CHAPTER XX

A HOUSE DIVIDED

A TRAIN for Jamaica next morning carried four anxious souls from

Mulberry. In one car were Signori Di Bello and Tomato, in another

Carolina and Armando. The banker had agreed to meet Armando at the

country station; but the sculptor had given no hint that he would have

Carolina in company, nor did either of the latter dream of finding

Signor Di Bello with the banker. They all met on the station platform.

At sight of Carolina her brother divined her state of mind. He knew

that her presence meant the first advance of a revived era of meddling

in his love affairs, and with the perversity of the ripe-aged swain he

resented it as stoutly as though his own judgment about woman had not

just been caught soundly napping.

“You have come to see the husband of your brother’s bride, I suppose,”

he said. “You are glad to be near to see me made a fool of, _neh_?”

“No,” she answered; “I seek only the proofs that Casa Di Bello is not

to be disgraced.”

They climbed into a creaky, swaying stage that the banker hired to

convey them to the iron villa.

“It was you that said she was the Presidentessa,” broke out the

signore, eying Armando on the opposite seat. “What the porcupine did

you mean?”

As the decrepit stage squeaked through the village, plunging and

tossing on its feeble springs like a boat in a choppy sea, Armando gave

the history of the Last Lady--the jugglery of the photographs, of which

the banker had told him; his months of fruitless toil on the second

Juno following a year lost on the first.

“Ah, signore,” he added, yielding to a blank sense of desolation,

“surely the evil eye has fallen upon me and I am doomed to fiasco.”

“Body of a rhinoceros!” was Signor Di Bello’s first comment. Then he

added, after an apparent mental struggle with the stubborn truth: “Yes;

she has made grand trouble for you, but you shall not suffer. I will

buy your Juno and the Peacock and--the other Juno, if only to smash it

in a thousand pieces!”

“Will you pay me back the Dogana, signore?” put in the banker, striking

the hot iron. “I too have been ruined by the Last Lady.”

“Excuse me, signore; you are old enough to know better.”

“And so are you,” chirped Tomato, whereat Signor Di Bello held his

tongue.

They had left the village street behind and were tottering over a rude

wagon trail that threaded the thicket of dwarf oaks on whose margin

crouched the dwelling of the Tomatoes. The site of the iron villa was

not far distant, and from its kitchen chimney a spiral of ascending

smoke showed plainly in the sunlight that bathed the flat landscape.

From the railroad cut the muffled roar of a passing train lent a basso

undertone to the squeak and clack of the voluble stage. At length they

struck into the road that borders the railway, and the banker leaned

out of the vehicle and peered ahead, wondering if all were well with

Bridget and the youngsters. As he drew nearer, the deeper became a look

of horror that had come upon his face.

“_Diavolo!_” he exclaimed at last. “A new calamity!”

“What is it?”

“Half of my house is gone.”

One woe-begone pipe was all that he could see of the imposing

double-tubed villa that reclined there so proudly two days before.

Stripped of the foliage that had shielded it and its mate from the

burning sun, it loomed black in ominous nakedness.

Had further evidence of disaster been needful, the countenance of

Bridget would have supplied it abundantly. Like a feminine Marius, she

sat amid the ruins of the Tomato Carthage. Strewn about her in wild

disorder were the twigs of oak that had been so carefully fashioned

over the pipes, mingled with the bedclothes and boxes that had

furnished the interior of the dormitory. The little garden of tomato

plants that had been set out at the back doors bore the vandal marks of

hobnailed boots and was slashed with the tracks of heavy wheels.

“Where’s the other pipe?” shrieked the banker before the stage came to

a stop.

“Howly shamrock, Domenico, is it yersilf? Sure I thought they was

comin’ for the rest iv the house. Where aire ye these two days, and the

worruld comin’ to an ind all around us?”

“No ees-a maka differenza where I’m goin’ be,” he said, jumping down,

followed by Signor Di Bello, Carolina, and Armando. “I ask-a you where

ees-a de oder pipa?”

