XIX

Victoria did not wait in her room to be told that the carriage had come

to take her away. It was better, Si Maïeddine had said, that only a few

people should know the exact manner of her going. A few minutes before

seven, therefore, she went down to the entrance-hall of the hotel, which

was not yet lighted. Her appearance was a signal for the Arab porter,

who was waiting, to run softly upstairs and return with her hand

luggage.

For some moments Victoria stood near the door, interesting herself in a

map of Algeria which hung on the wall. A clock began to strike as her

eyes wandered over the desert, and was on the last stroke of seven, when

a carriage drove up. It was drawn by two handsome brown mules with

leather and copper harness which matched the colour of their shining

coats, and was driven by a heavy, smooth-faced Negro in a white turban

and an embroidered cafetan of dark blue. The carriage windows were

shuttered, and as the black coachman pulled up his mules, he looked

neither to the right nor to the left. It was the hotel porter who opened

the door, and as Victoria stepped in without delay, he thrust two

hand-bags after her, snapping the door sharply.

It was almost dark inside the carriage, but she could see a white

figure, which in the dimness had neither face nor definite shape; and

there was a perfume as of aromatic amulets grown warm on a human body.

"Pardon, lady, I am Hsina, the servant of Lella M'Barka Bent Djellab,

sent to wait upon thee," spoke a soft and guttural voice, in Arabic.

"Blessings be upon thee!"

"And upon thee blessings," Victoria responded in the Arab fashion which

she had learned while many miles of land and sea lay between her and the

country of Islam. "I was told to expect thee."

"Eïhoua!" cried the woman, "The little pink rose has the gift of

tongues!" As she grew accustomed to the twilight, Victoria made out a

black face, and white teeth framed in a large smile. A pair of dark eyes

glittered with delight as the Roumia answered in Arabic, although Arabic

was not the language of the negress's own people. She chattered as she

helped Victoria into a plain white gandourah. The white hat and hat-pins

amused her, and when she had arranged the voluminous haïck in spite of

the joltings of the carriage, she examined these European curiosities

with interest. Whenever she moved, the warm perfume of amulets grew

stronger, overpowering the faint mustiness of the cushions and

upholstery.

"Never have I held such things in my hands!" Hsina gurgled. "Yet often

have I wished that I might touch them, when driving with my mistress and

peeping at the passers by, and the strange finery of foreign women in

the French bazaars."

Victoria listened politely, answering if necessary; yet her interest was

concentrated in peering through the slits in the wooden shutter of the

nearest window. She did not know Algiers well enough to recognize

landmarks; but after driving for what seemed like fifteen or twenty

minutes through streets where lights began to turn the twilight blue,

she caught a glint of the sea. Almost immediately the trotting mules

stopped, and the negress Hsina, hiding Victoria's hat in the folds of

her haïck, turned the handle of the door.

Victoria looked out into azure dusk, and after the closeness of the

shuttered carriage, thankfully drew in a breath of salt-laden air. One

quick glance showed her a street near the sea, on a level not much above

the gleaming water. There were high walls, evidently very old, hiding

Arab mansions once important, and there were other ancient dwellings,

which had been partly transformed for business or military uses by the

French. The girl's hasty impression was of a melancholy neighbourhood

which had been rich and stately long ago in old pirate days, perhaps.

There was only time for a glance to right and left before a nailed door

opened in the flatness of a whitewashed wall which was the front of an

Arab house. No light shone out, but the opening of the door proved that

some one had been listening for the sound of carriage wheels.

"Descend, lady. I will follow with thy baggage," said Hsina.

The girl obeyed, but she was suddenly conscious of a qualm as she had to

turn from the blue twilight, to pass behind that half-open door into

darkness, and the mystery of unknown things.

Before she had time to put her foot to the ground the door was thrown

wide open, and two stout Negroes dressed exactly alike in flowing white

burnouses stepped out of the house to stand on either side the carriage

door. Raising their arms as high as their heads they made two white

walls of their long cloaks between which Victoria could pass, as if

enclosed in a narrow aisle. Hsina came close upon her heels; and as they

reached the threshold of the house the white-robed black servants

dropped their arms, followed the two women, and shut the nailed door.

