STAKING A LARKSPUR

AS a matter of fact (one has often to take one’s stand on fact when

thinking about Vera), it’s I who am the gardener; it’s I, that is to

say, who draw the plans and compute the cost and give the orders and see

that the men carry them out. I often lend a hand at carrying them out,

too, for I love planting seedlings and staking plants and tweaking out

weeds here and there when I’ve the chance. That wonderful blue border

Vera had on the south terrace last summer,--it was just going over when

the war broke out,--I put in all the new blue larkspurs myself, three

hundred of them,--the larkspurs that Mrs. Thornton was to remind me

of,--and I designed and planted and with my own hands helped to lay out

the dream-garden, Vera’s special garden. It was she, certainly, who had

had the idea, standing on the site of the little, old, abandoned sunken

garden in its circle of stone wall and cypresses, and saying, “I see a

dream-garden here, Judith; a place where one can come and sit alone and

dream dreams.” She often has charming ideas, Vera, but she knows nothing

about gardening. I sound already as if I were crabbing her, I know; and

perhaps I am. Certainly I never think of her relation to her garden

without a touch of irony, and this story, which begins in the

dream-garden, isn’t to her advantage. It was there that I felt my first

definite irascibility in regard to Vera and little Mrs. Thornton, and

felt the impulse, as far as I was able, to take Mrs. Thornton under my

wing.

It’s a rather clipped and confined wing, and yet I can do pretty much as

I choose at Compton Dally; I don’t quite know why, for Vera doesn’t

exactly like me. Still, she doesn’t dislike me, and I think she’s a

little bit afraid of me; for I am as definite and determined as a pair

of garden shears, and my silence is often only the good manners of the

dependant, and Vera knows it.

I am her cousin, an impecunious cousin, my mother a sister of her

father’s, old Lord Charleyford, who died last year. Vera herself was

very impecunious until she married Percival Dixon; impecunious, but

always very lovely and very clever, and she was on the crest of every

wave, always, and never missed anything, except ready money and a really

good offer, even before Percival Dixon came along--he came _via_ South

Africa--and gave her all the money that even she could spend, and bought

back Compton Dally for her. Compton Dally had been in the family for

hundreds of years, and it was our grandfather, Vera’s and mine, who had

ruined us all and finally sold it. It was everything for Vera to get it

back, even if she had to take Percival Dixon with it; and I confess that

for Compton Dally I could almost have taken Percival Dixon myself; but

not quite, even for Compton Dally.

Well, she has always been fairly decent to me; not as decent as she

might have been, certainly, but more decent than I, at all events,

expected, whatever may have been poor mother’s hopes and indignations. I

always thought mother unfair; there was no reason why Vera should go out

of her way to give me a good time, and it showed some real consideration

in her to have suggested, when mother died and while Jack was reading

for the bar, that, until he and I could set up housekeeping in London

together, I should come and be her companion and secretary and general

odd-job woman; and for people like Vera to show any consideration is

creditable to them. I am five years older than Jack, and our plan has

always been to live together. I intend, of course,--though Jack at

present doesn’t, dear lamb!--that he shall marry; but until then I’m to

live with him and take care of him and help him with his work. All this

if he ever comes back again. He is fighting at the front as I write, so

that it remains to be seen whether I’m to go on always with Vera. If

Jack doesn’t come back I shan’t find it more difficult than anything

else. We have always been all in all to each other, he and I; but that

is quite another story and one that will never be written. This one is

neither about Jack nor me, but about Vera and her garden and little Mrs.

Thornton and her husband and her clothes.

Vera had thrown open Compton Dally to wounded Tommies and wounded

officers, and the Thorntons came in that way. He’d only been back from

the Boulogne hospital for a week, was badly crippled, and had a very

gallant record. Most of Vera’s officers before this had been colonials

who had no homes to go to. The Thorntons weren’t colonials, but they had

no home and were very poor, so that the arrangement for them to spend

six weeks or two months at Compton Dally while Captain Thornton got back

his strength--as far as he was able to get it back, poor man!--seemed an

admirable one.