“Ax the divvil and he’ll tell yer betther, for the ground has opened

and shwalleyed it.”

There was a chorus of whoops at the edge of the brush, and the trio of

juvenile Tomatoes came trooping toward their father.

“What-a kind talk you call-a dees-a?” he said, glaring at Bridget and

pushing away the children fiercely. “I ask-a you, where ees-a de pipa?”

“And I answer that I don’t knaw, Dominick Tomah-toe! Me and the childer

was away beyandt there, pickin’ dandelie-yuns, d’ye moind! Be the sun,

I’m thinkin’ we was gone two hours. Well, whin we got back only the wan

pipe was there, and a cushibaloo made iv the place as ye see it now.”

“And Bertino, where ees-a?”

“Gone wid the pipe.”

“Goin’ weet de pipa?” echoed the others.

“Didn’t I say it?”

“And de bust-a, ees-a where?” asked Signor Di Bello.

“Gone wid the pipe.”

“Bravo!” cried the grocer, who saw the case against Juno crumbling.

Locking his hands behind him, he began to whistle cheerfully, his eyes

on the moving pictures of the sky.

“Shame to you, my brother!” broke out Carolina. Then she took the

witness in hand. “When you have seen-a Bertino--de last-a time, ees-a

when?”

“Airly this mornin’ whin we wint for the dandelie-yuns, me and the

childer here.”

“And he no more coma back?”

“Divvil a hair iv him.”

“Bravo!” again from the grocer, the last barrier between him and Juno

levelled.

“Where he say he go?” asked Carolina.

“Well, mum, if I understud his dog Italian and his hog English, he said

he was goin’ to Jamaiky to ax at the post arface was there a letter

from somebody in Mulberry.”

* * * * *

Signor Di Bello returned to New York in high spirits. Whether the

proofs of Juno’s attempted bigamy were and always had been myths of

Tomato’s fancy was not the question that seemed to him of most import

now. What towered above all else was the monolithic fact that the

proofs were missing, and Juno might be his, after all. As the wish

gained firmer hold on the thought, he began to view the doings of the

past two days as moves in a miscarried plot of his sister’s to cheat

him of the woman who challenged his taste.

In the train he sat apart from Carolina and Armando and nursed his

delight. They could see that he was gloating over the events that had

cast them into hopeless gloom. And while they brooded, Signor Di Bello

replanned his wedding. Arrived in Mulberry, he made straight for the

Restaurant of Santa Lucia and caroled the triumphant tidings to Juno.

“Did I not tell you they were a flock of geese?” he said, passing the

bottle of _barbera_. “There was no bust, and, of course, no husband.

But there will be a husband on the Feast of Sunday, my very sympathetic

one,” he cooed.

“Ah! Bertino has received my letter and fled,” she mused under her

fallen eyelids as she tipped the glass.

That evening Signor Di Bello observed to Carolina:

“There will be a wedding in this house next Sunday. The priest will not

be the harebrained Father Nicodemo. I shall invite many of my Genovese

friends, some Milanesi, some Torinesi, and a few of the first families

of the Calabriani, the Siciliani, and the Napolitani, for I am a man

above race prejudice.”

It was what she had dreaded since the moment Bridget made known

the fact of Bertino’s melting away. Convinced--without proof,

however--that Juno was his wife, she had resolved never to live under

a bigamous roof, though she might, with a wife of her own selection,

endure life in a monogamous household. Wherefore she would secede from

Casa Di Bello--embrace again the rubric peace of the anagamous rectory.

Father Nicodemo had given her repeated assurance that the latchstring

was always hanging out; that the spaghetti sauces had never been proper

since she left; that they had despaired of having a palatable dish of

boiled snails fricasseed with pepper pods.

“Very well, my brother,” she returned frostily; “when that Neapolitan

baggage comes in, I go out.”

“Ah, you will enter the Church again, I suppose,” he taunted. “Have I

not said it truly--once a priest always a priest?”

“You will have the police in the house,” was her last word.

The Last Lady of Mulberry: A Story of Italian New York · 第 20 / 24 章