“Now, the young man who had gone home for the awl and the axe and the

shoemaker’s wax was very much puzzled. He had more business on his hands

than he knew what to do with. He saw that he must now rescue his brother

as well as his father, and he didn’t know how to go about it. He had the

awl and the axe and the shoemaker’s wax. He also had the shoe-pegs and

leather that he found together. But what was he to do with them? He sat

on the log and thought about it a long time.

“While he was sitting there, and just as he was about to go forward on

his journey, he heard some one coming briskly down the road singing. He

heard enough of the song to be very much interested in it. It ran thus:—

“‘With the awl and the axe

And the shoemaker’s wax,

And the pegs and the leather

That were found close together

Where the old man had fling’d ’em,

We’ll bore through and roar through;

We’ll cut down, we’ll put down,

This king and his kingdom.’

“Of course, it was the Man in the Moon who was coming along the road

singing the song, and he seemed to be in high good humor. He caught

sight of the solemn face of the young man and began to laugh.

“‘There you are!’ cried Mum, the Man in the Moon, ‘and I’m glad to see

you; but I’d feel a great deal better if you didn’t look so lonesome. I

don’t know what to do about it. Your face is as long as a hind quarter

of beef.’

“‘I can’t help it,’ replied the young man. ‘I am in deeper trouble than

ever. My brother has been carried off by the same people that captured

my father.’

“‘What of it?’ exclaimed the Man in the Moon. ‘If you knew as much about

that brother of yours as I do, you’d go on about your business, and let

him stay where he is.’

“‘No,’ said the young man. ‘I couldn’t do that. I know he is my brother,

and that is enough. And then there’s my father.’

“The Man in the Moon looked at the young man a long time, and finally

said:—

“‘Since we are to have a sort of holiday together, maybe you won’t mind

telling me your name.’

“‘Why, of course not,’ replied the young man. ‘My name is Smat.’

“The Man in the Moon scratched his head and then laughed. ‘It is a queer

name,’ he said; ‘but I see no objection to it. I suppose it just

happened so.’

“‘Now, I can’t tell you anything about that,’ replied Smat. ‘I was too

young when the name was given to take any part in the performance. They

seized me, and named me at a time when I had to take any name that they

chose to give me. They named me Smat, and that was the end of it so far

as I was concerned. They never asked me how I liked it, but just slapped

the name in my face, as you may say, and left it there.’

“‘Well,’ said the Man in the Moon, ‘they’ll put another letter in the

name when you get back home. Instead of calling you Smat, they’ll say

you are Smart, and there’s some consolation in that.’

“‘Not much as I can see,’ remarked Smat. ‘It’s all in your mouth, and

what is in your mouth is pretty much all wind and water, if you try to

spit it out. What I want now is to get my father and my brother out of

the trouble that my mischief has plunged them in. Please help me. They

ought to be at home right now. There’s the corn to grind, and the cows

are waiting to be milked, and the grain is to be gathered. Times are

pretty hard at our house when everybody is away.’

“‘Very well,’ said the Man in the Moon. He had hanging by his side the

horn of the new Moon, and on this he blew a loud blast. Immediately

there was a roaring noise in the woods, and very soon there swarmed

about them a company of little men, all bearing the tiniest and the

prettiest lanterns that were ever seen. It was not night, but their

lanterns were blazing, and as they marched around the Man in the Moon in

regular order, it seemed as though the light of their lanterns had

quenched that of the sun, so that Smat saw the woods in a different

light altogether. He had not moved, but he seemed to be in another

country entirely. The trees had changed, and the ground itself. He was

no longer sitting on a log by the side of the big road, but was now

standing on his feet in a strange country, as it seemed to him.

“He had risen from his seat on the log when the little men with their

lanterns began marching around, but otherwise he had not moved. And yet

here he was in a country that was new to him. He rubbed his eyes in a

dazed way, and when he opened them again, another change had taken

place. Neither he nor the Man in the Moon had made any movement away

from the big road and the log that was lying by the side of it, but now

they were down in a wide valley, that stretched as far as the eye could

see, between two high mountain ranges.

“‘Now, then,’ said the Man in the Moon, ‘you must be set up in business.

On the side of the mountain yonder is the palace of King Stuff, and

somewhere not far away you will find your father and your brother, and

perhaps some one else.’

“He then called to the leaders of the little men with the lanterns, and

gave each one a task to do. Their names were Drift and Sift, Glimmer and

Gleam, and Shimmer and Sheen. These six leaders waved their lanterns

about, called their followers about them, and at once began to build a

house.”

