The Queen of the Gods
Frigga, or Frigg, daughter of Fiorgyn and sister of Jörd, according to
some mythologists, is considered by others as a daughter of Jörd and
Odin, whom she eventually married. This wedding caused such general
rejoicing in Asgard, where the goddess was greatly beloved, that ever
after it was customary to celebrate its anniversary with feast and
song, and the goddess being declared patroness of marriage, her health
was always proposed with that of Odin and Thor at wedding feasts.
Frigga was goddess of the atmosphere, or rather of the clouds, and as
such was represented as wearing either snow-white or dark garments,
according to her somewhat variable moods. She was queen of the gods,
and she alone had the privilege of sitting on the throne Hlidskialf,
beside her august husband. From thence she too could look over all
the world and see what was happening, and, according to the belief
of our ancestors, she possessed the knowledge of the future, which,
however, no one could ever prevail upon her to reveal, thus proving
that Northern women could keep a secret inviolate.
"Of me the gods are sprung;
And all that is to come I know, but lock
In my own breast, and have to none reveal'd."
Balder Dead (Matthew Arnold).
She was generally represented as a tall, beautiful, and stately woman,
crowned with heron plumes, the symbol of silence or forgetfulness, and
clothed in pure white robes, secured at the waist by a golden girdle,
from which hung a bunch of keys, the distinctive sign of the Northern
housewife, whose special patroness she was said to be. Although she
often appeared beside her husband, Frigga preferred to remain in her
own palace, called Fensalir, the hall of mists or of the sea, where
she diligently plied her wheel or distaff, spinning golden thread or
weaving long webs of bright-coloured clouds.
In order to perform this work she made use of a marvellous jewelled
spinning wheel or distaff, which at night shone brightly in the sky as
a constellation, known in the North as Frigga's Spinning Wheel, while
the inhabitants of the South called the same stars Orion's Girdle.
To her hall Fensalir the gracious goddess invited husbands and wives
who had led virtuous lives on earth, so that they might enjoy each
other's companionship even after death, and never be called upon to
part again.
"There in the glen, Fensalir stands, the house
Of Frea, honour'd mother of the gods,
And shows its lighted windows and the open doors."
Balder Dead (Matthew Arnold).
Frigga was therefore considered the goddess of conjugal and
motherly love, and was specially worshipped by married lovers and
tender parents. This exalted office did not entirely absorb her
thoughts however, for we are told that she was very fond of dress,
and whenever she appeared before the assembled gods her attire was
rich and becoming, and her jewels chosen with much taste.
The Stolen Gold
Frigga's love of adornment once led her sadly astray, for, in her
longing to possess some new ornament, she secretly purloined a piece
of gold from a statue representing her husband, which had just been
placed in his temple. The stolen metal was entrusted to the dwarfs,
with instructions to fashion a marvellous necklace for her use. This,
when finished, was so resplendent that it greatly enhanced her charms,
and even increased Odin's love for her. But when he discovered the
theft of the gold he angrily summoned the dwarfs and bade them reveal
who had dared to touch his statue. Unwilling to betray the queen of
the gods, the dwarfs remained obstinately silent, and, seeing that
no information could be elicited from them, Odin commanded that the
statue should be placed above the temple gate, and set to work to
devise runes which should endow it with the power of speech and enable
it to denounce the thief. When Frigga heard these tidings she trembled
with fear, and implored her favourite attendant, Fulla, to invent some
means of protecting her from Allfather's wrath. Fulla, who was always
ready to serve her mistress, immediately departed, and soon returned,
accompanied by a hideous dwarf, who promised to prevent the statue
from speaking if Frigga would only deign to smile graciously upon
him. This boon having been granted, the dwarf hastened off to the
temple, caused a deep sleep to fall upon the guards, and while they
were thus unconscious, pulled the statue down from its pedestal and
broke it to pieces, so that it could never betray Frigga's theft,
in spite of all Odin's efforts to give it the power of speech.
