CHAPTER XXVII.

A LAST WORD.

Did Marah Leighton will the coming of her old lover to my inn on that

fatal night? That is the question I asked, when, with the first breaking

of the morning light, I discovered lying on the table under an empty

phial, a letter addressed, not to her husband, nor to her child, but to

him, Mark Felt. It is a question that will never be answered, but I know

that he comforts himself with the supposition, and allows the trembling

hope to pass, at times, across his troubled spirit, that in the

bitterness of those last hours some touch of the divine mercy may have

moved her soul and made her fitter for his memory to dwell upon.

The letter I afterward read. It was as follows:

TO THE MAN WHO GAVE ALL, BORE ALL, AND REAPED NOTHING BUT SUFFERING:

I am not worthy to write you, even with the

prospect of death before me. But an influence I

do not care to combat drives me to make you, of

all men, the confidant of my remorse.

I did not perish sixteen years ago in the

Hudson River. I lived to share in and profit

by a crime that has left an indelible stain

upon my life and an ineffaceable darkness

within my soul. You know, or soon will know,

what that crime was and how we prospered in it.

Daring as it was dreadful, I heard its fearful

details planned by his lips, without a shudder,

because I was mad in those days, mad for

wealth, mad for power, mad for adventure. The

only madness I did not feel was love. This I

say to comfort a pride that must have been

sorely wounded in those days, as sorely wounded

as your heart.

Edwin Urquhart could make my eyes shine and my

blood run swiftly, but not so swiftly as to

make me break my troth with you, had he not

sworn to me that through him I should gain what

moved me more than any man's love. How he was

to accomplish this I could not see in the

beginning, and was so little credulous of his

being able to keep his oaths that I let myself

be drawn by you almost to the church door.

But I got no further. There in the crowd he

stood with a command in his eyes which forbade

any further advance. Though I comprehended

nothing then, I obeyed his look and went back,

for my heart was not in any marriage, and it

was in the hopes to which his looks seemed to

point. Later he told me what those hopes were.

He had been down to Long Island, and, while

there, had chanced to hear in some tavern of

the Happy-Go-Lucky Inn and its secret chamber,

and he saw, or thought he saw, how he could

make me his without losing the benefit of an

alliance with Miss Dudleigh. And I thought I

saw also, and entered into his plans, though

they comprised crime and entailed horrors upon

me from which woman naturally shrinks. I was

hard as the nether millstone of which the Bible

speaks, and went determinedly on in the path of

dissimulation and crime which had been marked

out for me, till we came to this inn. Then,

owing, perhaps, to my long imprisonment in the

dreadful box, I began to feel qualms of

physical fear and such harrowing mental

forebodings that more than once during that

terrible evening I came near shouting for

release.

But I was held back by apprehensions as great

as any from which a premature release from my

place of hiding could have freed me. I dared

not face Honora, and I dared not subject Edwin

Urquhart to the consequences of a public

recognition of our perfidy, and so I let my

opportunity go by, and became the sharer, as I

was already the instigator, of the unheard-of

crime by which I became, in the eyes of the

world, his wife.

What I suffered during its perpetration no word

of mine can convey. I cringed to her moans; I

shook under the blow that stifled them. And

when all was over, and the bolts which confined

me were shot back, and I found myself once more

on my feet and in the free air of this most

horrible of rooms, I looked about, not for him,

but her, and when I did not see her or any

token of her death, I was seized by such an

agony of revulsion that I uttered a great and

irrepressible cry which filled the house, and

brought more than one startled inquirer to our

door.

For retribution and remorse were already busy

within me, and in the lurking shadows about the

fireplace I thought I saw the long and narrow

slit made by the half-closed panel standing

open between me and the secret place of her

entombment. And though it was but an optical

delusion, the panel being really closed, it

might as well have been the truth, for I have

never been able to rid myself of the sight of

that chimerical strip of darkness, with its

suggestions of guilt and death. It haunted my

vision; it ruined my life; it destroyed my

peace. If I shut my eyes at night, it opened

before me. If I arrayed myself in jewels and

rich raiment, and paused to take but a passing

look at myself in the glass, this horror

immediately came between me and my own image,

blotting the vision of wealth from my eyes; so

that I went into the homes of the noble or the

courts of the king a clouded, miserable thing,

seeing nothing but that black and narrow slit

closing upon youth and beauty and innocence

forever and forever and forever.

