At the Restoration the Stowe Giant reappears upon the scene in

attendance on his young master, John Granville. Sir Beville’s son

had been instrumental in the return of the king, and had received

from Charles II. largess of money, great offices, and the earldom

of Bath. Among other places of trust, he was appointed Governor

of the Garrison at Plymouth. There Payne received the appointment

of Halberdier of the Guns, and the king, who held him in singular

favour, commanded his portrait to be painted by the Court artist, Sir

Godfrey Kneller.[86] The fate of this picture was one of great

vicissitude. It hung in state for some years in the great gallery at

Stowe; thence, when that mansion was dismantled at the death of the

Earl of Bath, it was removed to Penheale, another manor-house of the

Granvilles, in Cornwall; but it ceased to be highly esteemed, from

ignorance of the people and the oblivion of years, insomuch so that

when Gilbert, the Cornish historian, travelled through the county to

collect materials for his work, he discovered the portrait rolled up

in an empty room, and described by the farmer’s wife as “a carpet with

the effigy of a large man upon it.” It was a gift to her husband, she

said, from the landlord’s steward, and she was glad to sell it as she

did for £8! When Gilbert died his collection of antique curiosities

was sold by auction at Devonport, where he lived, and this portrait

of Payne, which had been engraved as the frontispiece to the second

volume of his “History of Cornwall,” was bought by a stranger who

was passing through the town, and who had strolled in to look at the

sale, at the price of forty guineas. The value had been apparently

enhanced by oil, and varnish, and frame. This stranger proved to be a

connoisseur in paintings: he conveyed it to London, and there it was

ascertained to be one of the masterpieces of Kneller; it was resold

for the enormous sum of £800. This picture, or even the engraving in

Gilbert’s work, reveals still to the eye the Giant of Old Stowe, “in

his natural presentment” as he lived. There he stands before the eye,

a stalwart soldier of the guard. One hand is placed upon a cannon, and

the other wields the tall halberd of his rank and office as yeoman

of the guns. By a strange accident this very weapon[87] and a large

flask or flagon,[88] sheathed in wicker-work, which is said to have

held “Antony’s allowance,” a gallon of wine, and which is placed in

the picture on the ground at his feet--both these relics of the time

and the man are now in the possession of the writer of this article,

in the Vicarage House, near Stowe. It was in Plymouth garrison, and

in his later days, that an event is recorded of Payne which testifies

that even after long years “his eye had not grown dim, neither was his

natural force abated.” The Revolution had come and gone, and William

and Mary had been enthroned. At the mess-table of the regiment

in garrison, on the anniversary of the day when Charles I. had been

beheaded, a sub-officer of Payne’s own rank had ordered a calf’s head

to be served up in a “William-and-Mary dish.” This, in those days of

new devotion to the house of Hanover, was a coarse and common annual

mockery of the beheaded king; and delf, with the faces of these two

sovereigns for ornament, was a valued ware (the writer has one large

dish). When Payne entered the room, his comrades pointed out to him the

insulting and practical jest--to him, too, most offensive, for he was

a Stuart man. With a ready and indignant gesture he threw out of the

window the symbolic platter and its contents.

[Illustration: FIG. 3

ANTONY PAYNE’S FLAGON (P. 120)]

A fierce quarrel ensued and a challenge, and at break of day Payne

and his antagonist fought with swords on the ramparts. After a strong

contest--for the offender was a master of his weapon--Payne ran his

adversary through the sword-arm and disabled him. He is said to have

accompanied the successful thrust with the taunting shout, “There’s

sauce for thy calf’s head!” When the strong man at last began to bow

himself down at the approach of one stronger than he, the Giant of

Stowe obtained leave to retire. He returned to Stratton, his native

place, and found shelter and repose in the very house and chamber

wherein he was born.

