Well, that's enough about me, more than enough. Pardon me. Let us hear

something about yourself at last. I suppose you have already moved into

your new house?

SALA

Yes.

JULIAN

And what plans have you for the immediate future?

SALA

I am thinking of going to Asia with Count Ronsky.

JULIAN

With Ronsky? Are you going to join that expedition about which so much

has been written?

SALA

Yes. Some such undertaking has been tempting me for a long time. Are

you perhaps familiar with the Rolston report on the Bactrian and Median

excavations of 1892?

JULIAN

No.

SALA

Well, it is positively staggering. Think of it--they suspect that under

the refuse and the dust lies a monster city, something like the present

London in extent. At that time they made their way into a palace, where

the most wonderful paintings were found. These were perfectly preserved

in several rooms. And they dug out stairways--built of a marble that is

nowhere to be found nowadays. Perhaps it was brought from some island

which since then has sunk beneath the sea. Three hundred and twelve

steps glittering like opals and leading down into unknown depths....

Unknown because they ceased digging after they had reached the three

hundred and twelfth step--God only knows why! I don't think I can tell

you how those steps pique my curiosity.

JULIAN

But it has always been asserted that the Rolston expedition was lost?

SALA

No, not quite as bad as that. Out of twenty-four Europeans, eight got

back after three years in spite of all--and half a dozen of them had

been lost before they ever got there. You have to pass through pretty

bad fever belts. And at that time they had to face an attack of the

Kurds, too, by which several were done for. But we shall be much better

equipped. Furthermore, at the border we shall be joined by a Russian

contingent which is traveling under military escort. And here, too,

they think of putting a military aspect on the affair. As to the

fever--that doesn't scare me--it can't do me any harm. As a young man I

spent a number of particularly dangerous Summer nights in the _thermae_

of Caracalla--you know, of course, what boggy ground that is--and

remained well.

JULIAN

But that doesn't prove anything.

SALA

Oh yes, a little. There I came across a Roman girl whose home was right

by the Appian Way. She caught the fever and died from it.... To be

sure, I am not as young as I was then, but so far I have been perfectly

well.

JULIAN (_who has already smoked several cigarettes, offers one to

Sala_) Don't you smoke?

SALA

Thanks. Really, I shouldn't. Only yesterday Dr. Reumann told me I

mustn't.... Nothing particular--my heart is a little restless, that's

all. Well, a single one won't do any harm, I suppose.

VALET (_enters_)

Miss Herms, sir. She's asking whether she can see you.

JULIAN

Certainly. Ask her to come in.

VALET (_goes out_)

IRENE HERMS (_enters. She is about forty-three, but doesn't look it.

Her dress is simple and in perfect taste. Her movements are vivacious,

and at times almost youthful in their swiftness. Her hair is deeply

blonde in color and very heavy. Her eyes are merry, good-humored most

of the time, and easily filled with tears. She comes in with a smile

and nods in a friendly manner to Sala. To Julian, who has gone to meet

her, she holds out her hand with an expression on her face that is

almost happy_) Good evening. Well? (_She has the habit of pronouncing

that "well" in a tone of sympathetic inquiry_) So I did right after all

in keeping my patience a couple of days more. Here I've got you back

now. (_To Sala_) Can you guess the length of time we haven't seen each

other?

JULIAN

More than three years.

IRENE (_nods assent and permits him at last to withdraw his hand from

hers_) In all our lives that has never happened before. And your last

letter is already two months old. I call it "letter" just to save my

face. But it was only a view-card. Where in the world have you been

anyhow?

JULIAN

Sit down, won't you? I'll tell you all about it. Won't you take off

your hat? You'll stay a while, I hope?

IRENE

Of course.--And the way you look! (_To Sala_) Fine, don't you think?

I've always known that a gray beard would make him look awfully

interesting.

SALA (_to Julian_)

Now you'll have nothing but pleasantries to listen to. Unfortunately I

shall have to be moving.

IRENE

You're not leaving on my account, I hope?

SALA

How can you imagine such a thing, Miss Herms?

IRENE

I suppose you are bound for the Wegrats'?--What do you think of it,

Julian? Isn't it dreadful? (_To Sala_) Please give them my regards.

SALA

I'm not going there now. I'm going home.

IRENE

Home? And you say that in such a matter-of-fact way? I understand you

are now living in a perfect palace.

SALA

No, anything but that. A modest country house. It would give me special

pleasure, Miss Herms, if sometime you would make sure of it in person.

My garden is really pretty.

IRENE

Have you fruit trees, too, and vegetables?

SALA

In this respect I can only offer you a stray cabbage and a wild cherry

tree.