My child came. Ah! that I should have to

mention her here! I do it in penance; I do it

in despair; since with her my heart woke, and

for her that heart is now broken, never to be

healed again. Oh, if the knowledge of my misery

wakens in you one thought that is not of

revenge, cast a pitying eye upon this darling

one, left in a hateful country without friends,

without lover, without means. For friends and

lover and means will all leave her with the

revelations which the morning will bring, and

unless Heaven is merciful to her innocence as

it has been just to my guilt, she will have no

other goal before her than that which has

opened its refuge to me.

As for her father, let Heaven deal with him. He

gave me this darling child; so I may not curse

him, even if I cannot bless.

MARAH.

* * * * *

OCTOBER 23, 1791.

I have seen one bright thing to-day, and that was the faint and almost

unearthly gleam which shot for a moment from beneath Honora's falling

lids as I told her what love was and how the marquis only awaited her

permission to speak to assure her of his boundless affection and his

undying purpose to be true to her even to the point of assuming her

griefs and taking upon himself the protection of her innocence.

If it had not been for this, I should have felt that the world was too

dark to remain in, and life too horrible to be endured.

* * * * *

NOVEMBER 30, 1791.

I thought that when Honora Urquhart left my house to be married to M. De

Fontaine, in the church below the hill, peace would return to us once

more.

But there is no peace. This morning another horrible tragedy defiled my

doorstep.

I was sitting in the open porch waiting for the mail coach, for it

seemed to me that it was about time I received some word from Mr.

Tamworth. It was yet some minutes before the time when the rumble of

the coach is usually heard, and I was brooding, as was natural, over the

more than terrible occurrences of the last few weeks, when I heard the

clatter of horses' hoofs, and looking up and down the road, saw a small

party of men approaching from the south. As they came nearer, I noticed

that one of the riders was white-haired and presumably aged, and was

interesting myself in him, when he came near enough for me to

distinguish his features, and I perceived it was no other than Mr.

Tamworth.

Rising in perturbation, I glanced at the men behind and abreast of him,

and saw that one of these rode with lowered head and oppressed mien, and

was just about to give that person a name in my mind when the horse he

bestrode suddenly reared, bolted, and dashed forward to where I sat,

flinging his rider at the very threshold of my house, where he lay

senseless as the stone upon which his head had fallen.

For an instant both his companions and myself paused aghast at a sight

so terrible and bewildering; then, amid cries from the road and one wild

shriek from within, I rushed forward, and turning over the head, looked

upon the face of the fallen man. It was not a new one to me. Though

changed and seamed and white now in death, I recognized it at once. It

was that of Edwin Urquhart.

. . . . .

This noon I took down the sign which has swung for twenty years over my

front door. "Happy-Go-Lucky" is scarcely the name for an inn accursed by

so many horrors.

* * * * *

FEBRUARY 3, 1792.

This week I have fulfilled the threat of years ago. I have had the oak

parlor and its hideous adjunct torn from my house.

Now, perhaps, I can sleep.

* * * * *

MARCH 16.

News from Honora. The distant relative who succeeded to the estates and

the title of the Marquis de la Roche-Guyon has fallen a victim to the

guillotine. Would this have been the fate of Honora's husband had he

forsaken her and returned home? There is reason to believe it. At all

events, she finds herself greatly comforted by this news for the

sacrifice which her husband made to his love, and no longer regrets the

exile to which he has been forced to submit for her sake. Wonderful,

wonderful Providence! I view its workings with renewed awe every day.

* * * * *

SEPTEMBER 5, 1795.

I have been from home. I have been on a visit to New York. I have tasted

of change, of brightness, of free and cheerful living, and I can settle

down now in this old and fast-decaying inn with something else to think

about than ruin and fearful retribution.

I have been visiting Madame De Fontaine. She wished me to come, I think,

that I might see how amply her married life had fulfilled the promise of

her courtship days. Though she and her noble husband live in peaceful

retirement, and without many of the appurtenances of wealth, they find

such resources of delight in each other's companionship that it would be

hard for the most exacting witness of their mutual felicity to wish them

any different fate, or to desire for them any wider field of social

influence.

