CHAPTER XL.

ATTENTIONS.

It was days before Lois went down-stairs. She seemed indeed to be in no

hurry. Her room was luxuriously comfortable; Madge tended her there,

and Mrs. Wishart visited her; and Lois sat in her great easy-chair, and

rested, and devoured the delicate meals that were brought her; and the

colour began gently to come back to her face, in the imperceptible

fashion in which a white Van Thol tulip takes on its hues of crimson.

She began to read a little; but she did not care to go down-stairs.

Madge told her everything that went on; who came, and what was said by

one and another. Mr. Dillwyn's name was of very frequent occurrence.

"He's a real nice man!" said Madge enthusiastically.

"Madge, Madge, Madge!--you mustn't speak so," said Lois. "You must not

say 'real nice.'"

"I don't, down-stairs," said Madge, laughing. "It was only to you. It

is more expressive, Lois, sometimes, to speak wrong than to speak

right."

"Do not speak so expressively, then."

"But I must, when I am speaking of Mr. Dillwyn. I never saw anybody so

nice. He is teaching me to play chess, Lois, and it is such fun."

"It seems to me he comes here very often."

"He does; he is an old friend of Mrs. Wishart's, and she is as glad to

see him as I am."

"Don't be too glad, Madge. I do not like to hear you speak so."

"Why not?"

"It was one of the reasons why I did not want to accept Mrs. Barclay's

invitation last winter, that I knew he would be visiting her

constantly. I did not expect to see him _here_ much." Lois looked grave.

"What harm in seeing him, Lois? why shouldn't one have the pleasure?

For it is a pleasure; his talk is so bright, and his manner is so very

kind and graceful; and _he_ is so kind. He is going to take me to drive

again."

"You go to drive with Mrs. Wishart. Isn't that enough?"

"It isn't a quarter so pleasant," Madge said, laughing again. "Mr.

Dillwyn talks, something one likes to hear talked. Mrs. Wishart tells

me about old families, and where they used to live, and where they live

now; what do I care about old New York families! And Mr. Dillwyn lets

_me_ talk. I never have anything whatever to say to Mrs. Wishart; she

does it all."

"I would rather have you go driving with her, though."

"Why, Lois? That's ridiculous. I like to go with Mr. Dillwyn."

"Don't like it too well."

"How can I like it too well?"

"So much that you would miss it, when you do not have it any longer."

"Miss it!" said Madge, half angrily. "I might _miss_ it, as I might

miss any pleasant thing; but I could stand that. I'm not a chicken just

out of the egg. I have missed things before now, and it hasn't killed

me."

"Don't think I am foolish, Madge. It isn't a question of how much you

can stand. But the men like--like this one--are so pleasant with their

graceful, smooth ways, that country girls like you and me might easily

be drawn on, without knowing it, further than they want to go."

"He does not want to draw anybody on!" said Madge indignantly.

"That's the very thing. You might think--or I might think--that

pleasant manner means something; and it don't mean anything."

"I don't want it to 'mean anything,' as you say; but what has our being

country girls to do with it?"

"We are not accustomed to that sort of society, and so it makes, I

suppose, more impression. And what might mean something to others,

would not to us. From such men, I mean."

"What do you mean by 'such men'?" asked Madge, who was getting rather

excited.

"Rich--fashionable--belonging to the great world, and having the ways

of it. You know what Mr. Dillwyn is like. It is not what we have in

Shainpuashuh."

"But, Lois!--what are you talking about? I don't care a red cent for

all this, but I want to understand. You said such a manner would mean

nothing to _us_."

"Yes."

"Why not to us, as well as anybody else?"

"Because we are nobodies, Madge."

"What do you mean?" said the other hotly.

"Just that. It is quite true. You are nobody, and I am nobody. You see,

if we were somebody, it would be different."

"If you think--I'll tell you what, Lois! I think you are fit to be the

wife of the best man that lives and breathes."

"I think so myself," Lois returned quietly.

"And I am."

"I think you are, Madge. But that makes no difference. My dear, we are

nobody."

"How?"--impatiently. "Isn't our family as respectable as anybody's?

Haven't we had governors and governors, of Massachusetts and

Connecticut both; and judges and ministers, ever so many, among our

ancestors? And didn't a half-dozen of 'em, or more, come over in the

'Mayflower'?"

"Yes, Madge; all true; and I am as glad of it as you are."

"Then you talk nonsense!"

