He took out his knife and whittled the shingles, trying not

LITTLE BLUE BOOK NO. =906=

Edited by E. Haldeman-Julius

A Devil of a Fellow

and

The Yellow Cat

Wilbur Daniel Steele

HALDEMAN-JULIUS PUBLICATIONS

GIRARD, KANSAS

Copyright, 1918,

By Harper and Brothers

Reprinted by Arrangement

PRINTED IN THE UNITED STATES OF AMERICA

A DEVIL OF A FELLOW

AND

THE YELLOW CAT

A DEVIL OF A FELLOW

He had always been spoiled, by men, and especially by women. Even in

the name they called him in Portuguese Old Harbor, down cape, there was

a ring of irrepressible triumph--“Va Di! Va Di!”--as it were, “a devil

of a fellow,” or “a gay bird.”

They had been dead for more than half a year, he and Stiff Peter--dead,

that is, in the knowledge of the home world. And as befitting one out

of the unknown, he returned more magnificent than ever, stepping down

the fruit steamer’s plank at the Boston dock dressed in a suit of

cream-colored flannels gotten in the tropics, between which and the

pale block of the Panama hat above, his face showed more than ever

swarthy, rich-toned, and clean-drawn, with its crisp black spurs of

mustache breaking the line of either cheek, like a brigand on a poster.

In his right hand he poised a slender cane, something he had learned

in Port au Prince. Stiff Peter came behind, carrying the new straw

suitcase, clothed himself in much the same sort of shoddy in which he

and his captain had been picked up from the fisherman’s wreckage,

seven months before, by a southward-going tramp. Stiff Peter was a

small fellow; he had to look up to Va Di; had he had to look down to Va

Di the world would have been quite inexplicable.

The pair stood outside the dock gates, staring about them at the heavy

summer city, the venders of colored fruits, the hot blue Elevated

trains thundering overhead, the ice-carts sweating long, cold threads

across the cobbles.

“Here’s the country fer you, eh, Peter?”

Peter nodded, showing his bad teeth. “Betcha!”

The master pointed the tips of his mustache and smiled easily at a

passing shop-girl. “Say, Peter, I a’most wisht now I didn’t send that

letter home. Be some sport, now, coming ashore into Old Harbor, like

a--miracle.”

“Betcha!” The little fellow grinned, thinking that would have been

fine. “I wisht you didn’t, either,” he echoed. The fact that Peter

himself had sent the letter, Va Di never having learned to read or

write, did not obtrude itself upon either of them. Peter waited

patiently, eyes on the cobbles.

“Well, Peter, we’ll see a night afore we go down home, anyhow. Wonder

who’ll be to Schlinsky’s? Them boys off the fleet’ll be tickled to see

me.”

“Betcha!”

Outside Schlinsky’s place they were confronted by a slovenly jointed

man whose little, red-rimmed eyes seemed to be looking at ghosts.

“Thousand devils!” the fellow gasped in his long throat.

Va Di straightened the left lapel of his coat and flicked a damp curl

from his forehead. No one enjoyed this sort of thing more than he.

“Hello, Costa! How’s fishin’--good? Any the boys done good this year?”

“But for Gawd’s s-a-k-e!” Costa stretched out an absurdly long finger

to touch the flannel stuff. “And is that Stiff Peter?” His eyes wabbled

about in a grotesque fashion. “Say, you fellahs is _drowned_!”

He closed his eyes tight and mopped the sweat from his brow with the

back of a wrist. “I was onto the _Arbitrator_ myself las’ fall

when she picked up your wreckage. Me and Tony Silva catched a dory-load

o’ corpses ourselves. The hull o’ you’s got good granite stones up to

the graveyard. And here you come tackin’ up to me in broad daylight.”

He popped his eyes very suddenly at the conclusion, as if to give

nature a chance.

“And you never _knowed_?” Va Di demanded, losing his dramatic

composure.

“Knowed _what_?”

“Knowed we was picked up, me and Peter, and took to Brazil.”

Costa shook his head uneasily, still a little suspicious of them.

“But looky here, didn’t--Who was it I sent that letter to, Peter? Mamie

Cabral? Say, man, didn’t Mamie get no letter offa me? Eh?”

“N-n-naw.” Costa’s face changed abruptly from pale brown to brick color

and his unmanageable fingers fussed with his beard. “Mamie’s went--”

“_Went?_ Went _where_?”

“Nowheres. Only she went an’ got married.”

“Got _married_?”

“Got married.”

“Onto _who_?”

“Onto that old storekeep, Henny Lake--you know.”

“Old Henny Lake with the crooked leg? Looky here, Costa--”

Costa backed away a step, licked his lips, fumbled uneasily in and out

of his pockets, and after a moment spoke in a voice unnecessarily loud:

“Come on up an’ have a drink, Va Di, old fellah.” He slapped the other

on the back crying: “There’s other fish into the water, man!”

“You go straight to hell!”

Va Di stood for a long time after Costa had retreated up the stairway,

scowling into the yellow sun of evening, his teeth playing with his

nether lips, his hands tormenting the frail Malacca.

“They--they’s other fish into the water,” Peter stammered, desperate to

shift the great man’s humor. Va Di wheeled with out-flung hands.

“Other fish! Well, I _guesso_. Mary Virgin! but I got a dozen

girls in town, right here, better ’n that run-around slut that jumps

after an old man’s money the minute I get out o’ sight. Fish? I

_guesso_! Come on up, Stiff Peter. I’ll show ’em.”

He mounted the dusty stairs, with Peter sweating after him, and in the

wide, many-tabled hall of the Jew, heavy with the arid lushness of a

summer night in the city, he drank himself into a heroic insensibility,

so that he had to be carried away to dark T Wharf, in the willing

hands of the fish fleet, and dumped aboard a schooner bound down on the

morning tide for the end of the Cape.

