ROYAL TOMBS. The tombs show that brickwork was familiar on a large

scale. The prehistoric houses and tomb chambers were by no means

slight. The town at Naqada has house-walls about two feet thick,

and a town wall nearly eight feet thick. The brick-lined tombs are

sometimes as large as 8 ft. by 12 ft. The kings’ tombs of Dynasty O

are about 10 ft. by 20 ft. Those of Narmer, Sma, and Mena are about

17 ft. by 26 ft., with walls 5 ft. to 7 ft. thick. Under Zer there is

a great extension; the brick pit is 39 ft. by 43 ft.; it contained a

wooden chamber 28 ft. by 34 ft., and it was surrounded by many rows

of graves--318 in all. The later tombs of the first dynasty are less

imposing. At the end of the second dynasty the tomb of Khasekhemui

consisted of fifty-eight chambers covering a ground 223 ft. long and

40 ft. wide. The sizes of bricks were between 9 in. and 10 in. long,

half as wide, and under 3 in. thick, in the prehistoric and through the

first and second dynasties. Wood was used on a large scale. The royal

tombs show beams for framing of about 10 in. wide and 7 in. deep, and

18 ft. or 20 ft. long, and these beams supported chamber sides and

floors formed of planks 2 in. or 3 in. thick. The roof was made of

similar beams, covered with boards and mats, which sustained 3 ft. or

4 ft. of sand laid over the tomb. Such was an extension of the roofs

of poles and brushwood which were laid over the prehistoric tombs, and

over the lesser tombs of the officials of the early kings. The sign for

royal architect in the earliest inscriptions is that of a carpenter,

the “two-axe man.”

The stone steles were of limestone in the first dynasty, and in the end

of the first dynasty the steles of Oa are of black quartzose stone.

Those of Perabsen in the second dynasty are of very tough syenite.

The carving of all these is in high relief, finely and boldly cut in

a simple, clear style. At the end of the second dynasty a stone-built

chamber appears for the first time; the blocks have naturally cloven

surfaces so far as possible, and the rest of the faces are dressed

with a flint adze. Of the same reign of Khasekhemui there is a granite

door-jamb with signs in high relief. Granite had already been wrought

flat for pavements in the previous dynasty, at the tomb of Den.

[Sidenote: Egypt’s Annual Record]

[Sidenote: The Honour that Kings Died for]

TABLETS OF ANNALS. The greater part of the inscriptions of this age

are on small square tablets of ebony and of ivory, which were found

in the royal tombs. These each have a hole in the top corner, and the

sign of a year--the palm stick--down the side, as there is by the side

of the entries of the events of each year on the early annals. They

thus appear to be each the record of a year, and to have been strung

together by the corner holes. There has not yet been any authoritative

study of the meaning of these earliest inscriptions, which are

very difficult to understand, owing to the transitory condition of

ideographs having not yet yielded to syllabic usage. We can, however,

glean many points about the civilisation from them. The towns were

fortified with battlemented walls. The shrines were small sanctuaries,

with a large court in front, like the temple courts of later times. At

the entrance to the court were two tall poles, apparently with flags,

which later developed into the row of masts with streamers in front of

the pylon. The great festival at the close of each thirty years was one

of the most important, already noticed here under Narmer. The sanctuary

for it had two shrines back to back, each with a flight of steps,

apparently for Upper and Lower Egypt. The dancing of the new king, or

the crown prince as king, before the old Osirified king in the shrine,

was one of the main events of the feast. The types of temple furniture

were already fixed in the forms which lasted for several thousand

years; the barks of Harakhti are shown with the same hangings at the

prow, and are double--for the E. and W.--as in the temple of Sety I.

Large bowls of electrum were offered in the temples by the king. Wild

cattle were hunted by trap nets, as was done much later in Greece. And

there is shown a long road, with resthouses and palm-trees, leading up

to the great temple in the reign of King Zer.

[Illustration: A RECORD OF A YEAR’S EVENTS: EBONY TABLET OF KING MENA,

5500 B.C.

The greater part of the inscriptions of the first dynasty are on

small square tablets of ebony and of ivory. These each have a hole

in the top corner, and the sign of a year--the palm stick--down the

side. They thus appear to be each the record of a year, and to have

been strung together by the corner holes. They were found scattered

in the tombs.

