CHAPTER XI

Somewhat later in the day, they went out for a stroll through the town

together. To Herminia’s great relief, Alan never even noticed she had

been crying. Man-like, he was absorbed in his own delight. She would

have felt herself a traitor if Alan had discovered it.

“Which way shall we go?” she asked listlessly, with a glance to right

and left, as they passed beneath the sombre Tuscan gate of their

palazzo.

And Alan answered, smiling, “Why, what does it matter? Which way you

like. Every way is a picture.”

And so it was, Herminia herself was fain to admit, in a pure painter’s

sense that didn’t at all attract her. Lines grouped themselves against

the sky in infinite diversity. Whichever way they turned, quaint old

walls met their eyes, and tumble-down churches, and mouldering towers,

and mediæval palazzi with carved doorways or rich loggias. But

whichever way they turned, dusty roads too confronted them, illimitable

stretches of gloomy suburb, unwholesome airs, sickening sights and

sounds and perfumes. Narrow streets swept, darkling, under pointed

archways, that framed distant vistas of spire or campanile, silhouetted

against the solid blue sky of Italy. The crystal hardness of that

sapphire firmament repelled Herminia. They passed beneath the triumphal

arch of Augustus with its Etruscan mason-work, its Roman decorations,

and round the antique walls, aglow with tufted gillyflowers, to the

bare Piazza d’Armi. A cattle fair was going on there; and Alan pointed

with pleasure to the curious fact that the oxen were all

cream-coloured—the famous white steers of Clitumnus. Herminia knew her

Virgil as well as Alan himself, and murmured half aloud the sonorous

hexameter, “_Romanos ad templa deum duxere triumphos_.” But somehow,

the knowledge that these were indeed the milk-white bullocks of

Clitumnus failed amid so much dust to arouse her enthusiasm. She would

have been better pleased just then with a yellow English primrose.

They clambered down the terraced ravines sometimes, a day or two later,

to arid banks by a dry torrent’s bed where Italian primroses really

grew, interspersed with tall grape-hyacinths, and scented violets, and

glossy cleft leaves of winter aconite. But even the primroses were not

the same thing to Herminia as those she used to gather on the dewy

slopes of the Redlands; they were so dry and dust-grimed, and the path

by the torrent’s side was so distasteful and unsavory. Bare white

boughs of twisted fig-trees depressed her. Besides, these hills were

steep, and Herminia felt the climbing. Nothing in city or suburbs

attracted her soul. Etruscan Volumnii, each lolling in white travertine

on the sculptured lid of his own sarcophagus urn, and all duly ranged

in the twilight of their tomb at their spectral banquet, stirred her

heart but feebly. St Francis, Santa Chiara, fell flat on her English

fancy. But as for Alan, he revelled all day long in his native element.

He sketched every morning, among the huddled, strangled lanes; sketched

churches and monasteries, and portals of palazzi; sketched mountains

clear-cut in that pellucid air; till Herminia wondered how he could sit

so long in the broiling sun or keen wind on those bare hillsides, or on

broken brick parapets in those noisome byways. But your born sketcher

is oblivious of all on earth save his chosen art; and Alan was

essentially a painter in fibre, diverted by pure circumstance into a

Chancery practice.

The very pictures in the gallery failed to interest Herminia, she knew

not why. Alan couldn’t rouse her to enthusiasm over his beloved

Buonfigli. Those naïve flaxen-haired angels, with sweetly parted lips,

and baskets of red roses in their delicate hands, own sisters though

they were to the girlish Lippis she had so admired at Florence, moved

her heart but faintly. Try as she might to like them, she responded to

nothing Perugian in any way.

At the end of a week or two, however, Alan began to complain of

constant headache. He was looking very well, but grew uneasy and

restless. Herminia advised him to give up sketching for a while, those

small streets were so close; and he promised to yield to her wishes in

the matter. Yet he grew worse next day, so that Herminia, much alarmed,

called in an Italian doctor. Perugia boasted no English one. The

Italian felt his pulse, and listened to his symptoms. “The signore came

here from Florence?” he asked.

“From Florence,” Herminia assented, with a sudden sinking.

The doctor protruded his lower lip. “This is typhoid fever,” he said

after a pause. “A very bad type. It has been assuming such a form this

winter at Florence.”