They opened the town around Long Point, a straggling arc of

infinitesimal houses and wharves and spires, all colored alike in the

sulphur fires of sunset, with here and there a gleam of clear flame

refracted from a windowpane, a whole broadside from the cold-storage in

the western sands.

“Seven month,” Peter mused, an eye cornerwise on the silent man beside

him in the bows. “Seven month; and it’s like yiste’day--er mebby ten,

twenty year, lookin’ at it another way, eh, Cap’n?”

“They’ll be took aback,” Va Di muttered, rousing himself from his sour

preoccupation. “I’m goin’ to see the Silvado girls tonight, Peter. You

watch their faces, now. Fish into the water--I guesso.” He fell into

another silence, broken only by the faint rustle of the cutwater and

the tiny crescendo of men’s voices as the bow gang straggled forward

to make the anchor ready. The fleet at mooring drifted nearer, spiring

purple on a mat of pellucid gold.

“I see Maya’s shifted his offshore trap,” Peter struggled patiently.

The tide was low when the dories came ashore, leaving a wide stretch

of flats, soggy, half-reflecting. Two of the crew, to tell of it

afterward, carried Va Di on their shoulders and saved his white shoes

from the wet, their own boots leaving tiny lakes behind, full of yellow

sky. A bare-legged girl with a clam-rake in her hand turned curiously

as she crossed in front of them, opened her eyes wider, ran away

blushing richly, the damp skirts flinging about her knees.

Va Di called after her: “Ai there, you Angie! You watch out for me.”

People began to come out on the stranded wharves; some padded across

the flats, hallooing to one another. At the “rising,” Va Di kicked to

be let down, and stood with the great hat held dramatically across

his breast, watching the townspeople converging upon him. A party of

summer visitors from the East End passed in a motor; one of them, a

handsome woman of forty or so, smiled amusedly at the figure, flushed

and tightened her lips as she found her smile returned with a shocking

candor, made to pluck her companion’s sleeve, thought better of it,

lowered her eyes to her lap, and so whirled on into nothingness.

“Le’ me alone,” Va Di cried with a sudden ferocity. “Peter, gi’ me that

dress-suit case.” Grasping the shiny thing he wheeled and strode away

into the mouth of a lane, leaving lips and eyes wondering behind him.

The day died very suddenly now. Passing beneath the willows that hung

out of Ma Deutra’s chicken-pen, it was almost night already, cool and

struck through with the acrid fetor of the roots; and when he came

out beyond, the world’s color had changed perceptibly, its passion

chilled by the faint white influence of the moon. Turning into the back

street, he paused before a small weathered building with “Henry Lake,

Merchandise & Provisions” lettered across the false front.

“Shut up a’ready,” he mused, with a hard-won sneer. “Stays home of

evenin’s _now_--the old bastard. I’ll wring his dried-up neck--you

watch.”

He moved on again, smoothing out his coat-folds and tipping the Panama

further back and to the side, for he had to pass the house now. The

perfectly inexplicable thing was that he should find himself so upset

over Mamie Cabral--_Mamie Cabral_--a good-enough girl, but....

He walked along the white pickets of the fence, shoulders squared

back, heartrending chin thrust forward in a heroic preoccupation, eyes

fastened on the moon where Fergus’s willows chopped it into ragged

white fragments. But, somehow, he could not get past the gate; he

faltered there, set down the suitcase, and leaned his elbows on the

posts.

Through all the years of his boyhood he had played around that house

of Lake’s; later he had stalked past it going to or from his various

vessels. And yet he could not have told any one definitely what it

looked like. He retained a dim impression of a grape-vine, that was

all. Now he looked at it for the first time with eyes of interest,

intense glowering interest. The vine, shooting thick and rough from the

ground near the front door and sprawling haphazard over the dimming

whiteness of the walls till it came to the semi-restraint of a pergola,

touched the man’s ponderous imagination and made him think of a snake,

or a kind of guardian dragon.

“And them two are in there,” he mumbled to himself. “Into the dark.”

He leaned still more heavily on the gate-post, his garments melting

into the luminous streak of the fence, his dark, working face invisible

against a further hedge, only that monstrous exotic bloom of a hat

hanging in the dusk, air-sustained.

“Tony! Oh--Oh, Tony Va Di!”

The low cry came from the side of the house where a bay window

sheltered beneath the vine-strangled pergola. Va Di stood up rigid,

leaning slightly backward as if before a blow, his tongue running over

his lips. He muttered, “Name of God!”

The cry repeated itself, half in appeal, half ecstatic.

“Ton’! Ton’!”

Opening the gate, careless now of who might see or hear him, he strode

along the nasturtium-bordered walk and stood beneath the pergola,

staring at the window slightly above the level of his head.

She was kneeling inside, so that no more than her head was visible

against the interior darkness, and her forearms crossed on the sill,

bare and brown and sweetly modeled. The last dim effulgence of the

sunset warmed her right cheek, the other was chilled by the waxing

power of the moon--like the two phases of a man’s passion. Neither

seemed to have any words, save those scared, triumphant articulations

of their eyes. So they gazed at each other for a long time, while the

knotted shadows of the vine established themselves upon the ground and

the house-side, austere and grotesque.

A slow bewilderment took hold of Va Di; something began to flutter in

the back of his brain, an intolerable, weightless thudding, and the

pupils of his eyes dilated curiously. He could not understand. He had

an instinctive desire to huddle down or to turn and run away, as a

coral-islander might feel, put down miraculously in the midst of the

Himalayas.

“Where--where is he?” he whispered, by and by.

“He’s dead, Tony.”

