THE FADING OF MERCURY-TONED TRANSPARENCIES.

IN the multitude of counsellors there is said to be wisdom. This may be

true enough in the abstract, but in its special applications it may

sometimes lead to bewilderment, more particularly if the counsel of one

of the “multitude” be diametrically opposed to that of another

counsellor.

In looking over the pages of your useful Year-Book and ALMANAC I find

that Mr. Brooks has something to say in behalf of a process that has of

late received some rude words and rough treatment at the hands of the

Editors and others, the process to which I refer being the toning of

transparencies by means of mercury. As Mr. Brooks has issued a great

number of photo-crayons toned with this agent, it would appear that he

felt somewhat uneasy at the prospects of their fading; but he says—“I

now feel quite decided that, if the picture be protected by a good

varnish, fading will not ensue when a picture is thoroughly toned with

mercury.”

Let not Mr. Brooks nor any one else lay this flattering unction to his

soul. If varnish be the ægis which is trusted to ward off the

destructive effects of fading from the picture, I warn those interested

from putting any trust in it; for I have in my possession several of

such pictures varnished in the most faultless manner, with varnish of

unexceptionable quality, which have faded away into almost invisibility.

Now, as these transparencies have been prepared by myself as well as by

photographers of recognised high position, including the introducer of

the photo-crayon, I believe that I am warranted in assuming that every

requisite care has been taken both in the toning and the washing.

I am aware that it has been said that heat is an all-important element

in the destruction of a mercury-toned glass picture, and that from this

cause the lantern pictures are peculiarly liable to fade, whereas those

not subjected to heat will stand. I regret to be compelled to shatter

the prop that is raised from this basis to support the stability of the

photo-crayon; for in a series of two dozen mercury-toned lantern

pictures, purchased not much over two years ago, several which have

never been in the lantern or exposed to heat in any way have faded into

worthlessness.

I think, therefore, from what I have said, the truth of which the

Editors will attest—seeing that I send them herewith several

specimens—there is only one lesson to be drawn, and it is this:—Above

all things, as you value your reputation, avoid the use of mercury for

toning either lantern transparencies or photo-crayon pictures _à la_

Sarony.

The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872 · 第 7 / 33 题