After his death, neither the door nor the stairs would afford egress

for the large and coffined corpse. The joists had to be sawn through,

and the floor lowered with rope and pulley, to enable the Giant to pass

out towards his mighty grave. Relays of strong bier-men carried him

to his rest, and the bells of the tower, by his own express desire,

“chimed him home.” He was buried outside the southern wall of Stratton

church.[89] When the writer was a boy, the sexton one day broke, by

accident, through the side wall of a vast but empty sepulchre. Many

went to see the sight, and there, marked by a stone in the wall, was a

vault, like the tomb of the Anakim, large enough in these days for the

interment of three or four of our degenerate dead. But it was empty,

desolate, and bare. No mammoth bones nor mysterious relics of the

unknown dead. A massive heap of silent dust!

FOOTNOTES:

[77] From _All the Year Round_, vol. xvi. pp. 247-249. 1866. See

Appendix E.

[78] See Appendix B.

[79] Compare Hawker’s poem, “Sir Beville--the Gate Song of Stowe.” See

also Appendix E_a_.

[80] It is said locally that Antony’s stocking would hold a peck of

wheat.

[81] C. S. Gilbert in his “History of Cornwall.”

[82]

“Ride! ride! with red spur, there is death in delay,

’Tis a race for dear life with the devil;

If dark Cromwell prevail, and the king must give way,

This earth is no place for Sir Beville.”

_The Gate Song of Stowe._

[83] There is a description of this battle in Q’s novel, “The Splendid

Spur,” one of the most vivid and stirring battle pictures in modern

fiction.

[84] In a letter dated September 21, 1866, to his brother-in-law, the

late Mr. John Sommers James, Hawker says, “He (Antony Payne) was an

Ancestor of Captain Parsons and Sam. He was going to bury your Great

Grandfather at Stamford Hill alive, wounded among the other Rebels, but

he spared him, and, as I have stated, his ‘descendants are among the

most conspicuous of the Inhabitants of Stratton to this day.’”

[85] The authenticity of this letter is doubtful. If spurious, however,

it is interesting as an example of Hawker’s Chattertonian propensities

and his skill in catching the antique style. (See Appendix E.)

[86] Sir Godfrey Kneller (1646-1723), a German by birth, was Court

painter to five English sovereigns, Charles II., James II., William

III., Anne, and George I. He came to England in 1675, and if Charles

II., who died in 1685, commanded him to paint the portrait of Antony

Payne, it must have been between those years that the picture was

executed. According to the dedication under Gilbert’s engraving,

however, it was done at the expense of the Earl of Bath. The Royal

Institution of Cornwall, Truro, has published a pamphlet (price 2_d._)

entitled “A Short Account of Anthony Payne, the Cornish Giant, and the

History of his Portrait.” This states that the picture was painted

in 1680. “Ten reigning sovereigns in all sat to Kneller for their

portraits. His sitters included almost all persons of rank, wealth, or

eminence, in his day, and examples of his brush may be found in nearly

every historic mansion or palace in the kingdom.... Kneller can best be

studied at Hampton Court” (“Dictionary of National Biography”).

[87] In the letter to Mr. J. Sommers James quoted above Hawker refers

to Antony Payne as “owner of the spear your brother Henry gave me years

ago.”

[88] This flagon was given by Mr. Hawker to Mr. Thomas Shephard, of

Stratton, whose daughter, Mrs. William Shephard, of Barnstaple, has

presented it to Truro Museum. (See illustration facing p. 14.) The

Shephards are descendants of Antony Payne, and Mr. William Shephard has

in his possession a pewter shaving cup that belonged to Antony’s father.

[89] Gilbert says “in the north aisle.” Possibly Hawker altered this

in accordance with the superstition mentioned on p. 21. See end of

Appendix E.