They came on a hot June afternoon both very tired, while we were all

having tea on the west terrace. The Tommies--there were over a dozen of

them, with two Red Cross nurses to take care of them--had their tea in

the billiard-room, which is made over to them for their games and meals

and almost constant gramophone, and the accurate laughter of Harry

Lauder is wafted out to us on various music-hall strains at most hours

of the day. He was laughing loudly and richly as the Thorntons arrived.

After tea Vera led them about the garden. Vera’s garden is merely a part

of her toilette, and plays almost as important a part as her clothes in

her general introduction of herself; and that she intended to introduce

herself gracefully to Captain Thornton was evident; and that I was to

pilot Mrs. Thornton, I had known after Vera’s glance at her imitation

Panama hat, her blue linen skirt, of an obsolete cut and a bad one at

that, and her white blouse, shrunken in washing. Vera placed her swiftly

as dull and dowdy, and it was my part, always, to pilot the dowdy and

the dull.

I don’t mind that, however; even now, after three years of it, I always

enjoy going over Compton Dally and the gardens with newcomers. It’s such

a beautiful old place, so grave and so serene, its splendid Tudor front

lifted high on stone terraces, and its courts and corners behind

breaking out into all sorts of unexpected and enchanting antiquities. It

symbolizes, if you begin with the Saxon arches in the cellars, the

whole history of England, and means so much more than any person who has

ever lived there, or who ever will live there, can ever mean. It’s worth

the sacrifice of generations of younger sons and myriads of marriageable

daughters. What could they all do better than to keep it going? I always

recalled this when I wondered how Vera could have married Percival

Dixon, and felt almost as much satisfaction as she could feel in the

fact that two robust little boys, still at their preparatory school,

stood reassuringly behind her and Percival; the elder, too, a thorough

Compton, with hardly a trail of Dixon apparent on his ingenuous young

countenance. I have the whole history of Compton Dally at the tips of my

fingers, and if people give me an opening and show that they care about

it, I can talk to them for hours as I take them round, feeling, for my

little part and share in it, that, even if Vera weren’t as decent as she

is, I should put up with a great deal to stay in it and take care of it.

We didn’t go about the house to-day. The Thorntons saw the big

herbaceous border and the rose-garden, the rock-garden, tinkling with

its little rivulet, the moat, and the lime-tree alley; and then Vera,

trailing her gossamer draperies along the flagged path between the

cypresses,--for Vera, even at this epoch of shortened petticoats,

manages always to trail,--murmured, as I’ve heard her murmur, when she’s

at Compton Dally, at least once a week, “And this is my dream-garden,

where I come and sit alone and dream dreams.”

She led Captain Thornton down among the cypress boughs. He had a

splinted leg and an unaccustomed crutch, and found the steps a

difficulty; but Vera put a hand under his elbow and let him lean

heavily on her shoulder, and he reached the dream-garden without, I

hope, too many twinges.

It is really very lovely. I don’t like hearing it called a dream-garden,

naturally; but I do feel always, when I come into it, that it is like

sinking into the stillness and magic of a happy dream. The gypsophila

wasn’t out yet, but it made a mist, like drowsiness; white peonies, grey

santolina, white roses and silver sea-thistle, the dreamy spires of

white foxgloves, low, purple pansies, and tall irises, white and grey

and purple--these, in their twilight colours, were massed against the

grey stone walls, and there were four bay-trees in stone urns at the

corners. The beautiful old stone seat (I found it in Brompton Road, but

it might have been made for Compton Dally three hundred years ago in

Italy) was heaped with grey and purple cushions. In the centre rose the

fluent shaft of the fountain, falling, with a musical rustle and murmur

into the stone basin where pale goldfish move among the water-lilies.

