XIV

Improvising at the piano, Piltzenhoffer, kiddy-grand, he was contented,

happy. The creative fertility, bursting from a radiant heart, more than

ordinary surprised him: “My most quickening affair, since--” he groped,

smiling a little at several particular wraiths, more, or less, bizarre,

that, in their time, had especially disturbed him. “Yes; probably!” he

murmured, enigmatically, striking an intricate, virile chord.

“Forgib me, dearest! I was wid de manicu’ of de fingeh-nails.”

“Divine one.”

She stood before him.

Hovering there between self-importance and madcapery, she was exquisite

quite.

“All temperament...!” he murmured, capturing her deftly between his

knees.

She was wearing a toilette of white _crêpe de chine_, and a large

favour of bright purple Costa-Rica roses.

“Soon as de sun drop, dey set out, deah: so de manicu’ say.”

“What shall we do till then?”

“... or, de pistols!” she fluted, encircling an arm about his neck.

“Destructive kitten,” he murmured, kissing, one by one, her red,

polished nails.

“Honey! Come on.”

He frowned.

It seemed a treason almost to his last mistress, an exotic English

girl, perpetually shivering, even in the sun, this revolver practice

on the empty Quinine-bottles she had left behind. Poor Meraude. It was

touching what faith she had had in a dose of quinine! Unquestionably

she had been faithful to _that_. And, dull enough, too, it had made

her. With her albums of photographs, nearly all of midshipmen, how

insufferably had she bored him:--“This one, darling, tell me, isn’t

he--I, really--he makes me--and this one, darling! An Athenian viking,

with hair like mimosa, and what ravishing hands!--oh my God!--I

declare--he makes me--” Poor Meraude; she had been extravagant as well.

“Come on, an’ break some bokkles!”

“There’s not a cartridge left,” he told her, setting her on his knee.

“Ha-ha! Oh, hi-hi!

Not a light;

Not a bite!

What a Saturday Night!”

she trilled, taking off a comedian from the Eden Garden.

Like all other negresses she possessed a natural bent for mimicry, and

a voice of that lisping quality that would find complete expression

in songs such as: Have you seen my sweet garden ob Flowehs? Sst! Come

closter, Listen heah, Lead me to the Altar, Dearest, and His Little

Pink, proud, Spitting-lips are Mine.

“What is that you’re wearing?”

“A souvenir ob to-day; I buy it fo’ Luck,” she rippled, displaying a

black briar cross pinned to her breast.

“I hope it’s blessed?”

“De nun dat sold it, didn’t say: Sh’o, its dreadful to t’ink ob po’

Mimi, an’ she soon a pilgrim all in blistehs an’ rags,” she commented,

as a page boy with bejasmined ears appeared at the door.

“Me excuse....”

“How dare you come in, lil saucebox, widdout knockin’?”

“Excuse, missey, but....”

“What?”

Ibum hung his head.

“I only thoughted, it bein’ Crucifix day, I would like to follow in de

procession thu de town.”

“Bery well: but be back in time fo’ dinner.”

“T’ank you, missey.”

“An’ mind fo’ once you are!”

“Yes, missey,” the niggerling acquiesced, bestowing a slow smile on

Snob and Snowball, who had accompanied him into the room. Easy of

habit, as tropical animals are apt to be, it was apparent that the

aristocratic pomeranian was paying sentimental court to the skittish

mouser, who, since her [Greek: peripeteia] of black kittens looked

ready for anything.

“Sh’o, but she hab a way wid her!” Ibum remarked, impressed.

“Lil monster, take dem both, an’ den get out ob my sight,” his mistress

directed him.

Fingering a battered volume, that bore the book-plate of Meraude,

Vittorio appeared absorbed.

“Honey.”

“Well?”

“Noddin’.”

In the silence of the room a restless bluebottle, attracted by the

wicked leer of a chandelier, tied up incredibly in a bright green net,

blended its hum with the awakening murmur of the streets.

“Po’ Mimi. I hope she look up as she go by.”

“Yes, by Jove.”

“Doh after de rude t’ings she say to me--” she broke off, blinking a

little at the sunlight through the thrilling shutters.

“If I remember, beloved, you were both equally candid,” he remarked,

wandering out upon the balcony.

It was on the palm-grown Messalina, an avenue that comprised a

solid portion of the Ruiz estate, that he had installed her, in a

many-storied building, let out in offices and flats.

Little gold, blue, lazy and romantic Cuna, what chastened mood broods

over thy life to-day?

“Have you your crucifix? Won’t you buy a cross?” persuasive, feminine

voices rose up from the pavement below. Active again with the waning

sun, “workers,” with replenished wares, were emerging forth from their

respective depots nursing small lugubrious baskets.

“Have you bought your cross?” The demand, when softly cooed, by some

solicitous patrician, almost compelled an answer; and most of the

social world of Cuna appeared to be vending crosses, or “Pilgrims’

medals” in imitation “bronze,” this afternoon upon the kerb. At the

corner of Valdez Street, across the way, Countess Kattie Taosay (_née_

Soderini), austere in black with Parma violets, was presiding over a

depot festooned with nothing but rosaries, that “professed” themselves,

as they hung, to the suave trade wind.

“Not a light:

Not a bite!

What a----”

Edna softly hummed, shading her eyes with a big feather fan.

