From 'A Rescuing Angel'

The counselor's wife sat down on the sofa with her hands folded in her

lap. Arla remained standing a little farther away, so that the green

lamp-shade left her face in shadow.

"My little girl," began her mother in a mild voice, "do not feel hurt,

but I must make a few remarks on your behavior to-night. First of all,

you will have to hold yourself a little straighter when you dance.

This tendency to droop the head looks very badly. I noticed it

especially when you danced with Captain Lagerskioeld--and do you know,

it looked almost as if you were leaning your head against his

shoulder."

Arla blushed; she did not know why, but this reproach hurt her deeply.

"The dancing-teacher always said that to dance well one must lean

toward one's partner," she objected in a raised voice.

"If that is so, it is better not to dance so well," answered her

mother seriously. "And another thing. I heard you ask Mr. Oern to

excuse you. And you danced the cotillon after all."

"I suppose one has a right to dance with whom one pleases."

"One never has a right to hurt others; and besides, you said to Mr.

Oern that you were tired out and not able to dance again. How could you

then immediately after--"

"Captain Lagerskioeld leads so well," she said, lifting her head, and

her mother saw that her eyes were shining. "To dance with him is no

exertion."

Her mother seemed inclined to say something, but hesitated.

"Come a little nearer," she said. "Let me look at you."

Arla came up, knelt down on a footstool, hid her face in her mother's

dress, and began to cry softly.

"I shall have to tell you, then," said her mother, smoothing her hair.

"Poor child, don't give yourself up to these dreams. Captain

Lagerskioeld is the kind of a man that I should have preferred never to

have asked to our house. He is a man entirely without character and

principles--to be frank, a bad man."

Arla raised her tear-stained face quickly.

"I know that," she said almost triumphantly. "He told me so himself."

Her mother was silent with astonishment, and Aria continued, rising,

"He has never had any parents nor any home, but has always been

surrounded with temptations. And," she went on in a lower voice, "he

has never found any one that he could really love, and it is only

through love that he can be rescued from the dark powers that have

ruled his life."

She repeated almost word for word what he had said. He had expressed

himself in so commonplace a way, and she was so far from suspecting

what his confession really meant, that she would not have been able to

clothe them in her own words. She had only a vague impression that he

was unhappy and sinful--and that she should save him. Sinful was to

her a mere abstract idea: everybody was full of sin, and his sin was

very likely that he lived without God. He had perhaps never learned to

pray, and maybe he never went to church or took the communion. She

knew that there were men who never did. And then perhaps he had been

engaged to Cecilia, and had broken the engagement when he saw that he

did not really love her.

"And all this he has told you already!" exclaimed her mother, when she

got over her first surprise. "Well then, I can also guess what he said

further. Do you want me to tell you? You are the first girl he has

really loved--you are to be his rescuing angel--"

Arla made a faint exclamation.

"You do not suppose I have been listening?" asked her mother. "I know

it without that; men like this always speak so when they want to win

an innocent girl. When I was young I had an admirer of this kind--that

is not an uncommon experience."

Not uncommon! These words were not said to her only; other men had

said the same before this to other young girls! Oh! but not in the

same way, at any rate! thought Arla. As he had said them--with such a

look--such a voice--no, nobody else could ever have done that.

"And you didn't understand that a man who can make a young girl a

declaration of love the first time he sees her must be superficial and

not to be trusted?" continued her mother.

"Mamma does not know what love is," thought Aria. "She does not know

that it is born in a moment and lasts for life. She has of course

never loved papa; then they would not be so matter-of-fact now."

"And what did you answer?" asked her mother.

Arla turned away. "I answered nothing," she said in a low voice.

The mother's troubled face grew a little brighter.

"That was right," she said, patting her on the cheek. "Then you left

him at once."

Arla was on the point of saying, "Not at once," but she could not make

this confession. Other questions would then follow, and she would be

obliged to describe what had happened. Describe a scene like this to

her mother, who did not know what love was! That was impossible! So

she said yes, but in so weak and troubled a voice that her mother at

once saw it was not true. This was not Arla's first untruth; on the

contrary, she had often been guilty of this fault when a child. She

was so shy and loving that she could not stand the smallest reproach,

and a severe look was enough to make her cry; consequently she was

always ready to deny as soon as she had made the slightest mistake.

But when her mother took her face between her hands and looked

straight into her eyes, she saw at once how matters stood, for the

eyes could hide nothing. And since Arla grew older she had fought so

much against this weakness that she had almost exaggerated her

truthfulness. She was now as quick to confess what might bring

displeasure on herself, as if she were afraid of giving temptation the

slightest room.

The mother, who with deep joy had noticed her many little victories

over herself, was painfully impressed by this relapse. She could not

now treat Arla as she had done when she was a little girl. Instead of

this, she opened the Bible by one of the many book-marks, with a

somewhat trembling hand.

"Although it is late, shall we not read a chapter together, as we

always do before we go to bed?" she asked, and looked up at her

daughter.