The marquis--I shall always call him thus--has found a friend in General

Washington, and though he is never seen at the President's receptions,

or mingles his voice in the councils of his adopted country, there are

evidences constantly appearing of the confidence reposed in him by this

great man, which cannot but add to the exile's contentment and

satisfaction.

Honora has developed into a grand beauty. The melancholy which her

unhappy memories have necessarily infused into her countenance have

given depth to her expression, which was always sweet, and frequently

touching. She looks like a queen, but like a queen who has known not

only grief, but love. There is nothing of despair in her glance, rather

a lofty hope, and when her affections are touched, or her enthusiasm

roused, she smiles with such a heavenly brightness in her countenance,

that I think there is no fairer woman in the world, as I am assured

there is none worthier.

Her husband agrees with me in this opinion, and is so happy that she

said to me one day:

"I sometimes wonder how my heart succeeds in holding the joy which

Heaven has seen fit to grant me. In it I read the forgiveness of God for

the unutterable sins of my parents; and though the shadows will come,

and do come, whenever I think upon the past, or see a face which, like

yours, recalls memories as bitter as ever overwhelmed an innocent girl

in her first youth, I find that with every year of love and peaceful

living the darkness grows less, as if, somewhere in the boundless

heavens, the mercy of God was making itself felt in the heart of her who

once called herself my mother."

And hearing her speak thus, I felt my own breast lose something of the

oppression which had hitherto weighed it down. And as the days passed,

and I experienced more and more of the true peace that comes with

perfect love and perfect trust, I found my tears turned to rejoicing and

the story of my regrets into songs of hope.

And so I have come back comforted and at rest. If there are yet ghosts

haunting the old inn, I do not see them, and though its walls are

dismantled, its custom gone, and its renown a thing of the past, I can

still sit on its grass-grown doorstep and roam through its fast-decaying

corridors without discovering any blacker shadow following in my wake

than that of my own figure, bent now with age, and only held upright by

the firmness of the little cane with which I strive to give aid to my

tottering and uncertain steps.

The grace of God has fallen at last upon the Happy-Go-Lucky Inn.

[Illustration]

FAMOUS COPYRIGHT BOOKS IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size.

Printed on excellent paper--most of them with illustrations of marked

beauty--and handsomely bound in cloth. Price, 75 cents a volume,

postpaid.

BEVERLY OF GRAUSTARK. By George Barr McCutcheon. With Color Frontispiece

and other illustrations by Harrison Fisher. Beautiful inlay picture in

colors of Beverly on the cover.

"The most fascinating, engrossing and

picturesque of the season's novels."--_Boston

Herald._ "'Beverly' is altogether

charming--almost living flesh and

blood."--_Louisville Times._ "Better than

'Graustark'."--_Mail and Express._ "A sequel

quite as impossible as 'Graustark' and quite as

entertaining."--_Bookman._ "A charming love

story well told."--_Boston Transcript._

HALF A ROGUE. By Harold MacGrath. With illustrations and inlay cover

picture by Harrison Fisher.

"Here are dexterity of plot, glancing play at

witty talk, characters really human and humanly

real, spirit and gladness, freshness and quick

movement. 'Half a Rogue' is as brisk as a

horseback ride on a glorious morning. It is as

varied as an April day. It is as charming as

two most charming girls can make it. Love and

honor and success and all the great things

worth fighting for and living for the involved

in 'Half a Rogue.'"--_Phila. Press._

THE GIRL FROM TIM'S PLACE. By Charles Clark Munn. With illustrations by

Frank T. Merrill.

"Figuring in the pages of this story there are

several strong characters. Typical New England

folk and an especially sturdy one, old Cy

Walker, through whose instrumentality Chip

comes to happiness and fortune. There is a

chain of comedy, tragedy, pathos and love,

which makes a dramatic story."--_Boston

Herald._

THE LION AND THE MOUSE. A story of American Life. By Charles Klein, and

Arthur Hornblow. With illustrations by Stuart Travis, and Scenes from

the Play.