Odin, discovering this sacrilege on the morrow, was very angry indeed;
so angry that he left Asgard and utterly disappeared, carrying away
with him all the blessings which he had been wont to shower upon gods
and men. According to some authorities, his brothers, as we have
already seen, took advantage of his absence to assume his form and
secure possession of his throne and wife; but although they looked
exactly like him they could not restore the lost blessings, and allowed
the ice-giants, or Jotuns, to invade the earth and bind it fast in
their cold fetters. These wicked giants pinched the leaves and buds
till they all shrivelled up, stripped the trees bare, shrouded the
earth in a great white coverlet, and veiled it in impenetrable mists.
But at the end of seven weary months the true Odin relented and
returned, and when he saw all the evil that had been done he drove
the usurpers away, forced the frost-giants to relax their grip of the
earth and to release her from her icy bonds, and again showered all
his blessings down upon her, cheering her with the light of his smile.
Odin Outwitted
As has already been seen, Odin, although god of wit and wisdom, was
sometimes no match for his wife Frigga, who, womanlike, was sure to
obtain her way by some means. On one occasion the august pair were
seated upon Hlidskialf, gazing with interest upon the Winilers and
Vandals, who were preparing for a battle which was to decide which
people should henceforth have supremacy. Odin gazed with satisfaction
upon the Vandals, who were loudly praying to him for victory; but
Frigga watched the movements of the Winilers with more attention,
because they had entreated her aid. She therefore turned to Odin
and coaxingly inquired whom he meant to favour on the morrow; he,
wishing to evade her question, declared he would not decide, as it
was time for bed, but would give the victory to those upon whom his
eyes first rested in the morning.
This answer was shrewdly calculated, for Odin knew that his couch
was so turned that upon waking he would face the Vandals, and he
intended looking out from thence, instead of waiting until he had
mounted his throne. But, although so cunningly contrived, this plan
was frustrated by Frigga, who, divining his purpose, waited until he
was sound asleep, and then noiselessly turned his couch so that he
should face her favourites. Then she sent word to the Winilers to dress
their women in armour and send them out in battle array at dawn, with
their long hair carefully combed down over their cheeks and breasts.
"Take thou thy women-folk,
Maidens and wives:
Over your ankles
Lace on the white war-hose;
Over your bosoms
Link up the hard mail-nets;
Over your lips
Plait long tresses with cunning;--
So war beasts full-bearded
King Odin shall deem you,
When off the grey sea-beach
At sunrise ye greet him."
The Longbeards' Saga (Charles Kingsley).
These instructions were carried out with scrupulous exactness, and
when Odin awoke the next morning his first conscious glance fell upon
their armed host, and he exclaimed in surprise, "What Longbeards are
those?" (In German the ancient word for long beards was Langobarden,
which was the name used to designate the Lombards.) Frigga, upon
hearing this exclamation, which she had foreseen, immediately cried
out in triumph that Allfather had given them a new name, and was
in honour bound to follow the usual Northern custom and give also a
baptismal gift.
"'A name thou hast given them,
Shames neither thee nor them,
Well can they wear it.
Give them the victory,
First have they greeted thee;
Give them the victory,
Yoke-fellow mine!'"
The Longbeards' Saga (Charles Kingsley).
Odin, seeing he had been so cleverly outwitted, made no demur, and in
memory of the victory which his favour vouchsafed to them the Winilers
retained the name given by the king of the gods, who ever after watched
over them with special care, giving them many blessings, among others
a home in the sunny South, on the fruitful plains of Lombardy.
Fulla
Frigga had, as her own special attendants, a number of beautiful
maidens, among whom were Fulla (Volla), her sister, according to
some authorities, to whom she entrusted her jewel casket. Fulla
always presided over her mistress's toilet, was privileged to put
on her golden shoes, attended her everywhere, was her confidante,
and often advised her how best to help the mortals who implored
her aid. Fulla was very beautiful indeed, and had long golden hair,
which she wore flowing loose over her shoulders, restrained only by
a golden circlet or snood. As her hair was emblematic of the golden
grain, this circlet represented the binding of the sheaf. Fulla
was also known as Abundia, or Abundantia, in some parts of Germany,
where she was considered the symbol of the fulness of the earth.
