I
RUPERT WILSON came into the studio where his wife, who had been out
sketching all the morning, was washing her paint-brushes, carefully
turning and rubbing them in a pot of turpentine. She wore her painting
apron, for Marian in the midst of her artistic avocations was always
neat and spotless; and, half turned from him as she was, she did not
look round as he entered. Rupert carried his stick, a rustic, ashen
stick of which he was very fond, and his Panama hat; he was going out
and Marian probably knew that he was going out, and where; this made it
more difficult to say in a sufficiently disengaged voice, “I’m just
going down to see Mrs. Dallas for a little while.”
“Oh! are you?” said Marian. She continued to stir her brushes, and
though her wish, also, very evidently was to appear disengaged and
indifferent, she was not able to carry it out, for she added, as if
irrepressibly, “You need hardly have taken the trouble to come and tell
me that.”
Rupert looked at her, and since she did not look at him, it was very
intently, as if to measure to the full the difference between this
Marian and the Marian he had known and believed in. It was hard to
realize that his wife should show a trivial and unworthy jealousy and
should strike him such a blow; for that it was a blow he knew from the
heat in his cheek and the quickening of his pulse; but, as he looked at
her, standing there turned from him, her blue apron girt about her, her
black hair bound so gracefully around her head, the realization
uppermost in his mind was that Marian, since the second baby had come,
had grown very stout and matronly. He seemed to see it to-day for the
first time, as if his awareness of it came to emphasize his sudden
consciousness of her spiritual deficiency.
When he had met and fallen so very deeply in love with Marian, she had
been, if not slender, yet of a supple and shapely form, with just
roundness and softness enough to contrast delightfully with her rather
boyish head, her air, clear, fresh, frank, of efficiency and swiftness.
He had, of course, found her a great deal more than clear and fresh and
frank; but, entangled as he had been in that wretched love-affair with
Aimée Pollard,--the pretty, untalented young actress who had so
shamefully misused him,--torn to pieces and sunken in quagmires as he
had been, these qualities in Marian had reached him first like a draught
of cold spring water, like dawn over valley hills. These were the
metaphors he had very soon used to her when she had applied her firm,
kind hands to the disentangling of his knots and her merry, steady mind
to tracing out for him the path of honourable retreat. He had found her
so wonderful and lovely and had fallen so much in love with her that his
ardour, aided by her quiet fidelity, had overborne all the opposition
of her people. Foolish, conventional people they were,--their opposition
based, it appeared, almost unimaginably to his generous young mind, on
the fact that Marian happened to have money and that he had none, except
what he might make by his books; and also, though it was nearly as
unimaginable, on the fact that a good many of these people were in the
peerage. Marian, a year before he had met her, had broken away from the
stereotyped routine of their country life and had come to London to
study painting; and it was that Marian of the past who had seemed to
share to the full all his idealisms. They had married within three
months of their meeting.
From such a dawn, white, fresh, blissful, to this dull daylight! from
such a Marian to this narrow-minded matron! Marian still had beauty. Her
clear eyes were as blue, her wide, pale lips as sweet; but she was a
matron. Her neck had grown shorter, her chin heavier; the girlish grace
of glance and smile seemed muted, muffled by their setting; there was no
longer any poetry in her physique. And as Rupert stood looking at her
and seeing all this, his sense of grievance, though he was unaware of
this factor in it, grew deeper.
A little while passed before he said,--and it was, he felt, with
dignity,--“I really don’t know what you mean by that, Marian.”
She had now finished her brushes and had taken up her palette. She began
to scrape the edges as she answered,--and her voice was not schooled, it
was heavy with its irony and gloom,--“Don’t you? I’m sorry.”
“I trust indeed that it doesn’t mean that you are jealous of my
friendship for Mrs. Dallas?”
“Friendship? Oh, no; I’m not jealous of any friendship.”
“Of my affection, then; of my love, if you like,” said Rupert. “You know
perfectly well what I feel about all that--and I thought you felt it,
too. It’s the very centre of my life, of my art; my books turn on it.
It’s the thing I have most of all to say to the world. Love isn’t a
measured, limited thing; its nature is to grow and give. My love for
Mrs. Dallas doesn’t touch your and my relation; it enriches it rather.”
Marian scraped her palette and said nothing. He could see her cheek, the
cheek that ran too massively into her neck. Marian’s skin was white and
fine; a faint colour now rose to it; a faint colour was, in Marian, a
deep blush.
To see her blush like that gave him an odd sensation. It was as if the
blush were echoed in his heart; he felt it grow and melt softly, and
there drifted through his mind a thought of Mrs. Dallas and of her
magic.
Through the studio window, draped with its summer creepers, he could see
the two perambulators moored in the shade of the lime tree on the lawn.