We sat down, and Vera went on to say, as always:

“The other gardens are for friends. I plan them for them. I see them

there. This is for loneliness, for my very self; and to me it is the

heart of the whole, as solitude should be the heart of life.”

Vera, as a matter of fact (you see, the phrase recurs constantly), is

never alone. If she is wan and strange and wistful, it isn’t from

dreaming dreams, but from not having enough sleep and doing five times

too many things and seeing five times too many people in the day. Vera,

too, I may say it here, isn’t in the least an ass, though she may, on

occasions she finds suitable, talk like one. Occasions are often

suitable, so that, as I once told her, she’s in danger of making a habit

of it. She looked at me, when I told her this, with the pausing,

penetrating, ironic gaze she is so capable of, and finally, with a

slight grimace, said, “I’ll be careful, Judith.”

I have moments of feeling fond of her and this was one of them. She is

careful; I’ve very rarely heard her talk like an ass when the occasion

was unsuitable; but so many people are stupid that these are rare, and I

foresee that, as she gets on and sinks by degrees into the automatism

that overtakes so many artificial people, it may become a habit, just as

the touch of rouge on her pale lips is already becoming more emphasized.

Captain Thornton, I saw at once, as she did,--for she saw most

things,--was not stupid; but he was very simple. There was a certain

bewilderment on his handsome, sturdy face, wistfulness rather than

delight, such as a soul newly arrived in Paradise might feel, unable to

forget the passes of death and the companions left behind in suffering.

He wasn’t forgetting; I felt that as I looked at him. So many of them

forget. Vera, I am sure, hardly ever remembers what it all really

means--all these wounded heroes. Perhaps it is natural that she

shouldn’t; she has no one near in it.

Captain Thornton gazed about him quietly, and from the garden looked

back at the angel who had led him there. Of course Vera must have looked

like an angel to him. I haven’t described Vera, and she is difficult to

describe. To say that she is pale and dark, with attenuated features and

dwelling, melancholy eyes, is only the beginning of it. Of course she

is getting on now,--she is nearing forty-five,--but she’s still lovely;

her smile makes me think of a pearl dropped in wine, and behind the

melancholy of her eyes is that well of waiting irony. She looks as soft,

as tenderly encompassing, as a summer night; but she is really sharp,

sharp, sharp. Thwart or vex her, and out leaps the stiletto; or, rather,

it would be more exact to say, out come the claws. But women of the Vera

type will always, to young men like Captain Thornton, be angels pure and

simple. I don’t suppose, for one thing, that he’d ever talked intimately

with any one quite like her. He came, I was to learn, from a remote

country rectory where the great ladies of the neighbourhood had been

unfashionable, matter of fact, and clothed for the most part in tweed

and leather, and none of them would have been likely to make much,

before the war, of a young soldier. Vera was making much of him, and a

fashionable angel is an angel doubly equipped. He would not know what it

was that made her so strange in her sweetness; but fashion of that

achieved and recondite kind is like a soft incense wafted around a

woman. She is first, everywhere, always, without an effort; and people

who are first, if they also look like angels, win hearts as easily as

they run and twist their fingers among their ropes of pearls, as Vera

was doing now. She always wore her pearls; they fell together in a milky

heap in her lap, and long earrings glimmered in the shadows of her hair.

Vera’s way of talking, too, is like a spell. Her voice is rather like

the fountain, so low, so inarticulate, yet so expressive. She murmurs

rather than speaks, with now and then a pause that is almost a soft

gurgle. Sometimes it exasperates me to hear her, but sometimes even

cross-grained I am charmed.

The voice purled and rippled and gurgled over Captain Thornton now. He

sat on Vera’s farther hand, and Mrs. Thornton sat between Vera and me.

Already, at tea-time, Mrs. Thornton had interested me. She had remained

silent without seeming shy. Superficially, no doubt, she was dowdy, and

superficially she looked dull, or, as I saw it, dulled; and dull and

dowdy is what at tea they all put her down for. It’s curious, how in a

group of highly civilized people, a newcomer, without a word or glance

exchanged between them, is in a moment assessed and placed and

relegated. Everybody was going to be very kind to Mrs. Thornton, that I

saw, and everybody was going to relegate her; only the highly civilized

can manage the combination.