"No, I don't," said Lois, sighing a little. "I have seen a little more

of the world than you have, you know, dear Madge; not very much, but a

little more than you; and I know what I am talking about. We are

unknown, we are not rich, we have none of what they call 'connections.'

So you see I do not want you to like too much a person who, beyond

civility, and kindness perhaps, would never think of liking you."

"I don't want him to, that's one thing," said Madge. "But if all that

is true, he is meaner than I think him; that's what I've got to say.

And it is a mean state of society where all that can be true."

"I suppose it is human nature," said Lois.

"It's awfully mean human nature!"

"I guess there is not much true nobleness but where the religion of

Christ comes in. If you have got that, Madge, be content and thankful."

"But nobody likes to be unjustly depreciated."

"Isn't that pride?"

"One must have some pride. I can't make religion _everything_, Lois. I

was a woman before I was a Christian."

"If you want to be a happy woman, you will let religion be everything."

"But, Lois!--wouldn't _you_ like to be rich, and have pretty things

about you?"

"Don't ask me," said Lois, smiling. "I am a woman too, and dearly fond

of pretty things. But, Madge, there is something else I love better,"

she added, with a sudden sweet gravity; "and that is, the will of my

God. I would rather have what he chooses to give me. Really and truly;

I would _rather_ have that."

The conversation therewith was at an end. In the evening of that same

day Lois left her seclusion and came down-stairs for the first time.

She was languid enough yet to be obliged to move slowly, and her cheeks

had not got back their full colour, and were thinner than they used to

be; otherwise she looked well, and Mrs. Wishart contemplated her with

great satisfaction. Somewhat to Lois's vexation, or she thought so,

they found Mr. DilIwyn down-stairs also. Lois had the invalid's place

of honour, in a corner of the sofa, with a little table drawn up for

her separate tea; and Madge and Mr. Dillwyn made toast for her at the

fire. The fire gave its warm light, the lamps glittered with a more

brilliant illumination; ruddy hues of tapestry and white gleams from

silver and glass filled the room, with lights and shadows everywhere,

that contented the eye and the imagination too, with suggestions of

luxury and plenty and sheltered comfort. Lois felt the shelter and the

comfort and the pleasure, with that enhanced intensity which belongs to

one's sensations in a state of convalescence, and in her case was

heightened by previous experiences. Nestled among cushions in her

corner, she watched everything and took the effect of every detail;

tasted every flavour of the situation; but all with a thoughtful,

wordless gravity; she hardly spoke at all.

After tea, Mr. Dillwyn and Madge sat down to the chess-board. And then

Lois's attention fastened upon them. Madge had drawn the little table

that held the chessmen into very close proximity to the sofa, so that

she was just at Lois's hand; but then her whole mind was bent upon the

game, and Lois could study her as she pleased. She did study Madge. She

admired her sister's great beauty; the glossy black hair, the delicate

skin, the excellent features, the pretty figure. Madge was very

handsome, there was no doubt; Mr. Dillwyn would not have far to look,

Lois thought, to find one handsomer than herself was. There was a

frank, fine expression of face, too; and manners thoroughly good. They

lacked some of the quietness of long usage, Lois thought; a quick look

or movement now and then, or her eager eyes, or an abrupt tone of

voice, did in some measure betray the country girl, to whom everything

was novel and interesting; and distinguished her from the half _blasé_,

wholly indifferent air of other people. She will learn that quietness

soon enough, thought Lois; and then, nothing could be left to desire in

Madge. The quietness had always been a characteristic of Lois herself;

partly difference of temperament, partly the sweeter poise of Lois's

mind, had made this difference between the sisters; and now of course

Lois had had more experience of people and the world. But it was not in

her the result of experience, this fair, unshaken balance of mind and

manner which was always a charm in her. However, this by the way; the

girl herself was drawing no comparisons, except so far as to judge her

sister handsomer than herself.

From Madge her eye strayed to Mr. Dillwyn, and studied him. She was

lying back a little in shadow, and could do it safely. He was teaching

Madge the game; and Lois could not but acknowledge and admire in him

the finished manner she missed in her sister. Yes, she could not help

admiring it. The gentle, graceful, easy way, in which he directed her,

gave reproofs and suggestions about the game, and at the same time kept

up a running conversation with Mrs. Wishart; letting not one thing

interfere with another, nor failing for a moment to attend to both

ladies. There was a quiet perfection about the whole home picture; it

remained in Lois's memory for ever. Mrs. Wishart sat on an opposite

sofa knitting; not a long blue stocking, like her dear grandmother, but

a web of wonderful hues, thick and soft, and various as the feathers on

a peacock's neck. It harmonized with all the rest of the room, where

warmth and colour and a certain fulness of detail gave the impression

of long-established easy living. The contrast was very strong with

Lois's own life surroundings; she compared and contrasted, and was not

quite sure how much of this sort of thing might be good for her.