The babies were having their afternoon sleep. He was very fond of his
children; and to feel, now, mingling with the strange, yearning glow,
this pause of contemplative fondness, was to feel himself justified anew
and anew aggrieved. The glow of tenderness seemed to envelope the babies
as well as Mrs. Dallas. And it shut out Marian.
What had she to complain of? Was he not a tender husband and a loving
father? Could she suspect his love for Mrs. Dallas--it was she herself
who had forced him to use that word--of grossness or vulgarity? It was
as high and as pure as his love for her.
His love for Marian had evolved into the perambulators, and this
recognition, flitting unseasonably, vexed him with a sense of slight
confusion that made him feel more injured than before. It was true that,
theoretically, he held views so advanced as to justify, in true,
self-dedicating passion, all manifestations. Practice and theory in his
young life had been far apart; but the thought of passion, in connection
with Mrs. Dallas, had, as it were, been made visible by Marian’s blush;
and, slightly swinging his hat, slightly knotting his brows as he looked
at the matronly Marian, he groped for some new formulation of his creed,
since it was evident that however much he might love Marian it was no
longer passion he felt for her. One must perhaps allow that passions
could not be contemporaneous; but he had always combated this shackling
view.
He stood there, gazing, trying to think it out,--a tall young man, well
made yet slightly uncouth, with ruffled, heavy locks and large intent
eyes. Something of the look of a not quite purely bred Saint Bernard
puppy he had; confiding, young and foolish, with his knotted brow and
nose a little overlong. And as he found himself unable to think it out
and as Marian still stood silent, scraping, scraping away at the palette
in an exasperating fashion, he said,--and now in an openly aggrieved
voice,--“I thought you liked her yourself; I thought you quite loved
her. You seemed to.”
Now that he was losing his temper, Marian was regaining hers. Her voice
had all the advantage of quiet intentions as she answered, “I did like
her; I thought her very charming. I don’t dislike her now. But I’m
sorry to see a woman of her age behaving with so little dignity.”
“A woman of her age! Dignity!”
“She is at least forty-five.”
“I don’t follow your meaning. Is a woman of forty-five cut off from
human relationships?”
“From some, certainly; if she has any regard, as I say, for her dignity.
And a woman in Mrs. Dallas’s position ought to be particularly careful.”
“Mrs. Dallas’s position!” She really reduced him to disgusted
exclamations.
“You know, Rupert, that there are all sorts of stories about her. You
know that Mrs. Trotter told us that her first husband divorced her on
account of Colonel Dallas.--Other stories, too.”
"Upon my word! You astonish me, Marian! You heard all these vile tales
when we first came here,--from people, too, who you’ll observe, run to
Mrs. Dallas’s dinner-parties whenever they have the chance,--and you
didn’t seem to mind them much when you were going there almost every
day--and taking every one you knew to see her. What about your Aunt
Sophy--if you believed these stories?--An old dragon of conventionality
like your Aunt Sophy! You took her again and again, and arranged that
luncheon in London with her when you and Mrs. Dallas went up--so that
they should have another chance really to make friends. I remember you
used the expression, ‘really make friends.’ It’s odd to hear you talking
of stories at this late hour."
“I only talk of them because Mrs. Dallas has made me remember them. I am
quite as open-minded as you are about such things. I was just as ready
to think well of her--even if they were true. Why do you call them vile?
You wouldn’t think it wrong for a woman to leave her husband if she
didn’t love him, and to go with a man she did love. If Mrs. Dallas did
that, why is it vile to say so?--Aunt Sophy, as a matter of fact, said
it was a different story. And she was charmed with Mrs. Dallas, just as
I’d determined she should be, stories or no stories. I did all I could
for her, because I counted myself her friend and thought it a shame that
any one so charming should be handicapped in any way. But I didn’t
imagine that a friend would try to take my husband from me.” Marian
spoke with severe and deliberate calm.
“I like that! I really do like that!” said Rupert, laughing bitterly.
“It’s really funny to hear you talk as if Mrs. Dallas could owe you
anything! I wish she could hear you! I wish we could have her
dispassionate opinion of that hideous old bore of an Aunt Sophy. It was
obvious enough that she put up with her simply and solely through
friendship for you. Do all you could for her! A woman who has hordes of
friends--charming, finished, cosmopolitan people of the world! Why, my
dear girl, it’s she, let me tell you, who has given you more chances
than you ever had in your life for meeting really interesting people!
They’re not the sort you’d be likely to meet at your Aunt Sophy’s,
certainly. They’d perish in her _milieu_!”