“And they so little, too,” remarked Mrs. Meadows sympathetically.

“Why, it was no trouble in the world to them,” said Little Mr.

Thimblefinger. “It didn’t seem as if they were building a house. Did you

ever see a flower open? You look at it one minute, turn your head away

and forget about it, and the next time you look, there it is open wide.

That was the way with this house the little men built. It just seemed to

grow out of the ground. As it grew, the little men climbed on it, waved

their lanterns about, and the house continued to grow higher and higher,

and larger and larger, until it was finished. Not a nail had been

driven, not a board had been rived, not a plank had been planed, not a

sill had been hewn, not a brick had been burned. And yet there was the

house all new and fine, with a big chimney-stack in the middle.

“‘Now,’ said the Man in the Moon, when everything was done, ‘here is

your house, and you may move in with bag and baggage.’

“‘That is quickly done,’ replied Smat. ‘What then?’

“‘Why, you must set up as a shoemaker,’ said the Man in the Moon.

“‘But I never made a shoe in my life,’ the young man declared.

“‘So much the more reason why you should make ’em before you die,’ the

Man in the Moon remarked. ‘The sooner you begin to make shoes, the

sooner you’ll learn how.’

“‘That’s so true,’ said Smat, ‘that I have no reply to make. ‘I’ll do as

you say, if I can.’

“‘That’s better,’ cried the Man in the Moon. ‘If you do that, you’ll

have small trouble. If you don’t, I wouldn’t like to tell you what will

happen. Now listen! There is in this kingdom a person (I’ll not say who)

that goes about with only one shoe. When you see that person, no matter

when or where,—no matter whether it’s man, woman, or child,—you must let

it be known that you are ready to make a shoe.’

“Then the Man in the Moon called to the leaders of his army of lantern

bearers, and waved his hands. They, in turn, waved their tiny lanterns,

and in a moment all were out of sight, and Smat was left alone. For some

time afterwards he felt both lonely and uneasy, but this feeling passed

away as soon as he went into his house. He was so astonished by what he

saw in there that he forgot to feel uneasy. He saw that, although the

house was newly built,—if it had been built,—it was in fact old enough

inside to seem like home. Every room was finely furnished and carpeted,

and in one part of the house, in a sort of shed-room, he found that a

shoemaker’s shop had been fixed up. There he saw the awl and the axe,

and the shoemaker’s wax, with the pegs and the leather that were found

close together.

“He thought to himself that all that was very nice, but he knew, too,

that he was not much of a shoemaker, and this bothered him not a little.

Anyhow, he made himself comfortable and waited to see what was going to

happen.

“One day a head officer of the kingdom chanced to pass that way. He saw

the house and rubbed his eyes. He was so astonished that he went and

told another officer, and this officer told another, and finally all the

officers in the kingdom knew about it. Now, if you’ve ever noticed,

those who hold government offices have less to do and more time to do it

in than any other day laborers. So they went about and caucussed among

themselves, and examined into the books, and found that no taxes had

ever been gathered from the owner of such a house. There was great

commotion among them. One of them, more meddlesome than the rest, took a

big book under his arm and went to Smat’s house to make inquiries. The

first question he asked was the last.

“Says he, ‘How long have you been living in this precinct?’

“Says Smat, ‘Ever since the house was built and a little while before.’

“The officer looked at the house and saw that it was a very old one, and

then he tucked his big book under his arm and went off home. At last the

king—the same King Stuff whose name you’ve heard me mention—heard about

the new house that was old, and of the shoemaker who didn’t know how to

make shoes. So he concluded to look into the matter. He summoned his

high and mighty men, and when they had gathered together they went into

a back room of the palace and shut the door, and had a long talk

together. All this took time; and while the king and his high and mighty

men were confabbing together, other things were happening, as you shall

presently see.

“It seems that in that kingdom there was a beautiful girl who went

wandering about the country. If she had any kinsfolk, nobody knew

anything about it, and, indeed, nobody cared. She had lost one of her

shoes, and she went about from place to place hunting for it. Some

pitied her, and some laughed at her, which is the way of the world, as

you’ll find out; but nobody tried to help her. Some said that one shoe

was better than no shoe, and others said that a new shoe would do just

as well as an old shoe.”

“That’s where they made a big mistake,” said Mrs. Meadows. “I’ve tried

it, and I ought to know. A new shoe is bound to hurt you a little at

first, I don’t care how well it fits.”

“Well, I’m only telling you what they said,” replied little Mr.

