CHAPTER III

FATHER KNOX

_Our new curate preached, a pretty hopefull young man, yet somewhat raw,

newly come from college, full of Latine sentences, which in time will

weare off._--JOHN EVELYN.

There is a story that when Father Knox was an undergraduate at Oxford he

sat down one day to choose whether he would be an agnostic or a Roman

Catholic. "But is there not some doubt in the matter?" inquired a friend

of mine, to whom I repeated the tale. "Did he really sit down and

choose, or did he only toss up?"

The story, of course, is untrue. It has its origin in the delightful wit

and brilliant playfulness of the young priest. Everybody loves him, and

nobody takes him seriously.

Few men of his intellectual stature have been received with so little

trumpet-blowing into the Roman Catholic Church, and none at all, I

think, has so imperceptibly retired from the Church of England. For all

the interest it excited, the secession of this extremely brilliant

person might have been the secession of a sacristan or a pew-opener. He

did not so much "go over to Rome" as sidle away from the Church of

England.

But this secession is well worth the attention of religious students. It

is an act of personality which helps one to understand the theological

chaos of the present-time, and a deed of temperament which illumines

some of the more obscure movements of religious psychology. Ronnie Knox,

as everybody calls him, the eyes lighting up at the first mention of his

name, has gone over to the Roman Catholic Church, not by any means with

a smile of cynicism on his face, but rather with the sweat of a struggle

still clinging to his soul.

He is the son of an Anglican bishop, a good man whose strong evangelical

convictions led him, among many other similar activities, to hold

missionary services on the sands of Blackpool. His mother died in his

infancy, and he was brought up largely with uncles and aunts, but his

own home, of which he speaks always with reverence and affection, was a

kind and vigorous establishment, a home well calculated to develop his

scholarly wit and his love of mischievous fun. Nothing in his

surroundings made for gloom or for a Calvinism of the soul. The

swiftness of his intellectual development might have made him sceptical

of theology in general, but no influence in his home was likely in any

way to make him sceptical of his father's theology in particular.

He went to Eton, and the religion in which he had been brought up stood

the moral test of the most critical years in boyhood. It never failed

him, and he never questioned it. But when that trial was over, and after

an illness which shook up his body and mind, he came under the influence

of a matron who held with no little force of character the views of the

Anglo-Catholic party. These views stole gradually into the mind of the

rather effeminate boy, and although they did not make him question the

theology of his father for some years, he soon found himself thinking of

the religious opinions of his uncles and aunts with a certain measure of

superiority.

"I began to feel," he told me, "that I was living in a rather provincial

world--the world described by Wells and Arnold Bennett."

This restlessness, this desire to escape into a greater and more

beautiful world, pursued him to Oxford, and, for the moment, he found

that greater and beautiful world in the life of Balliol. Bishop Ryle, a

good judge, has spoken to me of the young man's extraordinary facility

at turning English poetry at sight into the most melodious Greek and

Latin, and of the remarkable range of his scholarship. He himself has

told us of his love of port and bananas, his joy in early morning

celebrations in the chapel of Pusey House, his tea-parties, his delight

in debates at the Union, of which he became President, and of his many

friendships with undergraduates of a witty and flippant turn of mind.

Like many effeminate natures, he was glad of opportunities to prove

himself a good fellow. In spite of no heel-taps when the port went

round, he won the Hertford in 1907, the Ireland and Craven in 1908, and

in 1910 took a first in Greats.

He became a Fellow and Lecturer of Trinity College for two years, then

its Chaplain for five years, and, after leading a life of extravagant

and fighting ritualism as an Anglican priest, at the end of that period,

1917, he retired from the Church of England and was received into the

Church of Rome.

The consolations of Anglo-Catholicism, then, were insufficient for the

spiritual needs of this scion of the Low Church.

What were those needs?

Were they, indeed, _spiritual_ needs, as he suggests by the title of his

book _A Spiritual Æneid_, or _æsthetic_ needs, the needs of a

temperament?--a temperament which used wit and raillery chiefly as a

shield for its shrinking and quivering emotions, emotions which we must

take note of if we are to understand his secession.

He was at Eton when a fire occurred in one of the houses, two boys

perishing in the flames. He tells us that this tragedy made an

impression on him, for it fell at a time in his life when "one begins to

fear death." Fear is a word which meets us even in the sprightly pages

of _A Spiritual Æneid_, a volume perhaps more fitly to be termed "An

Æsthetic Ramp."

