From 'Romola'

In 1493 the rumor spread and became louder and louder that Charles the

Eighth of France was about to cross the Alps with a mighty army; and

the Italian populations, accustomed, since Italy had ceased to be the

heart of the Roman empire, to look for an arbitrator from afar, began

vaguely to regard his coming as a means of avenging their wrongs and

redressing their grievances.

And in that rumor Savonarola had heard the assurance that his prophecy

was being verified. What was it that filled the ears of the prophets

of old but the distant tread of foreign armies, coming to do the work

of justice? He no longer looked vaguely to the horizon for the coming

storm: he pointed to the rising cloud. The French army was that new

deluge which was to purify the earth from iniquity; the French King,

Charles VIII, was the instrument elected by God as Cyrus had been of

old, and all men who desired good rather than evil were to rejoice in

his coming. For the scourge would fall destructively on the impenitent

alone. Let any city of Italy, let Florence above all--Florence beloved

of God, since to its ear the warning voice had been specially

sent--repent and turn from its ways like Nineveh of old, and the storm

cloud would roll over it and leave only refreshing rain-drops.

Fra Girolamo's word was powerful; yet now that the new Cyrus had

already been three months in Italy, and was not far from the gates of

Florence, his presence was expected there with mixed feelings, in

which fear and distrust certainly predominated. At present it was not

understood that he had redressed any grievances; and the Florentines

clearly had nothing to thank him for. He held their strong frontier

fortresses, which Piero de' Medici had given up to him without

securing any honorable terms in return; he had done nothing to quell

the alarming revolt of Pisa, which had been encouraged by his presence

to throw off the Florentine yoke; and "orators," even with a prophet

at their head, could win no assurance from him, except that he would

settle everything when he was once within the walls of Florence.

Still, there was the satisfaction of knowing that the exasperating

Piero de' Medici had been fairly pelted out for the ignominious

surrender of the fortresses, and in that act of energy the spirit of

the Republic had recovered some of its old fire.

The preparations for the equivocal guest were not entirely those of a

city resigned to submission. Behind the bright drapery and banners

symbolical of joy, there were preparations of another sort made with

common accord by government and people. Well hidden within walls there

were hired soldiers of the Republic, hastily called in from the

surrounding districts; there were old arms duly furbished, and sharp

tools and heavy cudgels laid carefully at hand, to be snatched up on

short notice; there were excellent boards and stakes to form

barricades upon occasion, and a good supply of stones to make a

surprising hail from the upper windows. Above all, there were people

very strongly in the humor for fighting any personage who might be

supposed to have designs of hectoring over them, they having lately

tasted that new pleasure with much relish. This humor was not

diminished by the sight of occasional parties of Frenchmen, coming

beforehand to choose their quarters, with a hawk, perhaps, on their

left wrist, and metaphorically speaking, a piece of chalk in their

right hand to mark Italian doors withal; especially as creditable

historians imply that many sons of France were at that time

characterized by something approaching to a swagger, which must have

whetted the Florentine appetite for a little stone-throwing.

And this was the temper of Florence on the morning of the 17th of

November, 1494.

* * * * *

The sky was gray, but that made little difference in the Piazza del

Duomo, which was covered with its holiday sky of blue drapery, and its

constellations of yellow lilies and coats of arms. The sheaves of

banners were unfurled at the angles of the Baptistery, but there was

no carpet yet on the steps of the Duomo, for the marble was being

trodden by numerous feet that were not at all exceptional. It was the

hour of the Advent sermons, and the very same reasons which had

flushed the streets with holiday color were reasons why the preaching

in the Duomo could least of all be dispensed with.

But not all the feet in the Piazza were hastening towards the steps.

People of high and low degree were moving to and fro with the brisk

pace of men who had errands before them; groups of talkers were

thickly scattered, some willing to be late for the sermon, and others

content not to hear it at all.

