"I think I do," the man said, but he looked at her very curiously and a

little sadly, for it was the first time he had ever seen her swept from

her superb poise by any emotion, and he hardly recognized her. It was

very bitter to him to realize that he could never have stirred her to

this--never, under any conceivable circumstances.

The girl came to him where he stood, and touched his arm with her hand.

"He is waiting to hear how I feel about it all, isn't he?" she said. "He

is waiting to know that I understand. Will you tell him a little lie for

me, Richard? No, you needn't tell a lie. I will tell it. Tell him that I

said I understood perfectly. Tell him that I was shocked for a moment,

but that afterward I understood and thought no more about it. Will you

tell him I said that? It won't be a lie from you, because I did say it.

Oh, I will not grieve him or hamper him now while he is working in my

cause! I'll tell him a lie rather than have him grieve."

"Need it be a lie?" said Richard Hartley. "Can't you truly believe what

you've said?"

She shook her head slowly.

"I'll try," said she, "but--my golden spell is broken and I can't mend

it alone. I'm sorry."

He turned with a little sigh to leave her, but Miss Benham followed him

toward the door of the drawing-room.

"You're a good friend, Richard," she said, when she had come

near--"you're a good friend to him."

"He deserves good friends," said the young man, stoutly. "And besides,"

said he, "we're brothers in arms nowadays. We've enlisted together to

fight for the same cause." The girl fell back with a little cry.

"Do you mean," she said, after a moment--"do you mean that _you_ are

working with him--to find Arthur?"

Hartley nodded.

"But--" said she, stammering. "But, Richard--"

The man checked her.

"Oh, I know what I'm doing," said he. "My eyes are open. I know that I'm

not--well, in the running. I work for no reward except a desire to help

you and Ste. Marie. That's all. It pleases me to be useful."

He went away with that, not waiting for an answer, and the girl stood

where he had left her, staring after him.

* * * * *

X

CAPTAIN STEWART ENTERTAINS

Ste. Marie returned, after three days, from Dinard in a depressed and

somewhat puzzled frame of mind. He had found no trace whatever of Arthur

Benham, either at Dinard or at Deauville, and, what was more, he was

unable to discover that any one even remotely resembling that youth had

been seen at either place. The matter of identification, it seemed to

him, should be a rather simple one. In the first place, the boy's

appearance was not at all French, nor, for that matter, English; it was

very American. Also, he spoke French--so Ste. Marie had been told--very

badly, having for the language that scornful contempt peculiar to

Anglo-Saxons of a certain type. His speech, it seemed, was, like his

appearance, ultra-American--full of strange idioms and oddly pronounced.

In short, such a youth would be rather sure to be remembered by any

hotel management and staff with which he might have come in contact.

At first Ste. Marie pursued his investigations quietly and, as it were,

casually; but after his initial failure he went to the managements of

the various hotels and lodging-houses, and to the cafés and bathing

establishments, and told them, with all frankness, a part of the

truth--that he was searching for a young man whose disappearance had

caused great distress to his family. He was not long in discovering that

no such young man could have been either in Dinard or Deauville.

The thing which puzzled him was that, apart from finding no trace of the

missing boy, he also found no trace of Captain Stewart's agent--the man

who had been first on the ground. No one seemed able to recollect that

such a person had been making inquiries, and Ste. Marie began to suspect

that his friend was being imposed upon. He determined to warn Stewart

that his agents were earning their fees too easily.

So he returned to Paris more than a little dejected, and sore over this

waste of time and effort. He arrived by a noon train, and drove across

the city in a fiacre to the rue d'Assas. But as he was in the midst of

unpacking his portmanteau--for he kept no servant; a woman came in once

a day to "do" the rooms--the door-bell rang. It was Baron de Vries, and

Ste. Marie admitted him with an exclamation of surprise and pleasure.

"You passed me in the street just now," explained the Belgian, "and as I

was a few minutes early for a lunch engagement I followed you up." He

pointed with his stick at the open bag. "Ah, you have been on a journey!

Detective work?"

Ste. Marie pushed his guest into a chair, gave him cigarettes, and told

him about the fruitless expedition to Dinard. He spoke, also, of his

belief that Captain Stewart's agent had never really found a clew at

all; and at that Baron de Vries nodded his gray head and said, "Ah!" in

a tone of some significance. Afterward he smoked a little while in

silence, but presently he said, as if with some hesitation: "May I be

permitted to offer a word of advice?"

