CHAPTER XXVIII.

ON THE SCENT

Clank and fury and scream; by day and by night; squibbing like a

fallen unspent comet the length of France, and leaving a shining trail

as we go; by flat grey pastures, hardly billowing, and little churches

with unfamiliar belfries, and rows of plumelike poplars, that pass and

come again and flicker and dazzle like tall palings endlessly

repeated; swooping at a perilous poise round the wine-shop ends of

hamlets seemingly strayed and stranded in the fields, or grazing

slow-crawling carts of a strange build, driven by stranger waggoners,

as if the railway track were but a track after all, which we are wont

to lose, and take up, and lose again; rushing, shrieking, upon little

blue-smocked men, or, as often, women, who stand waving absurd flags

at level-crossings, and only missing them, it appears, by the breadth

of a wind-shaving; on again with a yell of baffled fury; ripping,

periodically, if we may judge by the sound, a passage through

match-wood stations, which fly into splinters about us, and

disregarding all warning signals of long white arms flung up--so

through a land, infinitely strange and wonderful to me, we go roaring

southwards to our destiny.

A wild new experience to a woodland hermit--marvellous by day; weird

beyond expression in the rushing dark. What islander, self-contained

in his little sphere, might have guessed the wizard potency of that

slender streak of water called the Channel? One takes it at a gulp,

and, lo! there is a world about one continents removed, it seems, from

the life of one’s knowledge. A seventy times seven leagued boot is the

little steamer into which one puts one’s foot, to reach at a step from

Dover to Calais. It is a longer stride by all the world than from Dan

to Beersheba. The red trousers of the soldiers on the pier strike the

first colour note of dissonance. They have walked with Napoleon in

Egypt. The blood mystery of the Sphinx is in their hue.

And when night at last veils the scene from one’s aching eyes, and the

shrieks, the eternal shrieks, are uttered in darkness, urging one on

to what potential awakening in livid dawns--then is the time for

dreams such as one has never dreamt before. When the throb of the

engine claims one’s pulses to its beat, and its breath paints one with

a sooty rime, and one feels oneself being slowly absorbed into the

system of that crashing, hurtling monster--a small integral part of

its mechanism--what hope seems left at last of any detachment from the

chimera to which one has committed one’s destinies!

Such spaces may be covered in those long night hours. I had never

realised the like before--had never been sped so far, by hundreds of

miles, against my own will of volition. My helplessness affected me

like a personal humiliation. We would catch up tempests, and tunnel a

mad course through them, and leave them battling and booming in our

rear. In ragged spaces of the clouds the moon would shine out, tossing

like a lightship on tumultuous waters, and disappear, and be another

beacon on another shoal when seen again. The shadow of a world rushed

by our windows, phantom fabrics caught in starry glimpses, and always

seeming stranger as we fled. But I slept at last, and was whirled a

passionless straw upon the tide.

Very strange, in truth, was all this long journey to me. Yet it was

taken in fullest possession of the antidote to its worst penalties.

Johnny symbolised that touch of nature which makes the whole world

kin. I had already suspected the fact; now I was convinced of it. The

subtle aroma of his godhead had flown abroad, and our way thenceforth

was to be clouded with the incense of mammon-worship. It was not

enough that his purse had secured us every luxury meet to the

amelioration of our hard lot; obsequious officials, in a democratic

land, clamoured for the privilege of making our primrose path

primrosier and the down of our cushions downier. They were so downy

themselves, that if they had plucked their breasts like swans for our

nesting, we should have been suffocated long before they were denuded.

However, the attention brought its advantages to all but poor Johnny

himself, whose way was made rocks and briars to him.

On and on unceasing tears the mad comet, until striking, after æons

of flight, it seems, a mountain rampart, with a mighty crash and

scatteration of sparks it goes to earth, and is quenched and buried

from the eyes of the world in the Mont Cenis tunnel.

They advise you to keep the windows shut, as you go cork-screwing up

that infernal staircase. You might find it worse if you did not; it is

bad enough when you do. Drifts of asphyxiating smoke, fitfully

lambent, stream by the glass, and writh about and nozzle where they

fancy they have detected an opening. It may not be large enough for

them to enter by, but whiffs of their poisonous breath leak in, and

give you a taste of what you might expect were they to find you

napping. The train itself, in that choking atmosphere, seems to go

weak at the wheels, and to drag itself wearily upward, as if every

revolution must be its last, committing you in prospect to the

alternatives of entombment in the heart of a mountain or a

back-descent at rocket-speed into France. A throb as of thunderous

subterranean waters fills your ears; the wind of your passage clacks

like a monstrous tongue on the stony roof above you; it seems

impossible that any work of man can withstand the hugeness of that

deafening uproar and vibration. But it is all, of course, acoustically

exaggerated to you in your confined pen. You are going up a spiral

chimney, with a sufficient ventilation at the top. The clamour of your

rising emerges there with the smoke and steam, and, like a piston rod,

you expel them before you as you advance. And so, at last, when you

have almost given up hope, a flash--and Elysium.

