CHAPTER II.

He took nobody by surprise; there was nobody to take. All was quiet;

Denis wandered from room to empty room, looking with pleasure at the

familiar pictures and furniture, at all the little untidy signs of life

that lay scattered here and there. He was rather glad that they were

all out; it was amusing to wander through the house as though one

were exploring a dead, deserted Pompeii. What sort of life would the

excavator reconstruct from these remains; how would he people these

empty chambers? There was the long gallery, with its rows of respectable

and (though, of course, one couldn’t publicly admit it) rather boring

Italian primitives, its Chinese sculptures, its unobtrusive, dateless

furniture. There was the panelled drawing-room, where the huge

chintz-covered arm-chairs stood, oases of comfort among the austere

flesh-mortifying antiques. There was the morning-room, with its pale

lemon walls, its painted Venetian chairs and rococo tables, its mirrors,

its modern pictures. There was the library, cool, spacious, and dark,

book-lined from floor to ceiling, rich in portentous folios. There was

the dining-room, solidly, portwinily English, with its great

mahogany table, its eighteenth-century chairs and sideboard, its

eighteenth-century pictures--family portraits, meticulous animal

paintings. What could one reconstruct from such data? There was much of

Henry Wimbush in the long gallery and the library, something of Anne,

perhaps, in the morning-room. That was all. Among the accumulations of

ten generations the living had left but few traces.

Lying on the table in the morning-room he saw his own book of poems.

What tact! He picked it up and opened it. It was what the reviewers call

“a slim volume.” He read at hazard:

”...But silence and the topless dark

Vault in the lights of Luna Park;

And Blackpool from the nightly gloom

Hollows a bright tumultuous tomb.”

He put it down again, shook his head, and sighed. “What genius I had

then!” he reflected, echoing the aged Swift. It was nearly six months

since the book had been published; he was glad to think he would never

write anything of the same sort again. Who could have been reading it,

he wondered? Anne, perhaps; he liked to think so. Perhaps, too, she had

at last recognised herself in the Hamadryad of the poplar sapling; the

slim Hamadryad whose movements were like the swaying of a young tree in

the wind. “The Woman who was a Tree” was what he had called the poem. He

had given her the book when it came out, hoping that the poem would tell

her what he hadn’t dared to say. She had never referred to it.

He shut his eyes and saw a vision of her in a red velvet cloak, swaying

into the little restaurant where they sometimes dined together in

London--three quarters of an hour late, and he at his table, haggard

with anxiety, irritation, hunger. Oh, she was damnable!

It occurred to him that perhaps his hostess might be in her boudoir. It

was a possibility; he would go and see. Mrs. Wimbush’s boudoir was in

the central tower on the garden front. A little staircase cork-screwed

up to it from the hall. Denis mounted, tapped at the door. “Come in.”

Ah, she was there; he had rather hoped she wouldn’t be. He opened the

door.

Priscilla Wimbush was lying on the sofa. A blotting-pad rested on her

knees and she was thoughtfully sucking the end of a silver pencil.

“Hullo,” she said, looking up. “I’d forgotten you were coming.”

“Well, here I am, I’m afraid,” said Denis deprecatingly. “I’m awfully

sorry.”

Mrs. Wimbush laughed. Her voice, her laughter, were deep and masculine.

Everything about her was manly. She had a large, square, middle-aged

face, with a massive projecting nose and little greenish eyes, the whole

surmounted by a lofty and elaborate coiffure of a curiously improbable

shade of orange. Looking at her, Denis always thought of Wilkie Bard as

the cantatrice.

“That’s why I’m going to

Sing in op’ra, sing in op’ra,

Sing in op-pop-pop-pop-pop-popera.”

Today she was wearing a purple silk dress with a high collar and a row

of pearls. The costume, so richly dowagerish, so suggestive of the Royal

Family, made her look more than ever like something on the Halls.

“What have you been doing all this time?” she asked.

“Well,” said Denis, and he hesitated, almost voluptuously. He had a

tremendously amusing account of London and its doings all ripe and ready

in his mind. It would be a pleasure to give it utterance. “To begin

with,” he said...

But he was too late. Mrs. Wimbush’s question had been what the

grammarians call rhetorical; it asked for no answer. It was a little

conversational flourish, a gambit in the polite game.

“You find me busy at my horoscopes,” she said, without even being aware

that she had interrupted him.

A little pained, Denis decided to reserve his story for more receptive

ears. He contented himself, by way of revenge, with saying “Oh?” rather

icily.

“Did I tell you how I won four hundred on the Grand National this year?”

“Yes,” he replied, still frigid and mono-syllabic. She must have told

him at least six times.

“Wonderful, isn’t it? Everything is in the Stars. In the Old Days,

before I had the Stars to help me, I used to lose thousands. Now”--she

paused an instant--“well, look at that four hundred on the Grand

National. That’s the Stars.”

Denis would have liked to hear more about the Old Days. But he was too

discreet and, still more, too shy to ask. There had been something of

a bust up; that was all he knew. Old Priscilla--not so old then, of

course, and sprightlier--had lost a great deal of money, dropped it

in handfuls and hatfuls on every race-course in the country. She had

gambled too. The number of thousands varied in the different legends,

but all put it high. Henry Wimbush was forced to sell some of his

Primitives--a Taddeo da Poggibonsi, an Amico di Taddeo, and four or five

nameless Sienese--to the Americans. There was a crisis. For the first

time in his life Henry asserted himself, and with good effect, it

seemed.

