A CHARACTER OF CERTAIN PRESERVATIVE FILMS.

HERR Schultz-Sellack has recently called attention to a remarkable

agreement in certain properties between chemically-clean glass surfaces

and photographic films coated with tannin or albumen. The particular

property in which they appear to agree is this—that an albumenised or

tannined surface, when breathed upon, takes the moisture evenly and

loses it gradually by evaporation, just like a clean glass plate.

This wonderful discovery (!) is announced in _Poggendorf’s Annalen_, and

a notice of it appears in the last _Journal of the Chemical Society_. If

Herr Schultz-Sellack had endeavoured to make himself acquainted with the

literature of photography he would scarcely have taken the trouble to

publish the statement of a fact well known to all who have much

experience in dry-plate work. A film protected by albumen, tannin, or

any other substance capable of absorbing moisture, resembles a

perfectly-clean glass plate in the mode of condensation of moisture and

the manner in which an aqueous film disappears from the surface: but

this property of a somewhat hygroscopic surface is one which might be

easily anticipated and has long been observed.

“Whether this hygroscopic property is beneficial or otherwise we are

scarcely in a position to decide, as wide differences of opinion exist

amongst practical men on this subject—on the one hand, Mr. M. Carey Lea

considering nearly complete desiccation of a dry plate conducive to

greater sensitiveness, and on the other, a large number of operators

declaring that a preservative capable of keeping the plate in a

semi-moist condition is most advantageous. Our own experience is in

favour of Mr. Lea’s position; but it is by no means improbable that some

of the so-called preservatives act best when moist, and others when the

film is fully dried. We shall content ourselves with citing a single

case in point.”

When a film of iodide of silver is washed free from extraneous matter,

and then covered with a solution of ferrocyanide of potassium, a very

sensitive layer is obtained while the film is moist, but if dried fully

the action of light upon the surface is very slow. Suppose, however,

that we add to the ferrocyanide solution, previous to its application to

the iodide film, a quantity of honey, a little glycerine, or a very

minute amount of nitrate of magnesia, a comparatively sensitive film is

obtained, which, though apparently dry, is still not completely so.

Here, then, is a remarkable case, parallel with the analogous action of

nitrate of silver moist and dry upon sensitive layers.

------------------------------------------------------------------------

The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872 · 第 1 / 33 题