CRUEL COPPINGER[90]

A record of the wild, strange, lawless characters that roamed along

the north coast of Cornwall during the middle and latter years of the

last century would be a volume full of interest for the student of

local history and semi-barbarous life. Therein would be found depicted

the rough sea-captain, half smuggler, half pirate, who ran his lugger

by beacon-light into some rugged cove among the massive headlands of

the shore, and was relieved of his freight by the active and diligent

“country-side.” This was the name allotted to that chosen troop of

native sympathisers who were always ready to rescue and conceal the

stores that had escaped the degradation of the gauger’s brand. Men

yet alive relate with glee how they used to rush at some well-known

signal to the strand, their small active horses shaved from forelock

to tail, smoother than any modern clip, well soaped or greased from

head to foot, so as to slip easily out of any hostile grasp; and then,

with a double keg or pack slung on to every nag by a single girth,

away went the whole herd, led by some swift well-trained mare, to the

inland cave or rocky hold, the shelter of their spoil. There was a

famous dun mare--she lived to the age of thirty-seven, and died within

legal memory--almost human in her craft and fidelity, who is said to

have led a bevy of loaded pack-horses, unassisted by driver or guide,

from Bossinney Haun to Roughtor Point. But beside these travellers by

sea, there would be found ever and anon, in some solitary farmhouse

inaccessible by wheels, and only to be approached by some treacherous

foot-path along bog and mire, a strange and nameless guest--often a

foreigner in language and apparel--who had sought refuge with the

native family, and who paid in strange but golden coins for his shelter

and food; some political or private adventurer, perchance, to whom

secrecy and concealment were safety and life, and who more than once

lived and died in his solitary hiding-place on the moor.

[Illustration: INTERIOR OF GALSHAM, once the home of Cruel Coppinger.]

There is a bedstead of carved oak still in existence at Trevotter--a

farm among the midland hills--whereon for long years an unknown

stranger slept. None ever knew his nation or name. He occupied a

solitary room, and only emerged now and then for a walk in the evening

air. An oaken chest of small size contained his personal possessions

and gold of foreign coinage, which he paid into the hands of his host

with the solemn charge to conceal it until he was gone thence or

dead--a request which the simple-hearted people faithfully fulfilled.

His linen was beautifully fine, and his garments richly embroidered.

After some time he sickened and died, refusing firmly the visits of

the local clergyman, and bequeathing to the farmer the contents of

his chest. He wrote some words, they said, for his own tombstone,

which, however, were not allowed to be engraved, but they were simply

these--“H. De R. Equees & Ecsul.” The same sentence was found, after

his death, carved on the ledge of his bed, and the letters are, or

lately were, still traceable on the mouldering wood.

But among the legends of local renown a prominent place has always been

allotted to a personage whose name has descended to our times linked

to a weird and graphic epithet--“Cruel Coppinger.” There was a ballad

in existence within human memory which was founded on the history of

this singular man, but of which the first verse[91] only can now be

recovered. It runs--

“Will you hear of the Cruel Coppinger?

He came from a foreign kind;

He was brought to us by the salt-water,

He was carried away by the wind.”

His arrival on the north coast of Cornwall was signalised by a terrific

hurricane. The storm came up Channel from the south-west. The shore and

the heights were dotted with watchers for wreck--those daring gleaners

of the harvest of the sea. It was just such a scene as is sought for in

the proverb of the West--

“A savage sea and a shattering wind,

The cliffs before, and the gale behind.”

As suddenly as if a phantom ship had loomed in the distance, a strange

vessel of foreign rig was discovered in fierce struggle with the waves

of Harty Race. She was deeply laden or waterlogged, and rolled heavily

in the trough of the sea, nearing the shore as she felt the tide.

