From the Lecture on 'The Times,' 1841

But the subject of the Times is not an abstract question. We talk of

the world, but we mean a few men and women. If you speak of the age,

you mean your own platoon of people, as Dante and Milton painted in

colossal their platoons, and called them Heaven and Hell. In our idea

of progress we do not go out of this personal picture. We do not think

the sky will be bluer, or honey sweeter, or our climate more

temperate, but only that our relation to our fellows will be simpler

and happier. What is the reason to be given for this extreme

attraction which _persons_ have for us, but that they are the Age?

They are the results of the Past; they are the heralds of the Future.

They indicate--these witty, suffering, blushing, intimidating figures

of the only race in which there are individuals or changes--how far on

the Fate has gone, and what it drives at. As trees make scenery, and

constitute the hospitality of the landscape, so persons are the world

to persons.... These are the pungent instructors who thrill the heart

of each of us, and make all other teaching formal and cold. How I

follow them with aching heart, with pining desire! I count myself

nothing before them. I would die for them with joy. They can do what

they will with me. How they lash us with those tongues! How they make

the tears start, make us blush and turn pale, and lap us in Elysium to

soothing dreams and castles in the air! By tones of triumph, of dear

love, by threats, by pride that freezes, these have the skill to make

the world look bleak and inhospitable, or seem the nest of tenderness

and joy. I do not wonder at the miracles which poetry attributes to

the music of Orpheus, when I remember what I have experienced from the

varied notes of the human voice. They are an incalculable energy which

countervails all other forces in nature, because they are the channel

of supernatural powers. There is no interest or institution so poor

and withered but if a new strong man could be born into it he would

immediately redeem and replace it. A personal ascendency,--that is the

only fact much worth considering. I remember, some years ago, somebody

shocked a circle of friends of order here in Boston, who supposed that

our people were identified with their religious denominations, by

declaring that an eloquent man--let him be of what sect soever--would

be ordained at once in one of our metropolitan churches. To be sure he

would; and not only in ours but in any church, mosque, or temple on

the planet: but he must be eloquent, able to supplant our method and

classification by the superior beauty of his own. Every fact we have

was brought here by some person; and there is none that will not

change and pass away before a person whose nature is broader than the

person whom the fact in question represents. And so I find the Age

walking about in happy and hopeful natures, in strong eyes and

pleasant thoughts, and think I read it nearer and truer so than in the

statute-book, or in the investments of capital, which rather celebrate

with mournful music the obsequies of the last age. In the brain of a

fanatic; in the wild hope of a mountain boy, called by city boys very

ignorant, because they do not know what his hope has certainly

apprised him shall be; in the love-glance of a girl; in the

hair-splitting conscientiousness of some eccentric person who has

found some new scruple to embarrass himself and his neighbors

withal,--is to be found that which shall constitute the times to come,

more than in the now organized and accredited oracles. For whatever is

affirmative and now advancing contains it. I think that only is real

which men love and rejoice in; not what they tolerate, but what they

choose; what they embrace and avow, and not the things which chill,

benumb, and terrify them.

And so why not draw for these times a portrait gallery? Let us paint

the painters. Whilst the daguerreotypist, with camera-obscura and

silver plate, begins now to traverse the land, let us set up our

camera also, and let the sun paint the people. Let us paint the

agitator, and the man of the old school, and the member of Congress,

and the college professor, the formidable editor, the priest, and

reformer, the contemplative girl, and the fair aspirant for fashion

and opportunities, the woman of the world who has tried and knows--let

us examine how well she knows. Could we indicate the indicators,

indicate those who most accurately represent every good and evil

tendency of the general mind, in the just order which they take on

this canvas of time, so that all witnesses should recognize a

spiritual law, as each well-known form flitted for a moment across the

wall, we should have a series of sketches which would report to the

next ages the color and quality of ours.

Certainly I think if this were done there would be much to admire as

well as to condemn; souls of as lofty a port as any in Greek or Roman

fame might appear; men of great heart, of strong hand, and of

persuasive speech; subtle thinkers, and men of wide sympathy, and an

apprehension which looks over all history and everywhere recognizes

its own. To be sure, there will be fragments and hints of men, more

than enough; bloated promises, which end in nothing or little. And

then, truly great men, but with some defect in their composition which

neutralizes their whole force. Here is a Damascus blade, such as you

may search through nature in vain to parallel, laid up on the shelf in

some village to rust and ruin. And how many seem not quite available

for that idea which they represent! Now and then comes a bolder

spirit, I should rather say, a more surrendered soul, more informed

and led by God, which is much in advance of the rest, quite beyond

their sympathy, but predicts what shall soon be the general fullness;

as when we stand by the sea-shore, whilst the tide is coming in, a

wave comes up the beach far higher than any foregoing one, and

recedes; and for a long while none comes up to that mark; but after

some time the whole sea is there and beyond it.

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