"But surely!" cried Ste. Marie, kicking away the half-empty portmanteau.

"Why not?"

"Do whatever you are going to do in this matter according to your own

judgment," said the elder man, "or according to Mr. Hartley's and your

combined judgments. Make your investigations without reference to our

friend Captain Stewart." He halted there as if that were all he had

meant to say, but when he saw Ste. Marie's raised eyebrows he frowned

and went on, slowly, as if picking his words with some care. "I should

be sorry," he said, "to have Captain Stewart at the head of any

investigation of this nature in which I was deeply interested--just now,

at any rate. I am afraid--it is difficult to say; I do not wish to say

too much--I am afraid he is not quite the man for the position."

Ste. Marie nodded his head with great emphasis. "Ah," he cried, "that's

just what I have felt, you know, all along! And it's what Hartley felt,

too, I'm sure. No, Stewart is not the sort for a detective. He's too

cocksure. He won't admit that he might possibly be wrong now and then.

He's too--"

"He is too much occupied with other matters," said Baron de Vries.

Ste. Marie sat down on the edge of a chair. "Other matters?" he

demanded. "That sounds mysterious. What other matters?"

"Oh, there is nothing very mysterious about it," said the elder man. He

frowned down at his cigarette, and brushed some fallen ash neatly from

his knees. "Captain Stewart," said he, "is badly worried, and has been

for the past year or so--badly worried over money matters and other

things. He has lost enormous sums at play, as I happen to know, and he

has lost still more enormous sums at Auteuil and at Longchamps. Also,

the ladies are not without their demands."

Ste. Marie gave a shout of laughter. "Comment donc!" he cried. "Ce

vieillard?"

"Ah, well," deprecated the other man. "Vieillard is putting it rather

high. He can't be more than fifty, I should think. To be sure, he looks

older; but then, in his day, he lived a great deal in a short time. Do

you happen to remember Olga Nilssen?"

"I do," said Ste. Marie. "I remember her very well, indeed. I was a sort

of go-between in settling up that affair with Morrison. Morrison's

people asked me to do what I could. Yes, I remember her well, and with

some pleasure. I felt sorry for her, you know. People didn't quite know

the truth of that affair. Morrison behaved very badly to her."

"Yes," said Baron de Vries, "and Captain Stewart has behaved very badly

to her also. She is furious with rage or jealousy--or both. She goes

about, I am told, threatening to kill him, and it would be rather like

her to do it one day. Well, I have dragged in all this scandal by way of

showing you that Stewart has his hands full of his own affairs just now,

and so cannot give the attention he ought to give to hunting out his

nephew. As you suggest, his agents may be deceiving him. I don't know. I

suppose they could do it easily enough. If I were you I should set to

work quite independently of him."

"Yes," said Ste. Marie, in an absent tone. "Oh yes, I shall do that, you

may be sure." He gave a sudden smile. "He's a queer type, this Captain

Stewart. He begins to interest me very much. I had never suspected this

side of him, though I remember now that I once saw him coming out of a

milliner's shop. He looks rather an ascetic--rather donnish, don't you

think? I remember that he talked to me one day quite pathetically about

feeling his age and about liking young people round him. He's an odd

character. Fancy him mixed up in an affair with Olga Nilssen! Or,

rather, fancy her involved in an affair with him! What can she have seen

in him? She's not mercenary, you know--at least, she used not to be."

"Ah! there," said Baron de Vries, "you enter upon a terra incognita. No

one can say what a woman sees in this man or in that. It's beyond our

ken."

He rose to take his leave, and Ste. Marie went with him to the door.

"I've been asked to a sort of party at Stewart's rooms this week," Ste.

Marie said. "I don't know whether I shall go or not. Probably not. I

suppose I shouldn't find Olga Nilssen there?"

"Well, no," said the Belgian, laughing. "No, I hardly think so.

Good-bye! Think over what I've told you. Good-bye!"

He went away down the stair, and Ste. Marie returned to his unpacking.

