CHAPTER X. THE DARK CHAMBER.

Or singst thou rather under force

Of some Divine command,

Commissioned to presage a course

Of happier days at hand?

COWPER.

Aurelia was coming down stairs in the twilight after singing her charges

to sleep about three weeks after her arrival, when she saw Jumbo waiting

at the bottom of the stairs.

She had long ceased to be afraid of him. Indeed he had quite amazed her

by his good-nature in helping to lift down naughty little Letitia, who

was clambering up to the window of his master’s chamber to look through

the crevices of the shutters. He had given the children a gaily dressed

rag doll, and was as delighted as they were when he played his fiddle to

them and set them dancing.

Still, the whites of his eyes, his shining teeth, and the gold lace of

his livery had a startling effect in the darkness, and Aurelia wished he

would move away; but he was evidently waiting for her, and when she

came near he addressed her thus, “Mis’r Belamour present compliment, and

would Miss Delavie be good enough to honour him with her company for a

short visit?”

The girl started, dismayed, alarmed, yet unwilling to be unkind to the

poor recluse, while she hoped that decorum and propriety would put the

visit out of the question. She replied that she would ask Mrs. Aylward

whether she might, and Jumbo followed her to the still-room, saying on

the way, “Mas’r heard Miss Delavie sing. He always has the window opened

to hear her. It makes him hum the air--be merry. He has not asked to

speak with lady since he heard the bad news--long, long, ago.”

Then Aurelia felt that nothing short of absolute impropriety ought to

make her gratify her shrinking reluctance. Mrs. Aylward seemed to think

her doubts uncalled for, and attributed her hesitation to fear of the

dark room.

“Oh, no I am not so childish,” said the young lady with nervous dignity;

“but would it be proper?”

“Bless me, madam, he is as old as your father, and as civil a gentleman

as lives. I would come in with you but that I am expecting Mr. Potts

with the tallies. You need have no scruples.”

There was no excuse nor escape, and Aurelia followed the negro in

trepidation. Crossing the hall, he opened for her the door of the lobby

corresponding to her own, and saying, “Allow me, ma’am,” passed before

her, and she heard another door unclosed, and a curtain withdrawn.

Beyond she only saw a gulf of darkness, but out of it came a deep manly

voice, subdued and melancholy, but gentlemanlike and deferential.

“The young lady is so kind as to come and cheer the old hermit. A

thousand thanks, madam. Permit me.”

Aurelia’s hand was taken by one soft for want of use, and she was led

forward on a deep piled carpet, and carefully placed on a chair in the

midst of the intense black darkness. There was a little movement and

then the voice said, “I am most sensible of your goodness, madam.”

“I--I am glad. You are very good, sir,” murmured Aurelia, oppressed by

the gloom and the peculiar atmosphere, cool--for the windows were open

behind the shutters--but strangely fragrant.

“How does my excellent friend, Major Delavie?”

“I thank you, sir, he is well, though his wound troubles him from time

to time.”

“Commend me to him when you write, if you are good enough to remember

it.”

“I thank you, sir. He will be rejoiced to hear of you.”

“He does me too much honour.”

These conventionalities being exhausted, a formidable pause ensued,

first broken by Mr. Belamour, “May I ask how my fair visitor likes

Bowstead?”

“It is a fine place, sir.”

“But somewhat lonely for so youthful a lady?”

“I have the children, sir.”

“I often hear their cheerful voices.”

“I hope we do not disturb you, sir, I strive to restrain them, but I

fear we are all thoughtless.”

“Nay, the innocent sounds of mirth ring sweetly on my ears, like the

notes of birds. And when I have heard a charming voice singing to the

little ones, I have listened with delight. Would it be too presumptuous

to beg the air songstress to repeat her song for the old recluse?”

“O, sir, I have only nursery ditties, caught from our old German maid,”

cried Aurelia, in dismay.