The expression on the faces of these apparent loungers was not that of

men who are enjoying the pleasant laziness of an opening holiday. Some

were in close and eager discussion; others were listening with keen

interest to a single spokesman, and yet from time to time turned round

with a scanning glance at any new passer-by. At the corner looking

towards the Via de' Cerrettani--just where the artificial rainbow

light of the Piazza ceased, and the gray morning fell on the sombre

stone houses--there was a remarkable cluster of the working people,

most of them bearing on their dress or persons the signs of their

daily labor, and almost all of them carrying some weapon, or some tool

which might serve as a weapon upon occasion. Standing in the gray

light of the street, with bare brawny arms and soiled garments, they

made all the more striking the transition from the brightness of the

Piazza. They were listening to the thin notary, Ser Cioni, who had

just paused on his way to the Duomo. His biting words could get only a

contemptuous reception two years and a half before in the Mercato; but

now he spoke with the more complacent humor of a man whose party is

uppermost, and who is conscious of some influence with the people.

"Never talk to me," he was saying in his incisive voice, "never talk

to me of bloodthirsty Swiss or fierce French infantry; they might as

well be in the narrow passes of the mountains as in our streets; and

peasants have destroyed the finest armies of our condottieri in time

past, when they had once got them between steep precipices. I tell

you, Florentines need be afraid of no army in their own streets."

"That's true, Ser Cioni," said a man whose arms and hands were

discolored by crimson dye, which looked like blood-stains, and who had

a small hatchet stuck in his belt; "and those French cavaliers who

came in squaring themselves in their smart doublets the other day, saw

a sample of the dinner we could serve up for them. I was carrying my

cloth in Ognissanti, when I saw my fine Messeri going by, looking

round as if they thought the houses of the Vespucci and the Agli a

poor pick of loadings for them, and eyeing us Florentines, like

top-knotted cocks as they are, as if they pitied us because we didn't

know how to strut. 'Yes, my fine _Galli_,' says I, 'stick out your

stomachs; I've got a meat-axe in my belt that will go inside you all

the easier;' when presently the old cow lowed,[A] and I knew something

had happened--no matter what. So I threw my cloth in at the first

doorway, and took hold of my meat-axe and ran after my fine cavaliers

towards the Vigna Nuova. And, 'What is it, Guccio?' said I, when he

came up with me. 'I think it's the Medici coming back,' said Guccio.

_Bembe!_ I expected so! And up we reared a barricade, and the

Frenchmen looked behind and saw themselves in a trap; and up comes a

good swarm of our _Ciompi_,[B] and one of them with a big scythe he

had in his hand mowed off one of the fine cavaliers' feathers:--it's

true! And the lasses peppered a few stones down to frighten them.

However, Piero de' Medici wasn't come after all; and it was a pity;

for we'd have left him neither legs nor wings to go away with again."

"Well spoken, Oddo," said a young butcher, with his knife at his belt;

"and it's my belief Piero will be a good while before he wants to come

back, for he looked as frightened as a hunted chicken when we hustled

and pelted him in the piazza. He's a coward, else he might have made a

better stand when he'd got his horsemen. But we'll swallow no Medici

any more, whatever else the French king wants to make us swallow."

"But I like not those French cannon they talk of," said Goro, none the

less fat for two years' additional grievances. "San Giovanni defend

us! If Messer Domeneddio means so well by us as your Frate says he

does, Ser Cioni, why shouldn't he have sent the French another way to

Naples?"

"Ay, Goro," said the dyer; "that's a question worth putting. Thou art

not such a pumpkin-head as I took thee for. Why, they might have gone

to Naples by Bologna, eh, Ser Cioni?--or if they'd gone to Arezzo--we

wouldn't have minded their going to Arezzo."

"Fools! It will be for the good and glory of Florence," Ser Cioni

began. But he was interrupted by the exclamation, "Look there!" which

burst from several voices at once, while the faces were all turned to

a party who were advancing along the Via de' Cerretani.

"It's Lorenzo Tornabuoni, and one of the French noblemen who are in

his house," said Ser Cioni, in some contempt at this interruption. "He

pretends to look well satisfied--that deep Tornabuoni--but he's a

Medicean in his heart; mind that."