]

[Sidenote: Officers of the Empire]

SEALINGS. The clay sealings of officials show much of the organisation

of the country. The oldest titles, under Zer, are the “Commander of the

Inundation” and “Commander of the Cattle.” In the reign of Zet we find

a “Commander of the Elders” and “Archon,” or chief of the city; also

the temple property, or “Inheritance of the Chief God,” is named. Under

Merneit and Den there is a prince (_ha_). The vizier was “Commander of

the Centre,” probably the major domo of the Court, and also “Over-head

of the Commanders.” There are further named a “Royal Sealer of the Vat

of Neit,” the “winepress of the north,” and a “Deputy of the Treasury.”

In later reigns there is an “Over-head” of a city. And under the second

dynasty the titles are “Royal Sealer of all Deeds,” “Scribe of Accounts

of Provisions,” “Sealer of Northern Tribute,” “Collector of Lotus

Seed,” and “Chief Man Under the King.” These titles are from but a very

small part of the bureaucracy, only those whose seals were affixed to

the royal provision which was placed in the tomb; but they suffice to

show the regular organisation of the government at that age.

[Illustration: THE SEAL OF AN EGYPTIAN OFFICIAL

Much exact knowledge of the life of ancient Egypt is derived from

the clay seals of high officials. The oldest known titles are those

of “Commander of the Inundation.” The seal here is that of the

“Southern Sealer of all Documents of King Sekhem-ab,” 5100 B.C.

]

STONE VASES. The stone vases for the royal palaces were cut in many

kinds of hard rock. The rarer kinds are rock crystal, serpentine, and

basalt; limestones, porphyry and syenite were more usual; and the

commonest materials were metamorphic rocks formed from volcanic ash

verging into slate, dolomite, marble, and alabaster. These materials

were mostly selected for their beauty. The red porphyry is the rarest,

being only known in a bowl of the time of Mena, and two prehistoric

pieces. Black porphyry with very large detached white crystals belongs

only to the age of Mena. Pink granite, blue-grey volcanic ash, the

quartz crystal, and the pink limestones are all very beautiful

materials. The hardness does not seem to have been aught but an

attraction, as the finest work is always put on the best materials;

whereas the soft alabaster and slate did not seem to challenge any

great amount of care. The working of the inside was always done by

grinding with blocks, sometimes having first removed the axis by a tube

drill hole. The outside was dressed by chipping, hammer-dressing, and

hand polishing; sometimes done by circular motion on a block, but often

by crossing work by hand. The readiness with which oval forms were made

shows how little depended on circular motion.

[Illustration: TOMBS OF KING ZER OF THE FIRST DYNASTY, 5400 B.C.

Brickwork was common in the houses and tomb-chambers of the

prehistoric period, and in the time of the kings of Abydos the

building of the tombs was greatly extended. Here are seen the

brick partitions to contain offerings, around a wooden chamber

now destroyed. Beyond this all round were 318 graves of the royal

servants.

]

[Sidenote: Two-Colour Glazing]

The use of glazing had been already invented early in the prehistoric

age, as far back as S.D. 31; but it was only applied to beads and small

amulets. The earliest glazed pottery vase known is of Mena, and this

has his name in violet glaze inlaid in the green glazed body. Glazed

vases continued to be made throughout the first and second dynasties,

but became rarer, and they have not been found revived till much

later times. But ivory and wood were largely used for carved objects,

sometimes of elaborate design. One of the most distinguishing points

of the age of the early kings was the minute carving in imitation of

leafage and basket-work, which was mainly done in slate, but also in

wood. The fragments which remain show most elaborate patterns worked

out with minute attention to detail. Nothing of the same kind is known

in any other age.

[Sidenote: Remains of the Oldest Sculpture]

MONUMENTS. There are but few monumental remains from these early

dynasties. The great rock-cut scene of Semerkhet conquering a Bedawy

chief in Sinai is the main example. The figures are only summarily cut

in the natural face of the sandstone; but the truth of the outline is

better than in any of the more pretentious work of later times in that

region. The scene of Sanekht--early third dynasty--is much poorer, and

that of his successor, Zeser, is scarcely legible, the work is so rude

and slight. The private tablets which were put over the graves around

the royal tombs show that the fine work was limited to a small number

of royal artists in the first dynasty, and that there was no general

school of able men such as arose in later times. The figures and

hieroglyphics are rudely hammered out, and the drawing is but clumsy.

There is seldom more than just the name of the deceased. By the time of

Den many are distinguished as the _Akhu-ka_, the “glorious soul”; while

there is also a class apparently named “people of King Setui, daughter

of the captive”--_i.e._, slaves born of captives taken in his wars.

[Illustration: THE EARLIEST SCULPTURE

There are but few monumental remains from the early dynasties. The

great rock-cut scene of Semerkhet, of which this shows a part, is

the main example. The figures are only summarily cut in the natural

face of the sandstone; but the truth of the outline is better than

in any of the more pretentious work of later times in the same

region.