Gradually the pale and dismayed faces of the crew became visible, and

among them one man of herculean height and mould, who stood near the

wheel with a speaking-trumpet in his hand. The sails were blown to

rags, and the rudder was apparently lashed for running ashore. But the

suck of the current and the set of the wind were too strong for the

vessel, and she appeared to have lost her chance of reaching Harty

Pool. It was seen that the tall seaman, who was manifestly the skipper

of the boat, had cast off his garments, and stood prepared upon the

deck to encounter a battle with the surges for life and rescue. He

plunged over the bulwarks, and arose to sight buffeting the seas. With

stalwart arm and powerful chest he made his way through the surf, rode

manfully from billow to billow, until with a bound he stood at last

upright upon the sand, a fine stately semblance of one of the old

Vikings of the northern seas. A crowd of people had gathered from the

land, on horseback and on foot, women as well as men, drawn together

by the tidings of a probable wreck. Into their midst, and to their

astonished dismay, rushed the dripping stranger: he snatched from a

terrified old dame her red Welsh cloak, cast it loosely around him, and

bounded suddenly upon the crupper of a young damsel, who had ridden

her father’s horse down to the beach to see the sight. He grasped her

bridle, and, shouting aloud in some foreign language, urged on the

double-laden animal into full speed, and the horse naturally took his

homeward way. Strange and wild were the outcries that greeted the

rider, Miss Dinah Hamlyn, when, thus escorted, she reached her father’s

door in the very embrace of a wild, rough, tall man, who announced

himself by a name--never afterwards forgotten in those parts--as

Coppinger, a Dane. He arrayed himself without the smallest scruple in

the Sunday suit of his host. The long-skirted coat of purple velveteen

with large buttons, the embroidered vest, and nether garments to match,

became him well. So thought the lady of his sudden choice. She, no

doubt, forgave his onslaught on her and on her horse for the compliment

it conveyed. He took his immediate place at the family board, and on

the settle by the hearth, as though he had been the most welcome and

long-invited guest in the land. Strange to say, the vessel disappeared

immediately he had left her deck, nor was she ever after traced by land

or sea. At first the stranger subdued all the fierce phases of his

savage character, and appeared deeply grateful for all the kindness he

received at the hands of his simple-hearted host. Certain letters which

he addressed to persons of high name in Denmark were, or were alleged

to be, duly answered, and remittances from his friends were supposed

to be received. He announced himself as of a wealthy family and

superior rank in his native country, and gave out that it was to avoid

a marriage with a titled lady that he had left his father’s house and

gone to sea. All this recommended him to the unsuspecting Dinah, whose

affections he completely won. Her father’s sudden illness postponed

their marriage. The good old man died to be spared much evil to come.

The Dane succeeded almost naturally to the management and control

of the house, and the widow held only an apparent influence in

domestic affairs. He soon persuaded the daughter to become his wife,

and immediately afterwards his evil nature, so long smouldering, broke

out like a wild beast uncaged. All at once the house became the den

and refuge of every lawless character on the coast. All kinds of wild

uproar and reckless revelry appalled the neighbourhood day and night.

It was discovered that an organised band of desperadoes, smugglers,

wreckers, and poachers were embarked in a system of bold adventure, and

that “Cruel Coppinger” was their captain. In those days, and in that

unknown and far-away region, the peaceable inhabitants were totally

unprotected. There was not a single resident gentleman of property or

weight in the entire district; and the clergyman, quite insulated from

associates of his own standing, was cowed into silence and submission.

No revenue officer durst exercise vigilance west of the Tamar; and to

put an end to all such surveillance at once, it was well known that one

of the “Cruel” gang had chopped off a gauger’s head on the gunwale of a

boat, and carried the body off to sea.[92]

Amid such scenes Coppinger pursued his unlawful impulses without check

or restraint. Strange vessels began to appear at regular intervals on

the coast, and signals were duly flashed from the headlands to lead

them into the safest creek or cove. If the ground-sea were too strong

to allow them to run in, they anchored outside the surf, and boats

prepared for that service were rowed or hauled to and fro, freighted

with illegal spoil. Amongst these vessels, one, a full-rigged schooner,

soon became ominously conspicuous. She bore the name of the Black

Prince, and was the private property of the Dane, built to his own

order in a dockyard of Denmark. She was for a long time the chief

terror of the Cornish Channel. Once with Coppinger on board, when under

chase, she led a revenue cutter into an intricate channel near the Gull

Rock, where, from knowledge of the bearings, the Black Prince escaped

scathless, while the king’s vessel perished with all on board. In those

times, if any landsman became obnoxious to Coppinger’s men, he was

either seized by violence or by craft, and borne away handcuffed to

the deck of the Black Prince; where, to save his life, he had to enrol

himself, under fearful oaths, as one of the crew. In 1835, an old man

of the age of ninety-seven related to the writer that, when a youth, he

had been so abducted, and after two years’ service had been ransomed by

his friends with a large sum. “And all,” said the old man, very simply,

“because I happened to see one man kill another, and they thought I

should mention it.”