Priscilla’s gay and gadding existence had come to an abrupt end.

Nowadays she spent almost all her time at Crome, cultivating a rather

ill-defined malady. For consolation she dallied with New Thought and the

Occult. Her passion for racing still possessed her, and Henry, who was a

kind-hearted fellow at bottom, allowed her forty pounds a month betting

money. Most of Priscilla’s days were spent in casting the horoscopes

of horses, and she invested her money scientifically, as the stars

dictated. She betted on football too, and had a large notebook in which

she registered the horoscopes of all the players in all the teams of

the League. The process of balancing the horoscopes of two elevens one

against the other was a very delicate and difficult one. A match between

the Spurs and the Villa entailed a conflict in the heavens so vast and

so complicated that it was not to be wondered at if she sometimes made a

mistake about the outcome.

“Such a pity you don’t believe in these things, Denis, such a pity,”

said Mrs. Wimbush in her deep, distinct voice.

“I can’t say I feel it so.”

“Ah, that’s because you don’t know what it’s like to have faith. You’ve

no idea how amusing and exciting life becomes when you do believe. All

that happens means something; nothing you do is ever insignificant. It

makes life so jolly, you know. Here am I at Crome. Dull as ditchwater,

you’d think; but no, I don’t find it so. I don’t regret the Old Days

a bit. I have the Stars...” She picked up the sheet of paper that was

lying on the blotting-pad. “Inman’s horoscope,” she explained. “(I

thought I’d like to have a little fling on the billiards championship

this autumn.) I have the Infinite to keep in tune with,” she waved her

hand. “And then there’s the next world and all the spirits, and one’s

Aura, and Mrs. Eddy and saying you’re not ill, and the Christian

Mysteries and Mrs. Besant. It’s all splendid. One’s never dull for a

moment. I can’t think how I used to get on before--in the Old Days.

Pleasure--running about, that’s all it was; just running about. Lunch,

tea, dinner, theatre, supper every day. It was fun, of course, while it

lasted. But there wasn’t much left of it afterwards. There’s rather a

good thing about that in Barbecue-Smith’s new book. Where is it?”

She sat up and reached for a book that was lying on the little table by

the head of the sofa.

“Do you know him, by the way?” she asked.

“Who?”

“Mr. Barbecue-Smith.”

Denis knew of him vaguely. Barbecue-Smith was a name in the Sunday

papers. He wrote about the Conduct of Life. He might even be the author

of “What a Young Girl Ought to Know”.

“No, not personally,” he said.

“I’ve invited him for next week-end.” She turned over the pages of the

book. “Here’s the passage I was thinking of. I marked it. I always mark

the things I like.”

Holding the book almost at arm’s length, for she was somewhat

long-sighted, and making suitable gestures with her free hand, she began

to read, slowly, dramatically.

“‘What are thousand pound fur coats, what are quarter million incomes?’”

She looked up from the page with a histrionic movement of the head; her

orange coiffure nodded portentously. Denis looked at it, fascinated.

Was it the Real Thing and henna, he wondered, or was it one of those

Complete Transformations one sees in the advertisements?

“‘What are Thrones and Sceptres?’”

The orange Transformation--yes, it must be a Transformation--bobbed up

again.

“‘What are the gaieties of the Rich, the splendours of the Powerful,

what is the pride of the Great, what are the gaudy pleasures of High

Society?’”

The voice, which had risen in tone, questioningly, from sentence to

sentence, dropped suddenly and boomed reply.

“‘They are nothing. Vanity, fluff, dandelion seed in the wind, thin

vapours of fever. The things that matter happen in the heart.

Seen things are sweet, but those unseen are a thousand times more

significant. It is the unseen that counts in Life.’”

Mrs. Wimbush lowered the book. “Beautiful, isn’t it?” she said.

Denis preferred not to hazard an opinion, but uttered a non-committal

“H’m.”

“Ah, it’s a fine book this, a beautiful book,” said Priscilla, as she

let the pages flick back, one by one, from under her thumb. “And here’s

the passage about the Lotus Pool. He compares the Soul to a Lotus Pool,

you know.” She held up the book again and read. “‘A Friend of mine has

a Lotus Pool in his garden. It lies in a little dell embowered with wild

roses and eglantine, among which the nightingale pours forth its amorous

descant all the summer long. Within the pool the Lotuses blossom, and

the birds of the air come to drink and bathe themselves in its crystal

waters...’ Ah, and that reminds me,” Priscilla exclaimed, shutting the

book with a clap and uttering her big profound laugh--“that reminds me

of the things that have been going on in our bathing-pool since you were

here last. We gave the village people leave to come and bathe here in

the evenings. You’ve no idea of the things that happened.”

She leaned forward, speaking in a confidential whisper; every now and

then she uttered a deep gurgle of laughter. “...mixed bathing...saw them

out of my window...sent for a pair of field-glasses to make sure...no

doubt of it...” The laughter broke out again. Denis laughed too.

Barbecue-Smith was tossed on the floor.

“It’s time we went to see if tea’s ready,” said Priscilla. She hoisted

herself up from the sofa and went swishing off across the room, striding

beneath the trailing silk. Denis followed her, faintly humming to

himself:

“That’s why I’m going to

Sing in op’ra, sing in op’ra,

Sing in op-pop-pop-pop-pop-popera.”

And then the little twiddly bit of accompaniment at the end: “ra-ra.”

Crome Yellow · 第 2 / 30 章