Tommy Conn ran back to the cover of his hedge. He crouched there while

the pursuing car came up the road at thirty miles an hour. He heard the

driver loosen up to a greater speed. Then he heard the shock.

It was like the explosion of a bomb. What damage was done Conn could

not guess. He did not care. He heard the crash, listened to the

splintering of glass and wood, the sudden scream of bursting metal,

heard the report of the engine, and saw a tongue of flame shoot up into

the air. Simultaneously with the explosion, flames burst out around the

doomed vehicle.

Tommy Conn was in the seat of his own car by this time. He was gone by

the time the tumult died down. Looking back, he saw a figure outlined

against the furnace; then he turned his head, grinning to himself. He

had checked his pursuers decisively. He did not look back any more.

Less than an hour later he drove steadily, and well within the

speed limit, into Southampton. Dawn was coming. He had changed the

number-plate of his car again, and now it bore the proper registration.

He garaged the car in town, giving the name of Eckhardt for the

receipt, took his sack of loot from its hiding-place, and walked

towards the docks.

Had the car belonged to him, Tommy Conn would have plunged it into

the sea, or sunk it in a river, so that all traces of it would have

been lost. In garaging it he was not risking himself. His brain was

one divided into two compartments. In one he thought of what he was

receiving; in the other of what he was giving. He had agreed to accept

his fee for the burglary. The risk of the chase was not included in the

bargain, therefore the risk lay with Eckhardt. It was up to Eckhardt to

instruct the man he had engaged for the return journey how to get the

car back to London. Since Conn was delivering the goods as promised, he

had carried out his part of the agreement. Eckhardt never gave anything

for nothing. Why should he?

He found the boat lying near the steps of one of the docks, as he had

expected, and he went on board. A seaman was swabbing the deck. He

saluted Conn.

"You're the gentleman from London we're waiting for, I suppose," he

said. "I'm ready to move as soon as Mr. Eckhardt gets the clearance

papers."

"He can get them as quick as he likes for me," replied Conn with a

smile. "I'm dog-tired. Show me where I can sleep."

He was given a small, poky cabin, along one side of which was a berth.

He shut the door, put his sack on a table, and turned in at once.

He woke with the sunlight streaming through the porthole. He was

conscious that he was not alone. A man was standing by his bunk.

"Sorry to wake you, but I came to inquire about the garaging of Mr.

Eckhardt's car."

"All right, I know. What time is it? Nearly midday. I'll give you the

receipt for the car. You're the one to take it back to London for

Eckhardt, aren't you?"

The man took the receipt, and was looking at it as Conn climbed to the

floor, stifling a yawn.

"I'll give you a tip, mate," Conn said suddenly. "Be careful on the

return. I had a rough trip down, but I beat 'em."

"Beat who?"

"The cops. Oh, I'm not going back to London for a bit, I tell you.

They laid broken beer-bottles on the road to stop me. One tyre was

punctured, but I put on the spare wheel and got away. Then they chased

me, so I built a pile of rock in the middle of the road, and their car

charged it and blew up. We'd better get away. Isn't this boat moving

yet?"

"What's all the stuff in the sack?" asked the other.

"That's the loot for Eckhardt----"

Tommy Conn stopped and peered into the face of the stranger. Something

in the man's eyes glimmered.

"What's it got to do with you?" he challenged.

"A lot. I am a police officer."

Conn gasped, and fell back a pace.

"Where's Eckhardt?" he cried. "Has he squealed?"

"No, Eckhardt didn't squeal. But what you've just told me links things

up."

"Links what up?"

"A few things that puzzled me. Last night I called here to request

Eckhardt to come to the police station. We knew he had hired this boat.

Instead of calling, he went ashore and hired a car to go inland. And

then, when we found his own car garaged this morning----"

"He's bolted! Saved his own skin!"

"Well, he tried to save yours, evidently. The driver of the car

Eckhardt hired tells me it was Eckhardt who strewed the broken bottles

on the road."

"What's this?" demanded Conn hoarsely.

