A PERSIAN'S DESCRIPTION OF AN ENGLISH THEATRE.

In Europe the manner in which plays are acted, and balls and musical

parties conducted, is (entirely) different from that of Hindoostan. The

people of this country (India) send for the singers to their own houses,

where they view the entertainments, and squander away a large sum of

money for one night's (amusement.) In Europe it is usual for a few

individuals to enter into partnership, (or) as it is called in English,

a company. They fit up a house in which dancing girls, skilful

musicians, singers, and actors, are engaged to perform. The audience

consists of from three to four thousand people. The lower orders, who

sit above all, give one shilling, equal in value to half a rupee; the

middle classes, who sit lowest off all, a rupee and a half; and the

great folks and noblemen, who sit (round) the middle of the house, give

two rupees and a half. Separate rooms (boxes) are allotted for them. The

place where the king sits is in front of the dancers. His majesty sits

there along with one or two of the princes, and these give each an

ashrufee. Now it is to be understood, that a poor man for eight anas,

and a rich individual for two rupees and a half, see a spectacle which

is fit for royalty itself, and which the people of this country have not

even seen in their dreams. In one night the dancers and musicians

collect five or six thousand rupees, which cover the expenses, and the

audience is sufficiently amused.

It is the aim of this _caste_ to accomplish great undertakings at little

expense. In Hindoostan, luxurious young men, for seeing a nautch

[dance,] squander away, in one night, one or two hundred rupees; and

lakhs of rupees of patrimony, which they may succeed to, in a short time

take wing.

How can I describe the dances, the melodious sound of violins and

guitars, and the interesting stories which I heard, and (all the things)

which I saw? My pen lacks ability to write even a short panegyric.

From amongst all the spectacles, that of the curtains of seven colours

(the scenes) is exceedingly wonderful, for every instant a new painting

is exhibited. Then people, disguised like angels and fairies, the one

moment come upon the stage and dance, and the next vanish from the

sight. There is also a man with a black face, who is a kind of devil,

and called harlequin; at one time he appears, and at another time hides

himself, and sometimes attaches himself to the others, and taking the

hands of the dancing girls, he dances with them; he then scampers off,

and taking a leap, he jumps through a window. At seeing this sport I

laughed very heartily. In a word, the (whole) entertainment is excellent

and wonderful.

Talking is not permitted in the theatre, although the crowd is great,

yet there is neither noise nor clamour. When a pleasing storey or

adventure is heard or witnessed, and they wish to express their

approbation, instead of saying _shabash!_ [excellent] or _wah! wah!_

[bravo! bravo!] they beat the floor with their feet, or they clap their

hands, by which they signify their approval.--_Travels of Mirza Itesa

Modeen in Great Britain and France._

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The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 265, July 21, 1827 · 第 27 / 31 题