However, for the present here she was, and she enjoyed it. Then she

queried if Mr. Dillwyn were enjoying it. She noticed the hand which he

had run through the locks of his hair, resting his head on the hand. It

was well formed, well kept; in that nothing remarkable; but there was a

certain character of energy in the fingers which did not look like the

hand of a lazy man. How could he spend his life so in doing nothing?

She did not fancy that he cared much about the game, or much about the

talk; what was he there for, so often? Did he, possibly, care about

Madge? Lois's thoughts came back to the conversation.

"Mrs. Wishart, what is to be done with the poor of our city?" Mr.

Dillwyn was saying.

"I don't know! I wish something could be done with them, to keep them

from coming to the house. My cook turns away a dozen a day, some days."

"Those are not the poor I mean."

"They are poor enough."

"They are to a large extent pretenders. I mean the masses of solid

poverty which fill certain parts of the city--and not small parts

either. It is no pretence there."

"I thought there were societies enough to look after them. I know I pay

my share to keep up the societies. What are they doing?"

"Something, I suppose. As if a man should carry a watering-pot to

Vesuvius."

"What in the world has turned _your_ attention that way? I pay my

subscriptions, and then I discharge the matter from my mind. It is the

business of the societies. What has set you to thinking about it?"

"Something I have seen, and something I have heard."

"What have you heard? Are you studying political economy? I did not

know you studied anything but art criticism."

"What do you do with your poor at Shampuashuh, Miss Madge?"

"We do not have any poor. That is, hardly any. There is nobody in the

poorhouse. A few--perhaps half a dozen--people, cannot quite support

themselves. Check to your queen, Mr. Dillwyn."

"What do you do with them?"

"O, take care of them. It's very simple. They understand that whenever

they are in absolute need of it, they can go to the store and get what

they want."

"At whose expense?"

"O, there is a fund there for them. Some of the better-off people take

care of that."

"I should think that would be quite too simple," said Mrs. Wishart,

"and extremely liable to abuse."

"It is never abused, though. Some of the people, those poor ones, will

come as near as possible to starving before they will apply for

anything."

Mrs. Wishart remarked that Shampuashuh was altogether unlike all other

places she ever had heard of.

"Things at Shampuashuh are as they ought to be," Mr. Dillwyn said.

"Now, Mr. Dillwyn," cried Madge, "I will forgive you for taking my

queen, if you will answer a question for me. What is 'art criticism'?"

"Why, Madge, you know!" said Lois from her sofa corner.

"I do not admire ignorance so much as to pretend to it," Madge

rejoined. "What is art criticism, Mr. Dillwyn?"

"What is art?"

"That is what I do not know!" said Madge, laughing. "I understand

criticism. It is the art that bothers me. I only know that it is

something as far from nature as possible."

"O Madge, Madge!" said Lois again; and Mr. Dillwyn laughed a little.

"On the contrary, Miss Madge. Your learning must be unlearnt. Art is

really so near to nature--Check!--that it consists in giving again the

facts and effects of nature in human language."

"Human language? That is, letters and words?"

"Those are the symbols of one language."

"What other is there?"

"Music--painting--architecture---- I am afraid, Miss Madge, that is

check-mate?"

"You said you had seen and heard something, Mr. Dillwyn," Mrs. Wishart

now began. "Do tell us what. I have neither seen nor heard anything in

an age."

Mr. Dillwyn was setting the chessmen again.

"What I saw," he said, "was a silk necktie--or scarf--such as we wear.

What I heard, was the price paid for making it."

"Was there anything remarkable about the scarf?"

"Nothing whatever; except the aforesaid price."

"What _was_ the price paid for making it?"

"Two cents."

"Who told you?"

"A friend of mine, who took me in on purpose that I might see and hear,

what I have reported."

"_Two cents_, did you say? But that's no price!"

"So I thought."

"How many could a woman make in a day, Madge, of those silk scarfs?"