IRENE

Well, if my time permit, I shall make a point of coming out there to

have a look at your villa.

JULIAN

Must you leave again so soon?

IRENE

Certainly. I have to get home again. Only this morning I had a letter

from my little nephew--and he's longing for me. A little rascal of

five, and he, too, is longing already. What do you think of that?

SALA

And you are also longing to get back, I suppose?

IRENE

It isn't that. But I'm beginning to get accustomed to Vienna again. As

I'm going about the streets here, I run across memories at every

corner.--Can you guess where I was yesterday, Julian? In the rooms

where I used to live as a child. It wasn't easy by any means, as a lot

of strangers are living there now. But I got into the rooms just the

same.

SALA (_with amicable irony_)

How did you manage it, Miss Herms?

IRENE

I sneaked in under a pretext. I pretended to believe that there was a

room to be let--for a single elderly lady. But at last I fell to

weeping so that I could see the people thought me out of my mind. And

then I told them the true reason for my coming there. A clerk in the

post-office is living there now with his wife and two children. One of

these was such a nice little chap. He was playing railroad with an

engine that could be wound up, and that ran over one of my feet all the

time.... But I can see that all this doesn't interest you very much,

Mr. von Sala.

SALA

How _can_ you interrupt yourself like that, Miss Herms, just when it is

most exciting? I should have loved to hear more about it. But now I

must really go, unfortunately. Good-by, Julian.--Then, Miss Herms, I

may count on a visit from you. (_He goes out_)

IRENE

Thank God!

JULIAN (_smiling_)

Do you still have the same antipathy for him?

IRENE

Antipathy?--I hate him! Nothing but your incredible kindness of heart

would let him come near you. For you have no worse enemy.

JULIAN

Where did you get that idea?

IRENE

My instinct tells me--you can feel such things.

JULIAN

I fear, however, that even now you cannot judge him quite objectively.

IRENE

Why not?

JULIAN

You can't forgive him that you failed in one of his plays ten years

ago.

IRENE

Unfortunately it's already twelve years ago. And it wasn't my fault.

For my opinion in regard to his so-called poetry is, that it's

nonsense. And I am not the only one who thinks so, as you know. But you

don't know him, of course. To appreciate that gentleman in all his

glory, you must have enjoyed him at a rehearsal. (_Imitating Sala_) Oh,

madam, that's verse--it's verse, dear madam.... Only when you have

heard that kind of thing from him can you understand how limitless his

arrogance is.... And everybody knows, by the way, that he killed his

wife.

JULIAN (_amused_)

But, girl, who in the world put such horrible ideas into your head?

IRENE

Oh, people don't die willy-nilly like that, at twenty-five....

JULIAN

I hope, Irene, that you don't talk like this to other people?

IRENE

What would be the use? Everyone knows it but you. And I for my part

have no reason to spare Mr. von Sala, who for twenty years has pursued

me with his jeers.

JULIAN

And yet you are going to call on him?

IRENE

Of course. Beautiful villas interest me very much. And they tell me his

is ravishing. If you were only to see people who....

JULIAN

Hadn't killed anybody....

IRENE

Really, we show him too much honor in talking so long about him. That

ends it.--Well, Julian? How goes it? Why haven't you written me

oftener? Is it possible you didn't dare?

JULIAN

Dare...?

IRENE

Were you forbidden, I mean?

JULIAN

I see.--Nobody can forbid me anything.

IRENE

Honestly? You live all by yourself?

JULIAN

Yes.

IRENE

I'm delighted. I can't help it, Julian, but I am delighted. Although

it's sheer nonsense. This day, or the next, there'll be something new

going on.

JULIAN

Those days are past.

IRENE

If it were only true!--Can I have a cup of tea?

JULIAN

Certainly. The samovar is right there.

IRENE

Where?--Oh, over there. And the tea?--Oh, I know! (_She opens a small

cupboard and brings out what she needs; during the next few minutes she

is busy preparing the tea_)

JULIAN

So you are really going to stay here only a couple of days more?

IRENE

Of course. I have done all my ordering. You understand, in my sister's

house out there one doesn't need to dress up.

JULIAN

Tell me about it. How do you like it out there?

IRENE

Splendidly. Oh, it's bliss merely to hear nothing more about the

theater.

JULIAN

And yet you'll return to it sometime.

