CHAPTER VIII

JUNO PERFORMS A MIRACLE

OF great import was the picture Bridget saw in the Caffè of the

Beautiful Sicilian. It was Bertino’s afternoon off from the shop, and

he had planned the meeting with Juno the preceding day while his uncle

fought again the battles of Garibaldi before an audience of admiring

comrades at the Three Gardens. The little _tête-à-tête_ meant that a

crisis had suddenly developed in the green fever of the grocery clerk.

His temperature had reached a degree where he swore _vendetta_. Yes,

to-day she must choose between life with him and death with his rival.

It all came of the Snail Boiler’s false report that Signor Di Bello

had betrothed himself to the Superb. But Juno eased matters by coming

to the tryst with consent on her lips. She would be his wife. It was

not Bertino’s hot breathings of revenge, however, that had melted the

handsome iceberg. Her change of poise was due to a pair of hard knocks

that life had playfully dealt her the night before. The first came from

the _impresario_, who told her, with tearful voice, that the affairs

of the theatre had gone so badly of late that he was obliged--how

much against his will Iddio knew--to dispense with her services. The

second blow came after the performance, when she was eating _polenta_

and birds with Signor Di Bello. She had broached the subject of a

wedding ring, only to have him dash her hopes with a roar of laughter

that shook the _caffè_. The rich husband failing and her stage career

closed, she decided to tide over present difficulties by accepting

Bertino’s offer of a situation as wife. Though he had promised her

a home in Casa Di Bello, she was too shrewd not to perceive that he

would find it a promise hard to make good. But there was another prize

whereon she had set her purpose.

She was madly addicted to the photograph habit. The only genuine

emotion of which her nature seemed capable was the one of delight she

evinced when beholding a picture of herself in some new pose. In Naples

a good part of her earnings as bottle-washer in a wine house had gone

for portraits; and the passion still clinging to her, she had begun to

mortgage her salary at the theatre to a Mulberry photographer. In two

days she had posed three times, and brought each set of the tintypes

to the grocery to show them to Bertino. At sight of them he rolled his

eyes, clasped his hands, and exclaimed:

“Ah, how beautiful! How sympathetic!”

“It would make a fine bust, _neh_?” she would add, but to this Bertino

always returned a decisive no. Once she showed him an old solar print

that was taken in Naples. It portrayed her in bare shoulders, with a

lace mantle over her head and eyes looking soulfully at the moon.

This was her favourite. “In America,” she declared, “they could not

make a _ritratto_ like that.” But with all her pictures there remained

a gnawing in the stomach of her vanity--a hunger that would not be

allayed since the moment that he told her about the bust. She wanted to

see herself in marble.

It was understood between them that at the meeting this afternoon

they would settle the marriage question once and for all; Bertino

told himself it would be settled for life or death. On his way to the

_caffè_ he encountered Carolina, and she stunned him with the news of

her coming departure for Italy.

“To-night I go aboard,” she said. “Thus I shall not miss the ship and

have to wait five weeks for another, as Father Nicodemo did.”

With thrift-prodding anxiety Bertino walked on, thinking out a plan for

turning her voyage to the advantage of himself and Armando. The letter

he meant to write, and its inclosure of a portrait of the President’s

wife, had assumed in his mind a boundless importance. It would be a

packet far too valuable for intrustment to the ordinary mail, and

registering letters to Europe he had found, on inquiry of Banker

Tomato, to be a costly business; nor was it any too safe, according to

the same authority. Aunt Carolina was going to Cardinali; why not send

it by her? With her own hands she could deliver the precious missive to

Armando. Nothing could be safer or cheaper. But there was not a moment

to lose if she went aboard to-night.

Thus it had come about that when Juno entered the _caffè_ she found

Bertino writhing in the travail of chirography. Before him on the table

lay a photograph of the First Lady of the Land. She checked an impulse

to catch it up and tear it to shreds.

Taking a chair by the table she watched him while he wrote. When he had

finished the letter he read it over slowly, then took up the picture

of the President’s wife to fold the written sheet around it and place

it in the envelope.

“Bah!” she said. “You talk of love. What love! Why don’t you send this

picture for the bust instead of that one? Am I not more beautiful?” She

drew from her skirt pocket her favourite portrait--the one that showed

her gazing wistfully at the moon.

“Anything but that,” he answered. “The next one shall be yours. I swear

it, if you will swear to be my wife. Ah, _mia preziosa_, in this letter

there is a fortune for me--for us both. Don’t you see the fine idea it

is to have a bust made of such a grand signora? It will make a _furore

tremendo_ in America.”

He had put the letter and the picture in the envelope, and in another

instant would have sealed it, but Juno sprang to her feet and pointed

to the door, crying:

“Quick! Go stop him! That man with the brown hat--my cousin! He has

just passed. I must see him. Quick, Bertino!”

He started for the door, but hardly had he reached it before she

snatched the envelope from the table, took out the photograph of the

President’s wife and put in the one of herself. Bertino ran back and

forth in search of the myth with the brown hat, and at length returned,

grumbling that no such person was in the street.

“Ah, what a pity!” she said. “I have not seen my cousin since the Feast

of the Madonna del Carmelo.”

Bertino licked the gum and sealed the envelope.

“And now, _carina_,” he said, regarding her tenderly, “the answer that

you promised to-day.”

“It is ready,” she said, her eye on the letter. “I will be your wife.”

“Joy!” he cried, and gave her a resonant kiss that startled two

chess-players from their absorption and evoked a sneer from the _caffè_

waitress.

* * * * *

That night Bertino went with Aunt Carolina to the ship. Before saying

_buon viaggio_ he handed her the letter for the sculptor.

“May you guard it well, my aunt!” he said solemnly. “It is of great

value.”

The Last Lady of Mulberry: A Story of Italian New York · 第 8 / 24 章