]

It appears that the use of fine materials was at its height under

Mena and Zer. Zer has the largest and best-built tomb, Zet shows the

greatest delicacy in work, and Den seems to have had the most showy

objects. The changes in about five generations here were much like

those in an equal time from Amenhotep I. to III. in the eighteenth

dynasty. Then decay markedly set in, and there was no revival until the

Pyramid kings. But some development in the use of materials went on;

and Zeser, of the third dynasty, is said to have built a stone palace;

while Khasekhemui, a generation earlier, had a limestone chamber for

his tomb, and carved granite for the door-jambs of his temple, at

about 4950 B.C. These instances are the earliest use of stone for

construction that are yet known; though as early as the middle of the

first dynasty King Den had a pavement of red granite in part of his

tomb.

[Sidenote: Age of the Pyramid Builders]

PYRAMID BUILDING. We now approach to the well-known age of the pyramid

builders, when the civilisation appears at its highest development in

most respects. We shall not deal with this in detail, as it falls into

the ordinary historical period which appears elsewhere in this work

[see Egypt]. But it may be useful to give the most essential facts of

the material civilisation, which may otherwise be lost sight of in the

mass of the history.

In stonework the accuracy reached its highest point in the fourth

dynasty, when the Pyramid of Khufu was constructed with an average

error of less than 1 in 15,000 of length, and even less in angle. The

later work fell off from this accuracy; but in the twelfth dynasty

the granite sarcophagus of Senusret II. was wrought with an average

error in straightness and parallelism of under seven-thousandths of

an inch, and an error of proportions between different parts of less

than three-hundredths of an inch. There was no attempt to reach this

high degree of accuracy in the later work. In sculpture the main

character of the work of the Pyramid kings is its dignity and grandeur,

representing individualism on the highest plane of abstraction.

[Illustration: THE BUILDING OF THE PYRAMIDS IN THE ZENITH OF EGYPTIAN

CIVILISATION

The age of the Pyramid builders may be regarded as the height of

Egyptian civilisation. The greatest accuracy in stonework was

reached during the fourth dynasty, when the Pyramid of Cheops, or

Khufu, was constructed with an average error of less than 1 in

15,000 of length, and of even less in angle. In the twelfth dynasty

the granite sarcophagus of Senusret II. was wrought with an average

error in straightness and parallelism of under seven-thousandths of

an inch.

]

[Sidenote: The Great Navy of Egypt]

Under the twelfth dynasty the personality is weaker and the style that

of a formal school, highly trained but dependent upon training. In the

eighteenth dynasty the vivacity of expression is directed to a purely

personal appeal, more of emotion than of character. After that there

is nothing but copying, good or bad. The growth of shipping at the

early date of Sneferu, the end of the third dynasty, is surprising;

and the record that we happen to have shows how much probably went on

at other times, there being built, in one year sixty ships of 100 ft.

long, in the next year two of 170 ft. long.

METALS. The use of copper is as remote as the beginning of the

continuous civilisation in the prehistoric age, about 8000 B.C. It

increased in quantity down to the eighteenth dynasty, and it was

hardened by using arsenical copper ores, and leaving oxide in it; this,

with hammering made it equal to soft steel for working purposes. Rare

instances of tin, probably derived from natural mixture in the ore, are

known from the third dynasty; but there was no regular use of it until

we find pure tin, also known about 1500 B.C. Thence bronze was the main

material until Roman times. Iron had been sporadically found in the

fourth, sixth, twelfth, and other dynasties, and was known for about

4,000 years before it came into general use in Greek times. This agrees

with its having been obtained from native masses rarely discovered, as

has been the case in North and South America. Such native iron is the

result of volcanic action on iron ore in contact with carboniferous

strata. All these conditions exist in Sinai, and hence native iron

might be found there. By about 800 B.C. iron was used for knives, but

with a handle of bronze cast upon it to save the rarer metal. The iron

tools in Egypt from the seventh to fifth century B.C. are all Assyrian

or Greek, and it is not till Ptolemaic or Roman times that bronze tools

disappear.

[Illustration: TOOLS OF ANCIENT EGYPTIANS

The plain strip of copper used for an adze in the early prehistoric

age became in historic times widened at the edge, and had a slight

contraction at the top; but the straight strip was kept up for

7,000 years without any attempt at a haft, simply lashed on to a

bent handle. It is not till about 800 B.C. that any use of a haft

occurs in Egypt, and then only for a hoe. The different dynasties

are indicated in the examples here given.