Mrs. Thornton, from one point of view, had a pallid, podgy little face,

with wide lips and short nose and a broad, infantile brow above eyes

singularly far apart. All the same, and the more I looked at her the

more I saw it, it was a delicious face; squared here, stubborn there,

sweet by turns and glances. And she was of the loveliest colour, with a

skin silver-white, and thick, shining, pale-gold hair, and eyes of a

deep, dense, meditative blue. All her attributes, however, were

invisible to Vera, and I was fully prepared for the glance with which,

over Mrs. Thornton’s imitation Panama, she presently said to me:

“Darling, do take Mrs. Thornton round the water-garden. It’s so lovely

at this hour. Captain Thornton must wait for it till to-morrow. He’s too

tired to go farther now.”

Mrs. Thornton got up at once, with her air of vague acquiescence in

anything proposed, and I led her up and out and down the lime-tree alley

and through the copse, where Vera, in spring, has her wild garden, to

the banks of the river, the clear, wandering little stream, bridged and

islanded, golden in the afternoon light under its willows and reflecting

irises and meadow-sweet.

“Now we can sit down,” I said, and on a bench under a willow we did sit,

Mrs. Thornton with an involuntary sigh of weariness. “I expect your

husband will soon get all right here,” I said presently. “It’s such good

air. Is his leg badly damaged?”

“Well, you see, he can already get about quite well with it,” said Mrs.

Thornton; “but I’m afraid he’ll never be able to do any of the things he

most cares for again--riding and cricket, and his soldiering, of course.

He will have to give up the army. I am afraid it’s afterwards one will

begin to feel all the things that one must give up. Just now all that I

can think about is that he has come back alive. Have you any one out

there?” she asked.

I told her about Jack and how he had got a commission at the beginning

of the war and gone out in January.

“It must be even more of a wrench to have them go when they aren’t

already in the army,” said Mrs. Thornton. “A soldier’s wife ought not to

feel it so much of a wrench. I’m afraid I did, though.”

I saw already that Mrs. Thornton had taken to me. It was natural that

she should. I had taken to her quite tremendously, and she must have

felt it; and, besides, a great many women do feel confidence in me at

once. I, to be sure, look like anything but an angel, though I, like

Vera, have small, pale features and dark hair. But mine’s not a

melancholy or mysterious face. My eyebrows dip together over my nose,

and my mouth is at once placid and irascible. I look, in my straight,

austere clothes,--the silver buckles on my shoes and the fob of old

trinkets at my waist for all adornment,--like a cross between a young

priest in his soutane and a Blue-Coat boy; and I think it is the boyish

woman, curt and kind and impersonal, who gains the confidence of others

of her sex.

“I don’t know that it was more of a wrench,” I said. “I expect that you

and I felt pretty much the same sort of thing on that Victoria platform

when we said good-bye to them. What do you and your husband intend

doing, now that he has to give up his profession?”

“Well, we had thought of having a chicken-farm somewhere. We are both so

fond of the country, and I’ve a cousin who has a chicken-farm, and I’ve

helped her with it, and she has made it pay. Even if Clive’s leg stays

so bad, I am very strong. But we’ve had, really, no time yet to talk

things over.”

“You don’t look very strong,” I observed, “but that may be because you

are over-tired. You look very tired. I should say that you got up at six

this morning, and raced around London shopping in the heat, and packed,

and had no lunch, and a journey on top of it all. So no wonder you are

tired.”

“How clever of you!” Mrs. Thornton cried, laughing. “That is exactly

what I have been doing. And I’ve been in a Belgian refugee hostel ever

since Clive went, and that is tiring, though it keeps one going, too.

