Therese looked at Julien gravely. She said only one word,--"Come."

They drew aside the curtains. They wished to clothe the corpse which

already had the rigidity of a lugubrious puppet. When that task was

finished, their brows were moist.

"Come," she said a second time.

Without hesitation, Julien took up the body and threw it across his

shoulders, as butchers carry calves.

"I will go before you," murmured Therese rapidly, "I will hold your

coat,--you have only to follow. And walk softly."

They had first to pass through Françoise's room. They had crossed it,

when one of the feet of the corpse struck against a chair. At the sound,

Françoise awoke. They heard her raise her head, mumbling to herself.

They remained motionless,--she, pressed against the door; he, crushed

under the weight of the body, with the horrible fear that the mother

might surprise them carrying her son to the river. It was a moment of

anguish. Then, Françoise went to sleep again, and they stealthily

reached the corridor.

But, here, another fright awaited them. The marquise had not gone to

bed,--a streak of light came through the partly opened door. So, they

dared neither go forward, nor retreat. For a quarter of an hour, they

did not move, and Therese had the astounding courage to support the body

so that Julien should not get tired. At last, the streak of light was

obliterated. They could go on to the ground floor. They were saved.

It was Therese who again opened the ancient door. And when Julien found

himself in the middle of Quatre-Femmes Square with his burden, he saw

her standing on the flight of steps, in her white ball gown. She was

waiting for him.

V

Julien had the strength of a bull. When very young, in the forest near

his native village, he amused himself helping the woodcutters, carrying

tree trunks on his young shoulders. So, he carried little Colombel as

easily as a feather. It was a bird on his back, that corpse of a shrimp.

He hardly felt it,--he experienced an unholy joy in finding it so light,

so thin, so absolutely nothing. Little Colombel would never sneer at him

again, passing under his windows while he played the flute. He would

never again humiliate him with his witticisms in the town. With a

movement of the shoulder, he hoisted the body higher up, and, with set

teeth, hastened his steps.

The town was dark. Yet, there was light in Quatre-Femmes Square, in

Captain Pidoux's window. Doubtless, the captain was not feeling well;

his large profile could be seen passing back and forth behind the

curtains. Julien, anxious, slunk in the shadow of the houses. Suddenly,

a slight cough froze him. He hid in a doorway. He recognized the wife of

M. Savournin taking the air at her window. It seemed like fatality.

Ordinarily, at that hour, Quatre-Femmes Square slept soundly.

Fortunately, Madame Savournin soon returned to the side of M. Savournin,

whose snores could be heard on the pavement.

Julien quickly crossed the square and breathed more freely in the

narrowness of Beau-Soleil Street. There, the houses were so near

together that the light of the stars did not penetrate the shadowy

depths. As soon as he found himself thus sheltered, an irresistible

desire to run sent him forward in a furious gallop. It was dangerous and

stupid,--he knew it; but he still felt behind him the clear and empty

space of Quatre-Femmes Square, with the windows of Madame Savournin and

the captain lighted like two great eyes that watched him. His shoes made

such a noise on the stones that he thought himself followed. Suddenly,

he halted. He had heard, thirty yards away, the voices of the officers

who patronized the table d'hôte of the blond widow. They must have been

making merry over a punch, in honor of the exchange of one of their

comrades. The young man told himself that if they came up the street, he

was lost. There was no side street for him to turn into, and he would

not have time to go back. He listened to the tread of their boots and

the jingling of their swords with an anxiety that almost strangled him.

For a moment, he could not have told whether they were approaching or

going in the other direction. But the noises gradually grew fainter. He

waited, then went on softly. At last, he reached the city gate. He

passed through, but the sudden widening out of the country terrified

him. There was a blue haze over the earth; a fresh breeze stirred; and

it seemed to him that an immense crowd awaited him and breathed in his

face.

Yet, there was the bridge. He could see the white roadway, the two

parapets, low and gray like granite benches; he could hear the crystal

music of the Chanteclair in the tall grasses. So, he risked it. He bent

over, avoiding open space as much as possible, fearing to be seen by the

thousand mute witnesses that he felt around him. The most terrible

ordeal would be on the bridge itself, where he would be exposed to the

view of the whole town, which was built like an amphitheatre. He had one

last wavering of the will,--and then he crossed the bridge.

He leaned over; he saw the surface with its ripples like smiles. That

was the spot. He unloaded his burden on the parapet. Before throwing the

body in, he had an irresistible impulse to look at little Colombel

again. He remained for several seconds face to face with the corpse. A

cart in the distance rumbled and creaked. So Julien made haste; and, to

avoid a noisy plunge, he let the body down slowly, leaning over as far

as possible. He did not know how it happened, but the arms of the corpse

caught around his neck and he was dragged over. He saved himself from

going down, by a miracle. Little Colombel wanted to take him with him.

When he found himself seated on the stone, he was taken with a fit of

weakness. He remained there, broken, his spine curved, his legs hanging,

in the relaxed attitude of a tired pedestrian. And he contemplated the

sleeping surface, where the laughing ripples had reappeared. One thing

was certain,--little Colombel had tried to drag him down with him.

Then, he recalled Therese. She was waiting for him. He could see her

standing at the head of the ruined steps, in her white silk dress with

its sweet briar blossoms, all white and their hearts touched with red.

But perhaps, she had felt cold and had gone to her room to wait for him.

No woman had ever waited for him before. Just one minute more, and then

he would be at the rendezvous! But his legs were numb, and he feared

that he would fall asleep. Was he a coward, then? And, to rouse himself,

he pictured Therese as he had seen her at her toilet. He saw again her

arms raised, moving her delicate elbows and her pale hands. He recalled

that room of terrible voluptuousness, where he had known a mad

intoxication. Was he to renounce that passion offered him, a foretaste

of which was burning his lips? No; he would sooner drag himself upon his

knees, if his legs refused to carry him!

But it was already a lost battle, in which his vanquished love had just

expired. The image of Therese paled; a black wall arose, separating him

from her. He had but one irresistible desire,--to sleep, to sleep

forever! He would not go to the office to-morrow,--it would be useless.

He would never again play the flute; he would never again sit by his

window. So, why not sleep forever? His existence was ended,--he could go

to bed. And he looked again at the river, trying to see if little

Colombel was still there.

The surface spread, dimpled by the rapid smiles of its currents The

Chanteclair sang musically, while the country softened under the shadow

of a sovereign peace. Julien murmured the name of "Therese." Then, he

let himself go, and, rolling over, he fell like a bundle into the water,

sending up great splashes of foam. And the Chanteclair continued its

song among the grasses.

When the two bodies were found, it was thought there had been a combat,

and a story was invented forthwith. Julien must have lain in wait for

little Colombel to avenge his mocking; and he must have jumped into the

river after killing his enemy with a blow on the temple.

Three months later, Mademoiselle Therese de Marsanne married the young

Count de Veteuil. She wore a white dress, and her face was beautiful in

its haughty purity.

For a Night of Love · 第 10 / 10 题