CHAPTER XIX

TURIN AND THE ALPINE GATEWAYS

The mountains of Piedmont are of the same variety as those of

Switzerland and Savoy. They form the highland background to Turin which

gives it its magnificent and incomparable framing.

Turin, or Torino, was the old capital of the Duchy of Savoy, then of the

Kingdom of Sardinia, up to 1864, and to-day is the chief city of

Piedmont.

Turin is laid out in great rectangular blocks, with long straight

streets, and it is brilliant and beautiful as modern cities go, but

there is not much that is romantic about it, save an occasional

historical memory perpetuated by some public monument.

[Illustration: _Palazzo Madonna, Turin_]

Turin at the time of the founding of the kingdom of Sardinia, which

included also the domain of the house of Savoy, contained but 75,000

inhabitants. Said Montesquieu, who visited it in 1728: "It is the most

beautiful city in the world." De Brosseo, a few years later, declared

it to be "the finest city in Italy, by the proper alignment of its

streets, the regularity of its buildings, and the beauty of its

squares." From this point of view the same holds true to-day, but it is

not sympathetic and winsome in the least, and it is not for the

contemplation of straight streets, square, box-like buildings or formal

public garden plots that one comes to Italy.

Turin's monumental memories are by no means non-existent or unclassed,

but they are almost overpowered by the modern note which rings so loudly

in one's ears and flashes so vividly in one's eyes.

Of them all the Palazzo Madonna has the greatest appeal. It was

originally a thirteenth century construction of the Montferrats, but was

added to at various times until well along in the eighteenth century,

when it became the palace of Madonna Reale, the widow of Charles

Emmanuel II. All its value from an architectural point of view is in its

exterior aspect, but its trim twelve-sided towers have a real

distinction that a heavier, more clumsy donjon often lacks.

The Palazzo Carignano is a fanciful invention of an architect, Guarni by

name, who in 1680 had no very clear idea as to what a consistent and

pleasing architectural conception should be. This palace's sole reason

to be remembered is that it was the residence of King Carlo-Alberto.

To-day Guarni's original façade has been covered by a non-contemporary

colonnade, with columns and statues of a certain impressive presence,

which would be considered handsome if it were some degrees finer in

workmanship, for the conception was certainly on becoming general lines.

The Palazzo Valentino, built in 1633 by Christine of France, the

daughter of Henri IV and Marie de Medici, and wife of Vittorio Amedeo

II, is now devoted to the usages of an educational institution. It is on

the classic French chateau order and is as out of place in Italy as the

Italian Renaissance architecture is in England.

On the Piazza Castello rises Turin's old castle of the fourteenth

century, built of brick, and, though moss-grown, it is hardly a ruin.

The Palazzo Reale, built in 1678 on the north side of the Piazza, is

severe and simple as to exterior, but luxurious enough within by reason

of the collections which it houses.

In the armory of Turin's royal palace is the full suit of armour worn by

Duke Emanuele-Filiberto on the occasion of the battle of St. Quentin,

and made by his own hand. He was an armourer, a silversmith and a worker

in fine metals beyond compare. In peace he was a craftsman without an

equal; in war he was the same kind of a fighter.

Another armour suit is of gigantic proportions. Who its owner was

history and the catalogue fail to state. The breast-plate bears a ducal

coronet and the letter F. The suit contains enough metal to armour plate

a small battle ship. For the more sentimentally inclined there is a

cabinet of delicately fashioned stilettos, which we have always fondly

believed were the national arms of Italy. These particular stilettos

were taken from fair ladies after they had made away with their lovers

when they came to be a nuisance. Fickle women!

Turin is one of the many places on the map of Europe famous for a

specialty in the eating line. This time it is chocolate. Let not any one

think that all chocolate comes from Aiguebelle or Royat. The bread of

Turin, "_grissini_," is also in a class by itself. It is made in long

sticks about the diameter of a pipe stem, and you eat yards of it with

your _minestra_ and between courses.

The puppet show or marionette theatres of Turin have ever been famous,

indeed the _fantoccini_ theatre had its origin in Piedmont. The buffon

Gianduja was of Piedmontese birth, as was Arlequino of Bergamo.

Around Turin are various suburban neighbourhoods with historic memories

and some palace and villa remains which might well be noted.

The Vigna della Regina, or the Queen's Vineyard, is the name given to a

once royal residence, now a girls' school. The house was built in 1650

by Cardinal Maurice of Savoy. Another one of the nearby sights, not

usually "taken in," is the natural garden (an undefiled landscape

garden) arranged in the sixteenth century by the Duke of Savoy, Emanuele

Filiberto.

King Carlo Felice had a country house called the Castello d'Aglie to the

north of the city. It is remarkable for nothing but the pure air of the

neighbourhood, and that abounds everywhere in these parts.