The advancing party was rather a brilliant one, for there was not only

the distinguished presence of Lorenzo Tornabuoni, and the splendid

costume of the Frenchman with his elaborately displayed white linen

and gorgeous embroidery; there were two other Florentines of high

birth, in handsome dresses donned for the coming procession, and on

the left hand of the Frenchman was a figure that was not to be

eclipsed by any amount of intention or brocade--a figure we have often

seen before. He wore nothing but black, for he was in mourning; but

the black was presently to be covered by a red mantle, for he too was

to walk in procession as Latin Secretary to the Ten. Tito Melema had

become conspicuously serviceable in the intercourse with the French

guests, from his familiarity with Southern Italy and his readiness in

the French tongue, which he had spoken in his early youth; and he had

paid more than one visit to the French camp at Signa. The lustre of

good fortune was upon him; he was smiling, listening, and explaining,

with his usual graceful unpretentious ease, and only a very keen eye

bent on studying him could have marked a certain amount of change in

him which was not to be accounted for by the lapse of eighteen months.

It was that change which comes from the final departure of moral

youthfulness--from the distinct self-conscious adoption of a part in

life. The lines of the face were as soft as ever, the eyes as

pellucid; but something was gone--something as indefinable as the

changes in the morning twilight.

The Frenchman was gathering instructions concerning ceremonial before

riding back to Signa, and now he was going to have a final survey of

the Piazza del Duomo, where the royal procession was to pause for

religious purposes. The distinguished party attracted the notice of

all eyes as it entered the Piazza, but the gaze was not entirely

cordial and admiring; there were remarks not altogether allusive and

mysterious to the Frenchman's hoof-shaped shoes--delicate flattery of

royal superfluity in toes; and there was no care that certain

snarlings at "Mediceans" should be strictly inaudible. But Lorenzo

Tornabuoni possessed that power of dissembling annoyance which is

demanded in a man who courts popularity, and Tito, besides his natural

disposition to overcome ill-will by good-humor, had the unimpassioned

feeling of the alien towards names and details that move the deepest

passions of the native.

Arrived where they could get a good oblique view of the Duomo, the

party paused. The festoons and devices placed over the central doorway

excited some demur, and Tornabuoni beckoned to Piero di Cosimo, who,

as was usual with him at this hour, was lounging in front of Nello's

shop. There was soon an animated discussion, and it became highly

amusing from the Frenchman's astonishment at Piero's odd pungency of

statement, which Tito translated literally. Even snarling onlookers

became curious, and their faces began to wear the half-smiling,

half-humiliated expression of people who are not within hearing of the

joke which is producing infectious laughter. It was a delightful

moment for Tito, for he was the only one of the party who could have

made so amusing an interpreter, and without any disposition to

triumphant self-gratulation he reveled in the sense that he was an

object of liking--he basked in approving glances. The rainbow light

fell about the laughing group, and the grave church-goers had all

disappeared within the walls. It seemed as if the Piazza had been

decorated for a real Florentine holiday.

Meanwhile in the gray light of the unadorned streets there were

on-comers who made no show of linen and brocade, and whose humor was

far from merry. Here too the French dress and hoofed shoes were

conspicuous, but they were being pressed upon by a large and larger

number of non-admiring Florentines. In the van of the crowd were three

men in scanty clothing; each had his hands bound together by a cord,

and a rope was fastened round his neck and body in such a way that he

who held the extremity of the rope might easily check any rebellious

movement by the threat of throttling. The men who held the ropes were

French soldiers, and by broken Italian phrases and strokes from the

knotted end of the rope, they from time to time stimulated their

prisoners to beg. Two of them were obedient, and to every Florentine

they had encountered had held out their bound hands and said in

piteous tones:--

"For the love of God and the Holy Madonna, give us something towards

our ransom! We are Tuscans; we were made prisoners in Lunigiana."