IRENE

That's where you are completely mistaken. Why should I? You must

remember that I have now reached the goal of all my desires: fresh air,

and woods right by; horseback riding across meadows and fields; early

morning seated in the big park, dressed in my kimono, and nobody daring

to intrude. To put it plainly: no people, no manager, no public, no

colleagues, no playwrights--though, of course, all are not as arrogant

as your precious Sala.--Well, all this I have attained at last. I live

in the country. I have a country house--almost a little palace, you

might say. I have a park, and a horse, and a kimono--to use as much as

I please. It isn't all mine, I admit--except the kimono, of course--but

what does that matter? In the bargain, I live with the best people one

could hope to find in this world. For my brother-in-law is, if

possible, a finer fellow than Lora herself even.

JULIAN

Wasn't he rather making up to you once?

IRENE

I should say he was! He wanted to marry me at any cost. Of course!--It

was always in me that they were at first--I mean that they always _have

been_ in love with me. But as a rule the clever ones have gone over to

Lora. In fact, I have always felt a little distrustful toward you

because you never fell in love with Lora. And how much she is ahead of

me--well, _you_ know, and it's no use talking of it. What all don't I

owe to Lora!... If it hadn't been for her...!--Well, it's with them I

have been living the last half year.

JULIAN

The question is only how long you are going to stand it.

IRENE

How long...? But, Julian, I must ask you what there could be to make me

leave such a paradise and return to the morass where I (_in a lowered

voice_) spent twenty-five years of my life. What could I possibly

expect out of the theater anyhow? I am not made for elderly parts. The

heroic mother, the shrewish dame and the funny old woman are equally

little to my liking. I intend to die as "the young lady from the

castle"--as an old maid, you might say--and if everything goes right, I

shall appear to the grandchildren of my sister some hundred years from

now as the Lady in White. In a word, I have the finest kind of a life

ahead of me.--Why are you laughing?

JULIAN

It pleases me to see you so jolly again--so youthful.

IRENE

It's the country air, Julian. You should try it yourself for a good

long while. It's glorious! In fact, I think I have missed my true

calling. I'm sure the good Lord meant me for a milkmaid or farm girl of

some kind. Or perhaps for a young shepherd. I have always looked

particularly well in pants.--There now. Do you want me to pour a cup

for you at once? (_She pours the tea_) Have you nothing to go with

it?

JULIAN

I think there must still be a few crackers left in my bag. (_He takes

a small package out of his traveling bag_)

IRENE

Thanks. That's fine.

JULIAN

This is quite a new fancy of yours, however.

IRENE

Crackers...?

JULIAN

No, nature.

IRENE

How can you say so? I have always had a boundless love for nature.

Don't you recall the excursions we used to make? Don't you remember how

once we fell asleep in the woods on a hot Summer afternoon? And don't

you ever think of that shrine of the Holy Virgin, on the hill where we

were caught by the storm?... Oh, mercy! Nature is no silly illusion.

And still later--when I struck the bad days and wanted to kill myself

for your sake, fool that I was ... then nature simply proved my

salvation. Indeed, Julian! I could still show you the place where I

threw myself on the grass and wept. You have to walk ten minutes from

the station, through an avenue of acacias, and then on to the brook.

Yes, I threw myself on the grass and wept and wailed. It was one of

those days, you know, when you had again sent me packing from your

door. Well, and then, when I had been lying half an hour in the grass,

and had wept my fill, then I got up again--and began to scamper all

over the meadow. Just like a kid, all by myself. Then I wiped my eyes

and felt quite right again. (_Pause_) Of course, next morning I was at

your door again, setting up a howl, and then the story began all over

again.

[_It is growing dark._

JULIAN

Why do you still think of all that?

IRENE

But you do it, too. And who has proved the more stupid of us two in the

end? Who? Ask yourself, on your conscience. Who?... Have you been more

happy with anybody else than with me? Has anybody else clung to you as

I did? Has anybody else been so fond of you?... No, I am sure. And as

to that foolish affair into which I stumbled during my engagement

abroad--you might just as well have overlooked it. Really, there isn't

as much to that kind of thing as you men want to make out--when it

happens to one of us, that is to say. (_Both drink of their tea_)

JULIAN

Should I get some light?

IRENE

It's quite cosy in the twilight like this.

JULIAN

"Not much to it," you say. Perhaps you are right. But when it happens

to anybody, he gets pretty mad as a rule. And if we had made up

again--it would never have been as before. It's better as it is. When

the worst was over, we became good friends once more, and so we have

been ever since. And that is a pretty fine thing, too.

IRENE

Yes. And nowadays I'm quite satisfied. But at that time...! Oh, mercy,

what a time that was! But you don't know anything about it, of course.

It was afterward I began really to love you--after I had lost you

through my own thoughtlessness. It was only then I learned how to be

faithful in the true sense. For anything that has happened to me since

then.... But it's asking too much that a man should understand that

kind of thing.