[Illustration: On the Strada, Moncenisio]

At Rivoli, a few kilometres out on the Mont Cenis road, is a clumsily

built, half finished mass of buildings, planned by Vittorio Amedeo II.

in the eighteenth century as a royal residence to which he some day

might return if he ever got tired of playing abdicator. He occupied

it surely enough, in due course, but as a prisoner, not as a ruler. He

was a well-meaning monarch, and through him the house of Savoy obtained

Sardinia, but he made awful blunders at times, or at least one, for

ultimately he landed in prison where he died in 1732.

Six leagues from Turin is the little garrison town of Pinerolo. A heap

of stones on the mountain marks the site of a chateau where were once

imprisoned the man of the Iron Mask, Lauzun, the political prisoner of

history, and Fouquet, the money-grabbing minister of Louis XIV.

Lauzun and his personal history make interesting reading for one versed

in things Italian and French. He made a famous _mot_ when being

transported to his mountain prison. He was requested from time to time

to descend from his carriage, whenever by chance it had got stuck in the

mud or wedged between offending rocks. With much apology he was begged

to descend. "Oh! this is nothing; these little misfortunes of travel are

nothing of moment compared to the object of my journey." Other prisoners

may have put things similarly, but hardly with the same grace of

diction.

Let no automobilist, on leaving Turin, come out by way of Pinerolo

unless he is prepared for a detour of a hundred kilometres, a rise of

2,000 metres and a drop down again to 1,300 metres at Cesana Tarinese,

where he strikes the main road over the Col de Mont Cenis to Modane in

France, or via the Col de Mont Genevre to Briançon. The direct road from

Turin is via Rivoli and Suse.

Not every traveller in Italy knows the half-hidden out-of-the-way Val

d'Aoste, the obvious gateway from Turin to the north via the Col du

Saint Bernard. Travellers by rail rush through via the Simplon or Mont

Cenis and know not the delights and joys which possess the traveller by

road as he plunges into the heart of the Alps through the gateway of the

Val d'Aoste.

The Val d'Aoste, less than a hundred kilometres, all counted, has more

scenic and architectural surprises than any similar strip in Europe, but

it is not a _piste_ to be raced over by the scorching automobilist at

sixty miles an hour. On the contrary it can not be done with

satisfaction in less than a day, even by the most blasé of tourists. The

railway also ascends the valley as far as Aoste, and one may cross over

by coach into France or Switzerland by either the Col du Petit Saint

Bernard or the Col du Grand Saint Bernard. It is worth doing!

The whole Val d'Aoste is one great reminder of feudal days and feudal

ways. Curiously enough, too, in this part of Piedmont the aspect is as

much French as Italian, and so too is the speech of the people. At

Courmayer, for instance, the street and shop signs are all in French,

and _'om_ the diminutive of _homme_ replaces the Italian _uomo_; _cheur_

stands for _coeur_ and _sita_ for _cité_ and _citta_. This patois is

universal through the upper valleys, and if one has any familiarity with

the patois of Provence it will not be found so very strange. French,

however, is very commonly understood throughout Piedmont, more so than

elsewhere in north Italy, where, for a fact, a German will find his way

about much more readily than a Frenchman.

One blemish lies all over the Val d'Aoste. It was greatly to be remarked

by travellers of two or three generations ago and is still in evidence

if one looks for it, though actually it is decreasing. Large numbers of

the population are of the afflicted class known as _Cretins_, and many

more suffer from _goitre_. It is claimed that these diseases come from a

squalid filthiness, but the lie is given to this theory by the fact that

there is no apparent filthiness. The diseases are evidently hereditary,

and at some time anterior to their appearance here they were already

known elsewhere. They are then results of an extraneous condition of

affairs imported and developed here in this smiling valley through the

heedlessness of some one. There are certain neighbourhoods, as at

Courmayer and Ivrea, where they do not exist at all, but in other

localities, and for a radius of ten kilometres roundabout, they are most

prevalent.

The southern gateway to the Val d'Aoste is the snug little mountain of

Ivrea, 50 kilometres from Turin. The cheese and butter of the Italian

Alps, known throughout the European market as Beurre de Milan, is mostly

produced in this neighbourhood, and the ten thousand souls who live here

draw almost their entire livelihood from these products. Ivrea has an

old Castle of imposing, though somewhat degenerate, presence. It has

been badly disfigured in the restorations of later years, but two of its

numerous brick towers of old still retain their crenelated battlements.

The place itself is of great antiquity, and Strabon has put it on record

that 3,600 of the inhabitants of the Val d'Aoste were once sold en bloc

in the streets of Ivrea by Terentius Varro, their captor.

The Val d'Aoste, from Ivrea to Courmayer, about one hundred kilometres,

will some day come to its own as a popular touring ground, but that time

is not yet. When the time comes any who will may know all the delights

of Switzerland's high valleys without suffering from the manifest

drawback of overexploitation. One doesn't necessarily want to drink beer

before every waterfall or listen to a yoedel in every cavern. What is

more to the point is that one may here find simple, unobtrusive

attention on the part of hotel keepers and that at a price in keeping

with the surroundings. This you get in the Val d'Aoste and throughout

the Alps of Piedmont, Dauphiny and Savoy.