He spoke the plain truth. Twenty-one days before in his bedroom at the

hotel in Florence, Alan had drunk a single glass of water from the

polluted springs that supply in part the Tuscan metropolis. For

twenty-one days those victorious microbes had brooded in silence in his

poisoned arteries. At the end of that time, they swarmed and declared

themselves. He was ill with an aggravated form of the most deadly

disease that still stalks unchecked through unsanitated Europe.

Herminia’s alarm was painful. Alan grew rapidly worse. In two days he

was so ill that she thought it her duty to telegraph at once to Dr

Merrick, in London: “Alan’s life in danger. Serious attack of

Florentine typhoid. Italian doctor despairs of his life. May not last

till tomorrow.—HERMINIA BARTON.”

Later on in the day came a telegram in reply; it was addressed to Alan:

“Am on my way out by through train to attend you. But as a matter of

duty, marry the girl at once, and legitimatise your child while the

chance remains to you.”

It was kindly meant in its way. It was a message of love, of

forgiveness, of generosity, such as Herminia would hardly have expected

from so stern a man as Alan had always represented his father to be to

her. But at moments of unexpected danger angry feelings between father

and son are often forgotten, and blood unexpectedly proves itself

thicker than water. Yet even so Herminia couldn’t bear to show the

telegram to Alan. She feared lest in this extremity, his mind weakened

by disease, he might wish to take his father’s advice, and prove untrue

to their common principles. In that case, woman that she was, she

hardly knew how she could resist what might be only too probably his

dying wishes. Still, she nerved herself for this trial of faith, and

went through with it bravely. Alan, though sinking, was still conscious

at moments; in one such interval, with an effort to be calm, she showed

him his father’s telegram. Tears rose into his eyes.

“I didn’t expect him to come,” he said. “This is all very good of him.”

Then, after a moment, he added, “Would you wish me in this extremity,

Hermy, to do as he advises?”

Herminia bent over him with fierce tears on her eyelids.

“O Alan darling,” she cried, “you mustn’t die! You mustn’t leave me!

What could I do without you? oh, my darling, my darling! But don’t

think of me now. Don’t think of the dear baby. I couldn’t bear to

disturb you even by showing you the telegram. For your sake, Alan, I’ll

be calm—I’ll be calm. But oh, not for worlds—not for worlds—even so,

would I turn my back on the principles we would both risk our lives

for!”

Alan smiled a faint smile.

“Hermy,” he said slowly, “I love you all the more for it. You’re as

brave as a lion. Oh, how much I have learned from you!”

All that night and next day Herminia watched by his bedside. Now and

again he was conscious. But for the most part he lay still, in a

comatose condition, with eyes half closed, the whites showing through

the lids, neither moving nor speaking. All the time he grew worse

steadily. As she sat by his bedside, Herminia began to realise the

utter loneliness of her position. That Alan might die was the one

element in the situation she had never even dreamt of. No wife could

love her husband with more perfect devotion than Herminia loved Alan.

She hung upon every breath with unspeakable suspense and unutterable

affection. But the Italian doctor held out little hope of a rally.

Herminia sat there, fixed to the spot, a white marble statue.

Late next evening Dr Merrick reached Perugia. He drove straight from

the station to the dingy flat in the morose palazzo. At the door of his

son’s room, Herminia met him, clad from head to foot in white, as she

had sat by the bedside. Tears blinded her eyes; her face was wan; her

mien terribly haggard.

“And my son?” the Doctor asked, with a hushed breath of terror.

“He died half an hour ago,” Herminia gasped out with an effort.

“But he married you before he died?” the father cried, in a tone of

profound emotion. “He did justice to his child?—he repaired his evil?”

“He did not,” Herminia answered, in a scarcely audible voice. “He was

staunch to the end to his lifelong principles.”

“Why not?” the father asked, staggering. “Did he see my telegram?”

“Yes,” Herminia answered, numb with grief, yet too proud to

prevaricate. “But I advised him to stand firm; and he abode by my

decision.”

The father waved her aside with his hands imperiously. “Then I have

done with you,” he exclaimed. “I am sorry to seem harsh to you at such

a moment. But it is your own doing. You leave me no choice. You have no

right any longer in my son’s apartments.”

The Woman Who Did · 第 11 / 24 章