]

[Sidenote: Oldest Rock Drills]

The forms of tools varied very little. The plain strip of copper, which

was used for an adze in the early prehistoric age, became in historic

times widened at the edge, and had a slight contraction at the top to

assist in binding it on; but the straight strip was kept up for 7,000

years without any attempt at a haft, simply lashed on to a bent handle.

It is not till about 800 B.C., or later, that any use of a haft occurs

in Egypt, and then only for a hoe; while in Babylonia axes cast with

a strong haft were used before 3000 B.C. Nor was a haft used for a

hammer--a smooth stone in the hand was the only beating tool; while for

striking tools a wooden mallet was used, cut out of a block. The axe

began as a plain rectangle of copper, sharp on one edge; projections

at the back were added, until they were half as long as the breadth

of the axe, but no haft was attempted. The saw was used before the

pyramid period; and also the saw and tube drill set with hard stones

for cutting granite. Drills for boring vases were usually blocks of

stone fed with sand and water, or probably emery for cutting the harder

stones. Socketted chisels were an Italian invention in the later Bronze

Age, about 900 B.C., and were copied by the Greeks, in iron, about 500

B.C.; but they were never used except under Greek influence in Egypt.

Shears are also Western, and were unknown till Greek times in Egypt.

[Illustration: ONE OF THE WORLD’S OLDEST MONUMENTS: THE GREAT STEP

PYRAMID AT SAKKARA

This pyramid was built by King Neterkhet of the third dynasty,

about 4900 B.C.

]

[Illustration: THE BEGINNING OF THE ALPHABET

The signary which was used in various early ages is here shown,

as it has been gathered from examples of over 100 signs found in

Egypt. Closely related to these are the early alphabets of Karia

and Spain, the latter alphabet containing over 30 signs. It is from

this prehistoric signary that the present Roman alphabet has been

gradually selected during past ages.

]

GLAZING AND GLASS. The very ancient art of glazing, already used

in two colours under Mena, did not take any new form till the

eighteenth dynasty, when it was greatly varied by new colours and

new applications. Large objects, five feet high, were covered with a

single fusing of glaze; minute ornaments, for stitching on garments,

blazed with the brightest red, green, blue, or yellow; while whole

inscriptions were executed in coloured glaze hieroglyphs, inlaid in the

white stone walls. Glass, however, was not made separately until about

the time of Tahutmes III., 1500 B.C. There is no earlier example of

true glass, nor any representation of working glass. All the truly

Egyptian glass was wrought pasty, and never blown.

Blown vases belong entirely to the Roman age and later times. The large

blown glass lamps of Arab age, covered with fusible enamel designs, are

highly skilled pieces of work. The uses of glass to the Egyptian were

mainly for beads, for coloured inlays in wood of shrines or coffins,

and for variegated glass vases. The beads were made by winding a thread

of glass on a wire; the vases, likewise, were made by modelling on an

infusible core, held on a mandrel, and winding coloured glass threads

on the body. The inlays were often of one colour, generally deep blue

imitating lazuli; but often mosaics were used, made of a bundle of

glass threads fused together, drawn out, and then cut off in slices.

Such are all of Greek or Roman age. An important use of glass in Roman

and Arab times was for weights, and for stamps impressed on glass

bottle measures, inscribed with the names of the ruler and the maker.

[Sidenote: Taste of the Times]

Lastly we may note the variations in the nature of the Egyptian

literature, as reflecting the civilisation. The earliest tales are

those of magical powers, belonging to the pyramid age. Next, in the

Middle Kingdom, comes the contrast between town and country, and the

tales of adventure in foreign lands. In the New Kingdom the contrasts

of character are the main interest, and, in the late tales, the

pseudo-historical romance of the great tournament of the Delta, or the

antiquarian interests of a priest. These subjects of romance varied as

much or more than the actual grammar and language.

[Illustration: THE WANDERERS OF THE DESERT, AMONG WHOM EGYPTIAN

CIVILISATION GREW UP]

[Illustration: PYRAMID OF MEIDUM: BUILT BY SENEFERU, LAST KING OF THE

THIRD DYNASTY

This tomb was begun as a square block of masonry, and was enlarged

by successive coats, which are here seen. Then one smooth coating

of sloping blocks was put over all from bottom to top, and so the

first real pyramid appeared in 4700 B.C. The pyramid coating has

been destroyed and only the base remains under the rubbish mounds.

]

ALPHABET. One subject of great European interest should be noted here,

as Egypt has thrown much light upon it. The origin of the alphabets of

the Mediterranean has been disputed, without historical knowledge of

the examples of such signs in early ages. The Egyptian hieratic and

the archaic Babylonian signs may have, perhaps, added a few to the

Mediterranean signary, but neither source can at all account for it.