Up high in the Val d'Aoste lies a battery of little Alpine townlets

scarce known even by name, though possessed of a momentous history and

often of architectural monuments marvellously imposing in their grandeur

and beauty.

Near Pont Saint Martin, high above the torrent of the Doire, is the

picturesque feudal castle of Montalto, a name famous in Italian annals

of the middle ages.

Over the river Lys, at Pont Saint Martin, there is a Roman bridge; a

modern iron one crosses it side by side, but the advantages, from an

æsthetic and utilitarian view-point, as well, are all in favour of the

former. A ruined castle crowns the height above Pont Saint Martin and a

few kilometres below, at Donnas, is an ancient Roman mile stone still

bearing the uneffaced inscription XXXII M. P.

This whole region abounds in Napoleonic souvenirs. Fort Bard, the key to

the valley, garrisoned by only eight hundred Austrians, gave Bonaparte a

check which he almost despaired of overcoming. The Little Corporal's

ingenuity pulled him through, however. He sent out a patrol which laid

the streets of the little village below the fort with straw and his army

passed unobserved in the night as if slippered with felt. But for this,

the Battle of Marengo, one of the most brilliant of French feats of

arms, might never have been fought.

Bard, the fort and the village, is now ignored by the high road which,

by a cut-off, avoids the steep climb in and out of the place.

Unheard of by most travellers in Italy, and entirely unknown to others,

Verrex in the Val d'Aoste possesses a ravishing architectural surprise

in the shape of a feudal castle on a hillside overlooking the town. It

is of the square keep, or donjon, variety, and played an important part

in the warlike times of the past.

The chateau of Issogne near by, built by the Prior Geor. Challant, less

of a castle and more of a country house, is an admirable fifteenth

century domestic establishment still habitable, and inhabited, to-day.

All up and down the valley are relics of the engineering skill of the

great Roman road and bridge builders. The road over Mont Jovet, a sheer

cut down into the roof of a mountain, was theirs; so were the bridges at

Chatillon and Pont Saint Martin, and another at Salassiens. At the Pont

d'Ael is a Roman aqueduct.

Chatillon, like Verrex, is not marked in big letters on many maps, but

it belongs in every architect lover's Italian itinerary. Its two bridges

of olden time are veritable wonder works. Its chateau Ussel, a ruin of

the fourteenth century, is still glorious under its coat of mail of moss

and ivy, while the Castle of Count Christian d'Entréves is of the kind

seen by most people only in picture books.

At Fénis is a magnificent feudal battlemented castle with donjon tower,

a _chemin ronde_ and a barbican so awe-inspiring as to seem unreal. With

Verrex and Issogne, near by, Fénis completes a trio of chateaux-forts

built by the overlords of the name of Challant who possessed feudal

rights throughout all the Val d'Aoste.

Aimon de Challant built the castle of Fénis in 1330. Virtually it was,

and is, a regular fortress, with as complete a system of defence as

ever princely stronghold had. At once a sumptuous seigneurial residence

and a seemingly impregnable fortress, it is one of the most remarkable

works of its class above ground.

Aoste is a little Italian mountain town far more French than Italian

from many points of view. It is of great antiquity and was the Augusta

Prætoria of various Roman itineraries.

Like most Roman cities Aoste was laid out on the rectangular

parallelogram plan, an aspect which it still retains.

Aoste's triumphal arch, its city gate and walls, and its ancient towers

all lend a quaint aspect of mediævalism which the twentieth century--so

far as it has gone--has entirely failed to contaminate.

For lovers of English church history it will be a pleasure to recall

that Anselm, Archbishop of Canterbury in the eleventh century, was born

at Aoste. Another churchly memory at Aoste is a tablet inscribed with

the particulars of the flight of Calvin from his refuge here in 1541.

[Illustration: _Castle of Fénis_]

Saint Bernard, who has given his name to two neighbouring mountain

passes and to a breed of dogs, was Archbishop of Aoste in his time. His

perilous journeys in crossing the Alps, going and coming to and from his

missions of good, led to his founding the celebrated hospice on the

nearby mountain pass which bears his name. The convent of the Great St.

Bernard is the highest habited point in Europe.

From Aoste to the Hospice of the Grand Saint Bernard is twenty-six

kilometres, with a rise of nearly 2,000 metres and a fall of a like

amount to Martigny in Switzerland. The percentage of rise is

considerably greater than the route leading into France by the Little

Saint Bernard, which falls short of the former by three hundred metres,

but the road is rather better. By far the easiest route from Turin into

France is via the Col de Mont Cenis to Modane; but a modern automobile

will not quarrel seriously with any of these save one or two short, ugly

bits of from fifteen to seventeen per cent. They are pretty stiff;

there's no doubt about that, and with a motor whose horse power is

enfeebled by the rarefied atmosphere at these elevations the driver is

likely to meet with some surprises.

Italian Highways and Byways from a Motor Car · 第 19 / 20 章