Hlin, Frigga's second attendant, was the goddess of consolation,
sent out to kiss away the tears of mourners and pour balm into hearts
wrung by grief. She also listened with ever-open ears to the prayers
of mortals, carrying them to her mistress, and advising her at times
how best to answer them and give the desired relief.
Gna
Gna was Frigga's swift messenger. Mounted upon her fleet steed
Hofvarpnir (hoof-thrower), she would travel with marvellous rapidity
through fire and air, over land and sea, and was therefore considered
the personification of the refreshing breeze. Darting thus to and fro,
Gna saw all that was happening upon earth, and told her mistress
all she knew. On one occasion, as she was passing over Hunaland,
she saw King Rerir, a lineal descendant of Odin, sitting mournfully
by the shore, bewailing his childlessness. The queen of heaven,
who was also goddess of childbirth, upon hearing this took an apple
(the emblem of fruitfulness) from her private store, gave it to Gna,
and bade her carry it to the king. With the rapidity of the element
she personified, Gna darted away, and as she passed over Rerir's head,
she dropped her apple into his lap with a radiant smile.
"'What flies up there, so quickly driving past?'
Her answer from the clouds, as rushing by:
'I fly not, nor do drive, but hurry fast,
Hoof-flinger swift through cloud and mist and sky.'"
Asgard and the Gods (Wagner-Macdowall).
The king pondered for a moment upon the meaning of this sudden
apparition and gift, and then hurried home, his heart beating high
with hope, and gave the apple to his wife to eat. In due season,
to his intense joy, she bore him a son, Volsung, the great Northern
hero, who became so famous that he gave his name to all his race.
Lofn, Vjofn, and Syn
Besides the three above mentioned, Frigga had other attendants in her
train. There was the mild and gracious maiden Lofn (praise or love),
whose duty it was to remove all obstacles from the path of lovers.
"My lily tall, from her saddle bearing,
I led then forth through the temple, faring
To th' altar-circle where, priests among,
Lofn's vows she took with unfalt'ring tongue."
Viking Tales of the North (R. B. Anderson).
Vjofn's duty was to incline obdurate hearts to love, to maintain peace
and concord among mankind, and to reconcile quarrelling husbands and
wives. Syn (truth) guarded the door of Frigga's palace, refusing to
open it to those who were not allowed to come in. When she had once
shut the door upon a would-be intruder no appeal would avail to change
her decision. She therefore presided over all tribunals and trials,
and whenever a thing was to be vetoed the usual formula was to declare
that Syn was against it.
Gefjon
Gefjon was also one of the maidens in Frigga's palace, and to her
were entrusted all those who died unwedded, whom she received and
made happy for ever.
According to some authorities, Gefjon did not remain a virgin herself,
but married one of the giants, by whom she had four sons. This same
tradition goes on to declare that Odin sent her before him to visit
Gylfi, King of Sweden, and to beg for some land which she might call
her own. The king, amused at her request, promised her as much land as
she could plough around in one day and night. Gefjon, nothing daunted,
changed her four sons into oxen, harnessed them to a plough, and began
to cut a furrow so wide and deep that the king and his courtiers were
amazed. But Gefjon continued her work without showing any signs of
fatigue, and when she had ploughed all around a large piece of land
forcibly wrenched it away, and made her oxen drag it down into the sea,
where she made it fast and called it Seeland.
"Gefjon drew from Gylfi,
Rich in stored up treasure,
The land she joined to Denmark.
Four heads and eight eyes bearing,
While hot sweat trickled down them,
The oxen dragged the reft mass
That formed this winsome island."
Norse Mythology (R. B. Anderson).
As for the hollow she left behind her, it was quickly filled with water
and formed a lake, at first called Logrum (the sea), but now known
as Mälar, whose every indentation corresponds with the headlands of
Seeland. Gefjon then married Skiold, one of Odin's sons, and became
the ancestress of the royal Danish race of Skioldungs, dwelling in
the city of Hleidra or Lethra, which she founded, and which became
the principal place of sacrifice for the heathen Danes.