He loved to dash out of college through the chill mists of a November

morning to worship with "the few righteous men" of the University in the

Chapel of Pusey House, which "conveyed a feeling, to me most

gratifying, of catacombs, oubliettes, Jesuitry, and all the atmosphere

of mystery that had long fascinated me."

He tells us how his nature "craved for human sympathy and support," and

speaks of the God whom he "worshipped, loved, and feared." He prayed for

a sick friend with "both hands held above the level of my head for a

quarter of an hour or more." He was a Universalist "recoiling from the

idea of hell." He believed in omens, though he did not always take them,

and was thoroughly superstitious. "The name of Rome has always, for me,

stood out from any printed page merely because its initial is that of my

own name." "At the time of my ordination I took a private vow, which I

always kept, never to preach without making some reference to Our Lady,

by way of satisfaction for the neglect of other preachers." He was a

youth when he took the vow of celibacy. He had the desire, he tells us,

to make himself thoroughly uncomfortable--as Byron would say, "to merit

Heaven by making earth a Hell." His superstitions were often ludicrous

even to himself. On one occasion in boyhood, he was trying to get a fire

to burn: "Let this be an omen," he said. "If I can get this fire to

burn, the Oxford Movement was justified."

A visit to Belgium hastened the inevitable decision of such a

temperament:

. . . the extraordinary devotion of the people wherever we went,

particularly at Bruges, struck home with a sense of immeasurable

contrast to the churches of one's own country. . . .

He did not apparently feel the moral contrast between Belgian and

English character.

. . . The tourist, I know, thinks of it as _Bruges la Morte_, but

then the tourist does not get up for early Masses; he would find

life then . . . he can at least go on Friday morning to the chapel of

the Saint Sang and witness the continuous stream of people that

flows by, hour after hour, to salute the relic and to make their

devotions in its presence; he would find it hard to keep himself

from saying, like Browning at High Mass, "This is too good not to

be true."

Might he not perhaps say with another great man, "What must God be if He

is pleased by things which simply displease His educated creatures?" In

a country where the churches were once far more crowded than in Belgium,

I was told by a discerning man, Prince Alexis Obolensky, a former

Procurator of the Holy Synod, that all such devotion is simply

superstition. He said he would gladly give me all Russia's spirituality

if I could give him a tenth of England's moral earnestness. And he told

me this story:

A man set out one winter's night to murder an old woman in her

cottage. As he tramped through the snow with the hatchet under his

blouse, it suddenly occurred to him that it was a Saint's Day.

Instantly he dropped on his knees in the snow, crossed himself

violently with trembling hands, and in a guilty voice implored God

to forgive him for his evil intention. Then he rose up, refreshed

and forgiven, postponing the murder till the next night.

Undoubtedly, I fear, the devotion of priest-ridden countries, which

evokes so spectacular an effect on the stranger of unbalanced judgment,

is largely a matter of superstition; how many prayers are inspired by a

lottery, how many candles lighted by fear of a ghost?

But Father Knox, whose æsthetic nature had early responded with a vital

impulse to Gothic architecture and the pomp and mystery of priestly

ceremonial, felt in Bruges that the spirit of the Chapel of the Sacred

Blood must be introduced into the Church of England "to save our country

from lapsing into heathenism." What, I wonder, is his definition of that

term, heathenism?

Bruges had a decisive effect, not only on his æsthetic impulses, but on

his moral sense. His conduct as an Anglican priest was frankly that of a

Roman propagandist. I do not know that any words more damning to the

Romish spirit have ever been written than those in which this most

charming and brilliant young man tells the story of his treachery to the

Anglican Church. Of celebrating the Communion service he says:

. . . my own principle was, whenever I spoke aloud, to use the

language of the Prayer Book, when I spoke _secreto_, to use the

words ordered by the Latin missal.

He said of his propaganda work at this time:

The Roman Catholics . . . have to serenade the British public from

the drive; we Anglican Catholics have the _entrée_ to the

drawing-room.

His enthusiasm for the Roman service was such that in one place

I had to travel for three quarters of an hour to find a church

where my manner of celebrating, then perhaps more reminiscent of

the missal than of the Prayer Book, was tolerated even in a Mass of

Devotion.

About this time I celebrated at a community chapel. One of the

brethren was heard to declare afterwards that if he had known what

I was going to do he would have got up and stopped me.

At the conclusion of one of his celebrations abroad, an Englishman in

the congregation exclaimed, "Thank God that's over." After his first

sermon in Trinity Chapel, an undergraduate ("afterwards not only my

friend but my penitent") was heard to declare excitedly:

"Such fun! The new Fellow's been preaching heresy--all about

Transubstantiation."