"The driver of the car has made a statement. He says Eckhardt was

chasing his own car, trying to stop it from coming down. He must have

been frightened by the request to call at the police station. He kept

following his own car until they ran into the obstruction. Luckily the

driver wasn't hurt, but Eckhardt was inside the vehicle and hadn't a

chance. He was killed. As you've stated that you drove that car, you'll

be charged with the affair. Your name is Cohen, isn't it?"

"My name is Conn," gasped that individual. "I didn't guess--tell me,

what were you charging Eckhardt with?"

"We weren't charging him with anything," replied the officer. "We

merely wanted him to sign the clearance papers to let this boat sail.

Hold out your wrists. I advise you not to say anything until I have

gone through this sack and examined the contents."

* * * * *

"And that," said the Governor, "was the reason Tommy Conn and Eckhardt

were unable to help in the defence of Bill Hemsey, as it was also the

reason for the sudden and desirable termination of the rivalry between

Conn and his friend Billiter, the clever criminal who boasted that he

always erected a perfect defence. Each, as I have said, was of the

opinion that his own particular method was the best. Alas, is there

ever a best in crime?"

"Billiter seems to have proved it," said the visitor with a smile.

"And yet," replied the Governor, "there is an answer to your theory

even there. The answer will be found in the twelfth cell in the row.

I have Joseph Billiter under lock and key at this moment, and I shall

tell you at once how he arrived at that position."

THE STORY OF THE OCCUPANT OF THE TWELFTH CELL

I have already decided (continued the Governor), and I think you will

agree with me, that Conn's place is among the Intelligents. But I am

going to put Joseph Billiter into the class above that. He is certainly

one of the Intellectuals. I have more than one reason for coming to

this decision.

Joseph Billiter was a student at one time at a public school. He was

intended by his parents for one of the professions, but his whole

inclinations were in the direction of engineering and mechanics. He

went to one of the big universities, took honours in his examinations,

and then came to London to seek a career. He became a teacher in a

school demonstrating the sciences. At one of his lectures he stated

that it was possible to defy any apparatus that civilisation had ever

erected, or could erect, to protect itself against criminals.

That lecture was widely quoted and commented upon. The result was that

one of the biggest firms of safe-makers in the country offered to stake

a certain sum of money that it was impossible to enter one of their

safes within a given space of time. Frankly, I believe the offer was

made in order to calm the unrest that had been caused in financial

circles by Billiter's declaration. It was felt that his remarks might

tempt the criminal fraternity to increase their activities, and,

in any case, it was stated over more than one conference-table that

Billiter had been most indiscreet in telling openly what had been

feared privately. Really the blame, perhaps, ought to have been put on

the newspapers who gave prominence to his challenge; but these things

are so complicated, and their threads run under and about so many

interests, that it is difficult to trace blame, or to define what a man

may or may not declare.

Briefly, then, it was admitted in inner circles that if what Joseph

Billiter had said was true, it would be a bad thing for the safe-making

industry; and, on the other hand, the safe-makers would not sit down

to such a challenge, which meant loss of business and lack of faith

in their wares. You observe how commerce is delicately balanced, and

how even a lecture may cause a flutter in finance! At this stage the

newspaper which had given most prominence to the lecture conceived

the idea of staging a test. It was a great idea that came to the news

editor of the journal in question. He was not a rich man.

The safe-makers were approached. Joseph Billiter was approached. The

test was arranged, but there was one condition imposed by all the

clients of the safe-makers. These clients included firms on the Stock

Exchange, jewellers in the West End, even banks in the city. They

combined in protesting against the test unless it was made in secret.

After many discussions this was agreed to. And all the readers of the

newspaper ever heard of the affair, in spite of their optimism and

their hope of seeing photographs of the scientist at work as a burglar,

was a small paragraph which stated that the test had taken place and

that its results were "satisfactory."

The truth was that its results were satisfactory to only one of the

parties. That one was Joseph Billiter. He had cut through the strongest

safe made as if it were cheese.

How had he done this? you may ask. Simply enough. It is a scientific

fact that any safe made by heat can be destroyed by a greater heat. And

after he had bored his way into that safe he gave the small company

another lecture, in which he made one admission. It was to the effect

that the only place that was burglar-proof was a specially built bank

vault, and then it beat the average burglar because it had several

doors and an outside gate, and to get through these required time.