Eira, Vara, Vör and Snotra
Eira, also Frigga's attendant, was considered a most skilful
physician. She gathered simples all over the earth to cure both wounds
and diseases, and it was her province to teach the science to women,
who were the only ones to practise medicine among the ancient nations
of the North.
"Gaping wounds are bound by Eyra."
Valhalla (J. C. Jones).
Vara heard all oaths and punished perjurers, while she rewarded those
who faithfully kept their word. Then there were also Vör (faith),
who knew all that was to occur throughout the world, and Snotra,
goddess of virtue, who had mastered all knowledge.
With such a galaxy of attendants it is little wonder that Frigga was
considered a powerful deity; but in spite of the prominent place she
occupied in Northern religion, she had no special temple nor shrine,
and was but little worshipped except in company with Odin.
Holda
While Frigga was not known by this name in Southern Germany, there
were other goddesses worshipped there, whose attributes were so exactly
like hers, that they were evidently the same, although they bore very
different names in the various provinces. Among them was the fair
goddess Holda (Hulda or Frau Holle), who graciously dispensed many
rich gifts. As she presided over the weather, the people were wont to
declare when the snowflakes fell that Frau Holle was shaking her bed,
and when it rained, that she was washing her clothes, often pointing
to the white clouds as her linen which she had put out to bleach. When
long grey strips of clouds drifted across the sky they said she was
weaving, for she was supposed to be also a very diligent weaver,
spinner, and housekeeper. It is said she gave flax to mankind and
taught them how to use it, and in the Tyrol the following story is
told about the way in which she bestowed this invaluable gift:
The Discovery of Flax
There was once a peasant who daily left his wife and children in the
valley to take his sheep up the mountain to pasture; and as he watched
his flock grazing on the mountain-side, he often had opportunity to
use his cross-bow and bring down a chamois, whose flesh would furnish
his larder with food for many a day.
While pursuing a fine animal one day he saw it disappear behind a
boulder, and when he came to the spot, he was amazed to see a doorway
in the neighbouring glacier, for in the excitement of the pursuit he
had climbed higher and higher, until he was now on top of the mountain,
where glittered the everlasting snow.
The shepherd boldly passed through the open door, and soon found
himself in a wonderful jewelled cave hung with stalactites, in the
centre of which stood a beautiful woman, clad in silvery robes, and
attended by a host of lovely maidens crowned with Alpine roses. In his
surprise, the shepherd sank to his knees, and as in a dream heard the
queenly central figure bid him choose anything he saw to carry away
with him. Although dazzled by the glow of the precious stones around
him, the shepherd's eyes constantly reverted to a little nosegay of
blue flowers which the gracious apparition held in her hand, and he
now timidly proffered a request that it might become his. Smiling with
pleasure, Holda, for it was she, gave it to him, telling him he had
chosen wisely and would live as long as the flowers did not droop and
fade. Then, giving the shepherd a measure of seed which she told him
to sow in his field, the goddess bade him begone; and as the thunder
pealed and the earth shook, the poor man found himself out upon the
mountain-side once more, and slowly wended his way home to his wife,
to whom he told his adventure and showed the lovely blue flowers and
the measure of seed.
The woman reproached her husband bitterly for not having brought some
of the precious stones which he so glowingly described, instead of the
blossoms and seed; nevertheless the man proceeded to sow the latter,
and he found to his surprise that the measure supplied seed enough
for several acres.
Soon the little green shoots began to appear, and one moonlight
night, while the peasant was gazing upon them, as was his wont,
for he felt a curious attraction to the field which he had sown, and
often lingered there wondering what kind of grain would be produced,
he saw a misty form hover above the field, with hands outstretched
as if in blessing. At last the field blossomed, and countless little
blue flowers opened their calyxes to the golden sun. When the flowers
had withered and the seed was ripe, Holda came once more to teach the
peasant and his wife how to harvest the flax--for such it was--and from
it to spin, weave, and bleach linen. As the people of the neighbourhood
willingly purchased both linen and flax-seed, the peasant and his
wife soon grew very rich indeed, and while he ploughed, sowed, and
harvested, she spun, wove, and bleached the linen. The man lived to
a good old age, and saw his grandchildren and great-grandchildren
grow up around him. All this time his carefully treasured bouquet
had remained fresh as when he first brought it home, but one day he
saw that during the night the flowers had drooped and were dying.
