Further on we find that

"England's trident-sceptre roams

Her territorial seas,"

merely because the unfortunate sceptre has to rhyme somehow to

"English homes."

But I have a further complaint against Mr. HENLEY. He presumes, in the

most fantastic manner, to alter the well-known titles of celebrated

poems. "_The Isles of Greece_" is made to masquerade as "The Glory

that was Greece"; "_Auld Lang Syne_" becomes "The Goal of Life," and

"_Tom Bowline_" is converted into "The Perfect Sailor." This surely

(again I use the words of Mr. HENLEY) "is a thing preposterous, and

distraught." On the whole, I cannot think that Mr. HENLEY has done

his part well. His manner is bad. His selection, it seems to me, is

open to grave censure, on broader grounds than the mere personally

equational of which he speaks, and his choppings, and sub-titles,

and so forth, are not commendable. The irony of literary history has

apparently ordained that Mr. HENLEY should first patronise, and then

"cut," both CAMPBELL and MACAULAY. Was the shade of MACAULAY disturbed

when he learnt that Mr. HENLEY considered his "_Battle of Naseby_"

both "vicious and ugly"?

Punch, Or The London Charivari, Volume 102, January 30, 1892 · 第 33 / 34 题