Arla stepped back, and cast an almost frightened glance at the little

footstool where she had been sitting at her mother's knee every

evening since she was a little girl. All this seemed now so

strange--it was no longer herself, it was a little younger sister, who

used to sit there and confess to her mother all her dreams and all her

little sorrows.

"I don't want to--I cannot read to-night."

Her mother laid the book down again, gave her daughter a mild, sad

look and said, "Then remember, my child, that this was the consequence

of your first ball."

Arla bent her head and left the room slowly. Her mother let her go;

she found it wisest to leave her to herself until her emotion had

somewhat worn itself out. Aria would not go into her own room; she

dreaded Gurli's chatter; she had to be alone to get control over her

thoughts. In the drawing-room she found her father.

"Is mamma in her room?" he asked.

"Yes."

"Is she alone? Are the children asleep?"

"Yes, mamma is alone."

"Well! Good-night, my girl." He kissed her lips and went into the

bedroom.

Arla opened a window in the drawing-room to let out the hot air, and

then began to walk up and down wrapped in a large shawl, enjoying the

clear cold winter moonlight, which played over the snow and hid itself

behind the trees in the park outside the window. There they were to

meet to-morrow! Oh, if only he had said now, at once! If only she

could slip out now in her thin gown, and he could wrap his cape around

her to keep her warm--she did not remember that the men of to-day did

not wear capes like Romeo--and if then they could have gone away

together--far, far away from this prosaic world, where nobody

understood that two hearts could meet and find each other from the

first moment.

She was not left alone long; a door was opened, light steps came

tripping, and a white apparition in night-gown stood in the full light

of the moonbeam.

"But Arla, are you never, never coming?"

"Why, Gurli dear, why aren't you asleep long ago?"

"Eh? do you think I can sleep before I have heard something about the

ball? Come in now; how cold it is here!"

She was so cold that she shivered in her thin night-gown, but clung

nevertheless to her sister, who was standing by the window.

"Go; you are catching cold."

"I don't care," she said, chattering. "I am not going till you come."

Arla was, as usual, obliged to give in to the younger sister's strong

will. She closed the window and they went into their room, where Gurli

crept into bed again and drew the cover up to her very chin. Arla

began to unfasten her dress and take the flowers out of her hair.

"Well, I suppose you had a divine time," came a voice from the bed

behind chattering teeth. There was nothing to be seen out on the

floor. "Then you are much more of a schoolgirl than I. Is there

perhaps any man who has told you that he loves you? Is there?"

"Oh, but Gurli, what nonsense," said Arla laughing outright. "Has

really one of Arvid's friends--"

"Arvid's friends!" repeated Gurli with an expression of indescribable

contempt. "Do you think such little boys would dare? Ph! I would give

them a box on the ear,--that would be the quickest way of getting rid

of such little whipper-snappers. No indeed; it is a man, a real

_man_--a man that any girl would envy me."

She was so pretty as she stood there in her white gown, with her

dancing eyes and thick hair standing like a dark cloud around her rosy

young face, that a light broke on Arla, and a suspicion of the truth

flashed through her mind.

"It is not possible that you mean--of course you don't mean--him--that

you just spoke of--Captain Lagerskioeld?"

"And what if it _were_ he!" cried Gurli, who in her triumph forgot to

keep her secret. Arla's usual modest self-possession left her

completely at this news.

"Captain Lagerskioeld has told you that he loves you!" she cried with a

sharp and cutting voice, unlike her usual mild tone. "Oh, how wicked,

how wicked!"

She hid her face in her hands and burst out crying.

Gurli was frightened at her violent outbreak. She must have done

something awful, that Arla, who was always so quiet, should carry on

so. She crept close up to her sister, half ashamed and half

frightened, and whispered:--"He has only said it once. It was the day

before yesterday, and I ran away from him at once--I thought it was so

silly, and--"

"Day before yesterday!" cried Arla and looked up with frightened,

wondering eyes. "Day before yesterday he told you that he loved you?"

"Yes; if only you will not be so awfully put out, I will tell you all

about it. He used to come up to the coasting-hill a great deal lately,

and then we walked up and down in the park and talked, and when I

wanted to coast he helped me get a start, and drew my sleigh up-hill

again. At first I did not notice him much, but then I saw he was very

nice--he would look at me sometimes for a long, long time--and you

can't imagine how he does look at one! And then day before yesterday

he began by of Gurli but a pair of impatient dark eyes, under a

wilderness of brown hair.

Arla was sitting at the toilet-table, her back to her sister.

"Oh yes," she said.

"I see on your card that you danced two dances with Captain

Lagerskioeld. I suppose he dances awfully well, eh?"

"Do you know him?" asked Arla, and turned on the chair.

"Oh yes, I do. Didn't he ask for me?"

"Yes, now I remember. He said he had seen you with the children on the

coasting-hill. You must have been a little rude to him?"

The whole head came out above the cover now.

"Rude! how?"

"He said something about your being so pert."

"Pert? Oh, _what_ a fib you do tell!" cried Gurli, and sat up in bed

with a jump.