Don’t you find it difficult just to go on from day to day?” She was

leaning forward on her knee now to look up into my face while I knitted.

“I mean, when one wakes in the morning, for instance, to think that one

has to get up and brush one’s teeth and do one’s hair and all the rest

of it. It seems impossible when what one is feeling is that one wants to

be chloroformed till it is all over. It was then that the hostel was so

sustaining; one had to get up whether one felt like it or not.”

“I know; yes,” I said, nodding. “I’ve work, too, though it’s not so

sustaining as a hostel. I’m my cousin’s secretary, and we have all these

Tommies now; they take up a good deal of time. It must be curious,

having it all over, all that weight of anxiety.”

“It is, it is,” said little Mrs. Thornton, eagerly, with her look of

gratitude for finding some one with whom to talk about it. “It’s almost

like losing a limb. I feel crippled, as well as Clive. Isn’t it absurd?

But it’s almost like loss. And one is dazed with the relief of it.”

“How long have you been married?” I asked.

“Only a year and a half,” she told me, and that Clive’s mother and hers

had been great friends, and that she had often gone to stay with his

people in the country, so that she had always known him. Her mother had

died when she was a child and her father only two years ago. She had

lived in London with her father, who had been an artist. She was just

twenty. And after she had told me about herself, she asked me about

Jack, and I found myself telling her all about him and about those plans

of ours for living together in London if he ever comes back.

The party at Compton Dally was small, and they were all there (except

Sir Francis who was an old family friend and who was paying a long

visit), to help Vera with her Tommies. The only other officer besides

Captain Thornton was poor Colonel Appleby, a pale, frightened,

middle-aged man invalided home with nervous shock. At dinner that night

Lady Dighton, who is the embodiment of lassitude and acquiescence, had

him, and Mrs. Travers-Cray had Sir Francis, and Vera had Captain

Thornton, so that Percival fell to the share of Mollie Thornton, and I

wondered how she liked him. If she was already feeling herself out of

it, to have Percival at dinner wouldn’t make her feel herself in; quite

the reverse. Percival’s appearance is always summed up to me by the back

of his head: the wedge of fat, red neck above his high collar, the

sleek, glittering black hair, and the rims of his red ears curving

forward on each side. The back of his head seems really as

characteristic as the front, though that is jovial and not unkindly.

Percival looks sly over his food, and looks over his wine like the sort

of man who is going to tell a story that no one else will find at all

amusing. He told Mollie several such stories that night, I inferred,

though she was evidently neither shy nor shocked; it was in the quality

of her smile that I read her kindly endurance.

Milly, Vera’s girl, just seventeen and just promoted to late dinner, sat

on Mollie’s other hand and did not, as far as I observed, address her

once during the meal. But, then, Milly never makes efforts unless they

are plainly useful. All Vera’s beauty had been spoiled in her by the

Dixon admixture, and yet she is a most engaging-looking little minx,

with broad, bold, black, idle eyes and a blunted nose, auburn hair and a

skin of roses and carnations. Vera had seen to that. Poor Vera is quite

fond of the child, a half-vexed, half-ironic constantly rebuffed

tenderness. But Milly says to me, “Mother is such a bore, you know,” and

likes me far better, who make no claim upon her and who, she must feel,

like her very little. She will soon take flight, however, when a

sufficiently advantageous occasion presents itself. The war has been a

sad blow to her projects, and what I like in Milly is the fact that she

has never uttered a word of complaint as to the shattering of her

girlish gaieties. However, to get back to Mollie Thornton, I don’t think

she could have enjoyed her companions at dinner.