Then, despite the dimness of the place, they bowed their heads turning

aside as if humbly to make it evident that their unworthy eyes did not

venture to rest upon the veiled form of their mistress's guest. As for

Hsina, she, too, was veiled, though her age and ugliness would have

permitted her face to be revealed without offence to Mussulman ideas of

propriety. It was mere vanity on her part to preserve the mystery as

dear to the heart of the Moslem woman as to the jealous prejudice of the

man.

A faint glittering of the walls told Victoria that the corridor she had

entered was lined with tiles; and she could dimly see seats let in like

low shelves along its length, on either side. It was but a short

passage, with a turn into a second still shorter. At the end of this

hung a dark curtain, which Hsina lifted for Victoria to pass on, round

another turn into a wider hall, lit by an Arab lamp with glass panes

framed in delicately carved copper. The chain which suspended it from

cedar beams swayed slightly, causing the light to move from colour to

colour of the old tiles, and to strike out gleams from the marble floor

and ivory-like pillars set into the walls. The end of this corridor also

was masked by a curtain of wool, dyed and woven by the hands of nomad

tribes, tent-dwellers in the desert; and when Hsina had lifted it,

Victoria saw a small square court with a fountain in the centre.

It was not on a grand scale, like those in the palace owned by Nevill

Caird; but the fountain was graceful and charming, ornamented with the

carved, bursting pomegranates beloved by the Moors of Granada, and the

marble columns which supported a projecting balcony were wreathed with

red roses and honeysuckle.

On each of the four sides of the quadrangle, paved with black and white

marble, there were little windows, and large glass doors draped on the

inside with curtains thin enough to show faint pink and golden lights.

"O my mistress, Lella M'Barka, I have brought thy guest!" cried Hsina,

in a loud, sing-song voice, as if she were chanting; whereupon one of

the glass doors opened, letting out a rosy radiance, and a Bedouin

woman-servant dressed in a striped foutah appeared on the threshold. She

was old, with crinkled grey hair under a scarlet handkerchief, and a

blue cross was tattooed between her eyes.

"In the name of Lella M'Barka be thou welcome," she said. "My mistress

has been suffering all day, and fears to rise, lest her strength fail

for to-morrow's journey, or she would come forth to meet thee, O Flower

of the West! As it is, she begs that thou wilt come to her. But first

suffer me to remove thy haïck, that the eyes of Lella M'Barka may be

refreshed by thy beauty."

She would have unfastened the long drapery, but Hsina put down

Victoria's luggage, and pushing away the two brown hands, tattooed with

blue mittens, she herself unfastened the veil. "No, this is _my_ lady,

and my work, Fafann," she objected.

"But it is my duty to take her in," replied the Bedouin woman,

jealously. "It is the wish of Lella M'Barka. Go thou and make ready the

room of the guest."

Hsina flounced away across the court, and Fafann held open both the door

and the curtains. Victoria obeyed her gesture and went into the room

beyond. It was long and narrow, with a ceiling of carved wood painted in

colours which had once been violent, but were now faded. The walls were

partly covered with hangings like the curtains that shaded the glass

door; but, on one side, between gold-embroidered crimson draperies, were

windows, and in the white stucco above, showed lace-like openings,

patterned to represent peacocks, the tails jewelled with glass of

different colours. On the opposite side opened doors of dark wood inlaid

with mother-o'-pearl; and these stood ajar, revealing rows of shelves

littered with little gilded bottles, or piled with beautiful brocades

that were shot with gold in the pink light of an Arab lamp.

There was little furniture; only a few low, round tables, or maidas,

completely overlaid with the snow of mother-o'-pearl; two or three

tabourets of the same material, and, at one end of the room a low divan,

where something white and orange-yellow and purple lay half buried in

cushions.

Though the light was dim, Victoria could see as she went nearer a thin

face the colour of pale amber, and a pair of immense dark eyes that

glittered in deep hollows. A thin woman of more than middle age, with

black hair, silver-streaked, moved slightly and held out an emaciated

hand heavy with rings. Her head was tied round with a silk handkerchief

or takrita of pansy purple; she wore seroual, full trousers of soft

white silk, and under a gold-threaded orange-coloured jacket or rlila, a

blouse of lilac gauze, covered with sequins and open at the neck. On the

bony arm which she held out to Victoria hung many bracelets, golden

serpents of Djebbel Amour, and pearls braided with gold wire and coral

beads. Her great eyes, ringed with kohl, had a tortured look, and there

were hollows under the high cheek-bones. If she had ever been handsome,

all beauty of flesh had now been drained away by suffering; yet stricken

as she was there remained an almost indefinable distinction, an air of

supreme pride befitting a princess of the Sahara.