"I don't usually tell stories," said Arla with wounded dignity, but

blushed at the same time.

"Oh yes, you do now, I am sure you do. I don't believe you, if you

don't tell me word for word what he said. Who began talking of me? And

what did he say? And what did you say?"

"You had better tell me why you are so much interested in him," said

Arla in the somewhat superior tone of the elder sister.

"That is none of your business. I will tell you that I am no longer a

little girl, as you seem to think. And even though I am treated like a

child here at home, there are others who--who--"

"Are you not a child?" said Arla. "You are not confirmed yet."

"Oh, is that it? That 'confirmation' is only a ceremony, which I

submit to for mamma's sake. And don't imagine that it is confirmation

which makes women of us; no indeed, it is something else."

"What then?" asked Arla, much surprised.

"It is--it is--love," burst out Gurli, and hid her head under the

covers.

"Love! But Gurli, how you do talk! What do you know about that? You, a

little schoolgirl!"

"Don't say 'little schoolgirl'--that makes me furious," cried Gurli,

as she pushed the cover aside with both hands and jumped saying that

I had such pretty eyes--and then he said that such a happy little

sunbeam as I could light up his whole life, and that if he could not

meet me, he would not know what to do--"

"Gurli!" cried Arla, and grasped her sister's arm violently. "Do you

love him?"

Gurli let her eyes wander a little, and looked shy.

"I think I do--I have read in the novels Arvid borrowed in

school--only don't tell mamma anything about it; but I have read that

when you are in love you always have such an awful palpitation of the

heart when _he_ comes--and when I merely catch sight of him far off on

the hill in Kommandoersgatan, I felt as if I should strangle."

"Captain Lagerskioeld is a bad, bad man!" sobbed Arla, and rushed out

of the room, hiding her face in her hands.

The counselor's wife was still up and was reading, while her husband

had gone to bed. A tall screen standing at the foot of the bed kept

the light away from the sleeper. The counselor had just had a talk

with his wife, which most likely would keep her awake for the greater

part of the night; but he had fallen asleep as soon as he had spoken

to the point.

"You must forgive me that I cannot quite approve your way of

fulfilling your duties as hostess," he had said when he came in to

her.

His wife crossed her hands on the table and looked up at him with a

mild and patient face.

"You show your likes and dislikes too much," he continued, "and think

too little of the claims of social usage. For instance, to pay so much

attention to Mrs. Ekstroem and her daughters--"

"It was because nobody else paid any attention to them."

"But even so, my dear, a drawing-room is not a charity institution, I

take it. Etiquette goes before everything else. And then you were

almost rude to Admiral Hornfeldt's wife, who is one of the first women

in society."

"Forgive me; but I cannot be cordial to a woman for whom I have no

respect."

The counselor shrugged his shoulders with a gesture of great

impatience.

"I wish you could learn to see how wrong it is to let yourself be

influenced by these moral views in society."

His wife was silent; it was her usual way of ending a conversation

which she knew could lead to no result, since each kept his own

opinion after all.

"Did you notice Arla?" asked the counselor.

"Yes. Why?"

"Did you not see that she made herself conspicuous by taking such an

interest in this outlived Lagerskioeld?"

"I asked you not to invite Captain Lagerskioeld," said his wife mildly.

"The trouble is not there," interrupted her husband; "but the trouble

is that your daughter is brought up to be a goose who understands

nothing. That is the result of your convent system. Girls so guarded

are always ready to fall into the arms of the first man who knows

somewhat how to impress them."

This was the counselor's last remark before he fell asleep. It

awakened a feeling of great bitterness and hopelessness in his wife.

Her heart felt heavy at the thought of all the frivolity, all the

impurity into which her girls were to be thrown one after another.

When Arla, in whose earnestness and purity of character she had so

great a confidence, had shown herself so little proof against

temptation, what then would become of Gurli, who had such dangerous

tendencies? And the two little ones who were now sleeping soundly in

the nursery?

"To what use is then all the striving and all the prayers?" she asked

herself. "What good then does it do to try to protect the children

from evil, if just this makes them more of a prey to temptation?"

She laid her arms on the table and rested her forehead on her hands.

The awful question "What is the use of it? what is the use of it?" lay

heavy upon her.

Then there came a soft knock at her door; it was opened a little, and

a timid voice whispered, "Is mamma alone? May I come in?"

A ray of happiness came into the mother's face.

"Come in, my child," she whispered, and stretched out her hands toward

her. "Papa sleeps so soundly, you need not be afraid of waking him."

Arla came in on tiptoe, dressed in white gown and dressing-sack and

with her hair loose. There were red spots on her cheeks, and her eyes

were swollen from crying. She knelt down gently beside her mother, hid

her face in her mother's dress, and whispered in a voice trembling

with suppressed tears, "Will you read to me now, mamma?"

Translated for 'A Library of the World's Best Literature'

by Olga Flinch

Library of the World's Best Literature, Ancient and Modern — Volume 13 · 第 54 / 222 题