Amid such practices ill-gotten gold began to flow and ebb in the hands

of Coppinger. At one time he chanced to hold enough money to purchase

a freehold farm bordering on the sea. When the day of transfer arrived,

he and one of his followers appeared before the astonished lawyer with

bags filled with various kinds of foreign coin. Dollars and ducats,

doubloons and pistoles, guineas--the coinage of every foreign country

with a seaboard--were displayed on the table. The man of law at first

demurred to such purchase-money; but after some controversy, and an

ominous oath or two of “that or none,” the lawyer agreed to take it

by weight. The document bearing Coppinger’s name is still extant.

His signature is traced in stern, bold, fierce characters, as if

every letter had been stabbed upon the parchment with the point of a

dirk. Underneath his autograph, also in his own writing, is the word

“Thuro.”[93]

Long impunity increased Coppinger’s daring. There were certain byways

and bridle-roads along the fields over which he exercised exclusive

control. Although every one had a perfect right by law to use these

ways, he issued orders that no man was to pass over them by night, and

accordingly from that hour none ever did. They were called “Coppinger’s

Tracks.” They all converged at a headland which had the name of

Steeple Brink. Here the cliff sheered off, and stood three hundred

feet of perpendicular height, a precipice of smooth rock toward the

beach, with an overhanging face one hundred feet down from the brow.

There was a hollow entrance into the cliff, like a huge cathedral

door, crowned and surrounded with natural Saxon arches, curved by the

strata of native stone. Within was an arched and vaulted cave, vast

and gloomy; it ran a long way into the heart of the land, and was as

large and tall--so the country-people said--as Kilkhampton church.

This stronghold was inaccessible by natural means, and could only be

approached by a cable-ladder lowered from above and made fast below

on a projecting crag. It received the name of “Coppinger’s Cave,” and

was long the scene of fierce and secret revelry that would be utterly

inconceivable to the educated mind of the nineteenth century. Here

sheep were tethered to the rock, and fed on stolen hay and corn till

their flesh was required for a feast: kegs of brandy and hollands

were piled around; chests of tea; and iron-bound sea-chests contained

the chattels and the revenues of the Coppinger royalty of the sea.

No man ever essayed the perilous descent into the cavern except the

captain’s own troop, and their loyalty was secured, not only by their

participation in his crimes, but by a terrible oath.

The terror linked with Coppinger’s name throughout the coast was so

extreme that the people themselves, wild and lawless as they were,

submitted to his sway as though he had been the lord of the soil

and they his vassals. Such a household as Coppinger’s was of course

far from happy or calm. Although when his wife’s father died he had

insensibly acquired possession of the stock and farm, there remained

in the hands of the widow a considerable amount of money as her dower.

This he obtained from the poor helpless woman by instalments; and when

pretext and entreaty alike failed, he resorted to a novel mode of levy.

He fastened his wife to the pillar of her oak bedstead, and called her

mother into the room. He then explained that it was his purpose to

flog Dinah with the sea-cat, which he flourished in his hand, until

her mother had transferred to him such an amount as he required of

her reserved property. This deed of atrocity he repeated until he had

utterly exhausted the widow’s store. He had a favourite mare, so fierce

and indomitable that none but Coppinger himself could venture on her

back, and so fleet and strong that he owed his escape from more than

one menacing peril by her speed and endurance. The clergyman had spoken

above his breath of the evil doings in the cave, and had thus aroused

his wrath and vengeance.[94] On a certain day he was jogging homeward

on his parish cob, and had reached the middle of a wide and desolate

heath. All at once he heard behind him the clattering of horse-hoofs

and a yell such as might have burst from the throat of the visible

demon when he hurled the battle on the ancient saint. It was Cruel

Coppinger with his double-thonged whip, mounted on his terrible mare.