“That might not diminish the charm to me,” he said. “In especial there

was one song whose notes Jumbo caught as you accompanied yourself on the

spinnet.”

And Jumbo, who seemed able to see in the dark, played a bar on his

violin, while Aurelia trembled with shyness.

“The Nightingale Song,” she said. “My dear mother learnt the tune

abroad. And I believe that she herself made the English words, when she

was asked what the nightingales say.”

“May I hear it? Nightingales can sing in the dark.” Refusal was

impossible, and Jumbo’s violin was a far more effective accompaniment

than her own very moderate performance on the spinnet; so in a sweet,

soft, pure, untrained and trembling voice, she sang--

“O Life and Light are sweet, my dear, O life and Light are sweet;

But sweeter still the hope and cheer

When Love and Life shall meet.

Oh! then it is most sweet, sweet, sweet, sweet, sweet, sweet.

“But Love puts on the yoke, my dear, But Love puts on the yoke;

The dart of Love calls forth the tear,

As though the heart were broke.

The very heart were broke, broke, broke, broke, broke, broke.

“And Love can quench Life’s Light, my dear, Drear, dark, and melancholy;

Seek Light and Life and jocund cheer,

And mirth and pleasing folly.

Be thine, light-hearted folly, folly, folly, folly, folly, folly.

“‘Nay, nay,’ she sang. ‘yoke, pain, and tear,

For Love I gladly greet;

Light, Life, and Mirth are nothing here,

Without Love’s bitter sweet.

Give me Love’s bitter sweet, sweet, sweet, sweet, sweet, sweet.’”

“Accept my fervent thanks, kind songstress. So that is the nightingale’s

song, and your honoured mother’s?”

“Yes, sir. My father often makes us sing it because it reminds him of

her.”

“Philomel could not have found a better interpreter,” said the grave

voice, sounding so sad that Aurelia wished she could have sung something

less affecting to his spirits.

“I gather from what you said that you are no longer blessed with the

presence of the excellent lady, your mother,” presently added Mr.

Belamour.

“No, sir. We lost her seven years ago.”

“And her husband mourns her still. Well he may. She was a rare creature.

So she is gone! I have been so long in seclusion that no doubt time has

made no small havoc, and my friends have had many griefs to bewail.”

Aurelia knew not what answer to make, and was relieved when he collected

himself and said:--

“I will trespass no longer on my fair visitor’s complaisance, but if she

have not found the gloom of this apartment insupportable, it would be a

charitable action to brighten it once more with her presence.”

“O sir, I will come whenever you are pleased to send for me,” she

exclaimed, all her doubts, fears, and scruples vanishing at his tone of

entreaty. “My father would be so glad. I will practise my best song to

sing to you to-morrow.”

“My best thanks are yours,” and her hand was taken, she was carefully

conducted to the door and dismissed with a gentle pressure of her

fingers, and a courteous: “Goodnight, madam; _Au revoir_, if I may

venture to say so.”

By contrast, the hall looked almost light, and Aurelia could see the

skip of joy with which Jumbo hurried to fetch a candle. As he gave it to

her, he made his teeth flash from ear to ear, as he exclaimed: “Pretty

missy bring new life to mas’r!”

Thus did a new element come into Aurelia’s life. She carefully prepared

Harriet’s favourite song, a French _romance_, but Mr. Belamour did not

like it equally well with the Nightingale, which he made her repeat,

rewarding her by telling her of the charming looks and manners of her

mother, so that she positively enjoyed her visit. The next night he made

inquiries into her walks at Bowstead, asking after the favourite nooks

of his childhood, and directing her to the glades where grew the largest

dewberries and sweetest blackberries. This led to her recital of a

portion of _Midsummer Night’s Dream_, for he drew her on with thanks at

every pause: “I have enjoyed no such treat for many years,” he said.

“There are other pieces that I can recite another time,” said Aurelia

timidly.