Thimblefinger. “From all I can hear, new shoes hurt the ladies a great

deal worse than they do the men. But that’s natural, for their toes and

their heels are a good deal tenderer than those of the men folks.

Anyhow, this beautiful girl had lost one of her shoes, and, rather than

buy another one or a new pair, she went hunting it everywhere. One day

she came by Smat’s house. He, sitting by one of the windows, and wishing

that he could see his father and brother, paid no attention to the

passers-by. But this beautiful girl saw him at the window and spoke to

him.

[Illustration:

“HAVE YOU SEEN ANYTHING OF A STRAY SHOE?”

]

“‘Kind sir,’ she said, ‘have you seen anything of a stray shoe? I have

lost one of mine, and I’m in great trouble about it.’

“Smat looked at the girl, and she was so beautiful that he couldn’t help

but blush. Seeing this, the girl began to blush. And so there they were,

two young things a-blushing at one another, and wondering what was the

matter.

“‘I have seen no stray shoe,’ said Smat; ‘but if you’ll come in and show

me the one you have on, I think I’ll know its fellow when I see it.’

“The girl went into the house and sat on a chair, and showed Smat the

shoe that she hadn’t lost. She had the smallest and the neatest foot he

had ever seen.

“‘I hope you are no kin to Cinderella,’ said Smat, ‘for then you

couldn’t get a shoe to fit your other foot until some kind fairy made

it.’

“‘I never heard of Cinderella,’ the girl replied. ‘I only know that I

have lost my shoe, and I’m afraid I’ll never get another just like it.’

“Smat scratched his head, and then he thought about the awl and the axe

and the shoemaker’s wax, and the pegs and the leather that were found

close together. So he said to the beautiful girl:—

“‘Just sit here a little while, and I’ll see if I can’t get you a shoe

to fit your foot. But I must have the other shoe as a pattern to work

by.’

“At first the girl didn’t want to trust him with the shoe, but she saw

that he was in earnest, and so she pulled off the only shoe she had and

placed it in Smat’s hands. He saw at once that the leather he had was a

match for that in the shoe, and he set to work with a light heart,—with

a light heart, but his hand was heavy. And yet, somehow or other, he

found that he knew all about making shoes, although he had never learned

how. The leather fitted itself to the last, and everything went

smoothly. But the beautiful girl, instead of feeling happy that she

would soon have a mate to her shoe, began to grow sad. She sat in a

corner with her head between her hands and her hair hanging down to her

feet, and sighed every time Smat bored a hole in the leather with his

awl or drove in a peg. Finally, when he handed her the shoe entirely

finished, she looked at it, sighed, and let it fall from her hands.

“‘Of course,’ said Smat, ‘I don’t feel bad over a little thing like

that. But you don’t have to pay anything for the shoe, and you don’t

have to wear it unless you want to.’

“‘Oh, it is not that,’ cried the beautiful girl. ‘The shoe will do very

well, but the moment I put it on, your troubles will begin.’

“‘Well,’ replied Smat, ‘we must have troubles of some sort anyhow, and

the sooner they begin, the sooner they’ll be ended. So put on your

shoe.’

“Now, it happened that just as the girl put on the shoe, which fitted

her foot exactly, King Stuff and his councilors came driving up to the

door. King Stuff was not a large man, but he was very fierce-looking. He

called out from his carriage of state and asked what sort of a person

lived in that house that he couldn’t come out and salute when the king

and his councilors went riding by. Smat went to the door and bowed as

politely as he could, and said that he would have been glad to bow and

salute, if he had known his royal highness and their excellent

excellencies intended to honor his poor house even so much as to pass by

it. The king and his councilors looked at one another and shook their

heads.

“‘This man is none of us,’ said the oldest and wisest of the councilors.

‘We must be careful.’

“‘How long have you lived here?’ asked the king.

“‘Longer than I wanted to,’ replied Smat. ‘My house is so far from the

palace that I have not been able to call and pay my respects to your

majesty.’

“‘I see you are a maker of shoes,’ remarked the king, seeing the awl in

Smat’s hand.

“‘No, your majesty, not a maker of shoes, but simply a shoemaker. Thus

far I have succeeded in making only one shoe.’

“At this the king and his councilors began to shake and tremble. ‘What

was the prophecy?’ cried the king to the oldest and wisest. ‘Repeat it!’

“The oldest and the wisest closed his eyes, allowed his head to drop to

one side, and said in solemn tones:—

‘Wherever you go, and whatever you do,

Beware of the man that makes but one shoe;

Beware of the man with the awl and the axe,

With the pegs and the leather and the shoemaker’s wax.

