XLII

Elizabeth had quite definitely put Dick out of her heart. On the evening

of the day she learned he had come back and had not seen her, she

deliberately killed her love and decently interred it. She burned her

notes and his one letter and put away her ring, performing the rites not

as rites but as a shameful business to be done with quickly. She tore

his photograph into bits and threw them into her waste basket, and

having thus housecleaned her room set to work to houseclean her heart.

She found very little to do. She was numb and totally without feeling.

The little painful constriction in her chest which had so often come

lately with her thoughts of him was gone. She felt extraordinarily

empty, but not light, and her feet dragged about the room.

She felt no sense of Dick's unworthiness, but simply that she was up

against something she could not fight, and no longer wanted to fight.

She was beaten, but the strange thing was that she did not care. Only,

she would not be pitied. As the days went on she resented the pity that

had kept her in ignorance for so long, and had let her wear her heart on

her sleeve; and she even wondered sometimes whether the story of Dick's

loss of memory had not been false, evolved out of that pity and the

desire to save her pain.

David sent for her, but she wrote him a little note, formal and

restrained. She would come in a day or two, but now she must get her

bearings. He was to know that she was not angry, and felt it all for

the best, and she was very lovingly his, Elizabeth.

She knew now that she would eventually marry Wallie Sayre if only to get

away from pity. He would have to know the truth about her, that she did

not love any one; not even her father and her mother. She pretended to

care for fear of hurting them, but she was actually frozen quite hard.

She did not believe in love. It was a terrible thing, to be avoided

by any one who wanted to get along, and this avoiding was really quite

simple. One simply stopped feeling.

On the Sunday after she had come to this comfortable knowledge she sat

in the church as usual, in the choir stalls, and suddenly she hated the

church. She hated the way the larynx of Henry Wallace, the tenor, stuck

out like a crabapple over his low collar. She hated the fat double chin

of the bass. She hated the talk about love and the certain rewards of

virtue, and the faces of the congregation, smug and sure of salvation.

She went to the choir master after the service to hand in her

resignation. And did not, because it had occurred to her that it might

look, to use Nina's word, as though she were crushed. Crushed! That was

funny.

Wallie Sayre was waiting for her outside, and she went up with him to

lunch, and afterwards they played golf. They had rather an amusing game,

and once she had to sit down on a bunker and laugh until she was weak,

while he fought his way out of a pit. Crushed, indeed!

So the weaving went on, almost completed now. With Wallie Sayre biding

his time, but fairly sure of the result. With Jean Melis happening on

a two-days' old paper, and reading over and over a notice addressed to

him. With Leslie Ward, neither better nor worse than his kind, seeking

adventure in a bypath, which was East 56th Street. And with Dick

wandering the streets of New York after twilight, and standing once with

his coat collar turned up against the rain outside of the Metropolitan

Club, where the great painting of his father hung over a mantelpiece.

Now that he was near Beverly, Dick hesitated to see her. He felt no

resentment at her long silence, nor at his exile which had resulted

from it. He made excuses for her, recognized his own contribution to

the catastrophe, knew, too, that nothing was to be gained by seeing her

again. But he determined finally to see her once more, and then to go

away, leaving her to peace and to success.

She would know now that she had nothing to fear from him. All he wanted

was to satisfy the hunger that was in him by seeing her, and then to go

away.

Curiously, that hunger to see her had been in abeyance while Bassett

was with him. It was only when he was alone again that it came up; and

although he knew that, he was unconscious of another fact, that every

word, every picture of her on the great boardings which walled in every

empty lot, everything, indeed, which brought her into the reality of the

present, loosened by so much her hold on him out of the past.

When he finally went to the 56th Street house it was on impulse. He had

meant to pass it, but he found himself stopping, and half angrily made

his determination. He would follow the cursed thing through now and get

it over. Perhaps he had discounted it too much in advance, waited too

long, hoped too much. Perhaps it was simply that that last phase was

already passing. But he felt no thrill, no expectancy, as he rang the

bell and was admitted to the familiar hall.

It was peopled with ghosts, for him. Upstairs, in the drawing-room

that extended across the front of the house, she had told him of her

engagement to Howard Lucas. Later on, coming back from Europe, he had

gone back there to find Lucas installed in the house, his cigars on

the table, his photographs on the piano, his books scattered about.

And Lucas himself, smiling, handsome and triumphant on the hearth rug,

dressed for dinner except for a brocaded dressing-gown, putting his hand

familiarly on Beverly's shoulder, and calling her “old girl.”

He wandered into the small room to the right of the hall, where in other

days he had waited to be taken upstairs, and stood looking out of the

window. He heard some one, a caller, come down, get into his overcoat

in the hall and go out, but he was not interested. He did not know

that Leslie Ward had stood outside the door for a minute, had seen and

recognized him, and had then slammed out.