In reality, it was time that beat the criminal, not the actual vault

itself.

Now, the safe-breaker is certainly the most efficient of all criminals.

One cannot be a safe-breaker unless one possesses patience, ingenuity,

knowledge. Billiter demonstrated several methods. He used a powerful

electric drill, operating it by tapping the cable in the building and

showing how a modern burglar could thus add insult to injury if he knew

his business. Then he used an oxy-acetylene burner. These burners give

an intensity of heat of 3,000 degrees Centigrade--sufficient to cut

through the hardest steel as if it were butter. The drawback to this

method is the transportation of the oxygen and acetylene cylinders

needed.

There was, again, the dynamite and nitro-glycerine method which he

showed, and he gave the spectators much information that was new even

to the police, representatives of whom were also present. He showed

how, by boiling several sticks of dynamite for a certain time, the

"grease," as it is called in the profession, is prepared. This "grease"

is actually the stuff used so that there will not be too much noise. It

can be carried to the scene of operation in a bottle, and, after a hole

is drilled in the safe, it is filled with this "grease," covered with

soap, and a fuse is inserted.

Joseph Billiter's demonstrations were very conclusive, and proved what

the police have known for many years, namely, that the safe-breaker is

the very top-notch man of crime. But success went to his head. He was

still young, and he was very conceited, while he was very able. We do

not know exactly what incident proved the downfall of Billiter. I fancy

it was a woman, or women. It may have been wine, but that was not his

failing originally. I seem to remember that he got tied up with a fast

set up West, a set that frequented night-clubs and cabaret dancers'

haunts. At any rate, he was discharged from his post. He did not get

another.

For a time he disappeared from this country. It was said that he went

to America; but one thing is certain; when he was next heard of he had

turned crook. It is more than likely that he adopted this profession

when he was abroad, for he felt very bitter at his discharge, and

constantly declared that if Society would not give him the opportunity

to live he would have his revenge--a sort of Bolshevik theory of

injustice and injury turned to rebellion.

There were several safes burgled in and around London that caused

the police to suspect a master craftsman such as he could be. He was

shadowed, watched, suspected, but he was never caught red-handed. He

always had an alibi, always a perfect defence. But everything pointed

to suspicion of him. He married a girl who lived with crooks long

before he became a criminal--that is, lived among them and knew their

ways and their works. She was one of his assets.

Carney, the detective whose duty it was to investigate these

burglaries, was convinced that they were the work of Billiter and no

other. This belief almost became an obsession. He tried time after time

to catch Billiter. He had him questioned; he questioned the people who

supported his alibis; he kept on his trail; but he was always defeated.

Billiter never seemed to make a mistake.

One evening Billiter went out on what he anticipated would be one of

his best raids. It was a jeweller's shop within a hundred yards of

Charing Cross. To see how he worked, let us observe him coming up from

the cellar where the safe of his firm was kept.

The job had been done, and Joseph Billiter crept up the stone steps.

The goods he had stolen were in his pockets and in the special belt

strapped round his waist. He had placed over a hundred gold watches in

this belt, in little compartments, every one worth a considerable sum,

for he never took cheap goods. In his pockets were pearls, pendants,

rings, brooches, necklaces. Taking him as he stood he was, at that

moment, worth a few thousands of pounds sterling.

He closed the trap-door gently, and, stooping low, crossed the shop

floor and made his way upstairs to the next storey. All was dark here.

The single light which cast a dim glow through the shop on the ground

floor had been his one danger, for from the street it was just possible

that an inquiring policeman might peer through the slit in the iron

shutter at exactly the moment Joseph was to be seen. Yet, even then, he

would not have identified Billiter; but he would have raised an alarm.

This passage from the cellar trap-door to the stairs leading aloft was

the one risk Billiter faced.