“Dead!”

“Three days, Ton’.”

The man took off his hat and stared into it; vaguely astonished at a

jewel shining on the brim, he raised his hand to find tears rolling out

of his eyes. He had an almost uncontrollable impulse to pray.

“Old Lake’s dead,” he echoed in a shallow, vacant voice. Sluggish

visions tumbled through his mind as he stared at Mamie’s dark, unmoving

eyes.

“Wha’--what was ailin’ of him?”

“I killed him.”

The air about the open window grew dank and old, shot with a faint reek

of never-opened rooms, unaired wall-paper, crumbs of funeral cakes and

spilled wine, and a memory hanging about it of withered old dead limbs.

Va Di shrank back till his shoulders touched an upright of the pergola.

His face was yellow in the half-light and one yellow finger scratched

a cross on his breast.

“You--y-y-you--”

“I killed him, Ton’--after I got your letter.”

If she would take her eyes away for an instant, then he could run.

“You--got it--then?”

She nodded slowly.

“I didn’t tell nobody. Why? I don’t know, Ton’. But then I prayed to

all the saints that he would die, and to the Blessed Virgin, and even

to Christ Hisself--and three days ago he fell off Maya’s wharf and

drowned.”

“O-o-oh!” It was not tears now that wet his cheeks, but sweat, released

suddenly from its pores. “They can’t git--you--for--_that_.”

“They can’t. _They_ can’t. No. But--”

For all the frightful, occult implication of her words, her eyes were

still level and unfrightened, full of a deep, transfigured calm. Va

Di could not live up to that; without ceasing he crossed himself and

looked out of the corners of his eyes, as though fearful of beholding

in that moon-checkered nook the form of a black, relentless priest.

“Oh, Ton’!” she called, softly. He had to look at her, and even the

cold exhalations of the night light could not kill the color sweeping

her cheeks. He became aware of her hand reaching out to him, wavering

close before him; heedless of all things else, earthly and unearthly,

he took it in his own and turned it over and kissed the palm--kissed it

over and over again till it smothered him.

“Mamie!” he cried, searching her face with his reckless eyes. “You’re

mine, ain’t you, Mame? Ain’t you?” He came nearer and stood on tiptoe

to draw down her lips, but she went white at that and pulled back,

fluttering her free hand over her bosom.

“Ton’--Ton’! Don’t! I--I ain’t--smart--Tony.”

He stood perfectly quiet for a moment, as it stuck there in stone by a

flash of some Medusa-head. After a time, becoming aware that he still

held the girl’s hand in his, he let it drop abruptly. He began working

his lips, as if they were stiff from long disuse. His face was yellow

and hard.

“The hell you say!”

Turning away, he walked around the corner of the house, a singular

woodenness in his knees. But he returned immediately to lean against

the upright and confront her with his blighted rancor.

“You didn’t waste no time, did you?”

She did not appear to have grasped it yet. Once again he flung off

around the corner, and this time he did not return.

When he came into his own lane, gated with clumpy willows and at the

further end fading out into the blue-white slope of a dune dotted

with rubbish, he saw that the news had run ahead of him and all the

neighborhood was out of doors in the dusty thoroughfare, shouting,

sobbing, squealing. His mother lunged forward at sight of him, an old,

ragged-haired woman, full of fecund years, tripping over the torn hem

of her skirt.

Va Di glowered at her, holding her off with his strong hands. She had

been handsome once too; even now there were fine foundation-lines which

the folds of her cheeks, red and rutted like a rooster’s wattles, could

not altogether hide.

“Ma!” he cried, of a sudden. “Ma, I’m back.” Folding her in his arms,

he patted her back with a rough tenderness, and wept. Then all the

others, who had come pattering, fell to weeping and screeching and

pounding _him_ on the back. They got, finally, into the house,

a bleak, tall, narrow structure with peeling clapboards without and

a pervasion of linoleum within; into the kitchen, full of all the

essentials of life, a stove, a pump, a lithograph of the Virgin, a

mahogany wardrobe leaking cornmeal and onions, a phonograph, cot-bed,

chairs, and a table.

Eight brothers and sisters had to be heard; a ninth came running from

her husband’s house up-street, her stolid velocity not in the least

hampered by the protuberance under her shawl, understood to be a

nursing infant, miraculously adhesive.

“You’ll git the house painted,” she murmured, with a hint of severity,

to Angelina, seventeen, and in high school.

“Yeh.” Angelina had thought of that herself, having callers.

His mother busied herself in an oily nimbus above the stove, frying a

_linguisa_ and other things, watching her first-born all the while

with convulsive tremors about her mouth which made her appear to grin,

at intervals, idiotically. Va Di pounded the red table-cloth with the

butt of his knife.

“Ma, git a move onto that. Ain’t I told you I’m hungry?”

“Well, ain’t I hurryin’?” The old woman made the _linguisa_

crackle by poking it with a knife.

Va Di rubbed the back of his hand across his lips and justified

himself. “Well, I’m hungry.”

He ate in silence, only once raising his voice, and his hands, to

bid the company be quiet. “You make me nervous,” he cried. After he

had finished he got up and dusted the crumbs off his fine clothes,

scratching an old spot with a thumbnail and rubbing it with his

coat-cuff, ran a hand through his straight, black hair, and lounged to

the front door. His mother called after him, with a curious cluck in

her voice.

“Where you goin’, son?”

“Aw, see the town.”

But he got no farther than the step to the gate, where he leaned on his

elbows and gloomed at the roofs across the lane. Curious ones passed,

turned back, cleared their throats, and, seeing his face, did not speak.

“A kid,” he mumbled in his throat. “A kid off o’ that crooked-legged

old sow.” And after another sour silence: “I never remembered what a

good-looker she was. Say! And crazy about me. But.... Hell!”