It was an evening of cloudless radiance; sweet and mellow as is

frequent at the close of summer.

“Oh, ki, honey! It so cleah, I can see de lil iluns ob yalleh sand, far

away b’yond de Point.”

“Dearest!” he inattentively murmured, recognizing on the Avenue the

elegant cobweb wheels of his mother’s Bolivian buggy.

Accompanied by Eurydice Edwards, she was driving her favourite mules.

“An’ de shipwreck off de coral reef, oh, ki!”

“Let me find you the long-glass, dear,” he said, glad for an instant to

step inside.

Leaning with one foot thrust nimbly out through the balcony-rails

towards the street, she gazed absorbed.

Delegates of agricultural guilds bearing banners, making for the

Cathedral square (the pilgrims’ starting-point), were advancing

along the avenue amidst applause: fruit-growers, rubber-growers,

sugar-growers, opium-growers all doubtless wishful of placating Nature

that redoubtable Goddess, by showing a little honour to the Church. “Oh

Lord, _not_ as Sodom,” she murmured, deciphering a text attached to the

windscreen of a luxurious automobile.

“Divine one, here they are.”

“T’anks, honey, I see best widdout,” she replied, following the Bacchic

progress of two girls in soldiers’ forage-caps, who were exciting the

gaiety of the throng.

“Be careful, kid; don’t lean too far....”

“Oh, ki, if dey don’t exchange kisses!”

But the appearance of the Cunan Constabulary, handsome youngsters,

looking the apotheosis themselves of earthly lawlessness, in their

feathered sun-hats and bouncing kilts, created a diversion.

“De way dey stare up; I goin’ to put on a tiara!”

“Wait, do, till supper,” he entreated, manipulating the long-glass to

suit his eye.

Driving or on foot, were the usual faces.

Seated on a doorstep, Miss Maxine Bush, the famous actress, appeared to

be rehearsing a smart society rôle, as she flapped the air with a sheet

of street-fowl paper, while, rattling a money-box, her tame monkey,

“Jutland-ho,” came as prompt for a coin as any demned Duchess.

“Ha-ha, Oh, hi-hi!” Edna’s blasted catches: “Bless her,” he exclaimed,

relevelling the glass. Perfect. Good lenses these; one could even

read a physician’s doorplate across the way: “Hours 2-4, Agony

guaranteed”--obviously, a dentist, and the window-card too, above,

“Miss--? Miss--? Miss--?--_Speciality_: Men past thirty.”

Four years to wait. Patience.

Ooof! There went “Alice” and one of her boys. Bad days for the ballet!

People afraid of the Opera-house ... that chandelier ... and the

pictures on the roof.... And wasn’t that little Lady Bird? Running at

all the trousers: “_have_ you your crucifix!...??”

“Honey....”

She had set a crown of moonstones on her head, and had moonstone

bracelets on her arms.

“My queen.”

“I hope Mimi look up at me!”

“Vain one.”

Over the glistering city the shadows were falling, staining the

white-walled houses here and there as with some purple pigment.

“Accordin’ to de lates’ ’ticklers, de Procession follow de Paseo only

as far as de fountain.”

“Oh....”

“Where it turn up thu Carmen Street, into de Avenue Messalina.”

Upon the metallic sheen of the evening sky she sketched the itinerary

lightly with her fan.

And smiling down on her uplifted face, he asked himself whimsically how

long he would love her. She had not the brains poor child, of course,

to keep a man for ever. Heigho. Life indeed was often hard....

“Honey, here dey come!”

A growing murmur of distant voices, jointly singing, filled

liturgically the air, together as the warning salute, fired at sundown,

from the fort heights, above the town, reverberated sadly.

“Oh, la, la,” she laughed, following the wheeling flight of some birds

that rose startled from the palms.

“The Angelus....”

“Hark, honey: what is dat dey singin’?”

_A thousand ages in Thy sight_

_Are like an evening gone,_

_Short as the watch that ends the night_

_Before the rising sun._

Led by an old negress leaning on her hickory staff, the procession came.

Banners, banners, banners.

“I hope Mimi wave!”

Floating banners against the dusk....

“Oh, honey! See dat lil pilgrim-boy?”

_Time like an ever-rolling stream,_

_Bears all its sons away;_

_They fly forgotten, as a dream_

_Dies at the opening day._

“Mimi, Mimi!” She had flung the roses from her dress: “Look up, my

deah, look up.”

But her cry escaped unheard.

_They fly forgotten, as a dream_

_Dies----_

The echoing voices of those behind lingered a little.

“Edna.”

She was crying.

“It noddin’; noddin’, at all! But it plain she refuse to forgib me!”

“Never.”

“Perspirin’, an’ her skirt draggin’, sh’o, she looked a fright.”

He smiled: for indeed already the world was perceptibly moulding her....

“Enuff to scare ebbery crow off de savannah!”

“And wouldn’t the Farmers bless her.”

“Oh, honey!” Her glance embraced the long, lamp-lit avenue with

suppressed delight.

“Well.”

“Dair’s a new dancer at de Apollo tonight. Suppose we go?”

_Havana--Bordighera._

PRINTED IN GREAT BRITAIN BY UNWIN BROTHERS, LIMITED PRINTERS, LONDON

AND WOKING

Sorrow in Sunlight · 第 14 / 14 题