As will be understood, the opening of the safe was not, to such an

expert craftsman as himself, a real risk. He had made no noise, and he

wore rubber gloves, which were thin and did not hamper his fingers

as ordinary gloves might. There was also another advantage of rubber

gloves. Some of the owners of safes had lately taken to leaving live

electric wires in positions so that a burglar might be tempted to grasp

them, and get shocks that would throw him into a state of panic. It

would not, of course, kill him; but to a man like Billiter all these

things were child's play. He knew how to evade such traps as well as

the best.

Having negotiated the space between the cellar and the staircase,

Billiter had still much farther to go. He never rushed. Standing in

the darkness that enveloped the upper showroom and the offices of the

firm, he listened intently. From the Strand came the distinct hum of

taxicabs and the occasional scream of their hooters. The buses were

thundering past. In a short time the streets would be crammed with the

crowds coming from the theatres, and, by joining these crowds, Billiter

had planned to make his escape without observation. For the present

he was not merely listening to the traffic. He was anxious to hear if

the policeman on the beat had seen him as he crossed the ground floor

downstairs.

He thought he had heard a footstep under the back window. He tiptoed

over to the window-sill and peered down obliquely. Yes, there was

someone underneath. Had the policeman been watching? He prepared for

flight.

Billiter was not afraid that he had been recognised, for he still wore

the mask he had donned when he entered the premises. Nor was he afraid

of being caught. His entrance had been by a way that was anything but

direct. An ordinary burglar would have come into the shop by the back

door, or by the side window. A very daring one might have bored his

way through the wall from the premises next door, which were under

repair at the time. But Joseph Billiter was not an ordinary burglar,

even if he was a daring one. He had come to the store by a circuitous

route, and he was making his exit the same way--a route that proved his

superiority over usual methods.

It was because he had entered in this round-about fashion that he did

not fear capture. A policeman, seeing an intruder, would go to the back

door; he would call a colleague or two, and they would block likely

exits before they entered to search. But by that time Billiter would be

gone, without leaving a single clue for them to follow.

He moved back from the window and noiselessly opened a door that led

to the top floor. He closed the door after him, locking it with one of

his skeleton keys. He went up the narrow staircase without a sound. He

was now in the workshop of the store, a small apartment in which were

several benches, polishing wheels, and racks littered with the repair

jobs of the firm. This room was really an attic, with one dormer window

leading to the tiles. Billiter had left the dormer window open when he

entered. He now made his exit by it, and pulled it down slowly as he

lay with his feet braced against the coping-stone.

He crawled for some distance along the coping on his hands and knees

until he reached a flat roof, in the middle of which a square glass

studio was built. He was now two doors away from the jewellery shop.

Once more his long skeleton key went to work in the lock of the door.

He slipped into the studio, once more locking the door behind him.

He knew quite well where he was; he had studied every yard of the

way he had travelled. He was just about to leave the studio by going

downstairs when he stopped and drew back. Someone was coming up.

He retreated behind a large piece of furniture and pulled a small

revolver from his pocket. He had never used his gun on any of his

burglarious expeditions, but he always carried it, nevertheless. He did

not want to kill; but a gun was always handy to intimidate, to menace,

to scare. He told himself that all he needed to do was to put the fear

of death into whomsoever was coming up to the room, manœuvre towards

the door, and dash out, locking it from the outside. It was a simple

enough plan; such a one had served him previously. As he crouched

behind the furniture the opposite door of the studio opened, there was

a faint "click," and the room was flooded with light.

"Put out that light!"

Billiter's order whipped across the apartment like the crack of a whip.

By the door stood a man in his shirt-sleeves, his hands wet, as if he

had been washing them. Billiter slid from behind the piece of furniture.

He knew the room quite well. He saw around the shelves were several

bottles and jars; pictures were hung on the walls, large and small

photographs. From the centre of the ceiling a large, powerful arc lamp

was suspended, but this was not the light that was illuminating the

studio. The arc lamp was controlled by a hanging pear-switch, the other

by a switch on the wall next the door.

The man in the shirt-sleeves was standing on the threshold, startled

and hesitating. The sight of a masked burglar had, for the moment,

unnerved him.

"Put out that light!"

This time Billiter's revolver was raised. The man obeyed instinctively,

without a word; and as the light was extinguished another bored a small

circle through the darkness and fell on the figure by the door. This

second light came from an electric torch which Billiter held in his

left hand.