But the third man remained obstinately silent under all the strokes of

the knotted cord. He was very different in aspect from his two fellow

prisoners. They were young and hardy, and in the scant clothing which

the avarice of their captors had left them, looked like vulgar, sturdy

mendicants. But he had passed the boundary of old age, and could

hardly be less than four or five and sixty. His beard, which had grown

long in neglect, and the hair which fell thick and straight round his

baldness, were nearly white. His thick-set figure was still firm and

upright, though emaciated, and seemed to express energy in spite of

age--an expression that was partly carried out in the dark eyes and

strong dark eyebrows, which had a strangely isolated intensity of

color in the midst of his yellow, bloodless, deep-wrinkled face with

its lank gray hairs. And yet there was something fitful in the eyes

which contradicted the occasional flash of energy; after looking round

with quick fierceness at windows and faces, they fell again with a

lost and wandering look. But his lips were motionless, and he held his

hands resolutely down. He would not beg.

This sight had been witnessed by the Florentines with growing

exasperation. Many standing at their doors or passing quietly along

had at once given money--some in half-automatic response to an appeal

in the name of God, others in that unquestioning awe of the French

soldiery which had been created by the reports of their cruel warfare,

and on which the French themselves counted as a guarantee of immunity

in their acts of insolence. But as the group had proceeded farther

into the heart of the city, that compliance had gradually disappeared,

and the soldiers found themselves escorted by a gathering troop of men

and boys, who kept up a chorus of exclamations sufficiently

intelligible to foreign ears without any interpreter. The soldiers

themselves began to dislike their position, for with a strong

inclination to use their weapons, they were checked by the necessity

for keeping a secure hold on their prisoners, and they were now

hurrying along in the hope of finding shelter in a hostelry.

"French dogs!" "Bullock-feet!" "Snatch their pikes from them!" "Cut

the cords and make them run for their prisoners. They'll run as fast

as geese--don't you see they're web-footed?" These were the cries

which the soldiers vaguely understood to be jeers, and probably

threats. But every one seemed disposed to give invitations of this

spirited kind rather than to act upon them.

"Santiddio! here's a sight!" said the dyer, as soon as he had divined

the meaning of the advancing tumult; "and the fools do nothing but

hoot. Come along!" he added, snatching his axe from his belt, and

running to join the crowd, followed by the butcher and all the rest of

his companions except Goro, who hastily retreated up a narrow passage.

The sight of the dyer, running forward with blood-red arms and axe

uplifted, and with his cluster of rough companions behind him, had a

stimulating effect on the crowd. Not that he did anything else than

pass beyond the soldiers and thrust himself well among his

fellow-citizens, flourishing his axe; but he served as a stirring

symbol of street-fighting, like the waving of a well-known gonfalon.

And the first sign that fire was ready to burst out was something as

rapid as a little leaping tongue of flame; it was an act of the

conjurer's impish lad Lollo, who was dancing and jeering in front of

the ingenuous boys that made the majority of the crowd. Lollo had no

great compassion for the prisoners, but being conscious of an

excellent knife which was his unfailing companion, it had seemed to

him from the first that to jump forward, cut a rope, and leap back

again before the soldier who held it could use his weapon, would be an

amusing and dexterous piece of mischief. And now, when the people

began to hoot and jostle more vigorously, Lollo felt that his moment

was come: he was close to the eldest prisoner; in an instant he had

cut the cord.

"Run, old one!" he piped in the prisoner's ear, as soon as the cord

was in two; and himself set the example of running as if he were

helped along with wings, like a scared fowl.

The prisoner's sensations were not too slow for him to seize the

opportunity; the idea of escape had been continually present with him,

and he had gathered fresh hope from the temper of the crowd. He ran at

once; but his speed would hardly have sufficed for him if the

Florentines had not instantaneously rushed between him and his captor.