He was quite steady as the butler preceded him up the stairs. He even

noticed certain changes in the house, the door at the landing converted

into an arch, leaded glass in the dining-room windows beyond it. But

he caught a glimpse of himself in a mirror, and saw himself a shabby

contrast to the former days.

He faced her, still with that unexpected composure, and he saw her very

little changed. Even the movement with which she came toward him with

both hands out was familiar.

“Jud!” she said. “Oh, my dear!”

He saw that she was profoundly moved, and suddenly he was sorry for her.

Sorry for the years behind them both, for the burden she had carried,

for the tears in her eyes.

“Dear old Bev!” he said.

She put her head against his shoulder, and cried unrestrainedly; and

he held her there, saying small, gentle, soothing things, smoothing her

hair. But all the time he knew that life had been playing him another

trick; he felt a great tenderness for her and profound pity, but he

did not love her, or want her. He saw that after all the suffering

and waiting, the death and exile, he was left at the end with nothing.

Nothing at all.

When she was restored to a sort of tense composure he found to his

discomfort that woman-like she intended to abase herself thoroughly and

completely. She implored his forgiveness for his long exile, gazing at

him humbly, and when he said in a matter-of-fact tone that he had been

happy, giving him a look which showed that she thought he was lying to

save her unhappiness.

“You are trying to make it easier for me. But I know, Jud.”

“I'm telling you the truth,” he said, patiently. “There's one point I

didn't think necessary to tell your brother. For a good while I didn't

remember anything about it. If it hadn't been for that--well, I don't

know. Anyhow, don't look at me as though I willfully saved you. I

didn't.”

She sat still, pondering that, and twisting a ring on her finger.

“What do you mean to do?” she asked, after a pause.

“I don't know. I'll find something.”

“You won't go back to your work?”

“I don't see how I can. I'm in hiding, in a sort of casual fashion.”

To his intense discomfiture she began to cry again. She couldn't go

through with it. She would go back to Norada and tell the whole thing.

She had let Fred influence her, but she saw now she couldn't do it. But

for the first time he felt that in this one thing she was not sincere.

Her grief and abasement had been real enough, but now he felt she was

acting.

“Suppose we don't go into that now,” he said gently. “You've had about

all you can stand.” He got up awkwardly. “I suppose you are playing

to-night?”

She nodded, looking up at him dumbly.

“Better lie down, then, and--forget me.” He smiled down at her.

“I've never forgotten you, Jud. And now, seeing you again--I--”

Her face worked. She continued to look up at him, piteously. The

appalling truth came to him then, and that part of him which had

remained detached and aloof, watching, almost smiled at the irony. She

cared for him. Out of her memories she had built up something to care

for, something no more himself than she was the woman of his dreams; but

with this difference, that she was clinging, woman-fashion, to the thing

she had built, and he had watched it crumble before his eyes.

“Will you promise to go and rest?”

“Yes. If you say so.”

She was acquiescent and humble. Her eyes were soft, faithful, childlike.

“I've suffered so, Jud.”

“I know.”

“You don't hate me, do you?”

“Why should I? Just remember this: while you were carrying this burden,

I was happier than I'd ever been. I'll tell you about it some time.”

She got up, and he perceived that she expected him again to take her in

his arms. He felt ridiculous and resentful, and rather as though he was

expected to kiss the hand that had beaten him, but when she came close

to him he put an arm around her shoulders.

“Poor Bev!” he said. “We've made pretty much a mess of it, haven't we?”

He patted her and let her go, and her eyes followed him as he left the

room. The elder brotherliness of that embrace had told her the truth as

he could never have hurt her in words. She went back to the chair where

he had sat, and leaned her cheek against it.

After a time she went slowly upstairs and into her room. When her maid

came in she found her before the mirror of her dressing-table, staring

at her reflection with hard, appraising eyes.

Leslie's partner, wandering into the hotel at six o'clock, found from

the disordered condition of the room that Leslie had been back, had

apparently bathed, shaved and made a careful toilet, and gone out again.

Joe found himself unexpectedly at a loose end. Filled with suppressed

indignation he commenced to dress, getting out a shirt, hunting his

evening studs, and lining up what he meant to say to Leslie over his

defection.

Then, at a quarter to seven, Leslie came in, top-hatted and

morning-coated, with a yellowing gardenia in his buttonhole and his

shoes covered with dust.

“Hello, Les,” Joe said, glancing up from a laborious struggle with a

stud. “Been to a wedding?”

“Why?”

“You look like it.”

“I made a call, and since then I've been walking.”

“Some walk, I'd say,” Joe observed, looking at him shrewdly. “What's

wrong, Les? Fair one turn you down?”