“Mrs. Dallas doesn’t perish in it,” Marian coldly commented. “On the
contrary, I never saw her more alert. She didn’t seem to find Aunt Sophy
in the least a bore. She was very much pleased indeed to lunch there and
she has looked her up every time she’s gone to London since; moreover,
she’s going to stay with her at Crofts this autumn. It doesn’t look
like boredom.”
“I wish her joy of Crofts! She’s a complete woman of the world, of
course, and she knows how to put up with all sorts and conditions of
bores. She’s taken on Lady Sophy because she’s your friend. It’s
pitiful--it’s unbelievable to see her so misjudged!--Take me from you!
I’ve never gone there but she’s asked me why you didn’t come. She still
sends you flowers pretty well every day. Those are hers, I see. I’m glad
that you’ve deigned to put them in water.”
The tall sheaf of carnations, white and rose and yellow, that stood in a
jug on a shelf in the studio must, evidently, have come from Mrs.
Dallas’s garden. No other person grew such carnations. The garden at
Ashleigh Lodge, this pleasant country house that they had taken for the
six summer months, was not its strong point, and Mrs. Dallas had kept
them reinforced from her abundance. Rupert associated the carnations,
their soft and glowing colours, their formal grace and spicy sweetness,
with the whole growth of his devotion to Mrs. Dallas. He fixed his
indignant eyes on them now.
“Of course I put them into water. I am going to arrange them and take
them into the drawing-room presently,” said Marian with her hateful
calm. “But they give me no more pleasure. Nor does she. She is like
them. They are heartless flowers and she is a heartless woman. I see
quite plainly now what I didn’t see before. She’s that type,--the
smiling, calculating siren. She lives for admiration; she’s herself only
when she has someone at her feet, and she’s seen to it that you should
be,--though I’m bound to say that you haven’t made it difficult for her.
It fits in with all the stories.”
Rupert, at this, turned away and went out. He thrust his hat firmly down
on his fair locks and swung his stick as he strode by the little
footpath through the woods. Bitter disappointment with Marian surged in
him, and hot anger, but above all an atoning tenderness that seemed
almost to break his heart in its longing to protect and justify the
woman so traduced by her. His head throbbed and drummed as he went. To
have it come to this! To have such hands laid on it--their love! their
silent, hidden love! That Mrs. Dallas returned his love he seemed to
see, with many other things, clearly, rapturously, if with trembling,
for the first time to-day. He saw it with Marian’s unworthiness;
Marian’s unworthiness had shown it to him; and now, exulting, he claimed
it. She loved him, veiling the depth in her vagueness, her aloofness,
her indulgent irony. His mind retraced, with yearning gratitude, the
steps of their relationship. No one had ever been to him what she was.
How she helped and lifted him! How juvenile and undiscriminating in
their happy acceptances were Marian’s appreciations of his work beside
Mrs. Dallas’s half-idle comments. He had read through to her, in
manuscript, all his last novel; and Marian had not seen it yet. He had
not wanted to read it to Marian; and she, besides, had been very busy
with her painting.
Mrs. Dallas had listened to the novel almost every day, sitting in the
shade of her veranda, in her white dress, with the hands that, unless
she were gardening, seemed always exquisitely idle, yet that in their
idleness seemed to dream and smile;--he could see the white skin, the
delicate finger-tips, the pearls and rubies slipping down, and his heart
contracted with a pang and ecstasy as he saw himself holding her hand,
kissing it. He must kiss it, to-day, and he must tell her. For she
needed him; he was sure of it. She needed him terribly. If she lifted
him, yet how much, too, he could lift her, out of the lethargic shallows
and sullen quagmires of her life.
She could not be happy with her husband. He felt himself shut his eyes
before the retrospect of what the disenchantments and disasters must be
that lay behind her. If she had taken great risks, with that heart of
highest courage he divined in her, if she had faced great sacrifices for
her present husband, what wonder that her loveliness was now clouded by
that irony and languor? She was not kind to Colonel Dallas; he could not
hide from himself that she was not kind to him; but, as he owned it, he
yearned over her with a deeper comprehension of tenderness, feeling his
rights the greater. How could she be kind to the selfish, complaining,
elegant old man?--for, to Rupert, Colonel Dallas’s fifty-five years
seemed old. She never said anything actually sharp or disagreeable to
him--even when he was at his most fretful and tiresome; but when he was
least so she was not any the kinder, and by her glances, by the
inflections of her cool and indolent voice in answering him, she
displayed to the full, to others and to himself, did he take the pains
to see it, how dull and how tiresome she found him. No; she was like a
weary, naughty child in this; and seeing her as a child, with a child’s
faults--and did it not prove how unblinded his love must be that he
should see it?--he felt himself fold her to his heart in a tenderness
more than a lover’s; a paternal passion was in it; he had known that it
must be in true love; he had said so in one of his books. How his books
would grow from his knowledge of her!