CHAPTER I

HAGAR

HAGAR

BY

MARY JOHNSTON

[Illustration]

BOSTON AND NEW YORK

HOUGHTON MIFFLIN COMPANY

The Riverside Press Cambridge

1913

COPYRIGHT, 1913, BY MARY JOHNSTON

ALL RIGHTS RESERVED

_Published October 1913_

CONTENTS

I. THE PACKET-BOAT 1

II. GILEAD BALM 8

III. THE DESCENT OF MAN 19

IV. THE CONVICT 30

V. MARIA 45

VI. EGLANTINE 57

VII. MR. LAYDON 70

VIII. HAGAR AND LAYDON 82

IX. ROMEO AND JULIET 92

X. GILEAD BALM 104

XI. THE LETTERS 116

XII. A MEETING 132

XIII. THE NEW SPRINGS 143

XIV. NEW YORK 154

XV. LOOKING FOR THOMASINE 170

XVI. THE MAINES 184

XVII. THE SOCIALIST MEETING 194

XVIII. A TELEGRAM 208

XIX. ALEXANDRIA 221

XX. MEDWAY 231

XXI. AT ROGER MICHAEL'S 244

XXII. HAGAR IN LONDON 257

XXIII. BY THE SEA 266

XXIV. DENNY GAYDE 275

XXV. HAGAR AND DENNY 284

XXVI. GILEAD BALM 300

XXVII. A DIFFERENCE OF OPINION 313

XXVIII. NEW YORK AGAIN 323

XXIX. ROSE DARRAGH 332

XXX. AN OLD ACQUAINTANCE 341

XXXI. JOHN FAY 351

XXXII. RALPH 360

XXXIII. GILEAD BALM 372

XXXIV. BRITTANY 382

HAGAR

HAGAR

CHAPTER I

THE PACKET-BOAT

"_Low Braidge!_"

The people on deck bent over, some until heads touched knees, others,

more exactly calculating, just sufficiently to clear the beams. The

canal-boat passed beneath the bridge, and all straightened themselves

on their camp-stools. The gentlemen who were smoking put their cigars

again between their lips. The two or three ladies resumed book or

knitting. The sun was low, and the sycamores and willows fringing the

banks cast long shadows across the canal. The northern bank was not so

clothed with foliage, and one saw an expanse of bottom land, meadows

and cornfields, and beyond, low mountains, purple in the evening light.

The boat slipped from a stripe of gold into a stripe of shadow, and

from a stripe of shadow into a stripe of gold. The negro and the mule

on the towpath were now but a bit of dusk in motion, and now were lit

and, so to speak, powdered with gold-dust. Now the rope between boat

and towpath showed an arm-thick golden serpent, and now it did not show

at all. Now a little cloud of gnats and flies, accompanying the boat,

shone in burnished armour and now they put on a mantle of shade.

A dark little girl, of twelve years, dark and thin, sitting aft on the

deck floor, her long, white-stockinged legs folded decorously under

her, her blue gingham skirt spread out, and her Leghorn hat upon her

knees, appealed to one of the reading ladies. "Aunt Serena, what is

'evolution'?"

Miss Serena Ashendyne laid down her book. "'Evolution,'" she said

blankly, "'what is evolution?'"

"I heard grandfather say it just now. He said, 'That man Darwin and his

evolution'--"

"Oh!" said Miss Serena. "He meant a very wicked and irreligious

Englishman who wrote a dreadful book."

"Was it named 'Evolution'?"

"No. I forget just what it is called. 'Beginning'--No! 'Origin of

Species.' That was it."

"Have we got it in the library at Gilead Balm?"

"Heavens! No!"

"Why?"

"Your grandfather wouldn't let it come into the house. No lady would

read it."

"Oh!"

Miss Serena returned to her novel. She sat very elegantly on the

camp-stool, a graceful, long-lined, drooping form in a greenish-grey

delaine picked out with tiny daisies. It was made polonaise. Miss

Serena, alone of the people at Gilead Balm, kept up with the fashions.

At the other end of the long, narrow deck a knot of country gentlemen

were telling war stories. All had fought in the war--the war that had

been over now for twenty years and more. There were an empty sleeve and

a wooden leg in the group and other marks of bullet and sabre. They

told good stories, the country gentlemen, and they indulged in mellow

laughter. Blue rings of tobacco-smoke rose and mingled and made a haze

about that end of the boat.

"How the gentlemen are enjoying themselves!" said placidly one of the

knitting ladies.

The dark little girl continued to ponder the omission from the library.

"Aunt Serena--"

"Yes, Hagar."

"Is it like 'Tom Jones'?"

"'Tom Jones'! What do you know about 'Tom Jones'?"

"Grandfather was reading it one day and laughing, and after he had done

with it I got it down from the top shelf and asked him if I might read

it, and he said, 'No, certainly not! it isn't a book for ladies.'"

"Your grandfather was quite right. You read entirely too much anyway.

Dr. Bude told your mother so."

The little girl turned large, alarmed eyes upon her. "I don't read half

as much as I used to. I don't read except just a little time in the

morning and evening and after supper. It would _kill_ me if I couldn't

read--"

"Well, well," said Miss Serena, "I suppose we shall continue to spoil

you!"

She said it in a very sweet voice, and she patted the child's arm

and then she went back to "The Wooing O't." She was fond of reading

novels herself, though she liked better to do macramé work and to paint

porcelain placques.

The packet-boat glided on. It was almost the last packet-boat in the

state and upon almost its last journey. Presently there would go away

forever the long, musical winding of the packet-boat horn. It would

never echo any more among the purple hills, but the locomotive would

shriek here as it shrieked elsewhere. Beyond the willows and sycamores,

across the river whose reaches were seen at intervals, gangs of

convicts with keepers and guards and overseers were at work upon the

railroad.

