CHAPTER XLII.

THE ORIGIN OF AMERICAN HUMOR AND ITS CHARACTERISTICS--THE SACRED AND

THE PROFANE--THE GERMANS AND AMERICAN HUMOR--MY CORPSE WOULD "DRAW,"

IN MY IMPRESARIO'S OPINION.

_Madison, Wis., April 22._

Have been lecturing during the past fortnight in about twelve places,

few of which possessed any interest whatever. One of them,

however--Cincinnati--I was glad to see again.

This town of Madison is the only one that has really struck me as being

beautiful. From the hills the scenery is perfectly lovely, with its

wooded slopes and lakes. Through the kindness of Governor Hoard, I have

had a comprehensive survey of the neighborhood; for he has driven me in

his carriage to all the prettiest spots, delighting me all the while

with his conversation. He is one of those Americans whom you may often

meet if you have a little luck: witty, humorous, hospitable,

kind-hearted, the very personification of unaffected good-fellowship.

The conversation turned on humor.

I have always wondered what the origin of American humor can be; where

is or was the fountain-head. You certainly find humor in England among

the cultured classes, but the class of English people who emigrate

cannot have imported much humor into America. Surely Germany and

Scandinavia cannot have contributed to the fund, either. The Scotch have

dry, quiet, pawky, unconscious humor; but their influence can hardly

have been great enough to implant their quaint native "wut" in American

soil. Again, the Irish bull is droll, but scarcely humorous. The

Italians, the Hungarians, have never yet, that I am aware of, been

suspected of even latent humor.

What then, can be the origin of American humor, as we know it, with its

naive philosophy, its mixture of the sacred and the profane, its

exaggeration and that preposterousness which so completely staggers the

foreigner, the French and the German especially?

The mixing of sacred with profane matter, no doubt, originated with the

Puritans themselves, and is only an outcome of the cheek-by-jowl,

next-door-neighbor fashion of addressing the Higher Powers, which is so

common in the Scotch. Many of us have heard of the Scotch minister, whom

his zeal for the welfare of missionaries moved to address Heaven in the

following manner: "We commend to thy care those missionaries whose lives

are in danger in the Fiji Islands ... which, Thou knowest, are situated

in the Pacific Ocean." And he is not far removed in our minds from the

New England pastor, who preached on the well-known text of St. Paul, and

having read: "All things are possible to me," took a five-dollar bill

out of his pocket, and placing it on the edge of the pulpit, said: "No,

Paul, that is going too far. I bet you five dollars that you can't----"

But continuing the reading of the text: "Through Christ who

strengtheneth me," exclaimed, "Ah, that's a very different matter!" and

put back the five-dollar bill in his pocket.

[Illustration: THE MISSIONARY AND THE FIJIS.]

This kind of amalgamation of the sacred and profane is constantly

confronting one in American soil, and has a firm foothold in American

humor.

Colonel Elliott F. Shepard, proprietor of the New York _Mail and

Express_, every morning sends to the editor a fresh text from the Bible

for publication at the top of the editorials. One day that text was

received, but somehow got lost, and by noon was still unfound. I was

told that "you should have heard the compositors' room ring with: 'Where

can that d----d text be?'" Finally the text was wired and duly inserted.

These men, however, did not intend any religious disrespect. Such a

thing was probably as far from their minds as it was from the minds of

the Puritan preachers of old. There are men who swear, as others pray,

without meaning anything. One is a bad habit, the other a good one.

* * * * *

All that naive philosophy, with which America abounds, must, I fancy, be

the outcome of hardship endured by the pioneers of former days, and by

the Westerner of our own times.

The element of exaggeration, which is so characteristic of American

humor, may be explained by the rapid success of the Americans and the

immensity of the continent which they inhabit. Everything is on a grand

scale, or suggests hugeness. Then negro humor is mainly exaggeration,

and has no doubt added its quota to the compound which, as I said just

now, completely staggers certain foreigners.

Governor Hoard was telling me to-day that a German was inclined to be

offended with him for saying that the Germans, as a rule, were unable to

see through an American joke, and he invited Governor Hoard to try the

effect of one upon him. The governor, thereupon told him the story of

the tree, "out West," which was so high that it took two men to see to

the top. One of them saw as far as he could, then the second started

from the place where the first stopped seeing, and went on. The recital

did not raise the ghost of a smile, and Governor Hoard then said to the

German: "Well, you see, the joke is lost upon you; you can't see

American humor."

[Illustration: "THAT'S A TAMNT LIE!"]

"Oh, but," said the German, "that is not humor, that's a _tamnt_ lie!"

And he is still convinced that he can see through an American joke.

* * * * *

_Grand Rapids, April 24._

Have had to-day a lovely, sublime example of that preposterousness which

so often characterizes American humor.

Arrived here this morning from Chicago. At noon, the Grand Rapidite who

was "bossing the show" called upon me at the Morton House, and kindly

inquired whether there was anything he could do for me. Before leaving,

he said: "While I am here, I may as well give you the check for

to-night's lecture."

"Just as you please," I said; "but don't you call that risky?"

"What do you mean?"

"Well, I may die before the evening."

"Oh, that's all right," he interrupted. "I'll exhibit your corpse; I

guess there will be just as much money in it!"

* * * * *

Grand Rapids is noted for its furniture manufactories. A draughtsman,

who is employed to design artistic things for the largest of these

manufactories, kindly showed me over the premises of his employers. I

was not very surprised to hear that when the various retail houses come

to make their yearly selections, they will not look at any models of the

previous season, so great is the rage for novelties in every branch of

industry in this novelty-loving America.

[Illustration: MY EXHIBITOR.]

No sinecure, that draughtsman's position, I can tell you.

Over in Europe, furniture is reckoned by periods. Here it is an affair

of seasons.

Very funny to have to order a new sideboard or wardrobe, "to be sent

home without delay" for fear of its being out of date.

[Illustration]

A Frenchman in America: Recollections of Men and Things · 第 42 / 43 章