Down came the fearful scourge on his victim’s shuddering shoulders.

Escape was impossible. The poor parson knew too well the difference

between his own ambling galloway, that never essayed any swifter pace

than a jog-trot, and that awful steed behind him with footsteps like

the storm. Circling, doubling like a hare, twisting aside, crying aloud

for mercy,--all was vain. He arrived at last at his own house, striped

like a zebra, and as he rushed in at the gate he heard the parting

scoff of his assailant, “There, parson, I have paid my tithe in full;

never mind the receipt!”

It was on the self-same animal that Coppinger performed another freak.

He had passed a festive evening at a farmhouse, and was about to take

his departure, when he spied at the corner of the hearth a little old

tailor of the country-side, who went from house to house to exercise

his calling. He was a half-witted, harmless old fellow, and answered

to the name of Uncle Tom Tape.

“Ha, Uncle Tom!” cried Coppinger; “we both travel the same road, and I

don’t mind giving thee a hoist behind me on the mare.”

The old man cowered in the settle. He would not encumber the

gentleman,--was unaccustomed to ride such a spirited horse. But all

his excuses were overborne. The other guests, entering into the joke,

assisted the trembling old man to mount the crupper of the capering

mare. Off she bounded, and Uncle Tom, with his arms cast with the

strong gripe of terror around his bulky companion, held on like grim

death. Unbuckling his belt, Coppinger passed it around Uncle Tom’s

thin haggard body, and buckled it on his own front. When he had firmly

secured his victim, he loosened his reins, and urged the mare with

thong and spur into a furious gallop. Onward they rushed till they fled

past the tailor’s own door at the roadside, where his startled wife,

who was on the watch, afterwards declared “she caught sight of her

husband clinging on to a rainbow.” Loud and piteous were the outcries

of Tailor Tom, and earnest his shrieks of entreaty that he might be

told where he was to be carried that night, and for what doom he had

been buckled on. At last, in a relaxation of their pace going up a

steep hill, Coppinger made him a confidential communication.

“I have been,” he said, “under a long promise to the devil that I would

bring him a tailor to make and mend for him, poor man; and as sure as I

breathe, Uncle Tom, I mean to keep my word to-night!”

The agony of terror produced by this revelation produced such

convulsive spasms, that at last the belt gave way, and the tailor fell

off like a log among the gorse at the roadside. There he was found next

morning in a semi-delirious state, muttering at intervals, “No, no; I

never will. Let him mend his breeches with his own drag-chain, as the

saying is. I will never so much as thread a needle for Coppinger nor

his friend.”

One boy was the only fruit of poor Dinah’s marriage with the Dane. But

his birth brought neither gladness nor solace to his mother’s miserable

hearth. He was fair and golden-haired, and had his father’s fierce,

flashing eyes. But though perfectly well formed and healthful, he was

born deaf and dumb. He was mischievous and ungovernable from his birth.

His cruelty to animals, birds, and to other children was intense. Any

living thing that he could torture appeared to yield him delight. With

savage gestures and jabbering moans he haunted the rocks along the

shore, and seemed like some uncouth creature cast up by the sea. When

he was only six years old he was found one day upon the brink of a tall

cliff, bounding with joy, and pointing downward towards the beach with

convulsions of delight. There, mangled by the fall and dead, they found

the body of a neighbour’s child of his own age, who was his frequent

companion, and whom, as it was inferred, he had drawn towards the steep

precipice, and urged over by stratagem or force. The spot where this

occurred was ever afterwards his favourite haunt. He would draw the

notice of any passer-by to the place, and then point downward where

the murdered child was found with fierce exultant mockery. It was a

saying evermore in the district, that, as a judgment on his father’s

cruelty, his child had been born without a human soul. He lived to be

the pestilent scourge of the neighbourhood.

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