“Go to hell,” Leslie said irritably.

He flung off his coat and jerked at his tie. Then, with it hanging

loose, he turned to Joe.

“I'm going to tell you something. I know it's safe with you, and I need

some advice. I called on a woman this afternoon. You know who she is.

Beverly Carlysle.”

Joe whistled softly.

“That's not the point,” Leslie declaimed, in a truculent voice. “I'm not

defending myself. She's a friend; I've got a right to call there if I

want to.”

“Sure you have,” soothed Joe.

“Well, you know the situation at home, and who Livingstone actually is.

The point is that, while that poor kid at home is sitting around killing

herself with grief, Clark's gone back to her. To Beverly Carlysle.”

“How do you know?”

“Know? I saw him this afternoon, at her house.”

He sat still, moodily reviewing the situation. His thoughts were a

chaotic and unpleasant mixture of jealousy, fear of Nina, anxiety over

Elizabeth, and the sense of a lost romantic adventure. After a while he

got up.

“She's a nice kid,” he said. “I'm fond of her. And I don't know what to

do.”

Suddenly Joe grinned.

“I see,” he said. “And you can't tell her, or the family, where you saw

him!”

“Not without raising the deuce of a row.”

He began, automatically, to dress for dinner. Joe moved around the room,

rang for a waiter, ordered orange juice and ice, and produced a bottle

of gin from his bag. Leslie did not hear him, nor the later preparation

of the cocktails. He was reflecting bitterly on the fact that a man who

married built himself a wall against romance, a wall, compounded of his

own new sense of responsibility, of family ties, and fear.

Joe brought him a cocktail.

“Drink it, old dear,” he said. “And when it's down I'll tell you a few

little things about playing around with ladies who have a past. Here's

to forgetting 'em.”

Leslie took the glass.

“Right-o,” he said.

He went home the following day, leaving Joe to finish the business in

New York. His going rather resembled a flight. Tossing sleepless the

night before, he had found what many a man had discovered before him,

that his love of clandestine adventure was not as strong as his caution.

He had had a shock. True, his affair with Beverly had been a formless

thing, a matter of imagination and a desire to assure himself that

romance, for him, was not yet dead. True, too, that he had nothing to

fear from Dick Livingstone. But the encounter had brought home to him

the danger of this old-new game he was playing. He was running like a

frightened child.

He thought of various plans. One of them was to tell Nina the truth,

take his medicine of tears and coldness, and then go to Mr. Wheeler.

One was to go to Mr. Wheeler, without Nina, and make his humiliating

admission. But Walter Wheeler had his own rigid ideas, was

uncompromising in rectitude, and would understand as only a man could

that while so far he had been only mentally unfaithful, he had been

actuated by at least subconscious desire.

His own awareness of that fact made him more cautious than he need have

been, perhaps more self-conscious. And he genuinely cared for Elizabeth.

It was, on the whole, a generous and kindly impulse that lay behind his

ultimate resolution to tell her that her desertion was both wilful and

cruel.

Yet, when the time came, he found it hard to tell her. He took her for

a drive one evening soon after his return, forcibly driving off Wallie

Sayre to do so, and eying surreptitiously now and then her pale, rather

set face. He found a quiet lane and stopped the car there, and then

turned and faced her.

“How've you been, little sister, while I've been wandering the gay white

way?” he asked.

“I've been all right, Leslie.”

“Not quite all right, I think. Have you ever thought, Elizabeth, that no

man on earth is worth what you've been going through?”

“I'm all right, I tell you,” she said impatiently. “I'm not grieving any

more. That's the truth, Les. I know now that he doesn't intend to come

back, and I don't care. I never even think about him, now.”

“I see,” he said. “Well, that's that.”

But he had not counted on her intuition, and was startled to hear her

say:

“Well? Go on.”

“What do you mean, go on?”

“You brought me out here to tell me something.”

“Not at all. I simply--”

“Where is he? You've seen him.”

He tried to meet her eyes, failed, cursed himself for a fool. “He's

alive and well, Elizabeth. I saw him in New York.” It was a full minute

before she spoke again, and then her lips were stiff and her voice

strained.

“Has he gone back to her? To the actress he used to care for?”

He hesitated, but he knew he would have to go on.

“I'm going to tell you something, Elizabeth. It's not very creditable

to me, but I'll have to trust you. I don't want to see you wasting your

life. You've got plenty of courage and a lot of spirit. And you've got

to forget him.”

He told her, and then he took her home. He was a little frightened, for

there was something not like her in the way she had taken it, a sort of

immobility that might, he thought, cover heartbreak. But she smiled when

she thanked him, and went very calmly into the house.

That night she accepted Wallie Sayre.

The Breaking Point · 第 45 / 52 题