Her scorching fingers pressed Victoria's hand, as she gazed up at the

girl's face with hungry curiosity and interest such as the Spirit of

Death might feel in looking at the Spirit of Life.

"Thou art fresh and fair, O daughter, as a lily bud opening in the spray

of a fountain, and radiant as sunrise shining on a desert lake," she

said in a weary voice, slightly hoarse, yet with some flutelike notes.

"My cousin spoke but truth of thee. Thou art worthy of a reward at the

end of that long journey we shall take together, thou, and he, and I. I

have never seen thy sister whom thou seekest, but I have friends, who

knew her in other days. For her sake and thine own, kiss me on my

cheeks, for with women of my race, it is the seal of friendship."

Victoria bent and touched the faded face under each of the great burning

eyes. The perfume of _ambre_, loved in the East, came up to her

nostrils, and the invalid's breath was aflame.

"Art thou strong enough for a journey, Lella M'Barka?" the girl asked.

"Not in my own strength, but in that which Allah will give me, I shall

be strong," the sick woman answered with controlled passion. "Ever

since I knew that I could not hope to reach Mecca, and kiss the sacred

black stone, or pray in the Mosque of the holy Lella Fatima, I have

wished to visit a certain great marabout in the south. The pity of Allah

for a daughter who is weak will permit the blessing of this marabout,

who has inherited the inestimable gift of Baraka, to be the same to me,

body and soul, as the pilgrimage to Mecca which is beyond the power of

my flesh. Another must say for me the Fatakah there. I believe that I

shall be healed, and have vowed to give a great feast if I return to

Algiers, in celebration of the miracle. Had it not been for my cousin's

wish that I should go with thee, I should not have felt that the hour

had come when I might face the ordeal of such a journey to the far

south. But the prayer of Si Maïeddine, who, after his father, is the

last man left of his line, has kindled in my veins a fire which I

thought had burnt out forever. Have no fear, daughter. I shall be ready

to start at dawn to-morrow."

"Does the marabout who has the gift of Baraka live near the place where

I must go to find my sister?" Victoria inquired, rather timidly; for she

did not know how far she might venture to question Si Maïeddine's

cousin.

Lella M'Barka looked at her suddenly and strangely. Then her face

settled into a sphinx-like expression, as if she had been turned to

stone. "I shall be thy companion to the end of thy journey," she

answered in a dull, tired tone. "Wilt thou visit thy room now, or wilt

thou remain with me until Fafann and Hsina bring thy evening meal? I

hope that thou wilt sup here by my side: yet if it pains thee to take

food near one in ill health, who does not eat, speak, and thou shalt be

served in another place."

Victoria hastened to protest that she would prefer to eat in the company

of her hostess, which seemed to please Lella M'Barka. She began to ask

the girl questions about herself, complimenting her upon her knowledge

of Arabic; and Victoria answered, though only half her brain seemed to

be listening. She was glad that she had trusted Si Maïeddine, and she

felt safe in the house of his cousin; but now that she was removed from

European influences, she could not see why the mystery concerning Ben

Halim and the journey which would lead to his house, should be kept up.

She had read enough books about Arab customs and superstitions to know

that there are few saints believed to possess the gift of Baraka, the

power given by Allah for the curing of all fleshly ills. Only the very

greatest of the marabouts are supposed to have this power, receiving it

direct from Allah, or inheriting it from a pious saint--father or more

distant relative--who handed down the maraboutship. Therefore, if she

had time and inclination, she could probably learn from any devout

Mussulman the abiding places of all such famous saints as remained upon

the earth. In that way, by setting her wits to work, she might guess the

secret if Si Maïeddine still tried to make a mystery of their

destination. But, somehow, she felt that it would not be fair to seek

information which he did not want her to have. She must go on trusting

him, and by and by he would tell her all she wanted to know.

Lella M'Barka had invited her guest to sit on cushions beside the divan

where she lay, and the interest in her feverish eyes, which seldom left

Victoria's face, was so intense as to embarrass the girl.

"Thou hast wondrous hair," she said, "and when it is unbound it must be

a fountain of living gold. Is it some kind of henna grown in thy

country, which dyes it that beautiful colour?"

Victoria told her that Nature alone was the dyer.

