They have not yet found out the secret in France of banishing dust
from railway-carriages. Paris, late in June, was hot, but not dusty:
the country was both. There is an uninteresting glare and hardness
in a French landscape on a sunny day. The soil is thin, the trees
are slender, and one sees not much luxury or comfort. Still, one
does not usually see much of either on a flying train. We spent a
night at Amiens, and had several hours for the old cathedral, the
sunset light on its noble front and towers and spire and flying
buttresses, and the morning rays bathing its rich stone. As one
stands near it in front, it seems to tower away into heaven, a mass
of carving and sculpture,--figures of saints and martyrs who have
stood in the sun and storm for ages, as they stood in their lifetime,
with a patient waiting. It was like a great company, a Christian
host, in attitudes of praise and worship. There they were, ranks on
ranks, silent in stone, when the last of the long twilight illumined
them; and there in the same impressive patience they waited the
golden day. It required little fancy to feel that they had lived,
and now in long procession came down the ages. The central portal is
lofty, wide, and crowded with figures. The side is only less rich
than the front. Here the old Gothic builders let their fancy riot in
grotesque gargoyles,--figures of animals, and imps of sin, which
stretch out their long necks for waterspouts above. From the ground
to the top of the unfinished towers is one mass of rich stone-work,
the creation of genius that hundreds of years ago knew no other way
to write its poems than with the chisel. The interior is very
magnificent also, and has some splendid stained glass. At eight
o'clock, the priests were chanting vespers to a larger congregation
than many churches have on Sunday: their voices were rich and
musical, and, joined with the organ notes, floated sweetly and
impressively through the dim and vast interior. We sat near the
great portal, and, looking down the long, arched nave and choir to
the cluster of candles burning on the high altar, before which the
priests chanted, one could not but remember how many centuries the
same act of worship had been almost uninterrupted within, while the
apostles and martyrs stood without, keeping watch of the unchanging
heavens.
When I stepped in, early in the morning, the first mass was in
progress. The church was nearly empty. Looking within the choir, I
saw two stout young priests lustily singing the prayers in deep, rich
voices. One of them leaned back in his seat, and sang away, as if he
had taken a contract to do it, using, from time to time, an enormous
red handkerchief, with which and his nose he produced a trumpet
obligato. As I stood there, a poor dwarf bobbled in and knelt on the
bare stones, and was the only worshiper, until, at length, a
half-dozen priests swept in from the sacristy, and two processions of
young school-girls entered from either side. They have the skull of
John the Baptist in this cathedral. I did not see it, although I
suppose I could have done so for a franc to the beadle: but I saw a
very good stone imitation of it; and his image and story fill the
church. It is something to have seen the place that contains his
skull.
The country becomes more interesting as one gets into Belgium.
Windmills are frequent: in and near Lille are some six hundred of
them; and they are a great help to a landscape that wants fine trees.
At Courtrai, we looked into Notre Dame, a thirteenth century
cathedral, which has a Vandyke ("The Raising of the Cross"), and the
chapel of the Counts of Flanders, where workmen were uncovering some
frescoes that were whitewashed over in the war-times. The town hall
has two fine old chimney-pieces carved in wood, with quaint figures,-
-work that one must go to the Netherlands to see. Toward evening we
came into the ancient town of Bruges. The country all day has been
mostly flat, but thoroughly cultivated. Windmills appear to do all
the labor of the people,--raising the water, grinding the grain,
sawing the lumber; and they everywhere lift their long arms up to the
sky. Things look more and more what we call "foreign." Harvest is
going on, of hay and grain; and men and women work together in the
fields. The gentle sex has its rights here. We saw several women
acting as switch-tenders. Perhaps the use of the switch comes
natural to them. Justice, however, is still in the hands of the men.
We saw a Dutch court in session in a little room in the town hall at
Courtrai. The justice wore a little red cap, and sat informally
behind a cheap table. I noticed that the witnesses were treated with
unusual consideration, being allowed to sit down at the table
opposite the little justice, who interrogated them in a loud voice.
At the stations to-day we see more friars in coarse, woolen dresses,
and sandals, and the peasants with wooden sabots.