Such fun! This note runs through the whole of _A Spiritual Æneid_. A

thoroughly undergraduate spirit inspires every page save the last.

Religion is treated as a lark. It is full of opportunities for plotting

and ragging and pulling the episcopal leg. One is never conscious, not

for a single moment, that the author is writing about Jesus of Nazareth,

Gethsemane, and Calvary. About a Church, yes; about ceremonial, about

mysterious rites, about prayers to the Virgin Mary, about authority, and

about bishops; yes, indeed; but about Christ's transvaluation of values,

about His secret, about His religion of the pure heart and the childlike

spirit, not one single glimpse.

Now let us examine his intellectual position.

In the preface to _Some Loose Stones_[7], written before he went over to

Rome, he explains his position to the modernist:

. . . there are limits defined by authority, within which theorising

is unnecessary and speculation forbidden.

But I should like here to enter a protest against the assumption

. . . that the obscurantist, having fenced himself in behind his wall

of prejudices, enjoys an uninterrupted and ignoble peace.

The soldier who has betaken himself to a fortress is thereby in a

more secure position than the soldier who elects to fight in the

open plain. He has ramparts to defend him. But he has, on the other

hand, ramparts to defend. . . . For him there is no retreat.

The whole position stands or falls by the weakest parts in the

defences; give up one article of the Nicene Creed, and the whole

situation is lost; you go under, and the flag you loved is forfeit.

[Footnote 7: An answer to the volume called _Foundations_.]

And yet:

I can feel every argument against the authenticity of the Gospels,

because I know that if I approached them myself without faith I

should as likely as not brush them aside impatiently as one of a

whole set of fables.

They would be fables to him unless he approached them with faith. And

what is faith? He tells us in the same preface: "Faith is to me, not an

intellectual process, but a divine gift, a special privilege."

It is fair to say that he would now modify this definition, for he has

told me that it is a heresy to exclude from faith the operations of the

intellect. But the words were written when he was fighting the battle of

the soul, written almost on the same page as that which bears these

words:

You have not done with doubt, because you have thrown yourself into

the fortress; you are left to keep doubt continually at bay, with

the cheerful assurance that if you fail, the whole of your

religious life has been a ghastly mistake . . .

for this reason, they have, I think, a notable significance.

Is it not probable that Father Knox has thrown himself into a fortress,

not out of any burning desire to defend it, but solely to escape from

the enemy of his own soul? Is it not probable that he was driven from

the field by Fear rather than summoned to the battlements by Love?

I find this inference justified in numerous ways, and I do not think on

the whole that Father Knox himself would deny it. But chiefly I find it

justified by the form and substance of his utterances since he became a

Roman Catholic--fighting and most challenging utterances which for me at

any rate are belied, and tragically belied, by a look in his eyes which

is unmistakably, I am forced to think, the look of one who is still

wrestling with doubt, one, I would venture to hazard, who may even

occasionally be haunted by the dreadful fear that his fortress is his

prison.

On the day that Newman entered that fortress the triumphant cry of St.

Augustine rang in his ears, _Securus judicat orbis terrarum_; but later

came the moan _Quis mihi tribuat_, and later still the stolen journey to

Littlemore and that paroxysm of tears as he leaned over the lych-gate

looking at the church.

Not long ago I went one Sunday evening to Westminster Cathedral. It was

winter, and the streets of tall and sullen houses in that gloomy

neighbourhood were darkening with fog. This fog crept slowly into the

cathedral. The surpliced boy who presented an alms-dish just within the

doors was stamping his feet and snuffling with cold. The leaves of

tracts and pamphlets on the table blew up and chattered in the wind

every time the door was thrust open.

The huge building was only half filled, perhaps hardly that. Through the

fog it was not easy to see the glittering altar, and when three priests

appeared before it their vestments so melted into the cloth that they

were visible only when they bowed to the monstrance. The altar bell rang

snappishly through this cold fog like the dinner bell of a boarding

house, and in that yellow mist, which deepened with every minute, the

white flames of the candles lost nearly all their starlike brightness.

There seemed to be depression and resentment in the deep voices of the

choir rumbling and rolling behind the screen; there seemed to be haste,

a desire to get it over, in the nasal voice of the priest praying almost

squeakily at the altar.

People were continually entering the cathedral, many of them having the

appearance of foreigners, many of them young men who looked like

waiters: one was struck by their reverence, and also by their look of

intellectual apathy.