If you’re out of your palace when you meet this man,

You’d better get back as fast as you can.’

“Smat felt very much like laughing at the solemn way in which the oldest

and wisest councilor repeated this prophecy, or whatever it might be

called. ‘Your majesty needn’t be worried about that prophecy,’ said he.

‘It’s the easiest thing in the world to break the force of it.’

“‘How?’ asked the king.

“‘Why, having made one shoe, I’ll go to work and make another,’ replied

Smat.

“The oldest and wisest of the councilors said that was a pretty good

plan,—anyhow, it was worth trying. Smat promised to make another shoe,

and have it ready in two days. But this was easier said than done. In

the first place, he had used nearly all his leather in making a shoe for

the beautiful girl. In the second place, the awl point wouldn’t stay in

the handle. In the third place, the pegs split and broke every time he

tried to drive them, and the shoemaker’s wax wouldn’t stick. Everything

went wrong at first and grew worse at last, so that when the king sent

his officers for the shoe it was no nearer done than it had been before

Smat began.

“The beautiful girl had not gone very far away, and she came every day

to see how Smat prospered in making the second shoe. She was watching

him when the king’s officers came for the shoe, and when she saw them

she began to weep. But Smat looked as cheerful as ever, and even began

to whistle when the officers knocked at the door.

“‘We are in a fix,’ said he, ‘but we’ll get out of it. Lend me the shoe

I made for you. I’ll send that to the king and then get it back again.’

“The girl tried to take the shoe from her foot, but nothing would move

it. ‘That is a sign,’ said Smat, ‘that it ought not to come off. I’ll

just go to the king myself and tell him the facts in the case. That is

the best way.’

“So he gathered the awl and the axe and the shoemaker’s wax, and the

scraps of leather, and bundled them together. Then he told the officers

that he would go with them and carry the shoe himself, so as to be sure

that it came safely into the king’s hands. They went toward the palace,

and Smat noticed, as they went along, that it grew darker and darker as

they came nearer to the palace. The officers seemed to notice it too. By

the time they reached the palace, it was so dark that Smat had great

trouble in keeping up with the officers.

“There was great commotion in the palace. Nobody had ever seen it so

dark before except just at the stroke of midnight, when the shadows grow

thick and heavy and run together and over everything.

“Now, old King Stuff was a sort of magician himself (as, indeed, he had

to be in those times, in order to manage a kingdom properly), and as

soon as he saw the great darkness coming on at the wrong time of day, he

thought at once of the prophecy in regard to the man who made but one

shoe. So he hustled and bustled around the palace, calling for the

officers he had sent after the shoe. But nobody had seen them return

before the dark began to fall, and after that it was impossible to see

them.

“In the midst of it all, the officers, followed by Smat, stumbled into

the palace and went groping about from room to room hunting for old King

Stuff and his ministers. At last, they heard him grumbling and growling,

and felt their way toward him.

“‘The shoe! the shoe!’ cried King Stuff, when the officers had made

themselves known.

“‘I have something that will answer just as well,’ said Smat.

“‘The shoe! give me the shoe!’ cried the king.

“‘Take this, your majesty,’ said Smat, handing him the bundle.

“No sooner had the king’s hands touched the bundle than there was a

rumbling noise in the air, the building began to shake and totter and

crumble away. In the midst of it all some one cried out in a loud

voice:—

‘Wherever you go, and whatever you do,

Beware of the man that makes but one shoe!’

“In the twinkling of an eye, King Stuff and his army and his palace had

disappeared from sight. At the same time the darkness had cleared away,

and Smat saw his father and his brother standing near, dazed and

frightened, and not far away was the beautiful girl. The father and the

brother were very much astonished when they found that Smat had been the

means of their rescue. They talked about it until night fell, and then

the Man in the Moon, with his tiny lantern-bearers, came and escorted

them to their own country.

“Now it happened that the beautiful girl was a princess, the daughter of

the king. It fell to the lot of Smat to take the princess home. Not long

after that the king gave a great festival, to celebrate the return of

his daughter. Smat’s father and brother got close enough to the palace

to see him standing in a large room, where there was a large crowd of

people and music and flowers. They saw, too, that he was holding the

princess by the hand.

“And so,” said little Mr. Thimblefinger, wiping the perspiration from

his forehead, “the story ended.”

------------------------------------------------------------------------

XX.

THE WOOG AND THE WEEZE.

