CHAPTER XXII

CAROLINA CONSTRUCTS A DRAMA

A THUNDERSTORM routed the procession, sending the candle-bearers

helter-skelter into doorways, covered alleys, under the awnings of the

shops. At the first flash and report of the sky’s artillery Andrea

deserted his push-cart and its royal occupant. But the dauntless leader

of the election district was at hand. With heroic calm he lifted

the Queen in his arms and unaided carried her into the Caffè of the

Beautiful Sicilian. Mulberry had but few men who could do that--she was

of solid Carrara--and thoughtful voters saw in the feat a new mark of

his fitness for political chieftainship. She was placed on a marble-top

table in the corner and the crown straightened on her spotless brow.

All night she held court, and until the vender songs of the morning

market were heard in the streets. Bottle after bottle joined the dead

men, the rude quips and quibbles grew noisy, quarrelsome, yet no man

drained a glass without first tipping it in homage to the snub-nosed

damsel whose hollow eyes stared at every one all the time.

An hour before midnight Bertino and Armando returned to Casa Di Bello

to report to Carolina the lodging place of the Last Lady. Hardly had

the bell sounded when the door flew open, and Carolina came out, finger

at lips, with a great air of mystery, and drawing to the panelled oak

behind her.

“Be off at once!” she said, her voice fluttering. “Here is money. Go

anywhere to-night--anywhere out of Mulberry. You, Bertino, must not

come back until--until I am ready for you. If she saw you it would ruin

all. Go! Ask no questions. To-morrow Armando will tell me where you

are, and we shall meet. Away!”

With puzzled faces and mystified shakes of the head Armando and Bertino

took themselves off, and Carolina re-entered at the moment that Signor

Di Bello was mounting the staircase to his bedroom. A few minutes

before he had taunted her with the failure of her scheme to cheat him

of a wife, and proclaimed again the idiocy of the priest and all others

who asserted that there was a bust or a husband of Juno. A pretty show

they had made of him. All Mulberry was laughing. But his time would

come. Next Sunday he would turn the tide, for she would be his in spite

of them all. Carolina could do as she liked, go or stay; but a wedding

there must and should be, for that alone could save his good name as a

merchant and a signore.

He had spent a busy night with the flasks of the Three Gardens along

with some choice comrades of the Genovese, and the years had told

Carolina that with her brother it was always _in vino veritas_.

Wherefore she knew that he had spoken naught less than a secret of

his heart--that a wish to wipe out the stain of ridicule was an added

spur to his determination to marry. And this knowledge sparked an idea

that keyed her cunning to its highest pitch. Without an instant’s delay

she began to put the idea into practice. Her first move was to keep

mum about the return of Bertino, although she had waited up to flaunt

in her brother’s face the news that his bride’s husband would stand

before him in a few minutes. But the new design that her crafty wits

had seized upon made that petty triumph seem not worth while--at least

not until the tragic moment she was preparing. Her next step, as we

have seen, was to get Bertino out of the way. The corners of her closed

mouth curved in a smile of wily content as she watched Signor Di Bello

going up to his room in blank ignorance of the little society drama

that was in her head.

“Good night, my dear brother,” she said. “To-morrow I will begin to

make ready for the wedding.”

“Good night.”

On the morrow she gave Angelica orders to prepare a wedding feast that

should be the equal of the one that had gone to Father Nicodemo’s poor.

She ordered her as well to keep her mouth shut about the turning up of

Bertino, and the same command she issued to Marianna. Neither the girl

nor the cook was able to fathom the purpose of Carolina, but Marianna

could not shake off a besetting fear that it boded no good for her.

* * * * *

It was a bright morning, and bright were the spirits of Signor Di

Bello, and springy his step, as he walked to his shop in Paradise Park.

To his view there was not a speck on the matrimonial prospect, and he

exulted in the promise of laughing last at those who were now laughing

at him. It was the day that the proofs were to be presented to Father

Nicodemo, and he chuckled serenely over the plight that the banker must

be in.

He had gone less than a block when Armando rang the bell of Casa Di

Bello, and Marianna, who had been watching for him eagerly at the

window, threw open the door. Breathlessly she fell to telling him

of the plans for the wedding and her consequent sense of impending

disaster; how Carolina knew that Juno had one husband, and was helping

her to get another! She had closed her and Angelica’s lips. What did it

all mean? Something dreadful, she was sure. If Armando would only take

her away. If----

The interview was cut off by the voice of Carolina, who appeared with

her bonnet on and took charge of Armando.

