OUTLINES

The day came when we tired of the brilliancy and din of Naples, most

noisy of cities. Neapolis, or Parthenope, as is well known, was

founded by Parthenope, a siren who was cast ashore there. Her

descendants still live here; and we have become a little weary of

their inherited musical ability: they have learned to play upon many

new instruments, with which they keep us awake late at night, and

arouse us early in the morning. One of them is always there under

the window, where the moonlight will strike him, or the early dawn

will light up his love-worn visage, strumming the guitar with his

horny thumb, and wailing through his nose as if his throat was full

of seaweed. He is as inexhaustible as Vesuvius. We shall have to

flee, or stop our ears with wax, like the sailors of Ulysses.

The day came when we had checked off the Posilipo, and the Grotto,

Pozzuoli, Baiae, Cape Misenum, the Museum, Vesuvius, Pompeii,

Herculaneum, the moderns buried at the Campo Santo; and we said, Let

us go and lie in the sun at Sorrento. But first let us settle our

geography.

The Bay of Naples, painted and sung forever, but never adequately,

must consent to be here described as essentially a parallelogram,

with an opening towards the southwest. The northeast side of this,

with Naples in the right-hand corner, looking seaward and

Castellamare in the left-hand corner, at a distance of some fourteen

miles, is a vast rich plain, fringed on the shore with towns, and

covered with white houses and gardens. Out of this rises the

isolated bulk of Vesuvius. This growing mountain is manufactured

exactly like an ant-hill.

The northwest side of the bay, keeping a general westerly direction,

is very uneven, with headlands, deep bays, and outlying islands.

First comes the promontory of Posilipo, pierced by two tunnels,

partly natural and partly Greek and Roman work, above the entrance of

one of which is the tomb of Virgil, let us believe; then a beautiful

bay, the shore of which is incrusted with classic ruins. On this bay

stands Pozzuoli, the ancient Puteoli where St. Paul landed one May

day, and doubtless walked up this paved road, which leads direct to

Rome. At the entrance, near the head of Posilipo, is the volcanic

island of "shining Nisida," to which Brutus retired after the

assassination of Caesar, and where he bade Portia good-by before he

departed for Greece and Philippi: the favorite villa of Cicero, where

he wrote many of his letters to Atticus, looked on it. Baiae,

epitome of the luxury and profligacy, of the splendor and crime of

the most sensual years of the Roman empire, spread there its temples,

palaces, and pleasure-gardens, which crowded the low slopes, and

extended over the water; and yonder is Cape Misenum, which sheltered

the great fleets of Rome.

This region, which is still shaky from fires bubbling under the thin

crust, through which here and there the sulphurous vapor breaks out,

is one of the most sacred in the ancient world. Here are the Lucrine

Lake, the Elysian Fields, the cave of the Cumean Sibyl, and the Lake

Avernus. This entrance to the infernal regions was frozen over the

day I saw it; so that the profane prophecy of skating on the

bottomless pit might have been realized. The islands of Procida and

Ischia continue and complete this side of the bay, which is about

twenty miles long as the boat sails.

At Castellamare the shore makes a sharp bend, and runs southwest

along the side of the Sorrentine promontory. This promontory is a

high, rocky, diversified ridge, which extends out between the bays of

Naples and Salerno, with its short and precipitous slope towards the

latter. Below Castellamare, the mountain range of the Great St.

Angelo (an offshoot of the Apennines) runs across the peninsula, and

cuts off that portion of it which we have to consider. The most

conspicuous of the three parts of this short range is over four

thousand seven hundred feet above the Bay of Naples, and the highest

land on it. From Great St. Angelo to the point, the Punta di

Campanella, it is, perhaps, twelve miles by balloon, but twenty by

any other conveyance. Three miles off this point lies Capri.

This promontory has a backbone of rocky ledges and hills; but it has

at intervals transverse ledges and ridges, and deep valleys and

chains cutting in from either side; so that it is not very passable

in any direction. These little valleys and bays are warm nooks for

the olive and the orange; and all the precipices and sunny slopes are

terraced nearly to the top. This promontory of rocks is far from

being barren.

>From Castellamare, driving along a winding, rockcut road by the bay,-

-one of the most charming in southern Italy,--a distance of seven

miles, we reach the Punta di Scutolo. This point, and the opposite

headland, the Capo di Sorrento, inclose the Piano di Sorrento, an

irregular plain, three miles long, encircled by limestone hills,

which protect it from the east and south winds. In this amphitheater

it lies, a mass of green foliage and white villages, fronting Naples

and Vesuvius.

If nature first scooped out this nook level with the sea, and then

filled it up to a depth of two hundred to three hundred feet with

volcanic tufa, forming a precipice of that height along the shore, I

can understand how the present state of things came about.

This plain is not all level, however. Decided spurs push down into

it from the hills; and great chasms, deep, ragged, impassable, split

in the tufa, extend up into it from the sea. At intervals, at the

openings of these ravines, are little marinas, where the fishermen

have their huts' and where their boats land. Little villages,

separate from the world, abound on these marinas. The warm volcanic

soil of the sheltered plain makes it a paradise of fruits and

flowers.

Sorrento, ancient and romantic city, lies at the southwest end of

this plain, built along the sheer sea precipice, and running back to

the hills,--a city of such narrow streets, high walls, and luxuriant

groves that it can be seen only from the heights adjacent. The

ancient boundary of the city proper was the famous ravine on the east

side, a similar ravine on the south, which met it at right angles,

and was supplemented by a high Roman wall, and the same wall

continued on the west to the sea. The growing town has pushed away

the wall on the west side; but that on the south yet stands as good

as when the Romans made it. There is a little attempt at a mall,

with double rows of trees, under that wall, where lovers walk, and

ragged, handsome urchins play the exciting game of fives, or sit in

the dirt, gambling with cards for the Sorrento currency. I do not

know what sin it may be to gamble for a bit of printed paper which

has the value of one sou.

The great ravine, three quarters of a mile long, the ancient boundary

which now cuts the town in two, is bridged where the main street, the

Corso, crosses, the bridge resting on old Roman substructions, as

everything else about here does. This ravine, always invested with

mystery, is the theme of no end of poetry and legend. Demons inhabit

it. Here and there, in its perpendicular sides, steps have been cut

for descent. Vines and lichens grow on the walls: in one place, at

the bottom, an orange grove has taken root. There is even a mill

down there, where there is breadth enough for a building; and

altogether, the ravine is not so delivered over to the power of

darkness as it used to be. It is still damp and slimy, it is true;

but from above, it is always beautiful, with its luxuriant growth of

vines, and at twilight mysterious. I like as well, however, to look

into its entrance from the little marina, where the old fishwives arc

weaving nets.

These little settlements under the cliff, called marinas, are worlds

in themselves, picturesque at a distance, but squalid seen close at

hand. They are not very different from the little fishing-stations

on the Isle of Wight; but they are more sheltered, and their

inhabitants sing at their work, wear bright colors, and bask in the

sun a good deal, feeling no sense of responsibility for the world

they did not create. To weave nets, to fish in the bay, to sell

their fish at the wharves, to eat unexciting vegetables and fish, to

drink moderately, to go to the chapel of St. Antonino on Sunday, not

to work on fast and feast days, nor more than compelled to any day,

this is life at the marinas. Their world is what they can see, and

Naples is distant and almost foreign. Generation after generation is

content with the same simple life. They have no more idea of the bad

way the world is in than bees in their cells.

The Complete Writings of Charles Dudley Warner — Volume 2 · 第 53 / 67 题