JULIAN

I understand quite well, Irene. You may be sure.

IRENE

And besides I want to tell you something: it was nothing but a

well-deserved punishment for both of us.

JULIAN

For both of us?

IRENE

Yes, that's what I have figured out long ago. A well-deserved

punishment.

JULIAN

For both of us?

IRENE

Yes, for you, too.

JULIAN

But what do you mean by that?

IRENE

We had deserved no better.

JULIAN

We...? In what way?

IRENE (_very seriously_)

You are so very clever otherwise, Julian. Now what do you say--do you

think it could have happened as it did--do you think I could have made

a mistake like that--if we--had had a child? Ask yourself on your

conscience, Julian--do you believe it? I don't, and you don't either.

Everything would have happened in a different way. Everything. We had

stayed together then. We had had _more_ children. We had married. We

might be living together now. I shouldn't have become an old-maidish

"young lady from the castle," and you wouldn't have become....

JULIAN

An old bachelor.

IRENE

Well, if you say it yourself. And the main thing is this: we _had_ a

child. I had a child. (_Pause_)

JULIAN (_walking back and forth_)

What's the use, Irene? Why do you begin to talk of all those forgotten

things again...?

IRENE

Forgotten?

JULIAN

... Things gone by.

IRENE

Yes, they are bygone, of course. But out there in the country you have

plenty of time. All sorts of things keep passing through your head. And

especially when you see other people's children--Lora has two boys, you

know--then you get all sorts of notions. It almost amounted to a vision

not long ago.

JULIAN

What?

IRENE

It was toward evening, and I had walked across the fields. I do it

quite often, all by myself. Far and wide there was nobody to be seen.

And the village down below was quite deserted, too. And I walked on and

on, always in direction of the woods. And suddenly I was no longer

alone. You were with me. And between us was the child. We were holding

it by the hands--our little child. (_Angrily, to keep herself from

crying_) It's too silly for anything! I know, of course, that our child

would be a gawky youngster of twenty-three by now--that it might have

turned into a scamp or a good-for-nothing girl. Or that it might be

dead already. Or that it had drifted out into the wide world, so that

we had nothing left of it--oh, yes, yes.... But we should have had it

once, for all that--once there would have been a little child that

seemed rather fond of us. And.... (_She is unable to go on; silence

follows_)

JULIAN (_softly_)

You shouldn't talk yourself into such a state, Irene.

IRENE

I am not talking myself into anything.

JULIAN

Don't brood. Accept things as they are. There have been other things in

your life--better things, perhaps. Your life has been much richer than

that of a mere mother could ever have been.... You have been an artist.

IRENE (_as if to herself_)

I don't care that much for it.

JULIAN

A great, famous one--that means something after all. And your life has

brought you many other exquisite experiences--since the one with me. I

am sure of it.

IRENE

What have I got left of it? What does it amount to? A woman who has no

child has never been a woman. But a woman who once might have had

one--who should have had one, and who--(_with a glance at

him_)--has never become a mother, she is nothing but--oh! But that's

what a man cannot understand! It is what not one of them can

understand! In this respect the very best one of the lot will always

remain something of a cad. Is there one of you who knows how many of

his own offspring have been set adrift in the world? I know at least

that there are none of mine. Can you say as much?

JULIAN

And if I did know....

IRENE

How? Have you got one really?--Oh, speak, please! You can tell _me,_

Julian, can't you? Where is it? How old is it? A boy? Or a girl?

JULIAN

Don't question me.... Even if I had a child, it wouldn't belong to you

anyhow.

IRENE

He has a child! He has a child! (_Pause_) Why do you permit it to be

drifting around in the world then?

JULIAN

You yourself have given the explanation: in this respect the very best

of us remains always something of a cad. And I am not the best one at

that.

IRENE

Why don't you go and get it?

JULIAN

How could it be any of my concern? How could I dare to make it my

concern? Oh, that's enough.... (_Pause_) Do you want another cup of

tea?

IRENE

No, thanks. No more now. (_Pause; it is growing darker_) He has a

child, and I have never known it! (_Protracted silence_)

VALET (_enters_)

JULIAN

What is it?

VALET

Lieutenant Wegrat asks if you are at home, sir?

JULIAN

Certainly. Ask him in.

VALET (_goes out after having turned on the light_)

IRENE

Young Wegrat?--I thought he had already left again.--The poor chap! He

seemed utterly stunned.

JULIAN

I can imagine.

IRENE

You visited him at Salzburg?

JULIAN

Yes, I happened to be there a couple of days last August.

FELIX (_enters, dressed as a civilian_)

Good evening.--Good evening, Miss Herms.