Nothing more of consequence occurred in the next few days. Hartley had

unearthed a somewhat shabby adventurer who swore to having seen the

Irishman O'Hara in Paris within a month, but it was by no means certain

that this being did not merely affirm what he believed to be desired of

him, and in any case the information was of no especial value, since it

was O'Hara's present whereabouts that was the point at issue. So it came

to Thursday evening. Ste. Marie received a note from Captain Stewart

during the day, reminding him that he was to come to the rue du Faubourg

St. Honoré that evening, and asking him to come early, at ten or

thereabouts, so that the two could have a comfortable chat before any

one else turned up. Ste. Marie had about decided not to go at all, but

the courtesy of this special invitation from Miss Benham's uncle made it

rather impossible for him to stay away. He tried to persuade Hartley to

follow him on later in the evening, but that gentleman flatly refused

and went away to dine with some English friends at Armenonville.

So Ste. Marie, in a vile temper, dined quite alone at Lavenue's, beside

the Gare Montparnasse, and toward ten o'clock drove across the river to

the rue du Faubourg. Captain Stewart's flat was up five stories, at the

top of the building in which it was located, and so, well above the

noises of the street. Ste. Marie went up in the automatic lift, and at

the door above his host met him in person, saying that the one servant

he kept was busy making preparations in the kitchen beyond. They entered

a large room, long but comparatively shallow, in shape not unlike the

sitting-room in the rue d'Assas, but very much bigger, and Ste. Marie

uttered an exclamation of surprise and pleasure, for he had never before

seen an interior anything like this. The room was decorated and

furnished entirely in Chinese and Japanese articles of great age and

remarkable beauty. Ste. Marie knew little of the hieratic art of these

two countries, but he fancied that the place must be an endless delight

to the expert.

The general tone of the room was gold, dulled and softened by great age

until it had ceased to glitter, and relieved by the dusty Chinese blue

and by old red faded to rose and by warm ivory tints. The great expanse

of the walls was covered by a brownish-yellow cloth, coarse like burlap,

and against it, round the room, hung sixteen large panels representing

the sixteen Rakan. They were early copies--fifteenth century, Captain

Stewart said--of those famous originals by the Chinese Sung master

Ririomin, which have been for six hundred years or more the treasures of

Japan. They were mounted upon Japanese brocade of blue and dull gold,

framed in keyaki wood, and out of their brown, time-stained shadows the

great Rakan scowled or grinned or placidly gazed, grotesquely graceful

masterpieces of a perished art.

At the far end of the room, under a gilded canopy of intricate

wood-carving, stood upon his pedestal of many-petalled lotus a great

statue of Amida Buddha in the yogi attitude of contemplation, and at

intervals against the other walls other smaller images stood or sat:

Buddha, in many incarnations; Kwannon, goddess of mercy; Jizo Bosatzu

Hotei, pot-bellied, god of contentment; Jingo-Kano, god of war. In the

centre of the place was a Buddhist temple table, and priests' chairs,

lacquered and inlaid, stood about the room. The floor was covered with

Chinese rugs, dull yellow with blue flowers, and over a doorway which

led into another room was fixed a huge rama of Chinese pierced carving,

gilded, in which there were trees and rocks and little grouped figures

of the hundred immortals.

It, was, indeed an extraordinary room. Ste. Marie looked about its

mellow glow with a half-comprehending wonder, and he looked at the man

beside him curiously, for here was another side to this many-sided

character. Captain Stewart smiled.

"You like my museum?" he asked. "Few people care much for it except, of

course, those who go in for the Oriental arts. Most of my friends think

it bizarre--too grotesque and unusual. I have tried to satisfy them by

including those comfortable low divan-couches (they refuse altogether to

sit in the priests' chairs), but still they are unhappy."

He called his servant, who came to take Ste. Marie's hat and coat and

returned with smoking things.

"It seems entirely wonderful to me," said the younger man. "I'm not an

expert at all--I don't know who the gentlemen in those sixteen panels

are, for example--but it is very beautiful. I have never seen anything

like it at all." He gave a little laugh. "Will it sound very impertinent

in me, I wonder, if I express surprise--not surprise at finding this

magnificent room, but at discovering that this sort of thing is a taste

and, very evidently, a serious study of yours? You--I remember your

saying once with some feeling that it was youth and beauty and--well,

freshness that you liked best to be surrounded by. This," said Ste.

