E. CONQUEST OF NATURE BY ART

5. The perfection of this of latter and higher view involves the

absolute fusion of thought and things. Its full attainment is a new

creation of the world. Yet it is but the discovery of a relationship

which was from the beginning, the adoption by thought of a child which

was never other than its own. The habitual interpretation of natural

events by the analogy of human design, to which every hour's

conversation testifies, is the evidence that to the ordinary man nature

presents itself not as something external, but, like a friend, as

"another himself." The true conquest of nature is but the completion of

the reconciliation thus anticipated in the everyday language and

consciousness of mankind. When the mind has come to see in the endless

flux of outward things, not a succession of isolated phenomena, but the

reflex of its own development into an infinite variety of laws on a

basis of identity--when the laws of nature are raised to the character

of laws which regulate admiration and love--when the experiences of life

are held together in a medium of pure emotion, and the animal element so

fused with the spiritual as to form one organization through which the

same impulse runs with unimpeded energy--then man has made nature his

own, by becoming a conscious partaker of the reason which animates him

and it.[5] The attainment of this consummation is the end of life: but

it is an end that can never be fully realised, while "dualism" remains a

necessary condition of humanity. To most men it is as a land very far

off, of which occasional glimpses are caught from some "specular mount"

of philosophic or poetic thought. It can only approach realisation

through the operation of a power which can penetrate the whole man, and

act on every moment of his life. But that power, which in the form of

religion can make every meal a sacrament, and transform human passion

into the likeness of divine love, is represented at a lower stage, not

only by the unifying action of speculative philosophy, but by the

combining force of art.

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