The moon swam high over the end of the lane, filling the dusty passage

with its effulgent silver. The clear notes of town hall telling eleven

floated across the huddled dwellings, and Va Di, wondering at the

hour, looked about to find all the windows dark in the lane, save one

toward the street end where a mandolin twinkled an Island melody. A

solitary figure moved in the vista, coming nearer, a girl, dark-faced

and with her dark hair piled on either side of her ears, wearing a

white linen skirt and a crimson sweater. Opposite Va Di’s gate she

paused to kick a twig lying in the dust and discovered the man with a

slight start.

“I heard you’re back,” she said, drifting easily nearer. “Glad t’ see

you.”

The man smoothed his mustache. “Hullo, Mary! Didn’t ’spect to see me

again, eh, girlie? How’s things?”

“Lookin’ up, _now_.” She leaned against the other side of the

fence, smiling and fussing idly with her hair, her eyes lowered

demurely. By and by she raised them, nonplussed by his failure to go

on, and found him staring at the sky as if he had forgotten she was

there. She drifted away, after a time, flinging her shoulders a little,

and once looking back with a wounded, malignant expression.

Va Di shook himself and stared after her, moved by a faint sensation of

regret. “I must be turnin’ foolish,” he muttered to himself.

For a moment he thought she was coming back, and straightened up with

a not unaccountable thrill. But then he sank down again, recognizing

old Baldy Minn by a faint flapping of soles, many sizes too large for

her, on the dust. Baldy Minn had a wide, gelatinous person, forever

billowing and breaking against the precarious dams of her clothing when

she moved about; a silky gray beard blurred the contour of her chin;

her small eyes floated in a brownish liquor, prying, inquisitorial,

continually suspicious of women’s figures, seeming to say: “Mmmm--so

you’re at it again. Don’t lie about it, because you can’t fool

_me_.” A most horrible old woman. She came flapping through the

moonlight and stopped in front of the gate.

“Ai, ai!” she greeted, in a strong, bubbly voice. “They telled me

you’re back, Va Di. Too much f’ the devil, was y’u? Well, blessed

saints take pity onto the maids, if they’s any lef’.... Is y’r ma up?”

“I dunno.” Va Di was a little afraid of this woman, and disliked

her accordingly. “I’ll take a look,” he mumbled, after enduring her

eyes for a moment. He turned to the door and called: “Ma! Hey there,

_ma_!”

A sudden faint crash sounded from the other end of the house, as if

some one had started out of a doze and knocked something over.

“Huh, Tony! That you, Tony?”

“A’right,” Va Di grumbled. “You c’n go in, Baldy Minn.... Say--” He

peered at the bundle swinging in her hand, an old shawl full and

exuding ragged ends of things. “Say, what you want, this time o’ night?”

The old crone turned within the entry and winked a leering eye. “That

big kittle o’ y’r ma’s,” she bubbled.

“Oh! O-o-oh, I git y’u! Who is it this time, Baldy Minn?”

The woman grinned and flapped a hand at him with a horrible coyness.

“None o’ your beezness, _any_how.”

After a time, driven by an unaccountable restlessness, he moved into

the house, felt his way softly along a wall, and stood in what had

been meant for the dining-room. The air was heavy and sour with the

sleeping of the three younger boys, but the door was open a crack into

the kitchen, and in the lean, bright aperture he could see Baldy Minn’s

face with all its dewlaps shivering.

“I knowed it all along,” she was saying. “I knowed she’d never carry

it--ugh-ugh--not outa that old crook-leg.”

The boards groaned ever so slightly beneath Va Di’s heels.

His mother’s voice came through the crack, heavy with the burden of

ages.

“I’ve hear of seven-monthers livin’.”

“I kep’ one myself.” The midwife’s lips sucked in and exploded with

a suggestion of defiance. “Mis’ Deutra claims she kep’ one oncet,

but she never. Sam Raphael’s boy’s a seven-monther an’ _I_ kep’

_him_, an’ don’ you let nobody tell y’u diff’nt, Annie.... But a

six-monther--ugh-ugh. No.”

Va Di’s mother had borne sixteen and brought up ten. He heard her now,

moaning gently through her apron: “Well, well, I don’t know--I don’t

know.... I go ’long with you, Baldy Minn. Poor thing! Poor thing! I put

my shawl, go ’long with you, Baldy Minn.”

“Naw; ain’t no need, Annie. I got Angie Bragg up there now, an’ Rosie

Courier’s there, anyhow. Gimme the kittle. She ought to be comin’ ’long

now. Rosie come down two hour ago.” She stood for a moment ringing the

huge kettle with a thumb-nail. “Won’er what started her up. She ain’t

fell or nothin’ I hear of. Well....”

She flapped away along the dark hall, not a yard from the silent man,

humming and bubbling between her gums. There was a long hush, broken

only by the snores of the sleepers and the continuous, subdued moaning

from the kitchen, like the chant of a vigil. Va Di went out as softly

as he had come in, and stood by the gate, fanning his face with the big

hat.

“Damn!” he mumbled. And after a moment, “’Tain’t none o’ _my_

fun’ral, though.”

Putting the hat on his head, he opened the gate, turned aimlessly

toward the back country, and mounted the clear, blue slope of the

dune, picking his way mechanically among the scattered tomato-cans and

disemboweled bedticks and skeletons of barrels. Sitting down on the

crest, he became part of it, moon-colored and still. The night was so

intolerably quiet that the ground-swell eating the beaches far off on

the outside crept in to him, and he ruffled the sand with his feet

because it made him think of his mother’s moaning and her words: “Poor

thing! Poor thing!”