The alphabet is by no means a clean cut series of 22 signs; it is a

very complex tangle of parallel groups of signs in different lands,

more or less alike. Of these groups two of the largest are those of

Karia and Spain, comprising over 30 signs, and these have many points

of peculiarity in common. This is sufficient to show that the fuller

alphabet is the original form, from which the shorter lists have been

selected. Now, in Egypt there are found scratched on pottery and

woodwork over 100 signs, and these comprise the forms of the fuller

alphabet. Moreover, these Egyptian examples are found at about 1200

B.C., or only a few centuries before the Karian and Spanish alphabets,

again in 3000 B.C., in 5500 B.C., and before 7000 B.C. Of 41 alphabetic

signs, 19 occur in 1200-1400 B.C., 32 in 3000 B.C., 27 in 5500 B.C.,

and 31 in 7000 B.C. As we have not a very large amount of material,

the occurrence of from 19 to 32 out of 41 signs is as much as we

could expect, as all the 41 occur in one period or another. The early

date of these puts all derivation from the subsequent hieroglyphics

entirely out of the question. We can as yet only say that a large

signary of 40 or more linear forms was in continuous use from before

7000 B.C. downwards, and that these furnish all the forms of the fuller

alphabets, those of the short Phœnician and Greek list of later time.

We have now outlined the rise of civilisation in Egypt, apart from the

history of the country, which is dealt with separately; and we turn

to the other great valley of early civilisation, in Mesopotamia, to

compare the resemblances and the differences between the two lands.

W. M. FLINDERS PETRIE

NOTABLE DATES OF ANCIENT CIVILISATION

EGYPT

B.C.

8000 Continuous civilisation of prehistoric age began S.D. 30

7000 Asiatic invasion S.D. 40

5800 Invasion of dynastic race

5500 Mena rules all Egypt S.D. 80

4700 Khufu builds Great Pyramid

4000 Invasion from north

3400 Middle Kingdom, twelfth dynasty

2500 Hyksos invasion, fifteenth dynasty

2250 Second Hyksos movement

1580 New Kingdom, eighteenth dynasty

1380 Tell el Amarna letters

701 Taharqa (Tirhakah)

570-26 Aahmes (Amasis)

BABYLONIA

B.C.

Before

6000 Susa founded

5000 Ea founds Eridu and civilises the land

4700 Earliest monuments of Kings

4500 Urnina

3800 Sargon and Naramsin, Semitic rule

3300 Gudea

2280 Elamites conquer Babylonia

2129 Hammurabi

1572 Kassite dynasty

1380 Burnaburiash

690 Sennacherib

556-38 Nabonaid, fall of Babylon

THE RISE OF CIVILISATION

IN MESOPOTAMIA

BY PROFESSOR FLINDERS PETRIE

The first impression that strikes the reader in passing from the

Egyptian to the Mesopotamian civilisation is the lack of that unity and

conciseness which makes history in the Nile valley so intelligible, and

its problems so well defined.

[Sidenote: Disunion of Early Babylonia]

In place of the well ordered history of Manetho, with its numbered

dynasties, and totals stated throughout, there is practically nothing

stated before Nabunasir in 747 B.C. The mythological extracts from

Berosus, and the list of Ktesias, which cannot be identified with any

known facts, give no help in arranging the outlines of the history. In

place of the uniform language and writing, which develops without a

break during the whole history of Egypt, there is the entire break from

Sumerian to Semitic. In place of the continuous importance of Egyptian

capitals, there is the change from the principalities to Babylon, and

thence to Nineveh. In place of the unified kingdom of the Nile valley,

through the whole written history, the greater part of the documentary

period is filled with rival principalities, within thirty or forty

miles of each other, the tops of whose temples must have been visible

over the entire territory of their respective states.

As the general scale of Egypt is so familiar to the modern reader and

traveller, it will be well to compare Mesopotamia with that. Babylon

was twice as far from the sea as Cairo; and from Babylon to Nineveh

was the distance from Cairo to Sohag. Or in other terms, starting from

the sea, Babylon was as distant as Oxyrhynchos, Nineveh in place of

Thebes, and the highlands of Carchemish, Commagene, and Lake Van were

the equivalent of Nubia. The old land of Shumer was just the size of

the Delta, and Akkad as large as Middle Egypt. The principalities of

Eridu, Lagash, Ur, Erech, and others, were as far apart as those of the

Delta--Bubastis, Benha, Sais, or Sebennytos. Indeed, it seems as if

this were a natural unit-size of early dominions in a fertile plain.

[Sidenote: The Nile and the Euphrates]

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