“Not a word,” she admonished him, “about Bertino’s return or his

marriage to that baggage. Mind you do not tell a living soul. My

reasons you will know at the proper time. Now, lead me to the--Last

Lady.”

Together they walked to the Caffè of the Beautiful Sicilian. On the

threshold they came face to face with the ex-banker. He was in a fine

frenzy of indignation. At daybreak that morning he had started from

what was left of the iron villa with a push-cart load of dandelion

leaves. After visiting the rectory and making to Father Nicodemo the

humiliating report that the proofs had vanished, there had come to his

ear news of the marble Queen of Springtide, and the talk, current on

a thousand tongues, of her strong resemblance to the Neapolitan who

sang at La Scala, and whom the priest had refused to marry to Signor

Di Bello. And here was the bust of which he had been robbed. Oh, the

money it had cost him! One hundred and forty dollars for duty. Ah! yes;

it was the cause of his ruin. But for that cursed marble he would be

still a signore and one of the influential bankers of Mulberry. He had

demanded his property, but the foreman would not surrender it until he

had proved his ownership. What an outrage! But it mattered not now, for

they, Armando and Signorina Di Bello, would be his witnesses. “Who

well does climb is helped in time.”

“Excuse me, signore,” remarked Armando; “this bust does not belong to

you.”

“What!” shrieked the banker.

“No; it is mine.”

“Yours?”

“I made it.”

“You made it, eh?” the banker snapped. “Very good. But who paid for it?

Eh, who paid for it? Answer that. Who paid the one hundred and forty

dollars of Dogana--you or I? Give me back the duty money and you may

have the infernal thing! Ugly yellow snout!”

Now, Carolina had a lively desire to possess the bust, for she needed

it in the avenging play that she had begun to construct. Nevertheless,

her Italian thrift had not been swamped by the wave of worldly purpose

that had of late come over her churchly qualities. To pay the sum

Signor Tomato asked would necessitate an inroad upon her savings-bank

hoard, an act to which she nerved herself only in the last resort.

So she exerted the might of her tongue in behalf of Armando’s claim,

holding with primordial logic that the Last Lady belonged to the

sculptor by divine right of creation. But the foreman, in his rôle

of thief, custodian of the stolen goods, and judge in equity, had a

homelier code of ethics for his guide. It took him not a moment to

decide. He awarded the bust to the banker on the ground that it was

in his wife’s possession at the time of the theft, and must therefore

belong to her husband. It was only the _reductio ad maritum_ to which

all questions are subject in Mulberry. The upshot was that in the

afternoon Carolina paid the one hundred and forty dollars.

To Signor Tomato it seemed as if some fairy wand had touched the world

and made it a garden of joy. Now they might take away the other pipe

any time, and he did not care. His Bridget and the little Tomatoes

would not be homeless. In his transport of gladness the rude life about

him took on a poetic beauty. The fragrance of Sorrentine orange groves

filled the squalid streets; there was rapturous music in the shrieks of

the parrots on the fire escapes and window sills; the raucous notes of

the hucksters enchanted his ear. To dear old Mulberry he could return

now and resume his proper estate of banker and signore. Long live the

day in his thankfulness! Never more would he quarrel with his lot. Ah!

the grand truth in the proverb, “Blind eyes lose their night when gold

is in sight.” Straightway he went to the landlord, got the key of the

old shop, and, when darkness had fallen, Bridget and her brood were

eating cabbage soup behind the nankeen sail in the revivified Banca

Tomato.

But the Last Lady was still with them, to the hearty disgust of

Bridget. Not yet had the hour arrived for Carolina to bring the bust

on the scene, and Signor Tomato, with many a word and grimace of

reluctance, consented, under an oath of secrecy, to keep it in his

place until the supreme moment. Pains were taken that it should not be

traced to its new biding place. Armando had pushed it away in a cart,

taking a round-about course from the Caffè of the Beautiful Sicilian

to Paradise Park. Thus it happened that when Signor Di Bello, to whose

ears had come the gossip of a bust that imaged his lost bride, went to

the _caffè_ that morning to see for himself, the bird had again flown.

“Bah! Another stupid jest!” he muttered, and thrashed out of the room

amid the titters of a group of Sicilians.