Knowing what this portended, and that he too must die, the peasant
climbed the mountain once more to the glacier, and found again the
doorway for which he had often vainly searched. He entered the icy
portal, and was never seen or heard of again, for, according to the
legend, the goddess took him under her care, and bade him live in
her cave, where his every wish was gratified.
Tannhäuser
According to a mediæval tradition, Holda dwelt in a cave in the
Hörselberg, in Thuringia, where she was known as Frau Venus, and
was considered as an enchantress who lured mortals into her realm,
where she detained them for ever, steeping their senses in all
manner of sensual pleasures. The most famous of her victims was
Tannhäuser, who, after he had lived under her spell for a season,
experienced a revulsion of feeling which loosened her bonds over his
spirit and induced anxious thoughts concerning his soul. He escaped
from her power and hastened to Rome to confess his sins and seek
absolution. But when the Pope heard of his association with one of
the pagan goddesses whom the priests taught were nothing but demons,
he declared that the knight could no more hope for pardon than to
see his staff bear buds and bloom.
"Hast thou within the nets of Satan lain?
Hast thou thy soul to her perdition pledged?
Hast thou thy lip to Hell's Enchantress lent,
To drain damnation from her reeking cup?
Then know that sooner from the withered staff
That in my hand I hold green leaves shall spring,
Than from the brand in hell-fire scorched rebloom
The blossoms of salvation."
Tannhäuser (Owen Meredith).
Crushed with grief at this pronouncement, Tannhäuser fled, and,
despite the entreaties of his faithful friend, Eckhardt, no great
time elapsed ere he returned to the Hörselberg, where he vanished
within the cave. He had no sooner disappeared, however, than the Pope's
messengers arrived, proclaiming that he was pardoned, for the withered
staff had miraculously bloomed, thus proving to all that there was
no sin too heinous to be pardoned, providing repentance were sincere.
"Dashed to the hip with travel, dewed with haste,
A flying post, and in his hand he bore
A withered staff o'erflourished with green leaves;
Who,--followed by a crowd of youth and eld,
That sang to stun with sound the lark in heaven,
'A miracle! a miracle from Rome!
Glory to God that makes the bare bough green!'--
Sprang in the midst, and, hot for answer, asked
News of the Knight Tannhäuser."
Tannhäuser (Owen Meredith).
Holda was also the owner of a magic fountain called Quickborn, which
rivalled the famed fountain of youth, and of a chariot in which she
rode from place to place when she inspected her domain. This vehicle
having once suffered damage, the goddess bade a wheelwright repair it,
and when he had finished told him to keep some chips as his pay. The
man was indignant at such a meagre reward, and kept only a very few of
the number; but to his surprise he found these on the morrow changed
to gold.
"Fricka, thy wife--
This way she reins her harness of rams.
Hey! how she whirls
The golden whip;
The luckless beasts
Unboundedly bleat;
Her wheels wildly she rattles;
Wrath is lit in her look."
Wagner (Forman's tr.).
Eástre, the Goddess of Spring
The Saxon goddess Eástre, or Ostara, goddess of spring, whose name has
survived in the English word Easter, is also identical with Frigga,
for she too is considered goddess of the earth, or rather of Nature's
resurrection after the long death of winter. This gracious goddess
was so dearly loved by the old Teutons, that even after Christianity
had been introduced they retained so pleasant a recollection of her,
that they refused to have her degraded to the rank of a demon, like
many of their other divinities, and transferred her name to their great
Christian feast. It had long been customary to celebrate this day by
the exchange of presents of coloured eggs, for the egg is the type of
the beginning of life; so the early Christians continued to observe
this rule, declaring, however, that the egg is also symbolical of the
Resurrection. In various parts of Germany, stone altars can still be
seen, which are known as Easter-stones, because they were dedicated
to the fair goddess Ostara. They were crowned with flowers by the
young people, who danced gaily around them by the light of great
bonfires,--a species of popular games practised until the middle of
the present century, in spite of the priests' denunciations and of
the repeatedly published edicts against them.