"Thou art not yet affianced; that is well," murmured the invalid. "Our

young girls have their hair tinted with henna when they are betrothed,

that they may be more fair in the eyes of their husbands. But thou

couldst scarcely be lovelier than thou art; for thy skin is of pearl,

though there is no paint upon it, and thy lips are pink as rose petals.

Yet a little messouak to make them scarlet, like coral, and kohl to

give thine eyes lustre would add to thy brilliancy. Also the hand of

woman reddened with henna is as a brazier of rosy flame to kindle the

heart of a lover. When thou seest thy sister, thou wilt surely find that

she has made herself mistress of these arts, and many more."

"Canst thou tell me nothing of her, Lella M'Barka?"

"Nothing, save that I have a friend who has said she was fair. And it is

not many moons since I heard that she was blessed with health."

"Is she happy?" Victoria was tempted to persist.

"She should be happy. She is a fortunate woman. Would I could tell thee

more, but I live the life of a mole in these days, and have little

knowledge. Thou wilt see her with thine own eyes before long, I have no

doubt. And now comes food which my women have prepared for thee. In my

house, all are people of the desert, and we keep the desert customs,

since my husband has been gathered to his fathers--my husband, to whose

house in Algiers I came as a bride from the Sahara. Such a meal as thou

wilt eat to-night, mayst thou eat often with a blessing, in the country

of the sun."

Fafann, who had softly left the room when the guest had been introduced,

now came back, with great tinkling of khal-khal, and mnaguach, the huge

earrings which hung so low as to strike the silver beads twisted round

her throat. She was smiling, and pleasantly excited at the presence of a

visitor whose arrival broke the tiresome monotony of an invalid's

household. When she had set one of the pearly maidas in front of

Victoria's seat of cushions, she held back the curtains for Hsina to

enter, carrying a copper tray. This the negress placed on the maida, and

uncovered a china bowl balanced in a silver stand, like a giant coffee

cup of Moorish fashion. It contained hot soup, called cheurba, in which

Hsina had put so much fell-fell, the red pepper loved by Arabs, that

Victoria's lips were burned. But it was good, and she would not wince

though the tears stung her eyes as she drank, for Lella M'Barka and the

two servants were watching her eagerly.

Afterwards came a kouskous of chicken and farina, which she ate with a

large spoon whose bowl was of tortoiseshell, the handle of ivory tipped

with coral. Then, when the girl hoped there might be nothing more,

appeared tadjine, a ragout of mutton with artichokes and peas, followed

by a rich preserve of melon, and many elaborate cakes iced with pink and

purple sugar, and powdered with little gold sequins that had to be

picked off as the cake was eaten. At last, there was thick, sweet

coffee, in a cup like a little egg-shell supported in filigree gold (for

no Mussulman may touch lip to metal), and at the end Fafann poured

rosewater over Victoria's fingers, wiping them on a napkin of fine

damask.

"Now thou hast eaten and drunk, thou must allow thyself to be dressed by

my women in the garments of an Arab maiden of high birth, which I have

ready for thee," said Lella M'Barka, brightening with the eagerness of a

little child at the prospect of dressing a beautiful new doll. "Fafann

shall bring everything here, and thou shalt be told how to robe thyself

afterwards. I wish to see that all is right, for to-morrow morning thou

must arise while it is still dark, that we may start with the first

dawn."

Fafann and Hsina had forgotten their jealousies in the delight of the

new play. They moved about, laughing and chattering, and were not

chidden for the noise they made. From shelves behind the inlaid doors in

the wall, they took down exquisite boxes of mother-o'-pearl and red

tortoiseshell. Also there were small bundles wrapped in gold brocade,

and tied round with bright green cord. These were all laid on a

dim-coloured Kairouan rug, at the side of the divan, and the two women

squatted on the floor to open them, while their mistress leaned on her

thin elbow among cushions, and skins of golden jackal from the Sahara.

From one box came wide trousers of white silk, like Lella M'Barka's;

from another, vests of satin and velvet of pale shades embroidered with

gold or silver. A fat parcel contained delicately tinted stockings and

high-heeled slippers of different sizes. A second bundle contained

blouses of thin silk and gauze, and in a pearl box were pretty little

chechias of sequined velvet, caps so small as to fit the head closely;

and besides these, there were sashes and gandourahs, and haïcks white

and fleecy, woven from the softest wool.

When everything was well displayed, the Bedouin and the negress sprang

up, lithe as leopards, and to Victoria's surprise began to undress her.