Marie, waving an inclusive hand, "was young so many centuries ago! It

fairly breathes antiquity and death."

"Yes," said Captain Stewart, thoughtfully. "Yes, that is quite true."

The two had seated themselves upon one of the broad, low benches which

had been built into the place to satisfy the Philistine.

"I find it hard to explain," he said, "because both things are passions

of mine. Youth--I could not exist without it. Since I have it no longer

in my own body, I wish to see it about me. It gives me life. It keeps my

heart beating. I must have it near. And then this--antiquity and death,

beautiful things made by hands dead centuries ago in an alien country! I

love this, too. I didn't speak too strongly; it is a sort of passion

with me--something quite beyond the collector's mania--quite beyond

that. Sometimes, do you know, I stay at home in the evening, and I sit

here quite alone, with the lights half on, and for hours together I

smoke and watch these things--the quiet, sure, patient smile of that

Buddha, for example. Think how long he has been smiling like that, and

waiting! Waiting for what? There is something mysterious beyond all

words in that smile of his, that fixed, crudely carved wooden smile--no,

I'll be hanged if it's crude! It is beyond our modern art. The dead men

carved better than we do. We couldn't manage that with such simple

means. We can only reproduce what is before us. We can't carve

questions--mysteries--everlasting riddles."

Through the pale-blue, wreathing smoke of his cigarette Captain Stewart

gazed down the room to where eternal Buddha stood and smiled eternally.

And from there the man's eyes moved with slow enjoyment along the

opposite wall over those who sat or stood there, over the panels of the

ancient Rakan, over carved lotus, and gilt contorted dragon forever in

pursuit of the holy pearl. He drew a short breath which seemed to

bespeak extreme contentment, the keenest height of pleasure, and he

stirred a little where he sat and settled himself among the cushions.

Ste. Marie watched him, and the expression of the man's face began to be

oddly revolting. It was the face of a voluptuary in the presence of his

desire. He was uncomfortable, and wished to say something to break the

silence, but, as often occurs at such a time, he could think of nothing

to say. So there was a brief silence between them. But presently Captain

Stewart roused himself with an obvious effort.

"Here, this won't do!" said he, in a tone of whimsical apology. "This

won't do, you know. I'm floating off on my hobby (and there's a mixed

metaphor that would do credit to your own Milesian blood!). I'm boring

you to extinction, and I don't want to do that, for I'm anxious that you

should come here again--and often. I should like to have you form the

habit. What was it I had in mind to ask you about? Ah, yes! The journey

to Dinard and Deauville. I am afraid it turned out to be fruitless or

you would have let me know."

"Entirely fruitless," said Ste. Marie.

He went on to tell the elder man of his investigation, and of his

certainty that no one resembling Arthur Benham had been at either of the

two places.

"It's no affair of mine, to be sure," he said, "but I rather suspect

that your agent was deceiving you--pretending to have accomplished

something by way of making you think he was busy."

Ste. Marie was so sure the other would immediately disclaim this that he

waited for the word, and gave a little smothered laugh when Captain

Stewart said, promptly:

"Oh no! No! That is impossible. I have every confidence in that man. He

is one of my best. No, you are mistaken there. I am more disappointed

than you could possibly be over the failure of your efforts, but I am

quite sure my man thought he had something worth working upon.

By-the-way, I have received another rather curious communication--from

Ostend this time. I will show you the letter, and you may try your luck

there if you would care to." He felt in his pockets and then rose. "I've

left the thing in another coat," said he; "if you will allow me, I'll

fetch it." But before he had turned away the door-bell rang and he

paused. "Ah, well," he said, "another time. Here are some of my guests.

They have come earlier than I had expected."

The new arrivals were three very perfectly dressed ladies, one of them

an operatic light, who chanced not to be singing that evening and whom

Ste. Marie had met before. The two others were rather difficult of

classification, but probably, he thought, ornaments of that mysterious

border-land between the two worlds which seems to give shelter to so

many people against whose characters nothing definite is known, but

whose antecedents and connections are not made topics of conversation.

The three ladies seemed to be on very friendly terms with Captain

Stewart, and greeted him with much noisy delight. One of the

unclassified two, when her host, with a glance toward Ste. Marie,

addressed her formally, seemed inordinately amused, and laughed for a

long time.