The boat passing through a lock, the dark little girl stared,

fascinated, at one of these convicts, a "trusty," a young white man

who was there at the lock-keeper's on some errand and who now stood

speaking to the stout old man on the coping of masonry. As the water

in the lock fell and the boat was steadily lowered and the stone walls

on either hand grew higher and higher, the figure of the convict came

to stand far above all on deck. Dressed hideously, in broad stripes of

black and white, it stood against the calm evening sky, with a sense

of something withdrawn and yet gigantic. The face was only once turned

toward the boat with its freight of people who dressed as they pleased.

It was not at all a bad face, and it was boyishly young. The boat

slipped from the lock and went on down the canal, between green banks.

The negro on the towpath was singing and his rich voice floated across--

"For everywhere I went ter pray,

I met all hell right on my way."

The country gentlemen were laughing again, wrapped in the blue and

fragrant smoke. The captain of the packet-boat came up the companionway

and passed from group to group like a benevolent patriarch. Down below,

supper was cooking; one smelled the coffee. The sun was slipping lower,

in the green bottoms the frogs were choiring. Standing in the prow of

the boat a negro winded the long packet-boat horn. It echoed and echoed

from the purple hills.

The dark little girl was still staring at the dwindling lock. The

black-and-white figure, striped like a zebra, was there yet, though it

had come down out of the sky and had now only the green of the country

about and behind it. It grew smaller and smaller until it was no larger

than a black-and-white woodpecker--it was gone.

She appealed again to Miss Serena. "Aunt Serena, what do you suppose he

did?"

Miss Serena, who prided herself upon her patience, put down her book

for the tenth time. "Of whom are you speaking, Hagar?"

"That man back there--the convict."

"I didn't notice him. But if he is a convict, he probably did something

very wicked."

Hagar sighed. "I don't think _anybody_ ought to be made to dress like

that. It--it smudged my soul just to look at it."

"Convicts," said Miss Serena, "are not usually people of fine feelings.

And you ought to take warning by him never to do anything wicked."

A silence while the trees and the flowering blackberry bushes went by;

then, "Aunt Serena--"

"Yes?"

"The woman over there with the baby--she says her husband got hurt in

an accident--and she's got to get to him--and she hasn't got any money.

The stout man gave her something, and I _think_ the captain wouldn't

let her pay. Can't I--wouldn't you--can't I--give her just a little?"

"The trouble is," said Miss Serena, "that you never know whether or not

those people are telling the truth. And we aren't rich, as you know,

Hagar. But if you want to, you can go ask your grandfather if he will

give you something to give."

The dark little girl undoubled her white-stockinged legs, got up,

smoothed down her blue gingham dress, and went forward until the

tobacco-smoke wrapped her in a fragrant fog. Out of it came, genially,

the Colonel's voice, rich as old madeira, shot like shot silk with

curious electric tensions and strains and agreements, a voice at once

mellifluous and capable of revealments demanding other adjectives, a

voice that was the Colonel's and spoke the Colonel from head to heel.

It went with his beauty, intact yet at fifty-eight, with the greying

amber of his hair, mustache, and imperial; with his eyes, not large but

finely shaped and coloured; with his slightly aquiline nose; with the

height and easy swing of his body that was neither too spare nor too

full. It went with him from head to foot, and, though it was certainly

not a loud voice nor a too-much-used one, it quite usually dominated

whatever group for the moment enclosed the Colonel. He was speaking now

in a kind of energetic, golden drawl. "So he came up to me and said,

'Dash it, Ashendyne! if gentlemen can't be allowed in this degenerate

age to rule their own households and arrange their own duels--'" He

became aware of the child standing by him, and put out a well-formed,

nervous hand. "Yes, Gipsy? What is it you want now?"

Hagar explained sedately.

"Her husband hurt and can't get to him to nurse him?" said the Colonel.

"Well, well! That's pretty bad! I suppose we must take up a collection.

Pass the hat, Gipsy!"

Hagar went to each of the country gentlemen, not with the suggested

hat, but with her small palm held out, cupped. One by one they dropped

into it quarter or dime, and each, as his coin tinkled down, had for

the collector of bounty a drawling, caressing, humorous word. She

thanked each gentleman as his bit of silver touched her hand and

thanked with a sedate little manner of perfection. Manners at Gilead

Balm were notoriously of a perfection.

Hagar took the money to the woman with the baby and gave it to her

shyly, with a red spot in each cheek. She was careful to explain, when

the woman began to stammer thanks, that it was from her grandfather

and the other gentlemen and that they were anxious to help. She was a

very honest little girl, with an honest wish to place credit where it

belonged.

Back beside Miss Serena she sat and studied the moving green banks.

The sun was almost down; there were wonderful golden clouds above the

mountains. Willow and sycamore, on the river side of the canal, fell

away. Across an emerald, marshy strip, you saw the bright, larger

stream, mirror for the bright sky, and across it in turn you saw

limestone cliffs topped with shaggy woods, and you heard the sound of

picks against rock and saw another band of convicts, white and black,

making the railroad. The packet-boat horn was blown again,--long,

musical, somewhat mournfully echoing. The negro on the towpath, riding

sideways on his mule, was singing still.

"Aunt Serena--"

"Yes, Hagar."

"Why is it that women don't have any money?"

Miss Serena closed her book. She glanced at the fields and the

sky-line. "We shall be at Gilead Balm in ten minutes.--You ask too many

questions, Hagar! It is a very bad habit to be always interrogating. It

is quite distinctly unladylike."

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