“God! how that girl looked at me!” he remembered out loud. “She l-l--”

He jumped up and shuffled around; rolled a cigarette, wetting it

too much with his tongue so that it fell apart; threw it away. “She

_l-l-loves_ me,” he came out, more racked by the word than ever a

child by his virgin oath.

He found himself at the foot of the dune on the other side, his canvas

shoes sucking up moisture from a bog. He climbed another hill, drawn

back toward the town, and waded across it knee-deep in scrub and wild

roses that tore triangular rents in his flannel trousers. Descending

into the shadow of familiar trees, he hunched himself up to sit on the

shingles of a pigsty, and heard the sluggish animals, whose distant

forebears he had beaten with furtive barrel-staves, grunt and roll over

in the interior muck.

He took out his knife and whittled the shingles, trying not to look

at the house. There was something incredibly fearful about its being

awake in the midst of all the sleepers, staring him down with its

lighted windows, profligate of kerosene and tallow. The kitchen door

was open; by and by a woman came and leaned in the bright rectangle,

a silhouette of fatigue. This was Rosie Courier. She had been old

Henny Lake’s housekeeper as long as Va Di could remember. Sometimes

she had served in the store. Va Di could think of her, immensely tall

and tight-garmented, behind the counter, her lean, brown face with

its cheek-cords pressing in the corners of her mouth, hovering over

his head, righteous and suspicious. Quite invisible as he was in the

shadow, he could not keep from cringing a little against the roof as

she stood there in the doorway, breathing and resting.

Town hall clanged a single note, full and round, and as if in answer

another note came and hung among the leaves, a high, unmodulated

animal-cry, torn carelessly from the tissues of a throat. The austere

silhouette in the doorway straightened and disappeared.

“O, my God!” Va Di breathed. As a boy he had always been sent to play

with neighbor children on those days when brothers or sisters accrued

to his family, and so he did not know. He had supposed he knew; he

had had a leg broken once by a jibing boom, and he had seen plenty of

men crushed or torn in the bad seconds of ocean fishing. But they had

always screamed like human beings.

The distracted ululation was in the trees again.

“Don’t,” the man whispered. “For Christ’s sake, M-a-m-i-e--don’t!”

He got down and tried to walk away, but found himself back again,

leaning his crossed arms on the sty roof. He had to be doing something,

to dull the blade of that outcry, and so he made up an unearthly anger

at those shadows moving against the window-squares.

“Damn you to hell!” he mumbled, shaking his white fist. “Why don’t y’u

_do_ somethin’? Why don’t y’u _do_ somethin’?”

He was aware of Baldy Minn’s figure flapping out of the door, a yawling

cat held at arm’s length. He watched her slay the little beast, make

some horrible business with a kitchen knife, and flap into the house

again with the warm liver. He knew well enough that this would soothe

the sufferer a little, tied with a cord around her neck, but he became

more than ever furious at the shadowy transaction. He did not want

Mamie’s agony allayed a little; he wanted it stopped, definitely and

forever. He stood up and bawled after the retreating midwife: “Ow! Ow!

Ow!” Baldy Minn turned and peered into the night, wondering, shook the

fleshy pendants of her head, crossed her billowy bosom with the hand

that contained the liver, and slammed the door shut.

Without any clear transition, his hate shifted from “them” to “it.” It

was “it” that was tearing and killing Mamie.

“Damn it--I’d like to--” The finger-nails ate into his palms. He hoped

that “it” would die--that “it” would be a “six-monther,” so there could

be no possibility of its not dying. “Her and I would be--” His ravening

speculations tumbled on into giddy chaos.

The night was laced with threads of agony, exquisite, racking,

prolonged, still prolonged. Va Di reached out and gripped either edge

of the roof, as if to keep himself from sliding. He pleaded with it

to stop. The interstices among the leaves of the overhanging willows

were filled with the gore of imminent day; Ma Deutra’s rooster crowed

in his hollow house away down a flushing lane. But still that haggard

utterance hung over the world.

It ceased. A faint breeze came to life and wandered across the back

yards, tumbling papers; a lark, as though bribed and timed, mounted

into the sky and whistled his morning triumph; Va Di’s head sank down

on his arms, his knees caved in to rest against the side of the sty,

and his fingers fell out flat on the shingles.

He opened his eyes by and by to find Rosie Courier standing in the

horizontal radiance of the sun, regarding him from the other side of

the pen. Her face was the color of a dusty boot, lifeless and flabby.

“She wants to see you,” she said.

“Who? _Her?_”

She nodded stiffly, allowed the thick, mottled lids to droop over her

eyes, and turned back toward the kitchen door. Va Di followed. In the

kitchen Baldy Minn sat beside the sink, her hands working in a huge

blossom of suds. The tight little nubbin of hair had shaken down off

the bald spot, lending her a curious expression of wildness.

“Was it--did--” Va Di groped for words. “Did it live, Baldy Minn?”

“Did it _live_?” Her eyes rolled in their liquor, her whole

person quivered and dashed against its margins, and she grinned at

him, closing the rent in her teeth with a meaning tongue-tip “Did it

_live_? Ho-ho-ho!”

He turned away and followed Rosie Courier through a dark passage,

smelling of life and death, and entered a room full of sunshine. Within

the door a profound embarrassment laid hold of him; he shifted from

foot to foot and looked down at the great hat revolving in his hands.

Mamie was so white and still and all eyes, and the eyes dwelt upon him

with such a spent and inscrutable adoration. He was afraid to look

at her; he felt curiously like a figure done in clay, destructible

and worthless. Her hand, all the opacity burned out of it, lay on the

flowered “comfortable,” and remembering suddenly how it came out to him

from last night’s window, he fell down on his knees and laid his cheek

against it and wept the tears of weakness.