Within the next hour ten or a dozen other guests had arrived, and they

all seemed to know one another very well, and proceeded to make

themselves quite at home. Ste. Marie regarded them with a reflective and

not over-enthusiastic eye, and he wondered a good deal why he had been

asked here to meet them. He was as far from a prig or a snob as any man

could very well be, and he often went to very Bohemian parties which

were given by his painter or musician friends, but these people seemed

to him quite different. The men, with the exception of two eminent

opera-singers, who quite obviously had been asked because of their

voices, were the sort of men who abound at such places as Ostend and

Monte Carlo, and Baden-Baden in the race week. That is not to say that

they were ordinary racing touts or the cheaper kind of adventurers

(there was a count among them, and a marquis who had recently been

divorced by his American wife), but adventurers of a sort they

undoubtedly were. There was not one of them, so far as Ste. Marie was

aware, who was received anywhere in good society, and he resented very

much being compelled to meet them.

Naturally enough, he felt much less concern on the score of the ladies.

It is an undoubted and well-nigh universal truth that men who would

refuse outright to meet certain classes of their own sex show no

reluctance whatever over meeting the women of a corresponding

circle--that is, if the women are attractive. It is a depressing fact

and inclines one to sighs and head-shakes, and some moral indignation,

until the reverse truth is brought to light--namely, that women have

identically the same point of view; that, while they cast looks of

loathing and horror upon certain of their sisters, they will meet with

pleasure any presentable man whatever his crimes or vices.

Ste. Marie was very much puzzled over all this. It seemed to him so

unnecessary that a man who really had some footing in the newer society

of Paris should choose to surround himself with people of this type; but

as he looked on and wondered he became aware of a curious and, in the

light of a past conversation, significant fact: all of the people in the

room were young; all of them in their varying fashions and degrees very

attractive to look upon; all full to overflowing of life and spirits and

the determination to have a good time. He saw Captain Stewart moving

among them, playing very gracefully his rôle of host, and the man seemed

to have dropped twenty years from his shoulders. A miracle of

rejuvenation seemed to have come upon him: his eyes were bright and

eager, the color was high in his cheeks, and the dry, pedantic tone had

gone from his voice. Ste. Marie watched him, and at last he thought he

understood. It was half revolting, half pathetic, he thought, but it

certainly was interesting to see.

Duval, the great basso of the Opéra, accompanied at the piano by one of

the unclassified ladies, was just finishing Mephistopheles' drinking

song out of _Faust_ when the door-bell rang.

* * * * *

XI

A GOLDEN LADY ENTERS--THE EYES AGAIN

The music of voice and piano was very loud just then, so that the

little, soft, whirring sound of the electric bell reached only one or

two pairs of ears in the big room. It did not reach the host certainly,

and neither he nor most of the others observed the servant make his way

among the groups of seated or standing people and go to the outer door,

which opened upon a tiny hallway. The song came to an end, and everybody

was cheering and applauding and crying "Bravo!" or "Bis!" or one of the

other things that people shout at such times, when, as if in unexpected

answer to the outburst, a lady appeared between the yellow portières and

came forward a little way into the room. She was a tall lady of an

extraordinary and immediately noticeable grace of movement--a lady with

rather fair hair; but her eyebrows and eyelashes had been stained darker

than it was their nature to be. She had the classic Greek type of

face--and figure, too--all but the eyes, which were long and

narrow--narrow, perhaps, from a habit of going half closed; and when

they were a little more than half closed they made a straight black line

that turned up very slightly at the outer end with an Oriental effect

which went oddly in that classic face. There is a popular piece of

sculpture now in the Luxembourg Gallery for which this lady "sat" as

model to a great artist. Sculptors from all over the world go there to

dream over its perfect line and contour, and little schoolgirls pretend

not to see it, and middle-aged maiden tourists, with red Baedekers in

their hands, regard it furtively and pass on, and after a while come

back to look again.

The lady was dressed in some very close-clinging material which was not

cloth of gold, but something very like it, only much duller--something

which gleamed when she stirred, but did not glitter--and over her

splendid shoulders was hung an Oriental scarf heavily worked with

metallic gold. She made an amazing and dramatic picture in that golden

room. It was as if she had known just what her surroundings would be and

had dressed expressly for them.

Jason: A Romance · 第 7 / 22 段