And now, how about Charles-Norton and Dolly?
Well, they are getting along very well; very well, very well indeed.
Of course, they have their little differences--as have most couples.
Mostly, it is about wings. There seems to be a something fundamental
about both Charles-Norton and Dolly which irresistibly makes them diverge
on the question of the proper length of wings (male wings at least). For
a time, in fact, during the first months of their intoxicating public
success and before they had arrived to the present adjustment, the
question threatened to bring the conjugal craft to a final wreck.
Strangely enough (or naturally enough) it is a catastrophe that eased the
situation. One night, after Dolly, in a sudden access of resentment, had
taken an immoderate whack out of the left wing, Charles-Norton tumbled
to the ground in the midst of his performance, and broke his ankle.
It was, of course, in an agony of remorse that Dolly nursed her husband
during his long month of enforced and bed-ridden idleness. Luckily, Bison
Billiam behaved beautifully. He let the salary run on during the whole
course of Charles-Norton's incapacity, and then, with genial inspiration,
prevailed upon him, when he had recovered, to make his public
reappearance with the heavy plaster-of-paris cast still upon the injured
leg--which immensely increased the Flying Wonder's popularity and
success.
A _modus vivendi_ was agreed upon after this, which is still in force and
works very well. Bison Billiam was made the permanent arbitrator of the
wing question. Whenever they have a little difference now, Charles-Norton
and Dolly go to Bison Billiam, and, standing before him hand in hand,
listen to a sage adjudication of their rights and their wrongs. They call
him Papa Bison.
And so, they are quite happy. Dolly, of course, takes a keen pleasure in
her home. She has a neat little brick house, with a white door, near the
Riverside Drive, and a butler. A butler always had been Dolly's secret
dream.
Charles-Norton, also, though unconsciously perhaps, gets a good deal of
pleasure out of the house (and the butler), for Dolly, with innate
genius, has given it an air of quiet elegance and culture which he
secretly enjoys. There is, also, a certain contentment in living life
along a definite routine. He flies every night but Sunday, and two
afternoons a week. And then, if Dolly has her house, he has his
automobile.
A big, high-powered, red automobile. He goes out in it with Dolly every
Sunday. When he arrives to a certain point in a certain highway, where
the road is smooth and hard, and undulates up and down like a Coney
Island chute for many miles, he leans forward and puts his chin close to
the back of the chauffeur, who is French, and looks like Mephistopheles.
"Let her out," he says.
The chauffeur, with a grin, "lets her out"--and they swoop down and up,
down and up, in increasing speed. The road is a ribbon, which she rolls
hungrily within her; the trees, the rare houses on both sides, coalesce
into two solid, whirling walls.
"Faster," says Charles-Norton.
The world becomes two parallel planes of solid atmosphere, rushing along
close to right and left; the air strikes their faces like a fist, closing
their nostrils till they gasp; the machine's hum becomes a cry; its flaps
rise like wings.
"Faster," says Charles-Norton.
He seems to leave his body; it wafts off behind on a current of air, like
a hat--and he is only a soul, a delicious kernel of soul ecstatically
drunk, floating like an atom through the eternities.
"Faster," he says.
But he is aware now of a shrill, insistent, strident sound. It drills
into his soul; it will not be quiet; it will not let him be. Bing! His
body, catching up from behind, drops about him again--and then he knows.
It is Dolly; Dolly screaming, poor little Dolly hysterical with fear.
"Slow up," he says to the chauffeur.
The world gradually changes from a mere blur of parallel lines to visible
groupings of matter. Trees, houses, the road, the sky reappear as through
a curtain torn before them. The chauffeur wipes his brow. "Ah,
Monsieur!" he says.
And Dolly, very pale, says with an impatience that seems weary, as though
it were repeating itself for the thousandth time "Oh, Goosie, why, why,
why will you scare me so?"
Charles-Norton is penitent, but a bit morose. "Gee," he says; "that
wasn't fast. That wasn't fast." His eyes go off, very far; a vague, vague
yearning, covered over with layer and layer of resignation, palpitates
faintly at the pit of his being. "You don't know what speeding is," he
murmurs; "you don't know----"
The machine, at smooth half-speed, is returning toward the city. "I won't
go with you again," says Dolly.
But she always does. She doesn't like to ride fast, and he does, but she
never lets him ride alone. 'Cause she loves him!
He will have to be more careful now, however. The other evening, as they
sat in the cozy reading-room (lined with editions de luxe) after the
performance, she got upon his knee and, hiding his eyes with her hands so
he could not look at her, whispered something in his ear.
Charles-Norton sat silent a long moment after that. Then he said, as
though speaking to himself: "I wonder if _he_ will--if _he_ will also--if
_he_ will----"
"I wonder; I wonder!" said Dolly, ecstatically, her eyes wide upon a
splendid vision.
"We could keep them down," said Charles-Norton, consideringly, "by
beginning early. By beginning early, with bandages, we could keep them
down----"
To his great amazement, Dolly dissented. "Oh, no, no, no, no!" she cried.
"Oh, he would look so cute with them--just like a little angel! Just like
a little angel, Goosie!"
And Charles-Norton is still wondering about this differentiation in
Dolly's wise little head, wondering why _he_ can, while Goosie--can't.
THE END
Transcriber's notes
The following were identified as spelling or typographic
errors and have been emended as noted.
page 3 - corrected calisthenics
The mirror before which he had been performing his morning
calesthenics faced him uncompromisingly;
page 27 - corrected you're
"Well," he said finally, "maybe your right.
page 41 - corrected telephone
at the sound of the telphone bell.
page 42 - corrected harassing
which had suddenly solved for her the harrassing problem of
the spring hat
page 82 - corrected resonant
As it slid slowly out beneath the resonnant cupola,
page 105 - corrected susurrant
From their feet the meadow spreads, fresh and lush,
sussurant with the hidden flow of a brook,
page 130 - corrected gliding
and upon the stage, giding in from the West like a
Cinderella coach drawn by six white mice,
page 135 - added opening quotation mark
And so I fought it, John, I fought your love.
page 172 - left as is - sizzing as unclear what was correct
and finally he came down to her from the very zenith of the
dome in a sizzing straight line which opened
page 203 - added closing quotation mark
"It shall be regarded as a part of this agreement that the
length of the flying apparatus, whatsoever it may be, shall
be determined by the party of the first part.
All other unusual, colloquial or non-standard spelling and
punctuation has been left as in the original book.