As the sun goes to the horizon, we have an effect sometimes produced
by the best Dutch artists,--a wonderful transparent light, in which
the landscape looks like a picture, with its church-spires of stone,
its windmills, its slender trees, and red-roofed houses. It is a
good light and a good hour in which to enter Bruges, that city of the
past. Once the city was greater than Antwerp; and up the Rege came
the commerce of the East, merchants from the Levant, traders in
jewels and silks. Now the tall houses wait for tenants, and the
streets have a deserted air. After nightfall, as we walked in the
middle of the roughly paved streets, meeting few people, and hearing
only the echoing clatter of the wooden sabots of the few who were
abroad, the old spirit of the place came over us. We sat on a bench
in the market-place, a treeless square, hemmed in by quaint, gabled
houses, late in the evening, to listen to the chimes from the belfry.
The tower is less than four hundred feet high, and not so high by
some seventy feet as the one on Notre Dame near by; but it is very
picturesque, in spite of the fact that it springs out of a rummagy-
looking edifice, one half of which is devoted to soldiers' barracks,
and the other to markets. The chimes are called the finest in
Europe. It is well to hear the finest at once, and so have done with
the tedious things. The Belgians are as fond of chimes as the Dutch
are of stagnant water. We heard them everywhere in Belgium; and in
some towns they are incessant, jangling every seven and a half
minutes. The chimes at Bruges ring every quarter hour for a minute,
and at the full hour attempt a tune. The revolving machinery grinds
out the tune, which is changed at least once a year; and on Sundays a
musician, chosen by the town, plays the chimes. In so many bells
(there are forty-eight), the least of which weighs twelve pounds, and
the largest over eleven thousand, there must be soft notes and
sonorous tones; so sweet jangled sounds were showered down: but we
liked better than the confused chiming the solemn notes of the great
bell striking the hour. There is something very poetical about this
chime of bells high in the air, flinging down upon the hum and
traffic of the city its oft-repeated benediction of peace; but
anybody but a Lowlander would get very weary of it. These chimes, to
be sure, are better than those in London, which became a nuisance;
but there is in all of them a tinkling attempt at a tune, which
always fails, that is very annoying.
Bruges has altogether an odd flavor. Piles of wooden sabots are for
sale in front of the shops; and this ugly shoe, which is mysteriously
kept on the foot, is worn by all the common sort. We see long,
slender carts in the street, with one horse hitched far ahead with
rope traces, and no thills or pole.
The women-nearly every one we saw-wear long cloaks of black cloth
with a silk hood thrown back. Bruges is famous of old for its
beautiful women, who are enticingly described as always walking the
streets with covered faces, and peeping out from their mantles. They
are not so handsome now they show their faces, I can testify.
Indeed, if there is in Bruges another besides the beautiful girl who
showed us the old council-chamber in the Palace of justice, she must
have had her hood pulled over her face.
Next morning was market-day. The square was lively with carts,
donkeys, and country people, and that and all the streets leading to
it were filled with the women in black cloaks, who flitted about as
numerous as the rooks at Oxford, and very much like them, moving in a
winged way, their cloaks outspread as they walked, and distended with
the market-basket underneath. Though the streets were full, the town
did not seem any less deserted; and the early marketers had only come
to life for a day, revisiting the places that once they thronged. In
the shade of the tall houses in the narrow streets sat red-cheeked
girls and women making lace, the bobbins jumping under their nimble
fingers. At the church doors hideous beggars crouched and whined,--
specimens of the fifteen thousand paupers of Bruges. In the
fishmarket we saw odd old women, with Rembrandt colors in faces and
costume; and while we strayed about in the strange city, all the time
from the lofty tower the chimes fell down. What history crowds upon
us! Here in the old cathedral, with its monstrous tower of brick, a
portion of it as old as the tenth century, Philip the Good
established, in 1429, the Order of the Golden Fleece, the last
chapter of which was held by Philip the Bad in 1559, in the rich old
Cathedral of St. Bavon, at Ghent. Here, on the square, is the site
of the house where the Emperor Maximilian was imprisoned by his
rebellious Flemings; and next it, with a carved lion, that in which
Charles II. of England lived after the martyrdom of that patient and
virtuous ruler, whom the English Prayerbook calls that "blessed
martyr, Charles the First." In Notre Dame are the tombs of Charles
the Bold and Mary his daughter.
We begin here to enter the portals of Dutch painting. Here died Jan
van Eyck, the father of oil painting; and here, in the hospital of
St. John, are the most celebrated pictures of Hans Memling. The most
exquisite in color and finish is the series painted on the casket
made to contain the arm of St. Ursula, and representing the story of
her martyrdom. You know she went on a pilgrimage to Rome, with her
lover, Conan, and eleven thousand virgins; and, on their return to
Cologne, they were all massacred by the Huns. One would scarcely
believe the story, if he did not see all their bones at Cologne.