The novel duplicated the success of the play;

in fact the book is greater than the play. A

portentous clash of dominant personalities that

form the essence of the play are necessarily

touched upon but briefly in the short space of

four acts. All this is narrated in the novel

with a wealth of fascinating and absorbing

detail, making it one of the most powerfully

written and exciting works of fiction given to

the world in years.

THE AFFAIR AT THE INN. By Kate Douglas Wiggin. With illustrations by

Martin Justice.

"As superlatively clever in the writing as it

is entertaining in the reading. It is actual

comedy of the most artistic sort, and it is

handled with a freshness and originality that

is unquestionably novel."--_Boston Transcript._

"A feast of humor and good cheer, yet subtly

pervaded by special shades of feeling, fancy,

tenderness, or whimsicality. A merry thing in

prose."--_St. Louis Democrat._

ROSE O' THE RIVER. By Kate Douglas Wiggin. With illustrations by George

Wright.

"'Rose o' the River,' a charming bit of

sentiment, gracefully written and deftly

touched with a gentle humor. It is a dainty

book--daintily illustrated."--_New York

Tribune._ "A wholesome, bright, refreshing

story, an ideal book to give a young

girl."--_Chicago Record-Herald._ "An idyllic

story, replete with pathos and inimitable

humor. As story-telling it is perfection, and

as portrait-painting it is true to the

life."--_London Mail._

TILLIE: A Mennonite Maid. By Helen R. Martin. With illustrations by

Florence Scovel Shinn.

The little "Mennonite Maid" who wanders through

these pages is something quite new in fiction.

Tillie is hungry for books and beauty and love;

and she comes into her inheritance at the end.

"Tillie is faulty, sensitive, big-hearted,

eminently human, and first, last and always

lovable. Her charm glows warmly, the story is

well handled, the characters skilfully

developed."--_The Book Buyer._

LADY ROSE'S DAUGHTER. By Mrs. Humphry Ward. With illustrations by Howard

Chandler Christy.

"The most marvellous work of its wonderful

author."--_New York World._ "We touch regions

and attain altitudes which it is not given to

the ordinary novelist even to

approach."--_London Times._ "In no other story

has Mrs. Ward approached the brilliancy and

vivacity of Lady Rose's Daughter."--_North

American Review._

THE BANKER AND THE BEAR. By Henry K. Webster.

"An exciting and absorbing story."--_New York

Times._ "Intensely thrilling in parts, but an

unusually good story all through. There is a

love affair of real charm and most novel

surroundings, there is a run on the bank which

is almost worth a year's growth, and there is

all manner of exhilarating men and deeds which

should bring the book into high and permanent

favor."--_Chicago Evening Post._

LAVENDER AND OLD LACE. By Myrtle Reed.

A charming story of a quaint corner of New

England where bygone romance finds a modern

parallel. One of the prettiest, sweetest, and

quaintest of old-fashioned love stories * * * A

rare book, exquisite in spirit and conception,

full of delicate fancy, of tenderness, of

delightful humor and spontaneity. A dainty

volume, especially suitable for a gift.

DOCTOR LUKE OF THE LABRADOR. By Norman Duncan. With a frontispiece and

inlay cover.

How the doctor came to the bleak Labrador coast

and there in saving life made expiation. In

dignity, simplicity, humor, in sympathetic

etching of a sturdy fisher people, and above

all in the echoes of the sea, _Doctor Luke_ is

worthy of great praise. Character, humor,

poignant pathos, and the sad grotesque

conjunctions of old and new civilizations are

expressed through the medium of a style that

has distinction and strikes a note of rare

personality.

THE DAY'S WORK. By Rudyard Kipling. Illustrated.

The _London Morning Post_ says: "It would be

hard to find better reading * * * the book is

so varied, so full of color and life from end

to end, that few who read the first two or

three stories will lay it down till they have

read the last--and the last is a veritable gem

* * * contains some of the best of his highly

vivid work * * * Kipling is a born story-teller

and a man of humor into the bargain.

ELEANOR LEE. By Margaret E. Sangster. With a frontispiece.

A story of married life, and attractive picture

of wedded bliss * * * an entertaining story of

a man's redemption through a woman's love * * *

no one who knows anything of marriage or

parenthood can read this story with eyes that

are always dry * * * goes straight to the heart

of every one who knows the meaning of "love"

and "home."