"Please let me do it myself!" she protested, but they did not listen or

understand, chattering her into silence, as if they had been lively

though elderly monkeys. Giggling over the hooks and buttons which were

comical to them, they turned and twisted her between their hands,

fumbling at neck and waist with black fingers, and brown fingers

tattooed blue, until she, too, began to laugh. She laughed herself into

helplessness, and encouraged by her wild merriment, and Lella M'Barka's

smiles and exclamations punctuated with fits of coughing, they set to

work at pulling out hairpins, and the tortoise-shell combs that kept the

Roumia's red gold waves in place. At last down tumbled the thick curly

locks which Stephen Knight had thought so beautiful when they flowed

round her shoulders in the Dance of the Shadow.

The invalid made her kneel, just as she was in her petticoat, in order

to pass long, ringed fingers through the soft masses, and lift them up

for the pleasure of letting them fall. When the golden veil, as Lella

M'Barka called it, had been praised and admired over and over again, the

order was given to braid it in two long plaits, leaving the ends to curl

as they would. Then, the game of dressing the doll could begin, but

first the embroidered petticoat of batiste with blue ribbons at the top

of its flounce, and the simple pretty little stays had to be examined

with keen interest. Nothing like these things had ever been seen by

mistress or servants, except in occasional peeps through shuttered

carriage windows when passing French shops: for Lella M'Barka Bent

Djellab, daughter of Princes of Touggourt, was what young Arabs call

"vieux turban." She was old-fashioned in her ideas, would have no

European furniture or decorations, and until to-night had never

consented to know a Roumia, much less receive one into her house. She

had felt that she was making a great concession in granting her cousin's

request, but she had forgotten her sense of condescension in

entertaining an unveiled girl, a Christian, now that she saw what the

girl was like. She was too old and lonely to be jealous of Victoria's

beauty; and as Si Maïeddine, her favourite cousin, deigned to admire

this young foreigner, Lella M'Barka took an unselfish pride in each of

the American girl's charms.

When she was dressed to all outward appearances precisely like the

daughter of a high-born Arab family, Fafann brought a mirror framed in

mother-o'-pearl, and Victoria could not help admiring herself a little.

She wished half unconsciously that Stephen Knight could see her, with

hair looped in two great shining braids on either side her face, under

the sequined chechia of sapphire velvet; and then she was ashamed of her

own vanity.

Having been dressed, she was obliged to prove, before the three women

would be satisfied, that she understood how each garment ought to be

arranged; and later she had to try on a new gandourah, with a white

burnouse such as women wear, and the haïck she had worn in coming to the

house. Hsina would help her in the morning, she was told, but it would

be better that she should know how to do things properly for herself,

since only Fafann would be with them on the journey, and she might

sometimes be busy with Lella M'Barka when Victoria was dressing.

The excitement of adorning the beautiful doll had tired the invalid. The

dark lines under her eyes were very blue, and the flesh of her face

seemed to hang loose, making her look piteously haggard. She offered but

feeble objections when her guest proposed to say good night, and after a

few more compliments and blessings, Victoria was able to slip away,

escorted by the negress.

The room where she was to sleep was on another side of the court from

that of Lella M'Barka, but Hsina took great pains to assure her that

there was nothing to fear. No one could come into this court; and

she--Hsina--slept near by with Fafann. To clap the hands once would be

to bring one of them instantly. And Hsina would wake her before dawn.

Victoria's long, narrow sleeping room had the bed across one end, in

Arab fashion. It was placed in an alcove and built into the wall, with

pillars in front, of gilded wood, and yellow brocaded curtains of a

curious, Oriental design. At the opposite end of the room stood a large

cupboard, like a buffet, beautifully inlaid with mother-o'-pearl, and

along the length of the room ran shelves neatly piled with

bright-coloured bed-clothing, or ferrachiyas. Above these shelves texts

from the Koran were exquisitely illuminated in red, blue and gold, like

a frieze; and there were tinselled pictures of relatives of the Prophet,

and of Mohammed's Angel-horse, Borak. The floor was covered with soft,

dark-coloured rugs; and on a square of white linen was a huge copper

basin full of water, with folded towels laid beside it.

The bed was not uncomfortable, but Victoria could not sleep. She did not

even wish to sleep. It was too wonderful to think that to-morrow she

would be on her way to Saidee.

The Golden Silence · 第 29 / 65 题