After dinner I go and amuse the Tommies and talk to the nurses until

bedtime, but, before I went, I observed that Vera, after her wont with

the detrimental belongings of a guest, had placed Mollie in a corner

with a book and the urgent, smiling murmur: “By a friend of mine. Quite,

quite beautiful. I know you’ll love it.” It is a book called “Spiritual

Control,” with a portrait of its author, who is a stock-broker, a sleek,

stalwart, satisfied person whom Vera characterizes, why I can’t think,

except that she had him once to stay after hearing his lecture, as her

“friend.” A great many people find the book inspiring; Vera, as a matter

of fact, doesn’t, and she found Mr. Cuthbert Dawson a terrible bore. It

was plain from her giving poor Mrs. Thornton “Spiritual Control” to

read, where she placed her.

When I came back an hour later she was still in her corner with

“Spiritual Control,” but she wasn’t reading it. She had drawn the

curtain at the window where she sat, and was looking out at the

splendid, dramatic moonlight. Sir Francis and Colonel Appleby were

reading the evening papers, Lady Dighton and Leila Travers-Cray talked

together while they knitted, Milly had disappeared, and at the farthest

end of the great room, on its farthest sofa, Vera, pale and pearly, was

talking to Captain Thornton.

“Well,” I said, “how is your spirit? Is it more controlled?”

Mrs. Thornton looked up at me, and after a moment her smile of

understanding merged into one of friendly enjoyment.

“How do you manage,” she said, “to be so austere in the daytime and so

splendid at night? You make me think of a Venetian princess in that

brocade.”

“It is nice, isn’t it?” I said. “And made by the littlest of

dressmakers. I’m clever at clothes. But tell me how you like Mr.

Cuthbert Dawson.”

“Well, he is very cheerful and sincere,” said Mrs. Thornton, kindly;

“but I don’t seem to get much out of it. I’m really too tired and stupid

to read to-night.”

“And it’s time your husband was in bed,” I said. “One of the nurses is

coming for him.”

Mrs. Thornton looked down the long room at her husband.

“If only I’d had the Red Cross training,” she said, “I could have taken

care of his leg then. I suppose I mustn’t ask to be allowed to. Isn’t it

quite early?” she added. “He’s enjoying the talk with Lady Vera.”

“It’s half-past ten, and we are strict with our invalids. Here is nurse

now. I’ll come up with you and see that you are comfortable.”

No one could have said that there was any creature comfort lacking in

Mrs. Thornton’s reception at Compton Dally. Captain Thornton, as the

invalid, had a larger room, but Mrs. Thornton’s room, next it, was quite

as charming a one, pink and grey, with old French prints and hangings of

_toile de Jouy_. She went up to the prints for a moment of silent

appreciation before turning to me with a sigh, half pleasure and half

wistfulness.

“How lovely everything is here! Papa would have been in rapture over

those Cochins. I shall enjoy my sleep to-night.” And then,--it was her

only sign of awareness,--“I suppose I’m to be allowed to go and say

good-night to Clive when nurse has done with him.”

* * * * *

My study at Compton Dally, where I type and write and do accounts, opens

on the west terrace, and from my bureau I seemed, at most hours of the

days that followed, to have a view of Mollie Thornton’s little figure

wandering, as it were, on the outskirts, not plaintive,--there was never

a touch of plaintiveness,--but passive. With her sewing or knitting or a

book she sat a good deal under the shade of the cedar that stands at the

corner of the terrace, and she spent a good deal of time drifting up and

down the vistas of the lawns and park watching birds, a binocular in her

hand. She was certainly a most comfortable person to relegate, since she

never looked melancholy and usually contrived to seem occupied, and

Vera, when she passed behind her on the terrace on her way to the

dream-garden, Captain Thornton beside her, would pause and put her hand

on her shoulder and say, “Happy, dear?” in the most dulcet tone. And

when Mrs. Thornton, lifting those meditative eyes, answered, “Yes, thank

you,” Vera, all bland benevolence, would say, “That’s right,” and pass

on. Leila Travers-Cray and Lady Dighton sometimes exchanged a few

friendly remarks with her, and she read the morning papers to Colonel

Appleby when his eyes hurt him; but she was relegated far, far away, as

completely as any human being could be who could in any way count as a

guest.