I think the world can give one no first experience at once so sombre

and so dazzlingly impressive as that of the passage of the Col de

Fréjus, with its entry from low France and emergence into high Italy.

Thirty minutes are but half-an-hour out in the daylight; in the Mont

Cenis tunnel they amount to a good long spell of purgatory. There the

wails of the damned go past in drifts of lurid smoke, most agitating

in their bearing on the fragile pane which alone separates the eternal

from the temporal classes. One finds oneself hoping that the ministers

of justice have fully understood their instructions about one, and

that one will be permitted to reach redemption without the window

being broken. Curiously, too, the system of bought indulgence strikes

one for the first time as having something in it. The cost would be

very small to shorten this tunnel by a spiritual mile or two.

And yet, when it is ended, one would not have had it shorter by a

metre, because every foot taken from it would mean just so much

ecstasy filched from one’s awakening from a nightmare. For, behold!

from travelling in a steaming suffocating drain pipe, one is spat out

suddenly into Paradise in winter.

After that, it seems bathos to compare the prospect with a

transformation scene at a pantomime; yet, I think, perhaps, the latter

analogy is the apter. The instant glide from terrific night into

fairyland; the stupendous brown gullies, dripping icicles from a

sabre’s length to a maypole’s; snow in fields, on slopes, in ravines,

all of a blinding lustre, and stained in its shadows of a celestial

blue; a world of high-lifted iridescence, streaked with gold leaf,

spangled with glass dust, discharging ice-crusted torrents under

archways of glittering rock, climbing peak over peak to the

heaven-painted “cloth” of light, living and violet, which makes its

background--that is how the vision of Italy first broke upon me,

emerging from the portal of the underworld.

But, as to Geoletti, the man was translated like Bottom the weaver.

If, to me, the world had suddenly sprung into a vision of

“cloud-capped towers” and glittering pinnacles chiming unearthly music

from diamond bells, to him it was as the thronging of old familiar

spirits gathered to greet his return. He gazed and gazed, and danced

on his seat, and uttered uncouth ejaculations. He hugged himself in

spasms, and bit his nails, and glared with burning eyes that the

rising waters of his soul could hardly quench. Have you ever seen the

wild spirit of the sea wake in a captive gull when the wind came on to

blow? So wrought the spirit of his mountains on Geoletti. I think

there was not one of us whose soul did not respond in some measure to

the tragic pathos of that revelation. For what trifling messes of

pottage cannot the fool in us be induced to part with his inheritance!

But enough of all this. My theme is Cain, not Esau; murder, not

mountains. The comet, slackening now in its descent, bears us down by

beautiful winding valleys to the plains of Piedmont, and spent and

slow at length, discharges us upon Turin and Signor Valombroso.

That was his magnificent name, no less. He was not only the first of

Piedmontese detectives, but an accomplished linguist to boot, and had

been engaged from London, regardless of expense, to the service of

Milord Johnny di Dando. He took us all under his wing at once,

Inspector Jannaway even condescendingly, and shepherded the flock of

us with a masterful volubility.

He was a tiny slim-waisted man, but his chest was stupendous. He might

have packed all the rest of himself into it, and still have found room

for a superior conceit or two. It stood for Valombroso in Valombroso’s

own opinion. The frill, or comb, which strutted from it, through the

unbuttoned upper half of its owner’s neat frock coat, proclaimed him

cock of the walk in his own exclusive department. In further emphasis

of Valombroso’s supremacy, Valombroso’s silk hat was put at an angle

on his head like an acute accent on Valombroso, and Valombroso’s

moustachios, waxed into stinglike points, were accents also, acute and

grave, on Valombroso’s speech, which was copious and confident. In the

course, indeed, of our acquaintance, Valombroso was to convince us, in

flourishing rhetoric, that in foresight, in acumen, in penetration, as

also in the conquering simplicity of his system, there was no

detective--save one perhaps--in all the world who could approach

Valombroso.

The possible exception was the English amateur, Mr Holmes, no less.

Valombroso had the greatest admiration for this certainly unique man.

“He knows very well,” he said, “that it is not the criminal who want

to mystify, but the public who want to be mystified. So he keep the

clue, which is the obvious one, in his own hand, and send all the

newspapers astray on many false scents. Then the time come when they

are lost, every Jack’s son of them, and he bring them back, very

gradual and gentle, to the path which shall end to the view of Mr

Holmes holding his prisoner in the handcuffs. But there he was from

the first, though they knew it not. He did not want them to know, for

where then would have shown his cleverness? We all scorn the obvious,

do we not? It is so unexciting. There is no reputation to be gained by

seizing on it--not in England. Mr Holmes adapt himself to a demand--he

is very clever. But your police, they make the demand by their

stupidity. ‘Look,’ they say, ‘there is a man stealing a handkerchief

from a lady’s pocket! let us watch him and watch him to make sure that

he does not want only to blow his nose and return it.’ But presently

he steals another handkerchief, and then another, and so they say,

‘Three handkerchiefs are more than the allowance to one nose; he must

be a thief; let us arrest him’; and by that time there are three

ladies who are without the means to blow their noses. So again, if a

murder is committed and the murderer suspect--do they arrest him and

put him by the heels while they bring the charge home? Not at all;