He ran on into the Piazza, but he quickly heard the tramp of feet

behind him, for the other two prisoners had been released, and the

soldiers were struggling and fighting their way after them, in such

tardigrade fashion as their hoof-shaped shoes would allow--impeded,

but not very resolutely attacked, by the people. One of the two

younger prisoners turned up the Borgo di San Lorenzo, and thus made a

partial diversion of the hubbub; but the main struggle was still

towards the Piazza, where all eyes were turned on it with alarmed

curiosity. The cause could not be precisely guessed, for the French

dress was screened by the impending crowd.

"An escape of prisoners," said Lorenzo Tornabuoni, as he and his party

turned round just against the steps of the Duomo, and saw a prisoner

rushing by them. "The people are not content with having emptied the

Bargello the other day. If there is no other authority in sight they

must fall on the _sbirri_ and secure freedom to thieves. Ah! there is

a French soldier; that is more serious."

The soldier he saw was struggling along on the north side of the

Piazza, but the object of his pursuit had taken the other direction.

That object was the eldest prisoner, who had wheeled round the

Baptistery and was running towards the Duomo, determined to take

refuge in that sanctuary rather than trust to his speed. But in

mounting the steps, his foot received a shock; he was precipitated

towards the group of signori, whose backs were turned to him, and was

only able to recover his balance as he clutched one of them by the

arm.

It was Tito Melema who felt that clutch. He turned his head, and saw

the face of his adoptive father, Baldassarre Calvo, close to his own.

The two men looked at each other, silent as death: Baldassarre, with

dark fierceness and a tightening grip of the soiled worn hands on the

velvet-clad arm; Tito, with cheeks and lips all bloodless, fascinated

by terror. It seemed a long while to them--it was but a moment.

The first sound Tito heard was the short laugh of Piero di Cosimo, who

stood close by him and was the only person that could see his face.

"Ha, ha! I know what a ghost should be now."

"This is another escaped prisoner," said Lorenzo Tornabuoni. "Who is

he, I wonder?"

"_Some madman, surely_," said Tito.

He hardly knew how the words had come to his lips: there are moments

when our passions speak and decide for us, and we seem to stand by and

wonder. They carry in them an inspiration of crime, that in one

instant does the work of premeditation.

The two men had not taken their eyes off each other, and it seemed to

Tito, when he had spoken, that some magical poison had darted from

Baldassarre's eyes, and that he felt it rushing through his viens. But

the next instant the grasp on his arm had relaxed, and Baldassarre had

disappeared within the church.

"OH, MAY I JOIN THE CHOIR INVISIBLE"

Oh, may I join the choir invisible

Of those immortal dead who live again

In minds made better by their presence; live

In pulses stirred to generosity,

In deeds of daring rectitude, in scorn

For miserable aims that end with self,

In thoughts sublime that pierce the night like stars,

And with their mild persistence urge man's search

To vaster issues.

So to live is heaven:

To make undying music in the world,

Breathing as beauteous order, that controls

With growing sway the growing life of man.

So we inherit that sweet purity

For which we struggled, failed, and agonized,

With widening retrospect that bred despair.

Rebellious flesh that would not be subdued,

A vicious parent shaming still its child,--

Poor anxious penitence,--is quick dissolved;

Its discords, quenched by meeting harmonies,

Die in the large and charitable air;

And all our rarer, better, truer self,

That sobbed religiously in yearning song,

That watched to ease the burthen of the world,

Laboriously tracing what must be,

And what may yet be better--saw within

A worthier image for the sanctuary,

And shaped it forth before the multitude

Divinely human, raising worship so

To higher reverence more mixed with love--

That better self shall live till human Time

Shall fold its eyelids, and the human sky

Be gathered like a scroll within the tomb

Unread for ever.

This is life to come,

Which martyred men have made more glorious

For us who strive to follow. May I reach

That purest heaven; be to other souls

The cup of strength in some great agony;

Enkindle generous ardor; feed pure love;

Beget the smiles that have no cruelty--

Be the sweet presence of a good diffused,

And in diffusion even more intense.

So shall I join the choir invisible

Whose music is the gladness of the world.

Library of the World's Best Literature, Ancient and Modern — Volume 13 · 第 195 / 222 题