Father Knox appeared in the pulpit, which is stationed far down the

nave, having come from his work of teaching at Ware to preach to the

faithful at Westminster. He looked very young, and rather apprehensive,

a slight boyish figure, swaying uneasily, the large luminous eyes, of an

extraordinary intensity, almost glazed with light, the full lips, so

obviously meant for laughter, parted with a nervous uncertainty, a wave

of thick brown hair falling across the narrow forehead with a look of

tiredness, the long slender hands never still for a moment.

I will endeavour to summarise his remarkable sermon, which was delivered

through the fog in a soft and throaty voice, the body of the preacher

swaying monotonously backward and forward, the congregation sitting back

in its little chairs and coughing inconveniently from beginning to end.

It was the strangest sermon I have listened to for many years, and all

the stranger for its unimpassioned delivery. He spoke of the Fall of Man

as a certainty[8]. He spoke continually of an offended God. Between

this offended God and His creature Man sin had dug an impassable chasm.

But Christ had thrown a bridge, from heaven's side of that chasm, over

the dreadful gulf. This is why Christ described Himself as the Way. He

is the Way over that chasm, and there is no other.

[Footnote 8: "It is a very singular and important fact that, from the

appearance in Genesis of the account of the creation and sin and

punishment of the first pair, not the faintest explicit allusion to it

is subsequently found anywhere in literature until about the time of

Christ. . . . Jesus Himself never once alludes to Adam, or to any part of

the story of Eden."--ALGER.]

But Christ also described Himself as a door. What is the definition of a

door? It is not enough to say that a door is a thing for letting people

in and letting people out. It is a thing for letting _some_ people in,

and for shutting other people out.

To whom did Christ entrust the key of this door? To St. Peter--to the

disciple who had denied Him thrice. What a marvellous choice! Would you

have thought of doing that? Should I have thought of doing that? Would

any theologian have invented such an idea? But that is what Christ did.

And ever since, St. Peter and his successors have held the keys of

Heaven and Hell, with power to loose and bind. What? you exclaim, were

the Keys of Heaven and Hell entrusted to even those Popes who lived

sinful lives and brought disgrace on the name of religion? Yes. To them

and to no others in their day. Whatever their lives may have been at

other moments, when they were loosing and binding they were acting for

St. Peter, who stood behind them, and behind St. Peter stood Jesus

Christ.

Such in brief was the sermon delivered that Sunday evening to the

faithful in Westminster Cathedral by one of the wittiest men now living

and one of the cleverest young men who ever came down from Oxford with

the assurance of a great career before them.

How is it that he has come to such a pass?

I feel that he is in part whistling to keep up his courage, but in chief

forcing himself to utter an extreme of traditional belief in order to

destroy the last vestige in his mind of a free intellectual existence.

Auto-suggestion has a power of which we only begin to know the first

movements.

The man who has said that he would not choose as the battleground of the

Christian religion either "the credibility of Judges or the edibility of

Jonah," the man who is blest with an unusual sense of humour and

intellectual subtlety of a rare order, is here found preaching a

theology which is fast being rejected by the students of Barcelona and

is being questioned even by the peasants of Ireland. What does it mean?

Is it possible to understand such a perversion of mind?

His intellectual position, as he states it, is a simple one--for the

present.

He asks us, Is Truth something which we are ordered to keep, or

something which we are ordered to find?

Is our business holding the fort? Or is it looking for the Pole?

The traditionalist can say, "Here is the Truth, written down for you and

me in black and white; I mean to keep it, and defend it from attack;

will you rally round it? Will you help me?"

He shows you the modernist wandering in the wilderness of speculative

theology looking for the Truth which the traditionalist, safe, warm, and

secure of eternal life, keeps whole and undefiled in his fortress.

It is like a fairy tale.

How simple it sounds! But when Father Knox looks in the glass does he

not see its staring fallacy?

Did he keep the Truth of his boyhood--the Truth of his father's church?

Did he not go outside the fortress of Evangelicalism and seek for Truth

in the fortress of Anglo-Catholicism? And here again, did he not break

faith, and once more seek Truth outside its walls? If Truth is not

something to be found, how is it that he is not still in the house of

his fathers?

Does he fail to see that this argument not merely explains but

vindicates the rejection of Christ by the Jews? They had their

tradition, a tradition of immemorial sanctity, perhaps the noblest

tradition of any people in the world.

Does he not also see that it destroys the _raison d'être_ of the

Christian missionary, and would reduce the whole world to a state of

what Nietzsche called Chinaism and profound mediocrity?