they watch that he commit himself, and they tell the newspapers in the

meantime all of what they are thinking and doing so cleverly, as if

that murderer was the only one out of all the country that not read

the newspapers. But the public applaud, and that is enough. It is not

my way. I do not walk twenty kilometres to get across the street. I

say, ‘Show me my man and I go for him.’ Frankness, frankness

always--that is my method. Plain dealing is the last thing the

criminal expect. It is against his nature. He feels for ever in his

expectation the sudden pinioning from the back. He has no fear that I

shall walk up to his face and take him by the hand. Now, I say, show

me this body in its cave, and I ask no more. I go straight to England

to procure Mr Dalston’s extradition. It is enough for what it is until

I get him here locked safe. Then I will proceed to formulate my case.

It is well to bring down your bird before you put the pot on to boil.”

We were all very much impressed--all of us, that is to say, but

Jannaway. He maintained his insular reserve, and insular prejudice in

favour of insular methods.

“Handkerchers, indeed!” said he, with a withering intonation. “I’d

back any one of our London pickpockets to take and blow his nose in

_his_ handkercher and put it all back into his pocket without his

knowing. He’d never guess but that it was the echo of himself

a-blowing of his own trumpet.”

This lack of the right appreciation rather disillusioned us, I think,

about Jannaway. Assurance is always so much more convincing than

reserve. We sneer at conceit, but we allow it the privileges of its

self-estimation. Valombroso must know himself so much better than we

could possibly know him; and so, as his method was frankness, what

reason had we to doubt his being the greatest detective in the world?

It was simply Jannaway’s jealousy.

From Turin we went north to Aosta, an old walled and turreted town,

situated in a beautiful fertile valley under the mountains, and rich

in Roman remains. I have no time nor will to enlarge on the thousand

wondering sensations which all this novel experience awoke in me. They

were poignant enough, but they do not come into the story. More

germane to that is it to describe something of the feelings with which

I approached this Mecca of my pilgrimage, and thought, with an

agitation hardly to be repressed, how it was here that my father and

mother had come, stealing away from their party, to put a bond upon

their love. How old and far away and strange it all seemed! a pretty

antique pastoral, smelling of pot-pourri, until--ah! one could not

long forget the end of it, sordid and horrible, behind those tumbling

waters.

Yet now, being here, a very strange and sweet realisation of my

relationship to the dead came to me--for the first time, I think, as a

full conviction. Not even, seeing his young eyes laugh down from that

portrait on the wall at Evercreech, had I ever felt him so near to me

and so understanding as when, in this place, I looked up to the hills

and thought of what was lying hidden from me in their quiet folds.

Charlie Skene--the lover and young husband of those days--the boy,

still less than my own present age as he lay up there at this moment,

and yet my father! Was it not all ghastly pitiful! and to think how

that dastard blow had fallen upon three lives in one. O, Mr Mark

Dalston--if they would only hang in Italy!

And so one morning we went up to Cormayeur, and found the Hospice of

St Marguerite hardly altered, by Geoletti’s showing, from the Hospice

of twenty years ago. There was even the same Directrice presiding over

its establishment--a vivid, brown-eyed old dame, with cavernous cheeks

and a vulturine neck. She remembered Geoletti, and the gossip about

his utter evanishment; she remembered the young English milord, and

his no less startling, if more explainable, disappearance; she

remembered very well, better than all the rest, the little demoiselle,

white and pink, and the old aunt, grim and _de mauvaise humeur_, whose

cruelty had betrayed to scandal what should have adorned a pretty tale

of love and matrimony. And were the cold ashes of that scandal to be

raked over for the benefit of a new generation? she protested. Alas!

if the dead were to be consulted for their countenances, better bury

all men in the Abbey La Sagra di S. Michele, where the soil would

convert them in a little into natural mummies--a significant

suggestion, to be sure.

I have given a French tone to these observations, but, as a matter of

fact, they talked a hybrid patois, nearer Savoyard than Italian, up in

these remote tributary valleys of the Aosta. Valombroso had to be our

interpreter to its meaning; but he was always equal to any exigencies

of talk. He loved the sound of his own tongue impartially in all the

dialects of Babel. He could give us a reason, too, for the strange

anachronisms of dress which still prevailed in part among these

mountaineers--cocked hats, to wit, and bright-coloured long-skirted

coats, and breeches and stockings and shoe buckles. They were the scum

of an old upheaval of the ancient order risen to the top, and not yet

entirely skimmed away by the spirit of democracy. As to the coquettish

bibbed caps of the women, they were designed, after the fashion of

other whited sepulchres, to conceal the disfigurement of the goître.

But now all this becomes likened in my memory to the crackling of

thorns under a pot, while I turn to face the real tragic purpose of

our mission.

The great Skene mystery · 第 28 / 34 章