The transformation of the last-mentioned line into--

"That _wakes_ her blood--look out!"

cannot, I think, be justified on any ground. He tells her something which

"makes her blood look out." That is, something which makes her blush rush

to the surface to look out upon it! What can be more natural? The proposed

alteration is not only unnecessary, but awkward!

In p. 499., if the words "unbraided wares" must be altered, I see no reason

for the change to "_embroided_" wares. It seems to me that _embraided_

would be the most proper word.

What possible reason can there be for converting "force and knowledge," in

p. 506., to "sense and knowledge?" If I may be excused a play upon the

words, I should say the _sense_ of the passage is not at all improved, and

the _force_ is entirely lost.

I must protest most decidedly against the correction of the following

lines, p. 507.:

" . . . Can he speak? hear?

Know man from man? dispute his own estate?"

Dispute his own estate means, _defend_ his property, dispute with any one

who questions his rights. The original passage expresses the sense quite

perfectly, while "dispose his own estate" appears to me poor and insipid in

comparison.

MR. COLLIER'S objection to the speech of Camillo, in p. 514.,

" . . . it shall be so my care

To have you royally appointed, as if

The scene you play were mine;"

is, that to make the scene appear as if it were Camillo's, could be of no

service to the young prince. Now Camillo says nothing about the scene

_appearing_ as his. He says he will have the prince royally appointed, as

if the scene he played _were_ really his own: that is, as if _he_ were the

party interested in it, instead of the prince. {97}

Notes and Queries, Number 196, July 30, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 15 / 121 题