"What are you doing here?" demanded the man at the door. "This

studio----"

"Cut that out! Step over here and I won't harm you!"

Billiter jerked his torch in the direction he wished the man to walk;

but just then the other seemed to overcome his surprise and fright.

He stooped, and raised the first thing that came to his hand and

threw it with all his force at the gleaming torch. What he threw was

inoffensive enough. It was a cushion taken from a chair near the door;

but it caught Billiter full in the face, making him drop his torch and

bringing an oath to his lips.

"Don't move!" he cried swiftly. "If you make a step I'll shoot!"

The warning halted the man by the door. He did not see, in the gloom,

that his missile had torn the mask from Billiter's face just then; but

he saw it a moment later, when Billiter stooped to regain his torch,

the light of which, as he lifted it, suddenly flashed across his

features.

"Stand away from that door!" roared Billiter harshly.

As he spoke he threw the torchlight full on the man once more, jerking

it commandingly. He did not want to shoot, angry though he was. He knew

the consequences of shooting, and he shrank from murder; besides, the

noise of the shot might disturb others. Billiter was playing his game

of bluff, of menace, confidently. He saw, by the changing expression on

the man's face, that his mind was a prey to swift and changing emotions

and ideas. But Billiter held the winning hand. If it came to a fight,

he could always shoot; but he would shoot only to frighten.

The man moved hesitatingly from the doorway. Billiter took a step

towards it. It was like a game of draughts, each man taking a step,

cat-like, watching his opponent, the one gliding towards the interior

of the apartment, the other towards the exit.

Suddenly the man seemed to lose his nerve, and ran forward to hide

behind the heavy piece of furniture which was placed, easel-like, under

the hanging arc lamp, and was covered by a dust sheet. Billiter knew

then that he had won. The man was scared stiff. But a scared man may

be dangerous, and as Billiter threw his torchlight on the spot he saw

the man's hand go up as if to reach the pear-switch. Billiter aimed and

fired at the hand.

There was a smash of glass, a cry as one of the bottles on a distant

shelf crashed down, and then a blinding flash filled the room. The

glare made Billiter's eyes sting. He could no longer see things, but he

dashed for the door, switching out his torch. He reached the door and

closed it at his heels, and turned the key in the lock. Then he stood

blinking in the darkness of the landing.

"Some of his blinking chemicals," he muttered. "I hit his hand too.

That will be a lesson to him not to try tricks. One thing, he never saw

me properly, so he can't identify me."

He went down the stairs, confident still, his eyes a little misty, but

they soon cleared and he was able to see normally. He no longer feared

pursuit, since he had locked the door behind him. He reached the ground

floor, put his mask in his pocket, and went out.

A few minutes later he was in the Strand, one of the crowd that was

moving along. He was safe. All he had to do now was to present an alibi

with which to face the police.

He knew they would make inquiries. He knew Carney would come to see

him, as he always came. The same old things would be said, the same old

questions asked and answered. He had begun to laugh at the suspicions

the police had of him. He had grown used to being suspected. But

suspicion is one thing and evidence is another. He never gave them

evidence.

In this case he had worked with his usual caution and luck. He

reflected, as he walked along, that he had just fired the shot in

time. The intruder had hoped to throw his big light on him; perhaps he

had intended to attack as soon as the studio was lit up. The shot had

prevented this, as it had also prevented any chance of his own identity

being discovered.

It had taken Billiter some time to work out this burglary. First he had

observed the position of the store. He had never dreamed of entering it

by its own doorways. He had observed the premises on either side. One

was a small teashop of the kind that provides light suppers and quick

lunches. It remained open until after the theatres closed, so that

entrance could not possibly be made that way.

Billiter found his means on the other side of the store. Next door

to the jeweller's was a sweet-shop, with offices above. Next the

sweet-shop was an outfitter's, occupying two floors. The third floor

was used as a photographic studio--one of the kind where passport

portraits are turned out in a hurry. Because this studio was erected on

a flat roof Billiter chose it as his line of advance.

The fifteen cells · 第 13 / 17 段