IRENE

Good evening, Lieutenant.

JULIAN

My dear Felix--I was going to call on you--this very evening. It's

extremely nice of you to take the trouble.

FELIX

I have to be off again the day after to-morrow, and so I wasn't sure

whether I could find any chance at all to see you.

JULIAN

Won't you take off your coat?--Think of it, I didn't have the slightest

idea.... It was Sala who told me--less than an hour ago.

[_Irene is looking from one to the other._

FELIX

We didn't dream of this when we took that walk in the Mirabell

Gardens[4] last summer.

[4] The palace of Mirabell is one of the sights of Salzburg,

the city near the Bavarian border, where Felix's regiment was

stationed. It is now used as a museum. The gardens adjoining

it are of the formal type so dear to, and so characteristic

of, the eighteenth century.

JULIAN

Was it very sudden?

FELIX

Yes. And I, who couldn't be with her.... Late that evening I had to

leave, and she died during the night.

IRENE

Say rather that she didn't wake up again next morning.

FELIX

We owe a lot of thanks to you, Miss Herms.

IRENE

Oh, please...!

FELIX

It always gave my mother so much pleasure to have you with her,

chatting, or playing the piano to her.

IRENE

Oh, don't mention my playing...!

[_A clock strikes._

IRENE

Is it that late? Then I have to go.

JULIAN

What's the hurry, Miss Herms?

IRENE

I'm going to the opera. I have to make good use of the few days I shall

still be here.

FELIX

Shall we see you at our house again, Miss Herms?

IRENE

Certainly.--You'll have to leave before me, won't you?

FELIX

Yes, my furlough will be up....

IRENE (_as if en passant_)

How long have you been an officer anyhow, Felix?

FELIX

For three years really--but I didn't apply for a commission until this

year--a little too late, perhaps.

IRENE

Too late? Why?--How old are you, Felix?

FELIX

Twenty-three.

IRENE

Oh! (_Pause_) But when I saw you four years ago as a volunteer, I

thought at once you would stay in the service.--Do you remember,

Julian, I told you so at the time?

JULIAN

Yes....

FELIX

That must have been in the summer, the last time you called on us.

IRENE

I think so....

FELIX

Many things have changed since then.

IRENE

Indeed! Those were still happy days.--Don't you think so, Julian? For

we haven't met either since we spent those beautiful summer evenings in

the garden of the Wegrats.

JULIAN (_nods assent_)

IRENE (_stands again looking now at Julian and now at Felix; brief

pause_) Oh, but now it's high time for me to be gone.--Good-by.

Remember me at home, Lieutenant.--Good-by, Julian. (_She goes out,

accompanied to the door by Julian_)

FELIX

Haven't you made some changes here?

JULIAN

Not to my knowledge. And how could you know anyhow? You have only been

here two or three times.

FELIX

Yes. But the last time at one of the most important moments in my life.

I came here to get your advice.

JULIAN

Well, everything has turned out in accordance with your wish. Even your

father has resigned himself to it.

FELIX

Yes, he has resigned himself. Of course, he would have preferred to see

me continue my technical studies. But now he has seen that it is quite

possible to lead a sensible life in uniform too--without any debts or

duels. In fact, my life is almost too smooth. However, there is at

least more to anticipate for one of us than for most people. And that's

always something.

JULIAN

And how are things at home?

FELIX

At home.... Really, it's almost as if that word had lost its meaning.

JULIAN

Has your father resumed his duties again?

FELIX

Of course. Two days later he was back in his studio. He is wonderful.

But I can't quite understand it.... Am I disturbing you, Mr. Fichtner?

You were putting your papers in order, I think.

JULIAN

Oh, there's no hurry about that. They're easily put in order. Most of

them I burn.

FELIX

Why?

JULIAN

It's more sensible, don't you think, to destroy things one hardly cares

to look at any more?

FELIX

But doesn't it make you rather sad to clean out your past like that?

JULIAN

Sad?... No, it's entirely too natural a process for that.

FELIX

I can't see it that way. Look here. To burn a letter, or a picture, or

something of that kind, immediately after you have got it--that seems

quite natural to me. But something at all worthy of being kept as a

remembrance of some poignant joy or equally poignant sorrow would seem

incapable of ever losing its significance again. And especially in the

case of a life like yours, that has been so rich and so active.... It

would seem to me that at times you must feel something like--awe in the

face of your own past.

JULIAN

Where do you get such thoughts--you, who are so young?

FELIX

They just came into my head this minute.

JULIAN

The Lonely Way—Intermezzo—Countess Mizzie Three Plays · 第 4 / 15 段