THE COLONEL OF THE RED HUZZARS. By John Reed Scott. Illustrated by

Clarence F. Underwood.

"Full of absorbing charm, sustained interest,

and a wealth of thrilling and romantic

situations. So naively fresh in its handling,

so plausible through its naturalness, that it

comes like a mountain breeze across the

far-spreading desert of similar

romances."--_Gazette-Times_, Pittsburg. "A

slap-dashing day romance."--_New York Sun._

THE FAIR GOD; OR, THE LAST OF THE TZINS. By Lew Wallace. With

illustrations by Eric Pape.

"The story tells of the love of a native

princess for Alvarado, and it is worked out

with all of Wallace's skill * * * it gives a

fine picture of the heroism of the Spanish

conquerors and of the culture and nobility of

the Aztecs."--_New York Commercial Advertiser._

"_Ben Hur_ sold enormously, but The Fair God

was the best of the General's stories--a

powerful and romantic treatment of the defeat

of Montezuma by Cortes."--_Athenaeum._

THE CAPTAIN OF THE KANSAS. By Louis Tracy.

A story of love and the salt sea--of a helpless

ship whirled into the hands of cannibal

Fuegians--of desperate fighting and tender

romance, enhanced by the art of a master of

story telling who describes with his wonted

felicity and power of holding the reader's

attention * * * filled with the swing of

adventure.

A MIDNIGHT GUEST. A Detective Story. By Fred M. White. With a

frontispiece.

The scene of the story centers in London and

Italy. The book is skilfully written and makes

one of the most baffling, mystifying, exciting

detective stories ever written--cleverly

keeping the suspense and mystery intact until

the surprising discoveries which precede the

end.

THE HONOUR OF SAVELLI. A Romance. By S. Levett Yeats. With cover and

wrapper in four colors.

Those who enjoyed Stanley Weyman's _A Gentleman

of France_ will be engrossed and captivated by

this delightful romance of Italian history. It

is replete with exciting episodes, hair-breadth

escapes, magnificent sword-play, and deals with

the agitating times in Italian history when

Alexander II was Pope and the famous and

infamous Borgias were tottering to their fall.

SISTER CARRIE. By Theodore Drieser. With a frontispiece, and wrapper in

color.

In all fiction there is probably no more

graphic and poignant study of the way in which

man loses his grip on life, lets his pride, his

courage, his self-respect slip from him, and,

finally, even ceases to struggle in the mire

that has engulfed him. * * * There is more

tonic value in Sister Carrie than in a whole

shelfful of sermons.

THE SHUTTLE, By Frances Hodgson Burnett With inlay cover in colors by

Clarence F. Underwood.

This great international romance relates the

story of an American girl who, in rescuing her

sister from the ruins of her marriage to an

Englishman of title, displays splendid

qualities of courage, tact and restraint. As a

study of American womanhood of modern times,

the character of Bettina Vanderpoel stands

alone in literature. As a love story, the

account of her experience is magnificent. The

masterly handling, the glowing style of the

book, give it a literary rank to which very few

modern novels have attained.

THE MAKING OF A MARCHIONESS, By Frances Hodgson Burnett

Illustrated with half tone engravings by Charles D. Williams. With

initial letters, tail-pieces, decorative borders. Beautifully printed,

and daintily bound, and boxed.

A delightful novel in the author's most

charming vein. The scene is laid in an English

country house, where an amiable English

nobleman is the centre of matrimonial interest

on the part of both the English and Americans

present.

Graceful, sprightly, almost delicious in its

dialogue and action. It is a book about which

one is tempted to write ecstatically.

THE METHODS OF LADY WALDERHURST, By Francis Hodgson Burnett

A Companion Volume to "The Making of a Marchioness."

With illustrations by Charles D. Williams, and with initial letters,

tail-pieces, and borders, by A. K. Womrath. Beautifully printed and

daintily bound, and boxed.

"The Methods of Lady Walderhurst" is a

delightful story which combines the sweetness

of "The Making of a Marchioness," with the

dramatic qualities of "A Lady of Quality." Lady

Walderhurst is one of the most charming

characters in modern fiction.

VAYENNE, By Percy Brebner With illustrations by E. Fuhr.