Soon afterward Juno, an unwonted air of wide-awake desire about her,

entered the _caffè_ and asked to be shown the Queen of Springtide.

Before Signora Crispina, the proprietor’s peachblow wife, could answer,

there came from a half dozen throats the merry chorus:

“Long live the Queen of Springtide!”

“Where is it?” Juno asked.

“She is here, signorina,” said the wit of the company, rising and

tipping his hat. “The lifeless Queen has just left us, but her living

Majesty is here.--It is yourself, beautiful signorina.”

“Bah! Where is the bust?”

No one could answer. Armando was unknown in Mulberry, and only three

persons--Carolina, the banker, and himself--were in the secret of his

destination when he pushed away from the _caffè_ with the Last Lady in

the cart. Juno went back to her lodgings greatly disappointed. A dread

had settled upon her that this marble ghost would spring up in her

path somehow, and foil her plans, after the manner of all well-ordered

avenging spirits. It had been her intention, when she hurried to the

_caffè_ to sound the rumour about the bust, to get Signor Di Bello to

buy it and give it to her. Once in her hands, she would have seen to

it that the thing retired to a safe obscurity. The bottom of the East

River seemed to her a particularly fit place for Armando’s masterpiece.

She doubted no longer that the bust had arrived in Mulberry, and the

mystery of its whereabouts gave her no peace.

But it was not so with Signor Di Bello. To the mind of the grocer, put

upon so hard by recent events, the talk about the Queen’s resemblance

to his lost bride appeared now as a hoax which had accomplished its

purpose of drawing him to the _caffè_ only to be laughed at. If not,

where was the bust? Surely he knew his people too well to misinterpret

this latest prank. He knew. It was the first joke of a practical turn

that any one had dared play on him since the blunder at the church

marked him for the colony’s ridicule. And he saw therein a sure omen

that flat insult would quickly succeed the coarse raillery. Before long

women would spit at him in the street and taunting youngsters tag at

his heels. Others that he knew of had tasted the strange persecution.

But it should not be his lot, by the tail of Lucifer! On the Feast of

Sunday his marriage must silence every idle tongue. For then he would

cease to be that despised of all creatures, a bridegroom without a

bride.

That his lively taste for Juno’s grace of person had become second

to a desire to avert the rising gale of mockery, Carolina understood

very well. And upon this change of his nuptial motive she rested full

confidence of success for her own designs. No bar to her project showed

itself until she visited Bertino, at the cheap hotel on the East Side,

whither he and Armando had taken themselves. Then she found that the

leading man of her drama had notions of his own about his part that

would wreck the plot. He was for killing the feminine villain before

the curtain rose. To her directions that he keep out of sight until

Sunday he demurred vehemently. How could he wait so long when the

_vendetta_ was boiling in his veins? His wife had done him a deadly

wrong, and, _per Dio!_ deadly should be the accounting.

“See the grand trouble she has caused to me, to my friend, and to poor

Marianna!”

“To Marianna?” she asked, in genuine wonder. “What wrong has she done

her?”

“Were not she and Armando to wed when his Presidentessa should be sold?

A long time they must wait now. Thundering heavens! But she shall pay.”

“You are mistaken,” rejoined Carolina, with a note of authority. “It

would have made no difference to Marianna. She was not to wed Armando

in any case.”

“I know better. Anyway, I shall not sit here biting my lips until the

Feast of Sunday, and perhaps be cheated of my right. Who knows when she

may fly?”

“No fear of that.”

“No? Why not? I tell you she knows what to expect from me, and is no

simpleton.” Then he lowered his voice to a stage whisper, first opening

the door and making sure that there was no listener in the hall. “Twice

I would have killed her, but once I deceived myself, and the other time

she gammoned me with a lie that made me try to kill my uncle. Don’t you

see that I can not wait here while she may be getting away?”

“I promise you she will not leave Mulberry. Do you wish to know why?

Well, it is because she thinks you have fled from America and that

she is free to become your uncle’s wife. Ah! don’t you see the fine

_vendetta_ I am hatching for you? On the Feast of Sunday you appear and

stop the wedding. The Neapolitan beast is kicked out of Casa Di Bello.

You follow her and--claim your rights. Is it not a sweet _vendetta_?”

“Yes,” said Bertino after a pause. “I will wait.”

The Last Lady of Mulberry: A Story of Italian New York · 第 22 / 24 章