Every religion in history, from the worship of Osiris, Serapis, and

Mithras to the loathsome rites practised in the darkness of African

forests, has been handed down as unquestionable truth commanding the

loyalty of its disciples. What logic, what magic of holiness, could

destroy a false religion if tradition is sacrosanct and all innovation

of the devil?

The intellectual duty of a Christian, Father Knox lays it down, is "to

resist the natural tendencies of his reason, and believe what he is

told, just as he is expected to do what he is told, not what comes

natural to him."

Such a proposition provokes a smile, but in the case of this man it

provokes a feeling of grief. I cannot bring myself to believe that he

has yet found rest for his soul, or that he can so easily strangle the

free existence of his mind. His present position fills me with pity, his

future with apprehension.

He is one of the modestest of men, almost shrinking in his diffidence

and nervous self-distrust, an under-graduate who is mildly excited about

an ingenious line of reasoning, a wit who loves to play tricks with the

subtlety of a curiously agile brain, a casuist who sees quickly the

chinks in the armour of an adversary. But with all his boyishness, and

charm, and humility, and engaging cleverness, there is a light in his

eyes too feverish for peace of mind. I cannot prevent myself from

thinking that his secession, which was something of a comedy to his

friends, may prove something of a tragedy to him.

He seems to me one of the most pathetic examples I ever encountered of

the ruin wrought by Fear. I think that the one motive of his life has

been a constant terror of finding himself in the wrong. The door, which

for Dr. Inge has no key, because it has no lock, is to Ronald Knox a

door of terror which opens only to a single key--and a door which as

surely shuts out from eternal life the soul that is wrong as the soul

that is wicked. He must have certainty. He dare not contemplate the

prospect of awaking one day to find his religious life "a ghastly

mistake."

At the cross roads there was for him no Good Shepherd, only the dark

shadow of an offended God. He ran for safety, for certainty. Has he

found them?

It may be that the last of his doubts will leave him, that the iron

discipline of the Roman Church and the auto-suggestion of his own

earnest passion for inward peace, may deliver him from all fear, all

uneasiness, and that one day, forsaking the challenging sermon and the

too violent assertion of the Catholic faith, he may find himself sitting

down in great peace of mind and with a golden mellowness of spirit to

write an _Apologia pro Vita Sua_ more genial and less shallow than _A

Spiritual Æneid_.

Such a book from his pen would lack, I think, the fine sweetness of

Newman's great work, but it might excel all other books of religious

autobiography in charming wit and endearing good humour. The Church of

Rome has caught in him neither a Newman nor a Manning. It has caught

either a Sydney Smith or a Tartar.

He has too much humour to be a bigot, and too much humanity to be

satisfied with a cell. For the moment he seems to embrace Original Sin,

to fling his arms round the idea of an offended God, and to shout at

the top of his voice that there is no violence to his reason and to his

common sense which he cannot contemplate and most gladly accomplish, in

the name of Tradition; but the pulses cool, the white heat of enthusiasm

evaporates, fears take wing as we grow older, and whispers from the

outer world of advancing and conquering men find their way into the

oldest blockhouse ever built against the movements of thought.

"Science," says Dr. Inge, "has been the slowly advancing Nemesis which

has overtaken a barbarised and paganised Christianity. She has come with

a winnowing fan in her hand, and she will not stop till she has

thoroughly purged her floor."

I am sure Ronald Knox was never meant to shut his eyes and stop his ears

against this movement of truth, and I am almost sure that he will

presently find it impossible not to look, and not to listen.

And then . . . what then?

DR. L.P. JACKS

JACKS, LAWRENCE PEARSALL, Principal of Manchester College, Oxford, since

1915; Professor of Philosophy, Manchester College, Oxford, since 1903;

Editor of the _Hibbert Journal_ since its foundation, 1902; b.

Nottingham, 1860; m. 1889 Olive Cecilia, d. of late Rev. Stopford

Brooke. Educ.: University School, Nottingham; University of London

(M.A., 1886); Manchester College; Göttingen; Harvard, U.S.A.; Hon. M.A.,

Oxford; Hon. L.L.D., Glasgow; Hon. D.D. Harvard; entered Ministry as

assistant to Rev. Stopford Brooke, in Bedford Chapel, 1887; subsequently

at Renshaw Street Chapel, Liverpool, and the Church of the Messiah,

Birmingham.

[Illustration: Dr. L.P. Jacks]

Painted Windows: Studies in Religious Personality · 第 3 / 13 章