“Phew!” exclaimed Mr. Rabbit, when he was sure that little Mr.

Thimblefinger had finished. “That beats anything I ever heard.”

“I’m glad you like it,” said Mr. Thimblefinger.

“Oh, hold on there!” protested Mr. Rabbit, “you are going too fast. I

never said I liked it. I said it beat any story I ever heard, and so it

does,—for length. I didn’t know that such a little chap could be so

long-winded. It was such a long story that I’ve forgotten what the moral

ought to be.”

“Why, I thought you said you didn’t believe much in stories that had

morals tacked to them,” remarked Mrs. Meadows.

“No doubt I did,” replied Mr. Rabbit,—“No doubt I did. But this story

was long enough to have a dozen morals cropping out in different places,

like dog fennel in a cow pasture.”

“Well,” said Mr. Thimblefinger, “there was a moral or two in the story,

but I didn’t call attention to them in the telling, and I’ll not dwell

on them now.”

“I thought it was a tolerably fair story,” said Buster John, yet with a

tone of doubt.

“Oh, I thought it was splendid all the way through,” said Sweetest

Susan.

“There are some stories that are hard to tell,” suggested Mrs. Meadows.

“They go in such a rambledy-wambledy way that it’s not easy to keep the

track of them. I remember I once heard Chickamy Crany Crow trying to

repeat a story that she heard the Looking-glass Children tell. I never

found head nor tail to it, but I sat and listened almost without

shutting my eyes.”

“What was the story?” asked Sweetest Susan.

In reply, Mrs. Meadows said she would call Chickamy Crany Crow, and ask

her to tell it. As usual, Chickamy Crany Crow was off at play with

Tickle-My-Toes. They both came when Mrs. Meadows called them, and

Chickamy Crany Crow, after some persuasion, began to tell the story.

“One day,” she said, brushing her hair behind her ears with her fingers,

“I wanted to see the Looking-glass Children. Tickle-My-Toes was off

playing by himself, and I was lonesome; so I went to the Looking-glass,

whirled it around in its frame, and waited for the children to come out.

But they didn’t come. I called them, but they made no answer. I went

close to the Glass, and looked in. At first, I couldn’t see anything;

but after a while I saw, away off in the Glass, one of the children,—the

one they all say looks like me. I called her; but she was so far off in

the Glass that she couldn’t hear me, and, as she had her face turned the

other way, she couldn’t see me.

“After so long a time, she came up to the frame of the Glass, and then

stepped out and sat down on the ground. I saw she had been crying.

“Says I, ‘Honey, what in the world is the matter?’ I always call her

Honey when we are by ourselves.

“Says she, ‘There’s enough the matter. I’m e’en about scared to death,

and I expect that all the other children in this Looking-glass are

either captured, or killed, or scared to death.’

“Says I, ‘Why didn’t you holler for help?’

“Says she, ‘What good would that have done? You all could help us very

well on dry land, out here, but how could you have helped us in the

Looking-glass, when you can’t even get in at the door? I’ve seen you try

to follow us, but you’ve always failed. You stop at the Glass, and you

can’t get any farther.’

“Says I, ‘You are right about that; but if we outside folks can’t get in

the Glass to play with you and keep you company, how can anybody or

anything get in there to scare you and hurt you?’

“Says she, ‘The thing that scared us has been in there all the time. It

was born in there, I reckon, but I’ve never seen it before; and I tell

you right now I never want to see it again.’

“Says I, ‘What sort of a thing is it?’

“Says she in a whisper, ‘_It’s the Woog!_‘

“‘The what?’ says I.

“‘_The Woog!_‘ says she.

“Says I, ‘It’s new to me. I never heard of it before.’

“Says she, ‘To hear of it is as close as you want to get to it.’

“Why, I heard of the Woog in my younger days,” remarked Mr.

Thimblefinger. “I thought the thing had gone out of fashion.”

“Don’t you believe a word of it,” said Chickamy Crany Crow. “It’s just

as much in fashion now as ever it was, especially at certain seasons of

the year. The little girl in the Looking-glass—I say little girl, though

she’s about my size and shape—told me all about it; and as she lives in

the same country with the Woog, she ought to know.”

“What did she say about it?” asked Buster John, who had a vague idea

that he might some day be able to organize an expedition to go in search

of the Woog.

[Illustration:

A HORRIBLE MONSTER GLARED AT THEM

]

Mr. Rabbit at Home A sequel to Little Mr. Thimblefinger and his Queer Country · 第 9 / 12 段