This romance like the author's _The Princess

Maritza_ is charged to the brim with adventure.

Sword play, bloodshed, justice grown the

multitude, sacrifice, and romance, mingle in

dramatic episodes that are born, flourish, and

pass away on every page.

DARREL OF THE BLESSED ISLES. By Irving Bacheller. With illustrations by

Arthur Keller.

"Darrel, the clock tinker, is a wit,

philosopher, and man of mystery. Learned,

strong, kindly, dignified, he towers like a

giant above the people among whom he lives. It

is another tale of the North Country, full of

the odor of wood and field. Wit, humor, pathos

and high thinking are in this book."--_Boston

Transcript._

D'RI AND I: A Tale of Daring Deeds in the Second War with the British.

Being the Memoirs of Colonel Ramon Bell, U. S. A. By Irving Bacheller.

With illustrations by F. C. Yohn.

"Mr. Bacheller is admirable alike in his scenes

of peace and war. D'ri, a mighty hunter, has

the same dry humor as Uncle Eb. He fights

magnificently on the 'Lawrence,' and was among

the wounded when Perry went to the 'Niagara.'

As a romance of early American history it is

great for the enthusiasm it creates."--_New

York Times._

EBEN HOLDEN: A Tale of the North Country. By Irving Bacheller.

"As pure as water and as good as bread," says

Mr. Howells. "Read 'Eben Holden'" is the advice

of Margaret Sangster. "It is a forest-scented,

fresh-aired, bracing and wholly American story

of country and town life. * * * If in the far

future our successors wish to know what were

the real life and atmosphere in which the

country folk that saved this nation grew,

loved, wrought and had their being, they must

go back to such true and zestful and poetic

tales of 'fiction' as 'Eben Holden,'" says

Edmund Clarence Stedman.

SILAS STRONG: Emperor of the Woods. By Irving Bacheller. With a

frontispiece.

"A modern _Leatherstocking_. Brings the city

dweller the aroma of the pine and the music of

the wind in its blanches--an epic poem * * *

forest-scented, fresh-aired, and wholly

American. A stronger character than Eben

Holden."--_Chicago Record-Herald._

VERGILIUS: A Tale of the Coming of Christ. By Irving Bacheller.

A thrilling and beautiful story of two young

Roman patricians whose great and perilous love

in the reign of Augustus leads them through the

momentous, exciting events that marked the year

just preceding the birth of Christ.

Splendid character studies of the Emperor

Augustus, of Herod and his degenerate son,

Antipater, and of his daughter "the

incomparable" Salome. A great triumph in the

art of historical portrait painting.

* * * * *

GROSSET & DUNLAP, - NEW YORK

* * * * *

Transcriber's Notes:

Obvious punctuation errors repaired.

Page 336, "shrink" changed to "shrinks" (woman naturally shrinks)

Page 345, "personalties" changed to "personalities" (of dominant

personalities)

Page 347, "or" changed to "of" (story of a)

Page 348, "breath" changed to "breadth" (hair-breadth escapes)

There were some typesetting errors in the original text resulting in

misplaced lines on pages 139 and 177.

Original text page 139:

deceit where I had looked for honesty and gratitude.'

the result of a compact entered into with the despicable Urquhart, who,

if he could not have her grasp at this wisp of hope and cling to it,

though I knew it would never hold, and that her only chance for

happiness was passing from her.

Original page 177 text:

almost overwhelmed it.

"For to me her death--if she were dead--was

"I was a coward, perhaps, but I did not try to dissuade her. Though she

was fatherless and motherless, and loverless and friendless, I let her

for himself, was willing she should go where no

This was changed to:

Page 139:

deceit where I had looked for honesty and gratitude.'

"I was a coward, perhaps, but I did not try to dissuade her. Though she

was fatherless and motherless, and loverless and friendless, I let her

grasp at this wisp of hope and cling to it, though I knew it would never

hold, and that her only chance for happiness was passing from her.

and Page 177:

almost overwhelmed it.

"For to me her death--if she were dead--was the result of a compact

entered into with the despicable Urquhart, who, if he could not have her

for himself, was willing she should go where no

End of Project Gutenberg's The Forsaken Inn, by Anna Katharine Green

The Forsaken Inn: A Novel · 第 12 / 12 章