads with a little metal crucifix. The

Irishman, a Roman Catholic of course, must have been saying his prayers

some time before he met his end. Somehow the thought comforted me and

gave me power to act. I found a knife, and cut the bonds that tied the

giant to the chair. I lowered him reverently to the floor and finally

severed the horrible ligature around his throat. An examination of the

steel door in the screen of bars showed that it was securely locked, but

the bunch of keys which the dead man usually carried upon a chain was no

longer there--the end of the chain dangled from his trousers pocket.

While I was doing these things a most deadly apprehension was standing

specter-like by my side and plucking with wan fingers at my sleeve. What

had happened, what might even now be happening at the Palacete Mendoza?

Pu-Yi whirled into the room. He made no noise, it was as though a dried

leaf had been blown in by the wind. His face was transformed. Every

outline was sharpened, and the color was changed until it bore the exact

resemblance to a mask of green bronze. In its frozen immobility it was

dead, yet awfully alive, and the eyes glittered like little crumbs of

diamond.

"Well?"

"I know how it has been done. It is very clever, very clever indeed. Let

me tell you that all the power cables connecting us with below have been

scientifically cut. We can neither telephone down to the Park nor can we

descend to it in one of the lifts. We are isolated up here in the

clouds."

"But the men, the staff?" I gasped, and then I stepped back, staring

down at his hands. They were all foul and stained with blood.

"Not far away," he said, "there is another body, that of my servant, a

youth from my own Province, whom I loved and whom I was educating. He

was alive five minutes ago. He had just time to sob out the truth and

his repentance."

"Tell me quickly, Pu-Yi, time presses."

"They caught him last night, so they must have been here then."

"Who caught him?"

"He never knew. They were masked, but there were two of them, and from

his description we know very well who they were. Sir Thomas, they

tortured him for a long time until he spoke, promising him freedom if he

did so. His story was disjointed, gasped out with his dying breath, but

I can put it together pretty well.

"They made him give an order by telephone from the upper City that,

immediately, the staff were to leave here and descend to the ground and

await further orders, all but Mulligan, who was to remain at his post

until I came to him. This message was delivered in Chinese to the man at

the telephone exchange, and the poor boy was forced to counterfeit my

voice. He was blindfolded immediately afterwards, but he heard a man

speaking, and he said he could not have told the voice from that of Mr.

Morse."

In a flash I saw the whole thing, in its devilish ingenuity, its

fiendish completeness.

"Then we are absolutely alone, you, I, Mr. Rolston, Mr. Morse and his

daughter?"

"And her maid," he answered quietly.

"At the mercy of--"

"That we have yet to prove. We must throw all emotion, all fear aside.

That's what we have to do now. It's diamond cut diamond. There's one

problem in my mind, and one only."

"What's that, quick!"

"I daresay that in an hour I could get down to the ground. Among the

intricate steel-work of this tower there's a tiny circular staircase of

open lattice-work, sufficient for the passage of one person only, and

even here, every three or four hundred feet the way is barred by locked

gates, though I have a master key to all of them. Shall I make the

attempt, and risk crashing off into space--for it is a mere

steeplejack's way--and summon assistance, which may well be another hour

in arriving, for the tower cables have been scientifically cut and no

one but an electrician could repair them? Or shall I rush with you to

defend the Palace?"

"You leave the decision to me?"

"It is in your hands, Prince."

"Then, old chap, tumble down this accursed tower, hell for leather, and

rouse the pack. If I and Morse and Bill Rolston cannot account for these

cowardly assassins, then one more man won't make any difference."

So I said, so I thought. I had no idea into what peril I was sending

him, though I have sometimes wondered if he knew. He took my hand,

kissed it, and beckoning me, we hurried through the silent under City

towards the lift.

"You go up, Sir Thomas," he said, "and exercise the utmost care. Have

your pistol ready. The mist is as thick as ever, which is in your favor.

You can find your way now to the Palace, I am sure."

"And you?"

"I go off here," he said, pointing with his left arm down a long vista

to where, under a square arch, there was nothing to be seen at all but

swaying yellow-white. "One opens the gate in the railing and drops on to

the circular stairs," he said, "which cling to the outside of the

steel-work all the way down like a little train of ivy."

"_Au revoir_, be as quick as you can."

"Good-by," and I jumped into the elevator.

Some two minutes afterwards, when I was creeping through the wool with

my pistol in my hand, alert for the slightest sound around me, I heard

the sharp crack of a rifle. It came from behind me. There was a

perceptible interval and then another crack, followed, I could have

sworn to it, by a thin wailing cry.

Then utter silence fell once more upon the white and muffled City.

As I ran I tried to steel myself, if that were as I suspected, the last

dying cry of Pu-Yi, not to think about it. The immediate moment, the

immediate future, these were everything.

All the extraordinary precautions had failed. The assassins were here!

In what force? How had they come?--though that was useless to speculate

on. Two things only remained. I must warn Morse if it was not already

too late, must avenge him if it was. I resolutely put aside the thought

of Juanita--of any personal feeling which might mar my judgment and

unstring my nerves at this supreme and dreadful moment.

I found myself, somehow or other, at the entrance to the tunneled

passage. Save for my own quick breathing there had not been a sound, and

the horrible curtain of the fog was as thick as ever. Should I at once

creep up to the Palace, or should I go back to the villa and find

Rolston? It was a nice question and the decision had to be

instantaneous. I decided that it would give me a tremendous advantage to

have him with me, and besides that, he himself must be warned of the

terror that lurked in the darkness of the cloud.

I arrived without any mishap, pushed open the door and was crossing the

dark hall when my foot caught in some obstruction and I fell headlong.

There was no time to cry out, had I been startled enough to do so,

before something leapt upon my back with a soft yet heavy thud. A hand

slipped over my mouth and the round barrel of a pistol was pressed into

my neck.

I lay helpless, thinking that it was all over, when the weight lifted,

the pistol was snatched away and I was hauled to my feet to

discover--Rolston.

"Not a word," he whispered. "I set a trap in the hall, Sir Thomas. Thank

God you are alive!"

"Thank God you are too. Bill, they've strangled Mulligan, killed another

Chinese by torture and I am very much afraid have shot Pu-Yi as he was

trying to get down to earth to summon help.

"Every single member of the staff is down in the Park with orders to

stay there--false orders. The lifts are all put out of action beyond

possibility of being repaired for several hours. That's how things

stand. Now we must get to the Palace as quickly as we possibly can. God

knows what has happened or may be happening there."

"This way, quick!" he said, when he had listened to me with strained

attention.

He took my arm, hurried me into the back part of the house, opened a

door with a key and we entered a bedroom which I had not before seen.

The windows were shuttered and curtained but the electric light--which

never failed either my villa or the Palace during the whole of those

terrible hours--made every detail clear. Upon the bed, lying as if

asleep, was Juanita. Leaning over her was a tall, elderly, hard-featured

French woman with a typical Norman face.

The City in the Clouds · 第 55 / 71 题