CHAPTER III

BOOKLETS

The making of booklets forms a valuable accompaniment to almost every

phase of school work. Even simple exercises, when put into book form, take

on a dignity otherwise impossible and seem more worth while. It is

impossible to work with much enthusiasm and care on exercises which are

destined only for the wastebasket.

The chief value in the making of booklets is lost when they are made for

display purposes only. Many difficulties are sure to arise when the

teacher, for the sake of her own reputation, sets an arbitrary standard

and tries to force every member of the class to meet it. Because of these

difficulties many teachers dread and avoid work of this sort, but the

trouble lies in our false standards and poor methods rather than in the

process itself. When the exhibit idea is uppermost, each page must be

examined with great care, done over again and again if need be, until the

standard is reached or the patience of both teacher and pupil exhausted.

In such a case the work practically ceases to be the child's own. Instead

of expressing an idea of his own in his own way, he tries to express the

teacher's idea in the teacher's way, and it is not surprising that he

fails so often.

The booklet serves its best purpose when it combines both value and need;

that is, when it is something which seems worth while to the pupil and

when he feels responsible for its success. He should feel something akin

to the responsibility one feels in writing an important letter; that is,

that it must be right the first time because there is no opportunity to

try again and that he cannot afford to do less than his best because what

is done will stand.

To "express his own idea in his own way" does not mean that his work is to

be undirected or that poor results are to be accepted. It does mean that

when an idea and a means of expressing it have been suggested to him, he

shall be allowed to do the best he can by himself, and that when he has

done his best, it shall be accepted even though imperfect. Under no

circumstances should his work be "touched up" by the teacher. If he is not

asked to do things which are too hard for him, he will not make many

serious errors. If these are wisely pointed out, they will not often be

repeated. If his attention is held to one or two important features at a

time, each effort will mean some gain.

The making of a booklet in the primary grades should really consist in

making a cover to preserve pages already made or to receive pages on

certain topics as they are finished. The making of an animal book, for

example, might be a continuous process. Whenever a new animal is studied

and a cutting or drawing of it made, the new page may be added to the

book.

The first books should be picture books only, collections of cuttings,

drawings, and mounted pictures. As the children learn to write they may

add first the name and then short descriptions of the pictures, the

development proceeding by easy stages until their composition work takes

the form of the illustrated story.

Books which are a collection of single sheets are, as a rule, most

satisfactory in the primary school. The single sheet is much more

convenient to use, and there is always an inspiration in beginning with a

fresh sheet of paper. It is more difficult to paste cuttings into a book,

and if pages are spoiled, the book is spoiled. If separate sheets are

used, a poor one may be done over or discarded without affecting the rest.

The making of booklets and posters offers an excellent opportunity for

developing artistic appreciation. It is not enough for the teacher to

provide only good colors from which the children may choose, and to

supervise the spacing of pictures and then flatter herself that because

the results are good that the children are developing good taste. Unless

they really want the good things, little real gain has been made. Unless

they see some reason for the arrangement of a page, other than that the

_teacher wants it that way_, little has been accomplished.

The first attempts will show little or no idea of balance or good spacing.

The early color combinations are apt to be crude. If the best things they

do are praised and their attention is constantly directed to the good

points in things about them, they will begin to want those things. They

will begin gradually to feel a greater pleasure in a well-balanced page

than in one on which big and little pictures are stuck indiscriminately.

If they are given all possible freedom in matters of choice, it will be

possible to measure their real progress and to know what points need

emphasis.

The more accustomed the children are to tasteful surroundings, the easier

will be their progress, but whether they come from tasteful homes or the

reverse, the process is the same. Real progress will undoubtedly be slow,

but it should be upon a sure foundation.

SUGGESTED TOPICS FOR BOOKLETS

=Stories.=--Series of illustrations either cut or drawn for any of the

stories read by the class.

_Animal Book._--Cuttings or sketches of animals. The name and short

statement of some characteristic may be added by children who are able to

write. Trees, flowers, fruits, etc., may be treated in the same way.

_A. B. C. Book._--A page for each letter of the alphabet to be filled with

pictures and names of objects having the same initial letter.

_House Book._--A page for each room, upon which may be mounted pictures of

things appropriate to the room. Newspaper advertisements and catalogs

furnish abundant material for this problem. The work not only helps the

children to classify present knowledge, but offers opportunity for

judgment as to arrangement and relative proportions.

_How People Live._--A book of pictures of houses in different countries.

_Famous Houses._--Pictures of famous buildings and homes of famous people.

_What we Wear._--Pictures showing materials from which clothing is made,

the methods of production and manufacture.

_What we Eat._--Vegetable foods may be grouped as roots, stalks, leaves,

seeds, etc. Animal foods may be classified according to the animal from

which they are obtained and the part of the animal from which they are

cut. Suggestions for cooking may be added.

_How we Travel._--Pictures showing vehicles and conveyances of all sorts,

classified as ancient and modern, or according to the countries in which

they are used, or the motive power, as horses, electricity, steam, etc.

In connection with elementary geography and history, booklets and posters

may be made up from pictures cut from discarded papers, catalogs, and

magazines, as well as original drawings. A great variety of topics may be

profitably illustrated in this way. As, for example, land and water forms,

famous mountains, lakes, rivers, etc., products and processes of

cultivation and manufacture, famous people, costumes and customs of other

times and places, utensils and weapons of earlier times.

=Fastenings.=--The simplest method of binding single sheets is by means of

paper fasteners and eyelets. Though these are not expensive, some schools

cannot afford to buy them. Cords may be used in several ways and serve as

part of the decoration.

_The Simple Tie._--Punch three holes in the margin, at least one half inch

from the edge to prevent tearing out. Insert the cord in the middle hole,

carry through one end hole, then through the other end hole, then back

through the middle and tie. (See Fig. 7.)

_Japanese Sewing._--Punch holes at regular intervals, as one inch apart.

Sew through first hole twice, making a loop around the back,--repeat the

process until a loop has been made for each hole,--carry the cord in and

out through the holes back to the starting point, filling in the blank

places and making a continuous line, and tie ends together with a small

knot. (See Fig. 8.)

[Illustration: FIG. 7.--Pamphlet sewing.]

[Illustration: FIG. 8.--Japanese binding.]

=Decoration.=--Only the simplest decoration should be attempted. A plain

cover of good color tied with a cord of harmonious color will have

elements of beauty without further decoration. A single border line well

placed may be used and offers opportunity for developing a nice sense of

proportion by studying the results to see which borders are neither too

near the edge nor too far from it.

A well-printed, well-placed title is often the most satisfactory

decoration. Printing should be introduced early, and the children

encouraged to make good plain letters. In order to get the title in good

proportion and well placed, it is helpful to cut a piece of paper the

desired size and lay it on the cover, moving it about to see where it

looks best. Until the children have learned to do fairly neat work it is

often helpful to print the title on a separate piece and paste it in

place. It is discouraging to spoil an otherwise good cover by a bad

letter, and this process lessens that danger.

Before the children learn to print, a simple border or band across the

cover may take the place of the title. The border may be drawn in crayons

or be free-hand cuttings.

Too much emphasis cannot be laid upon the beauty of simplicity in

decoration. Children are inclined to think beauty means fanciness and that

beauty increases with the quantity of decoration. It is necessary to begin

early to develop a taste for good design.

Primary handwork · 第 3 / 10 章