“Mamie,” he sobbed in the wadding. “You’re a good girl, M-m-mamie.”

After a little a sound of snickering behind him brought him to his

feet, his face flaming. It was Baldy Minn, almost filling the doorway

with her oceanic being, against which the bundle in her arms seemed

incredibly tiny and helpless. She advanced, undulating and bubbling, to

lay it across Va Di’s hastily crooked arms, laughing at his panic.

He held his chin stiff and his eyes desperately horizontal. “Naw, naw!”

he mumbled. “Somebody come.” He turned to Mamie, appealing, and Mamie,

moved by that irresponsible humor which is deeper than solemnity,

smiled.

“Ton’,” she whispered, unsteadily. “It’s killin’, Ton’--how he favors

you. It makes me laugh, Ton’--you without the mustache, _exactly_.

I wish’d you’d look, Ton’.”

His knees were no good; he sat down in a rocker and looked around the

room for mental help. Rosie Courier, standing, a black, unimpeachable

spire, beside the bureau, gave him none. Her lids were lowered and her

thoughts had turned inward for refuge. By an irony, he had to come to

Baldy Minn. Dirty, evil-fleshed, full of matter prurient, there still

endured in her a flicker of that essential fire that lives, somehow,

through all the changing winds of orthodoxies. She had to express it,

of course, in her own way.

“You old devil!” she bubbled, benevolently. “I might o’ knowed....”

The bundle in Va Di’s arms became articulate, demanding its primal

planetary food. The man’s muscles suffered a poignant sensation

of combat, a gentle struggle with an infinitesimal kicking. His

face became pink; his mouth muscles contracted in that species of

self-conscious smirk so hard for others to bear; he opened and closed

his lips tentatively, as though they were quite new and uncertain of

their powers.

“He’s--he’s--he’s a _s-s-stout_ little bastard,” he stammered, in

all innocence.

THE YELLOW CAT

At least once in my life I have had the good fortune to board a

deserted vessel at sea. I say “good fortune” because it has left me the

memory of a singular impression. I have felt a ghost of the same thing

two or three times since then, when peeping through the doorway of an

abandoned house.

Now that vessel was not dead. She was a good vessel, a sound vessel,

even a handsome vessel, in her blunt-bowed, coastwise way. She sailed

under four lowers across as blue and glittering a sea as I have ever

known, and there was not a point in her sailing that one could lay a

finger upon as wrong. And yet, passing that schooner at two miles, one

knew, somehow, that no hand was on her wheel. Sometimes I can imagine

a vessel, stricken like that, moving over the empty spaces of the sea,

carrying it off quite well were it not for that indefinable suggestion

of a stagger; and I can think of all those ocean gods, in whom no

landsman will ever believe, looking at one another and tapping their

foreheads with just the shadow of a smile.

I wonder if they all scream--these ships that have lost their

souls? Mine screamed. We heard her voice, like nothing I have ever

heard before, when we rowed under her counter to read her name--the

_Marionnette_ it was, of Halifax. I remember how it made me

shiver, there in the full blaze of the sun, to her going on so,

railing and screaming in that stark fashion. And I remember, too, how

our footsteps, pattering through the vacant internals in search of that

haggard utterance, made me think of the footsteps of hurrying warders

roused in the night.

And we found a parrot in a cage; that was all. It wanted water. We

gave it water and went away to look things over, keeping pretty close

together, all of us. In the quarters the table was set for four. Two

men had begun to eat, by the evidences of the plates. Nowhere in the

vessel was there any sign of disorder, except one sea chest broken out,

evidently in haste. Her papers were gone and the stern davits were

empty. That is how the case stood that day, and that is how it has

stood to this. I saw this same _Marionnette_ a week later, tied

up to a Hoboken dock, where she awaited news from her owners; but even

there, in the midst of all the water-front bustle, I could not get rid

of the feeling that she was still very far away--in a sort of shippish

other-world.

The thing happens now and then. Sometimes half a dozen years will go by

without a solitary wanderer of this sort crossing the ocean paths, and

then in a single season perhaps several of them will turn up: vacant

waifs, impassive and mysterious--a quarter-column of tidings tucked

away on the second page of the evening paper.

That is where I read the story about the _Abbie Rose_. I recollect

how painfully awkward and out-of-place it looked there, cramped

between ruled black edges and smelling of landsman’s ink--this thing

that had to do essentially with air and vast colored spaces. I forget

the exact words of the heading--something like “Abandoned Craft Picked

Up at Sea”--but I still have the clipping itself, couched in the formal

patter of the marine-news writer:

The first hint of another mystery of the sea came in today when

the schooner _Abbie Rose_ dropped anchor in the upper river,

manned only by a crew of one. It appears that the out-bound freighter

_Mercury_ sighted the _Abbie Rose_ off Rock Island on

Thursday last, acting in a suspicious manner. A boat-party sent aboard

found the schooner in perfect order and condition, sailing under four

lower sails, the topsails being pursed up to the mastheads but not

stowed. With the exception of a yellow cat, the vessel was found to

be utterly deserted, though her small boat still hung in the davits.

No evidences of disorder were visible in any part of the craft. The

dishes were washed up, the stove in the galley was still slightly warm

to the touch, everything in its proper place with the exception of the

vessel’s papers, which were not to be found.

All indications being for fair weather, Captain Rohmer of the

_Mercury_ detailed two of his company to bring the find back to

this port, a distance of one hundred and fifteen miles. The only man

available with a knowledge of the fore-and-aft rig was Stewart McCord,

the second engineer. A seaman by the name of Björnsen was sent with

him. McCord arrived this noon, after a very heavy voyage five days,

reporting that Björnsen had fallen overboard while shaking out the

foretopsail. McCord himself showed evidences of the hardships he has

passed through, being almost a nervous wreck.

