CHAPTER XII. THE BATTER.

The most unsatisfactory feature in base-ball to the player himself, is

batting. In theory it is so simple, yet in practice so difficult, that

one is forever finding fault with himself and thinking, when too late,

of what he might have done if only he had not done as he did.

Of course, the element of chance or "luck," as it is called, enters

largely into the question. The hardest hit will sometimes go directly

into the waiting hands of a fielder, while a little "punk" hit from the

handle or extreme end of the bat may drop lazily into some unguarded

spot. But, in the course of a season, these chances should about

equalize one another, and, though fate may seem to be against a man for

a half dozen or more games, he will be found finally to have benefited

as much by "scratch" hits as he has lost in good, hard drives.

The theory of batting is simplicity itself. All that is necessary is to

wait until the ball comes over the plate and then hit it on a line back

into the field. From the grand stand, nothing could be easier. To sit

back of the catcher and see the balls come sailing over the plate, one

will wonder why they are not hit out of creation, and when some player,

who has allowed a couple of balls to pass directly over the plate

without making the least attempt to hit at them, finally lets go at one

that he could scarcely reach with a wagon tongue, much less with a 36-

inch bat, the spectator is likely to question the fellow's sanity. It is

amusing to sit in a base-ball crowd and hear the remarks. There are more

good batters and umpires and all-round ball players in the grand stand

within one's hearing, than are to be found in both the contesting teams.

It would be more amusing still if some of these prodigies could be

lifted out of their seats and taken down into the field, and, with a bat

in hand, made to face some first-class pitcher until they had hit the

ball just once. They would be surprised to see how differently it looks.

At a distance of only fifty feet from a man who can throw a ball like a

streak of lightning, or with the same apparent motion, send it so slowly

that one will think it is never going to reach him, who can curve it in

or out, up or down, the question of hitting the ball at all becomes one

of some doubt, to say nothing of "base hits." And then, add to this the

danger of a swift, wild pitch carrying away an arm or burying itself in

the batsman's stomach, and the difficulty is greatly increased. Just

think of it for a moment. A player who can throw a ball, say one hundred

and sixteen and two-thirds yards, goes into the pitcher's box and from a

distance of only sixteen and two-thirds yards throws the ball to the

batter with all speed. If the throw is wild and the ball hits the batter

it strikes him with a force that would have been sufficient to carry the

ball one hundred yards further. It would be interesting to know just how

many mule power there is behind such a blow. There are a few moments

after a man has been hit during which he wishes he had never seen a

base-ball, and for the next couple of games, at least, he will think

more of escaping a recurrence of the accident than of hitting the ball.

Hines, of Indianapolis, has already been hit on the head this season by

one of the Chicago pitchers, and the result is a long, ragged-looking

scar that he will always carry. An inch lower, and the blow might have

cost him his life.

The first consideration in learning to bat is to acquire the proper

form. By this is not meant the position to be assumed while waiting for

the pitch, because each batter may, and generally does have his

distinctive style. But when in the act of hitting there is a certain

form to be observed, and this, in its salient points, is the same with

all good batters.

Standing within easy reach of the plate, the batter should hold his bat

ready to hit a breast-high ball. It is easier to hit a low ball when

expecting a high one than to hit a high ball when a low one was

expected, for the reason that it is easier to drop the bat quickly and

swing underhand than it is to elevate it and chop overhand. When the

ball is pitched be should not move until he has seen where the ball is

going. Not until in the act of swinging his bat should he step forward,

and then his step should be short, and, generally, directly toward the

pitcher. When he hits, the body should be held erect and flung slightly

forward, so that when the bat meets the ball the weight is principally

on the forward foot.

If he steps too soon, his position is taken and he cannot change it to

suit any slight miscalculation he may have made in the speed or

direction of the ball.

Neither should he make too long a stride, for the same reasons given in

the preceding paragraph, and also because it puts him in bad form to hit

at a high ball.

He should generally step directly toward the pitcher, unless he has

special reasons for doing otherwise. For instance, if a right-hand

hitter wishes to hit to left-field, he had better step so as to face

slightly in that direction; and if he wishes to hit to right-field, he

will stand farther from the plate and step in with the left foot so as

to face somewhat in the direction he intends to hit.

The object in standing erect is to keep well the balance and be in a

position to cut under or over at a low or high ball. The body is thrown

slightly forward so that the weight and force of the body may be given

to the stroke. It is not necessary to hit hard, but solidly, and this is

done not so much by the swing of the arms as by the push and weight of

the shoulder behind it.

The accompanying cut of Ewing is an excellent representation of a

batter, in the act of hitting. He not only swings the bat with the arms,

but pushes it with the weight of the shoulders. The position is a

picture of strength.

In hitting at a high ball the bat should be swung overhand, in an almost

perpendicular plane, and so, also, for a low ball, the batter should

stand erect and cut underhand. If the bat is swung in a horizontal plane

the least miscalculation in the height of the ball will be fatal. If it

strikes above or below the centre line of the bat, it will be driven

either up into the air or down to the ground. Whereas, if the bat is

swung perpendicularly, the same mistake will only cause it to strike a

little farther up or down on the bat, but still on the centre line, and

if it misses the centre line it will be thrown off toward first or

third, instead of up or down.

