OUR DEBATING CLUB.

_An apology--Eloquent Peroration by our Vice-President_--NAYLOR _offers

some critical remarks, and_ KIRKSTONE _relates a humorous anecdote_.

I am in a position this week to redeem my promise, and raise the

hitherto impenetrable veil that has long shrouded the proceedings of the

Gargoyle Club from the Public Eye. In the exercise of the discretion

with which I have been entrusted, I have somewhat departed from the form

of report originally contemplated, and selected only the more striking

and characteristic deliverances of my fellow Gargoyles, interspersed

with such short notes and descriptions as may best serve to bring out

their several mannerisms and idiosyncrasies. Should I offend by this I

shall deeply regret it, but I find that there are traditions and customs

in the management of a facetious periodical which, however exacting and

absurd in themselves, must be respected by those who would furnish it

with literary matter.

Having thus apologised in advance to any honourable Gargoyle who may

consider himself misrepresented or insufficiently reported, let me

present, as the first instalment of these papers, some extracts from

notes taken at a most instructive debate last session upon the motion

(brought forward by PLUMLEY DUFF; opposed by GASPARD HARTUPP), that:

"In the opinion of this House, Science has been productive of more real

benefit to the Human Race than Art."

Somehow, although I know that DUFF'S speech was compounded of plain

common sense interspersed with abundant facts (all DUFF'S speeches are

like that), I did not begin to take notes that evening until HARTUPP had

reached his peroration, which was in this form:--

"Sir," said HARTUPP (_with an inflection of unspeakable pathos in his

voice, which ought to make_ PINCENEY _shed tears--but does not_),

"before I sit down--before, Sir, I resume my seat,"--(_this solemnly, as

if he has a deep presentiment that he may never resume another

seat_)--"let me ask the Honourable Member who is responsible for the

Motion on the paper this evening--let me put to him this single inquiry,

this solitary question--and I shall await his answer with considerable

curiosity." ... (_Here_ HARTUPP _gazes with an air of challenge at_

DUFF, _who, however, is drawing_ EUCLID'S _first proposition upon his

blotting-pad, an occupation which seems to absorb the whole of his

faculties for the moment_.) "Is he here to-night to deny the existence

of any good that is not visible, that is not tangible, that cannot be

measured with a tape, or weighed in scales? _Sir_, that is the

philosophy of the volatile sparrow, of the soulless hog, that skims the

vault of the azure empyrean, and wallows content in the mire of his

native sky--I _should_ say" (_with an air of careless concession to

prosaic accuracy_), "stye! That bird, Sir, that pig, like the Honourable

Proposer himself"--(_a titter here from the more frivolous_; DUFF _rubs

his nose, and evidently wonders whether_ HARTUPP _has been saying

anything worth noticing_)--"would find the universe none the poorer had

PRAXITELES carved nothing more immortal than an occasional cold fowl;

had HOMER swept his lyre, not in commemoration of the fall of an ancient

Troy, but to celebrate the rise of a new soap (HARTUPP _rather prides

himself on his talent for antithesis_); "and had TITIAN lavished all his

wealth of glowing colour and gorgeous hues upon the unretentive surface

of some suburban pavement! But, _Sir_, I hope that we, by our vote

to-night, will afford no encouragement to the gross and contemptible

materialism which is the curse of the present day, and of which, I am

compelled to add," (_here he glances reproachfully at the unconscious_

DUFF, _who is sharpening a pencil_), "we have been afforded so

melancholy an example this evening. Let us proclaim to the world without

that we, as Gentlemen and as Gargoyles, repudiate, that we loathe, that

we abhor, that we abominate," (HARTUPP _seems to be screwing all these

verbs out of himself, and throwing them defiantly at_ DUFF,) "the

grovelling tendency of our animal nature to ignore the joys of the soul

and the pleasures of the intellect, and place its highest enjoyment in

the ignoble pursuit of creature comforts!"

[_Here_ HARTUPP _sits down amidst applause, and applies himself

diligently to his whiskey-and-water_.