Stewart McCord! Yes, Stewart McCord would have a knowledge of the

fore-and-aft rig, or of almost anything else connected with the

affairs of the sea. It happened that I used to know this fellow. I had

even been quite chummy with him in the old days--that is, to the extent

of drinking too many beers with him in certain hot-country ports. I

remembered him as a stolid and deliberate sort of a person, with an

amazing hodgepodge of learning, a stamp collection, and a theory about

the effects of tropical sunshine on the Caucasian race, to which I

have listened half of more than one night, stretched out naked on a

freighter’s deck. He had not impressed me as a fellow who would be

bothered by his nerves.

And there was another thing about the story which struck me as rather

queer. Perhaps it is a relic of my seafaring days, but I have always

been a conscientious reader of the weather reports; and I could

remember no weather in the past week sufficient to shake a man out

of a top, especially a man by the name of Björnsen--a thoroughgoing

seafaring name.

I was destined to hear more of this in the evening, from the ancient

boatman who rowed me out on the upper river. He had been to sea in his

day. He knew enough to wonder about this thing, even to indulge in a

little superstitious awe about it.

“No sir-ee. Something _happened_ to them four chaps. And another

thing--”

I fancied I heard a sea-bird whining in the darkness overhead. A shape

moved out of the gloom ahead, passed to the left, lofty and silent, and

merged once more with the gloom behind--a barge at anchor, with the

sea-grass clinging around her water-line.

“Funny about that other chap,” the old fellow speculated. “Björnsen--I

b’lieve he called ’im. Now that story sounds to me kind of--” He

feathered his oars with a suspicious jerk and peered at me. “This

McCord a friend of yourn?” he inquired.

“In a way,” I said.

“Hm-m--well--” He turned on his thwart to squint ahead. “There she is,”

he announced, with something of relief, I thought.

It was hard at that time of night to make anything but a black

blotch out of the _Abbie Rose_. Of course I could see that she

was potbellied, like the rest of the coastwise sisterhood. And that

McCord had not stowed his topsails. I could make them out, pursed at

the mastheads and hanging down as far as the cross-trees, like huge,

over-ripe pears. Then I recollected that he had found them so--probably

had not touched them since; a queer way to leave tops, it seemed to me.

I could see also the glowing tip of a cigar floating restlessly along

the farther rail. I called: “McCord! Oh, McCord!”

The spark came swimming across the deck. “Hello! Hello, there--ah--”

There was a note of querulous uneasiness there that somehow jarred with

my remembrance of this man.

“Ridgeway,” I explained.

He echoed the name uncertainly, still with that suggestion of

peevishness, hanging over the rail and peering down at us. “Oh! By

gracious!” he exclaimed, abruptly. “I’m glad to see you, Ridgeway. I

had a boatman coming out before this, but I guess--well, I guess he’ll

be along. By gracious! I’m glad--”

“I’ll not keep you,” I told the gnome, putting the money in his palm

and reaching for the rail. McCord lent me a hand on my wrist. Then

when I stood squarely on the deck beside him he appeared to forget my

presence, leaned forward heavily on the rail, and squinted after my

waning boatman.

“Ahoy--boat!” he called out, sharply, shielding his lips with his

hands. His violence seemed to bring him out of the blank, for he fell

immediately to puffing strongly at his cigar and explaining in rather

a shame-voiced way that he was beginning to think his own boatman had

“passed him up.”

“Come in and have a nip,” he urged with an abrupt heartiness, clapping

me on the shoulder.

“So you’ve--” I did not say what I had intended. I was thinking that

in the old days McCord had made rather a fetish of touching nothing

stronger than beer. Neither had he been of the shoulder-clapping sort.

“So you’ve got something aboard?” I shifted.

“Dead men’s liquor,” he chuckled. It gave me a queer feeling in the

pit of my stomach to hear him. I began to wish I had not come, but

there was nothing for it now but to follow him into the after-house.

The cabin itself might have been nine feet square, with three bunks

occupying the port side. To the right opened the master’s state-room,

and a door in the forward bulkhead led to the galley.

I took in these features at a casual glance. Then, hardly knowing why I

did it, I began to examine them with greater care.

“Have you a match?” I asked. My voice sounded very small, as though

something unheard of had happened to all the air.

“Smoke?” he asked. “I’ll get you a cigar.”

“No.” I took the proffered match, scratched it on the side of the

galley door, and passed out. There seemed to be a thousand pans

there, throwing my match back at me from every wall of the box-like

compartment. Even McCord’s eyes, in the doorway, were large and round

and shining. He probably thought me crazy. Perhaps I was, a little. I

ran the match along close to the ceiling and came upon a rusty hook a

little aport of the center.

“There,” I said. “Was there anything hanging from this--er--say a

parrot--or something, McCord?” The match burned my fingers and went out.

“What do you mean?” McCord demanded from the doorway. I got myself back

into the comfortable yellow glow of the cabin before I answered, and

then it was a question.

“Do you happen to know anything about this craft’s personal history?”

“No. What are you talking about! Why?”

“Well, I do,” I offered. “For one thing, she’s changed her name. And it

happens this isn’t the first time she’s--Well, damn it all, fourteen

years ago I helped pick up this whatever-she-is off the Virginia

Capes--in the same sort of condition. There you are!” I was yapping

like a nerve-strung puppy.

McCord leaned forward with his hands on the table, bringing his face

beneath the fan of the hanging-lamp. For the first time I could mark

how shockingly it had changed. It was almost colorless. The jaw had

somehow lost its old-time security and the eyes seemed to be loose in

their sockets. I had expected him to start at my announcement; he only

blinked at the light.