There are two classes of good batters whose styles of hitting are so

different that they may be said to be distinct. The one, comprising such

hitters as Connor, Brouthers, Tiernan, Wise, Fogarty, Whitney, Ryan,

Denny, and Fred Carroll, use the full length of the bat, and in addition

to the push of the shoulders make a decided swing at the ball. In the

other, in which are Anson, Kelly, Dunlap, and a few others, the motion

is more of a push than a swing. Anson, who, if not the best batter in

the country, is certainly the surest, seldom does anything but push the

bat against the ball, only occasionally making what might be called a

swing. Many of the latter class grasp the bat up short, and some of them

keep the hands a few inches apart. If I were advising a novice which

style to learn I should say the latter, because it is the surer, though

such batters seldom hit as hard as the others.

Every ball player who pretends to play the game with his brain as well

as with his body, should be able to hit in whatever direction he wishes.

It may not be always possible to hit in the exact direction desired,

and, of course, he cannot "place" the ball in any particular spot, but

he can and should be able to hit either to left field or right, as the

occasion demands. The advantage of this to the player himself and to his

team cannot be overestimated. For example, there is a runner on first

who signals to the batter that he will try to steal second on the second

ball pitched. When he starts to run the second baseman goes for his base

and the entire field between first and second is left open. Now, if the

batter gets a ball anywhere within reach and taps it down toward right

field, the chances are that it will be safe, and the runner from first

will keep right on to third. Oftentimes, too, the batter himself will

reach second on the throw from right field to third to catch the runner

ahead of him. Here, now, by a little head-work, are runners on third and

second, whereas, an attempt to smash the ball, trusting to luck as to

where it should go, might have resulted in a double play or at least one

man out and no advantage gained. Many a game is won by such scientific

work, and the club that can do the most of it, day after day, will come

in the winners in the finish.

When a batter is known as one who will attempt a play of this kind, it

is usual for the second baseman to play well over into right field,

allowing the second to be covered by the short-stop. When the batter

discovers such a scheme to catch him he should continue to face toward

right field, in order not to betray his intention, but when the ball is

pitched, he should turn and hit toward left field. If the short-stop has

gone to take the base, the space between second and third is left open

just as the other side was.

A great fault with many batters is that they try to hit the ball too

hard. This is especially true of the younger players, the "colts," as

they are called. A young player with a reputation as a hitter in some

minor league, goes into a big club and at once thinks he must hit the

ball over the fence. The result is that he doesn't hit it at all, and

unless he corrects his fault, he goes on "fanning the atmosphere" until

he is handed his release. And yet the same player, if he would steady

himself down and once get started hitting might do just as well as he

did in his former club.

And this brings up the reflection that there is a great virtue in

confidence. The player who goes timidly to the bat with his mind made up

that he can't hit, anyhow, might just as well keep his seat. But the one

who walks up, saying to himself, "Other men hit this ball, and I can,

too," will be inspired by his own confidence, and for that very reason

he will be more likely to hit. So it is that batting goes so much by

streaks. A nine that has not made a hit for several innings will

suddenly start in and bat out a victory. One player leads off with a

good hit and is followed by another and another, each benefited by the

confidence and enthusiasm the preceding batters have aroused.

It goes without saying that the player's eyesight must be perfect or he

can never hope to be a good batter. It requires the keenest kind of an

eye to keep track of the ball and tell when it is over the plate and at

the proper height.

So, too, the nerves must be kept in good condition or the player will be

unable to resist the temptation to hit at wide balls. A nervous batter

is easily "worked," because he is so anxious to hit that he can't wait

for a good ball.

But the most important attribute of all in the composition of a good

batter is courage. In this term I include the self-control and the

resolution by which a man will force himself to stand before the

swiftest and wildest pitching without flinching, the fearlessness that

can contemplate the probability of a blow from the ball without allowing

the judgment to be affected. Out of ten poor batters nine are so because

they are afraid of being hit. It is often asked, "Why are pitchers, as a

rule, such poor batters?" and to this the answer in my own mind has

always been that it is because they know so well the danger which the

batter incurs. There is perhaps no such thing as absolute fearlessness;

the batter who has once been hit hard--and all of them have--will never

quite forget the occurrence, and he will forever after have the respect

for the ball that a burned child has for the fire. But some men will not

allow this feeling to overcome them.

It is absolutely necessary, then, to first conquer one's self, to fight

down fear and forget everything except that the ball must be hit. To

some, this seems not a difficult matter, to many it comes only after the

most determined effort and schooling of the nerves, while to a few it

seems to be an utter impossibility. The instinct of self-preservation is

such a controlling power with them that unconsciously they draw away

from the ball, and, try as they will, they cannot stand up to the plate.

The player who cannot overcome this feeling will never be a good hitter,

though when he finds that he is a victim he should not give up without a

struggle. Some players have broken themselves of the habit of running

away from the plate by stepping back with the rear foot, instead of

forward with the forward foot, when in the act of hitting. Thompson, of

Detroit, who is a remarkably good hitter, steps backward instead of

forward. Others, like Hecker, of Louisville, step neither way, but hit

as they stand, simply throwing the body forward. Every expedient should

be tried before the case is given up as incurable. In my own case I was

forced to change from right to left-hand hitting. I had been hit so hard

several times that I grew afraid of the ball and contracted the habit of

stepping away from the plate. It was a nervous fear over which I had no

control, and the habit became so confirmed that I resolved to turn

around left-handed. I thought that in learning to hit the new way I

could avoid the mistakes into which I had before fallen. It took time

and practice to learn, but the result, I think, has been an improvement.

While not able to hit so hard left-handed, because the muscles are not

yet so strong, I make more single hits, reach first base oftener, and

score more runs.

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