At a later period in the evening, just as the debate was beginning to

languish, NAYLOR started to his feet with a long strip of paper which,

being shortsighted, he held close to his nose. NAYLOR invariably takes

elaborate notes, with the intention of pointing out and refuting the

errors of all previous speakers. Unfortunately, as he cannot always read

the notes, and seldom remembers the objections he meant to urge, his

criticisms are not as effective as could be desired. On this occasion,

NAYLOR said:--"I'm not going to make a speech, Sir, I only want to point

out one or two things which struck me as requiring to be met. I'll take

them in their order." (_Here he fumbles with his strip of paper, which

will get upside down when he wished to refer to it_). "Oh, here it is!

There was a Gargoyle who said--I believe it was the Proposer of this

motion--_didn't_ you?" (_To_ DUFF, _who shakes his head in solemn

disclaimer_). "Well, it was somebody, anyway, but he told us that----."

(_Here_ NAYLOR _again refers to his notes_). "I'm afraid I can't exactly

make out what he did say--but I don't agree with him. Then there was

another speaker who said, (I took it down at the time) that he'd rather

have a good traction-engine than the finest poem ever written! Well, my

reply to _that_ is----" (_here_ NAYLOR _has another wrestle with his

notes and comes up triumphant_) "that's _his_ opinion. I wouldn't. Next,

someone asked, 'What practical use was SHAKSPEARE to any man?'" (_A

pause._) "I've got an answer to that on my notes, somewhere, only I

can't find it. But, anyhow," (_cheerfully_) "I know it was rather

sticking up for SHAKSPEARE, to a certain extent. Then, didn't someone

else say, 'Music elevated the mind?'" (_A Member acknowledges the

responsibility of this bold sentiment._) "Well, I don't say it

doesn't--only, _how_? you know, that's the point!" (_A long pause,

during which_ NAYLOR _and his notes appears to be getting inextricably

involved_). "There was a lot of other things I meant to say, but I'm

afraid I don't quite remember them at this moment."

With this, NAYLOR sat down suddenly, apparently very little depressed by

the total absence of applause--he knew that a fearless critic is never

popular.

After that we had a little speech from dear old KIRKSTONE, who rose to

tell us an anecdote, which the subject had suggested to him. Appropriate

anecdotes are always occurring to KIRKSTONE, and he applies them in the

neatest and happiest manner, being gifted with the keenest sense of

humour of any one in our Society. In fact, the very keenness of

KIRKSTONE'S appreciation operates almost as a disadvantage, as will be

seen from the following extract, taken on the spot.

_Kirkstone (rising, and playing with his watch-chain)._ "Sir, whilst

listening to the speeches of Honourable Members this evening, I could

not help being reminded of a story I heard the other day." (_Here a

slight spasm passes over his ample cheeks, and we all settle down in

delighted anticipation_). "There was an old farmer--one of the regular

old-fashioned sort." (_Faint preliminary chuckle down in_ KIRKSTONE'S

_throat_.) "Well, he had a daughter, who--_tchick!_--played on

the--_tehee!_--the piano, and one day he was induced to go in for

a"--(_convulsion, followed by sounds like the extraction of a very

refractory cork_)--"for a Steam-plough! Soon afterwards he happened to

meet a friend--another farmer, or the parson, I forget which, and it

don't signify. Well, and the friend asked 'how he got on with his

Steam-plough.' And the old farmer says--_hork-hork!_--he says, 'Don't

talk to me 'bout no Steam-plough--_ki-hee-hee!_--when there's my darter

at home, and she--_crick, crick, criggle!_' (KIRKSTONE _proceeds

gallantly, but is unintelligible until the close_)--'with her darned

pianner--_haw-haw-haw!_' Well, the House can apply the moral of that

themselves--I thought it was rather to the point myself. That's all I

got up to say."

Punch or the London Charivari, Vol. 93, December 10, 1887 · 第 13 / 32 题