"I don't know--I suppose, a dozen."

"A dozen, I was told, is a fair day's work," Mr. Dillwyn said. "They do

more, but it is by working on into the night."

"Good patience! Twenty-five cents for a hard day's work!" said Mrs.

Wishart. "A dollar and a half a week! Where is bread to come from, to

keep them alive to do it?"

"Better die at once, I should say," echoed Madge.

"Many a one would be glad of that alternative, I doubt not," Mr.

Dillwyn went on. "But there is perhaps an old mother to be taken care

of, or a child or two to feed and bring up."

"Don't talk about it!" said Mrs. Wishart. "It makes me feel blue."

"I must risk that. I want you to think about it. Where is help to come

from? These are the people I was thinking of, when I asked you what was

to be done with our poor."

"I don't know why you ask me. _I_ can do nothing. It is not my

business."

"Will it do to assume that as quite certain?"

"Why yes. What can I do with a set of master tailors?"

"You can cry down the cheap shops; and say why."

"Are the dear shops any better?"

Mr. Dillwyn laughed. "Presumably! But talking--even your talking--will

not do all. I want you to think about it."

"I don't want to think about it," answered the lady. "It's beyond _me_.

Poverty is people's own fault. Industrious and honest people can always

get along."

"If sickness does not set in, or some father, or husband, or son does

not take to bad ways."

"How can I help all that?" asked the lady somewhat pettishly. "I never

knew you were in the benevolent and reformatory line before, Mr.

Dillwyn. What has put all this in your head?"

"Those scarfs, for one thing. Another thing was a visit I had lately

occasion to make. It was near midday. I found a room as bare as a room

could be, of all that we call comfort; in the floor a small pine table

set with three plates, bread, cold herrings, and cheese. That was the

dinner for a little boy, whom I found setting the table, and his father

and mother. The parents work in a factory hard by, from early to late;

they have had sickness in the family this autumn, and are too poor to

afford a fire to eat their dinner by, or to make it warm, so the other

child, a little girl, has been sent away for the winter. It was

frostily cold the day I was there. The boy goes to school in the

afternoon, and comes home in time to light up a fire for his father and

mother to warm themselves by at evening. And the mother has all her

housework to do after she comes home."

"That's better than the other case," said Mrs. Wishart.

"But what could be done, Mr. Dillwyn?" said Lois from her corner. "It

seems as if something was wrong. But how could it be mended?"

"I want Mrs. Wishart to consider of that."

"I can't consider it!" said the lady. "I suppose it is intended that

there should be poor people always, to give us something to do."

"Then let us do it."

"How?"

"I am not certain; but I make a suggestion. Suppose all the ladies of

this city devoted their diamonds to this purpose. Then any number of

dwelling-houses could be put up; separate, but so arranged as to be

warmed by steam from a general centre, at a merely nominal cost for

each one; well ventilated and comfortable; so putting an end to the

enormity of tenement houses. Then a commission might be established to

look after the rights of the poor; to see that they got proper wages,

were not cheated, and that all should have work who wanted it. So much

might be done."

"With no end of money."

"I proposed to take the diamonds of the city, you know."

"And why just the diamonds?" inquired Mrs. Wishart. "Why don't you

speak of some of the indulgences of the men? Take the horses--or the

wines--"

"I am speaking to a lady," said Dillwyn, smiling. "When I have a man to

apply to, I will make my application accordingly."

"Ask him for his tobacco?" said Mrs. Wishart.

"Certainly for his tobacco. There is as much money spent in this city

for tobacco as there is for bread."

Madge exclaimed in incredulous astonishment; and Lois asked if the

diamonds of the city would amount to very much.

"Yes, Miss Lois. American ladies are very fond of diamonds; and it is a

common thing for one of them to have from ten thousand to twenty

thousand or thirty thousand dollars' worth of them as part of the

adornment of her pretty person at one time."

"Twenty thousand dollars' worth of diamonds on at once!" cried Madge.

"I call that wicked!"

"Why?" asked Mr. Dillwyn, smiling.

"There's no wickedness in it," said Mrs. Wishart. "How should it be

wicked? You put on a flower; and another, who can afford it, puts on a

diamond. What's the difference?"

"My flower does not cost anybody anything," said Madge.

"What do my diamonds cost anybody?" returned Mrs. Wishart.

Madge was silent, though not because she had nothing to say; and at

this precise moment the door opened, and visitors were ushered in.

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