Bertha, the White Lady
In other parts of Germany, Frigga, Holda, or Ostara is known by
the name of Brechta, Bertha, or the White Lady. She is best known
under this title in Thuringia, where she was supposed to dwell in
a hollow mountain, keeping watch over the Heimchen, souls of unborn
children, and of those who died unbaptized. Here Bertha watched over
agriculture, caring for the plants, which her infant troop watered
carefully, for each babe was supposed to carry a little jar for that
express purpose. While the goddess was duly respected and her retreat
unmolested, she remained where she was; but tradition relates that
she once left the country with her infant train dragging her plough,
and settled elsewhere to continue her kind ministrations. Bertha
is the legendary ancestress of several noble families, and she is
supposed to be the same as the industrious queen of the same name,
the mythical mother of Charlemagne, whose era has become proverbial,
for in speaking of the Golden Age in France and Germany it is customary
to say, "in the days when Bertha spun."
As this Bertha is supposed to have developed a very large and flat
foot, from continually pressing the treadle of her wheel, she is
often represented in mediæval art as a woman with a splay foot,
and hence known as la reine pédauque.
As ancestress of the imperial house of Germany, the White Lady is
supposed to appear in the palace before a death or misfortune in
the family, and this superstition is still so rife in Germany, that
the newspapers in 1884 contained the official report of a sentinel,
who declared that he had seen her flit past him in one of the palace
corridors.
As Bertha was renowned for her spinning, she naturally was regarded
as the special patroness of that branch of female industry, and was
said to flit through the streets of every village, at nightfall,
during the twelve nights between Christmas and January 6, peering
into every window to inspect the spinning of the household.
The maidens whose work had been carefully performed were rewarded by
a present of one of her own golden threads or a distaff full of extra
fine flax; but wherever a careless spinner was found, her wheel was
broken, her flax soiled, and if she had failed to honour the goddess
by eating plenty of the cakes baked at that period of the year,
she was cruelly punished.
In Mecklenburg, this same goddess is known as Frau Gode, or Wode, the
female form of Wuotan or Odin, and her appearance is always considered
the harbinger of great prosperity. She is also supposed to be a great
huntress, and to lead the Wild Hunt, mounted upon a white horse,
her attendants being changed into hounds and all manner of wild beasts.
In Holland she was called Vrou-elde, and from her the Milky Way is
known by the Dutch as Vrou-elden-straat; while in parts of Northern
Germany she was called Nerthus (Mother Earth). Her sacred car was
kept on an island, presumably Rügen, where the priests guarded it
carefully until she appeared to take a yearly journey throughout
her realm to bless the land. The goddess, her face completely hidden
by a thick veil, then sat in this car, which was drawn by two cows,
and she was respectfully escorted by her priests. When she passed,
the people did homage by ceasing all warfare, and laying aside their
weapons. They donned festive attire, and began no quarrel until
the goddess had again retired to her sanctuary. Then both car and
goddess were bathed in a secret lake (the Schwartze See, in Rügen),
which swallowed up the slaves who had assisted at the bathing, and
once more the priests resumed their watch over the sanctuary and
grove of Nerthus or Hlodyn, to await her next appearance.
In Scandinavia, this goddess was also known as Huldra, and boasted of
a train of attendant wood-nymphs, who sometimes sought the society of
mortals, to enjoy a dance upon the village green. They could always
be detected, however, by the tip of a cow's tail which trailed from
beneath their long snow-white garments. These Huldra folk were the
special protectors of the cattle on the mountain-sides, and were said
to surprise the lonely traveller, at times, by the marvellous beauty
of the melodies they sang to beguile the hours at their tasks.