I was very busy and had not much time to be with her, though all the

time I had was hers; but I knew accurately what she was feeling. I

related it always with that dreadful Victoria platform, with those

moments of pain and yet of rapture which we had both known, when we had

felt ourselves, in our suffering, stand for England, lifted up in

accepting sacrifice to the august and beautiful spirit that claimed our

dearest. One would expect, after that transcendent suffering, to find as

transcending a joy; but how was joy possible to a young wife caught into

what might be to her husband a fairyland or a paradise, but to her was a

cruel and complicated machine where her only part was to turn round with

the other wheels and pretend to like it? I knew that it must not be

taken too seriously. It was only to last for six weeks, and then she

would have her Clive back again; yet while it lasted it must make the

months of suffering passed through seem happy by comparison. There had

then been nothing between them but distance and the fear of death; and

now everything was between them--everything Vera stood for; her house,

her friends, her smile, her pearls, her dream-garden.

On morning after morning I saw Vera leading him away to it, with her

armful of books, and Chang, her Pekinese, trotting at her heels. I

perfectly understood Vera’s state of mind in regard to Captain Thornton.

There was no occasion for commonplace jealousy. He merely made her feel

cheerful and rejuvenated. Everything she had to show and tell him was

new to him. She became new to herself, poor old Vera! and gained from

the quiet regard of his sane and simple eyes--handsome eyes under

straight, dark brows--a sense of freshness and worth in everything. She

liked him better than any of the wounded heroes she had yet had. Some of

them had been merely stupid, and one or two had been gloomy, sardonic

men--men of her own world, to whom nothing she had to say would seem

new. Clive Thornton was neither stupid nor sardonic, and he was simple

enough to accept Vera’s fancy tricks--her talk of dreaming dreams and

solitude--as part of an angel’s manner, and he was just clever enough to

be able to appreciate anything she had to say. I could quite see how

endearing Vera must find his steady gaze and his considering silences.

Even with my vigorous espousal of his wife’s side I never felt angry

with him. His not seeing that she was unhappy was part of the same

innocence that made him not see that Vera was a cat. Mollie, besides,

took quite as much care to conceal her unhappiness as Vera to behave

like an angel. It never crossed his mind that his wife was relegated; it

never crossed his mind that they were separated. He did not feel

separated; they were both, as far as he knew, in fairyland together. And

yet I knew it might not all be so trivial and transient as it seemed. A

new standard was being formed for him; a new idea of what it was to be

an angel. It was possible that all unconsciously he would no longer

think of Mollie as one when he left Compton Dally; and when I took this

in I began to gather up my weapons.

I found Mollie one afternoon sitting on the bench under the willow-tree

where we had had our first talk. She had her knitting, but her hands

were still, and she was gazing before her at the water. If she were not

a tragic figure, it was only because there are some things sadder than

tragedy. She had faced everything, been through everything, she had gone

down into the Hades where so many of us were still living, and now she

found herself baulked and menaced by commonplace daylight. Tragedy is,

in some ways, an easy thing to bear.

“Well, what are you doing here by yourself?” I asked her, advancing.

There was a look on her face, startled and steadied, that showed me what

she had been thinking about in the fancied security of her solitude. But

she managed at once the vague smile that concealed so much, and said

that she had been, as usual, resting. “I seem to find out every day more

and more how tired I was,” she added.

“You didn’t care to go with the others, motoring?” I took my place

beside her. “You’d have liked Marjorams. It’s a lovely old place. Some

people think it beats Compton Dally, though, naturally, I’m not one of

them.”

“I’m sure you’re not,” said Mollie, laughing a little. “That was one of

the things that first struck me about you--how you loved it. I felt that

you were a fiercely loyal person.”

“I think I am--narrow loyalties, but fierce ones,” I said. “But you

haven’t answered my question.”

“About motoring? I don’t care much about it, you know. And there really

wasn’t room enough for me.”

Christmas Roses and Other Stories · 第 38 / 48 题