“You will confer a great favour on me,” he answered.

So she refreshed her memory by a mental review of _Paradise Lost_ over

her embroidery frame, and was ready with Adam’s morning hymn, which was

much relished. Compliments on her elocution soon were turned by her into

the praise of “sister,” and as she became more at ease, the strange man

in the dark listened with evident delight to her pretty fresh prattle

about sister and brother, and father and home. Thus it had become a

daily custom that she should spend the time between half past seven and

nine in the company of the prisoner of darkness, and she was beginning

to look forward to it as the event of the day. She scarcely expected

to be sent for on Sunday evening, but Jumbo came as usual with the

invitation, and she was far from sorry to quit a worm-eaten Baxter’s

_Saints’ Rest_ which she had dutifully borrowed from Mrs. Aylward.

“Well, my fair visitor,” said the voice which had acquired a tone of

pleased anticipation, “what mental repast has your goodness provided?”

“It is Sunday, sir.”

“Ah!” as if it had not occurred to him, and with some disappointment.

“I could say the Psalms by heart, sir, if you would like it, for it is

the 20th day of the month.”

“Thank you. Your voice can make anything sweet.”

Aurelia was shocked, and knew that Betty would be more so, but she was

too shy to do anything except to begin: “Praise thou the Lord, O my

soul.”

It was a fortunate thing that it was a Psalm of such evident beauty, for

it fell less familiarly on his ear than her passages from the poets. At

the end he said: “Yes, that is true poetry. Praise fits well with happy

young lips. You have been to church?”

“No, sir, Mr. Greaves does not come to-day.”

“Then how did the gentle saint perform her orisons?”

“Please do not so call me, sir! I tried to read the service, but I could

not get the children to be still, so I had to tell them about Joseph,

and I found a beautiful Bible full of pictures, like our Dutch one at

home.”

“You found the old Bible? My mother used to show it to my brother and

me--my poor mother!”

He mentioned one or two of the engravings, which he had never forgotten,

but the evening was less of a success than usual, and Aurelia doubted

whether we would wish for her that day se’nnight. All her dread of him

was gone; she knew she had brought a ray of brightness into his solitary

broken life, and her mind was much occupied with the means of affording

him pleasure. Indeed she might have wearied of the lack of all

companionship save that of the young children; and converse with a

clever highly cultivated mind was stimulating and expanding all her

faculties. When the stores or her memory were becoming exhausted, Jumbo

was bidden to open a case of books which had lain untouched since they

were sent sown from Mr. Belamour’s chambers at the Temple, and they were

placed at her disposal. Here was Mr. Alexander Pope’s translation of the

_Iliad_ of Homer, which had appeared shortly before the fatal duel,

and Aurelia eagerly learnt whole pages of it by heart for the evening’s

amusement, enjoying extremely the elucidations and criticisms of her

auditor, who would dwell on a passage all day, beg to have it repeated

a second time in the evening, and then tell her what his memory or

his reflection had suggested about it. Moreover, having heard some

inexplicable report, through Jumbo, of the Porteous mob, Mr. Belamour

became curious to learn the truth, and this led to his causing the

newspapers to be sent weekly to be read and reported to him by Aurelia.

It seemed incredible that a man of much ability should have been content

to spend all these years in the negro’s sole society, but no doubt the

injury done to the brain had been aggravated by grief and remorse, so

that he had long lain, with suspended faculties, in a species of living

death; whence he had only gradually, and as it were unconsciously,

advanced to his present condition. Perhaps Mr. Wayland’s endeavours to

rouse him had come too soon, or in a less simple and attractive

form, for they had been reluctantly received and had proved entirely

unsuccessful; while the child-like efforts of the girl, following his

lead instead of leading him, were certainly awakening him, and renewing

his spirits and interest in the world at large in an unlooked-for

manner.

Love and Life: An Old Story in Eighteenth Century Costume · 第 10 / 37 章