“I am not surprised,” he remarked at length. “After what I’ve seen and

heard--” He lifted his fist and brought it down with a sudden crash on

the table. “Man--let’s have a nip!”

He was off before I could say a word, fumbling out of sight in the

narrow state-room. Presently he reappeared, holding a glass in either

hand and a dark bottle hugged between his elbows. Putting the glasses

down, he held up the bottle between his eyes and the lamp, and its

shadow, falling across his face, green and luminous at the core, gave

him a ghastly look--like a mutilation or an unspeakable birth-mark. He

shook the bottle gently and chuckled his “Dead men’s liquor” again.

Then he poured two half-glasses of the clear gin, swallowed his

portion, and sat down.

“A parrot,” he mused, a little of the liquor’s color creeping into his

cheeks. “No, this time it was a cat, Ridgeway. A yellow cat. She was--”

“_Was?_” I caught him up. “What’s happened--what’s become of her?”

“Vanished. Evaporated. I haven’t seen her since night before last, when

I caught her trying to lower the boat--”

“_Stop it!_” It was I who banged the table now, without any of the

reserve of decency. “McCord, you’re drunk--_drunk_, I tell you. A

_cat_! Let a _cat_ throw you off your head like this! She’s

probably hiding out below this minute, on affairs of her own.”

“Hiding?” He regarded me for a moment with the queer superiority of the

damned. “I guess you don’t realize how many times I’ve been over this

hulk, from decks to keelson, with a mallet and a foot-rule.”

“Or fallen overboard,” I shifted, with less assurance. “Like this

fellow Björnsen. By the way, McCord--” I stopped there on account of

the look in his eyes.

He reached out, poured himself a shot, swallowed it, and got up

to shuffle about the confined quarters. I watched their restless

circuit--my friend and his jumping shadow. He stopped and bent forward

to examine a Sunday-supplement chromo tacked on the wall, and the two

heads drew together, as though there were something to whisper. Of a

sudden I seemed to hear the old gnome croaking. “Now that story sounds

to me kind of--”

McCord straightened up and turned to face me.

“What do you know about Björnsen?” he demanded.

“Well--only what they had you saying in the papers.” I told him.

“Pshaw!” He snapped his fingers, tossing the affair aside. “I found her

log,” he announced in quite another voice.

“You did, eh? I judged, from what I read in the paper, that there

wasn’t a sign.”

“No, no; I happened on this the other night, under the mattress in

there.” He jerked his head toward the state-room. “Wait!” I heard him

knocking things over in the dark and mumbling at them. After a moment

he came out and threw on the table a long, cloth-covered ledger, of the

common commercial sort. It lay open at about the middle, showing close

script running indiscriminately across the column ruling.

“When I said ‘log,’” he went on, “I guess I was going it a little

strong. At least, I wouldn’t want that sort of log found around

_my_ vessel. Let’s call it a personal record. Here’s his picture,

somewhere--” He shook the book by its back and a common kodak

blue-print fluttered to the table. It was the likeness of a solid man

with a paunch, a huge square beard, small squinting eyes, and a bald

head. “What do you make of him--a writing chap?”

“From the nose down, yes,” I estimated. “From the nose up, he will

’tend to his own business if you will ’tend to yours, strictly.”

McCord slapped his thigh. “By gracious! that’s the fellow! He hates

the Chinaman. He knows as well as anything he ought not to put down

in black and white how intolerably he hates the Chinaman, and yet he

must sneak off to his cubby-hole and suck his pencil, and--how is it

Stevenson has it?--the ‘agony of composition,’ you remember. Can you

imagine the fellow, Ridgeway, bundling down here with the fever on

him--”

“About the Chinaman,” I broke in. “I think you said something about a

Chinaman?”

“Yes. The cook, he must have been. I gather he wasn’t the master’s

pick, by the reading-matter here. Probably clapped on to him by the

owners--shifted from one of their others at the last moment; a queer

trick. Listen.” He picked up the book and, running over the pages with

a selective thumb, read:

_August second._--First part, moderate southwesterly breeze--

and so forth--er--but here he comes to it:

Anything can happen to a man at sea, even a funeral. In special to a

Chinyman, who is of no account to social welfare, being a barbarian as

I look at it.

“Something of a philosopher, you see. And did you get the reserve in

that ‘even a funeral’? An artist, I tell you. But wait: let me catch

him a bit wilder. Here:

I’ll get that mustard-colered ---- [This is back a couple of days.]

Never can hear the ---- coming, in them carpet slippers. Turned round

and found him standing right to my back this morning. Could have stuck

a knife into me easy. “Look here!” says I, and fetched him a tap on

the ear that will make him walk louder next time, I warrant. He could

have stuck a knife into me easy.

“A clear case of moral funk, I should say. Can you imagine the fellow,

Ridgeway--”

“Yes; oh, yes.” I was ready with a phrase of my own. “A man

handicapped with an imagination. You see he can’t quite understand

this ‘barbarian,’ who has him beaten by about thirty centuries of

civilization--and his imagination has to have something to chew on,

something to hit--a ‘tap on the ear,’ you know.”

“By gracious! that’s the ticket!” McCord pounded his knee. “And now

we’ve got another chap going to pieces--Peters, he calls him. Refuses

to eat dinner on August the third, claiming he caught the Chink making

passes over the chowder-pot with his thumb. Can you believe it,

Ridgeway--in this very cabin here?” Then he went on with a suggestion

of haste, as though he had somehow made a slip. “Well, at any rate, the

disease seems to be catching. Next day it’s Bach, the second seaman,

who begins to feel the gaff. Listen:

A devil of a fellow, and The yellow cat · 第 1 / 3 段