PLOT.

_Initial Incident_: Miss Haviland invites Hurrell Oaks to Newfair.

_Steps toward the Dramatic Climax_: It appears that the great man can

stop only for an hour or so. To receive him worthily, Miss Haviland

decorates her apartment in borrowed and elegant trappings; she

invites a select few to meet him. George Norton, who is devoted to

Miss Haviland, is not included.

_Dramatic Climax_: Hurrell Oaks arrives earlier than he is expected,

while Miss Haviland is in her bath-tub, and since there is nobody to

receive him he goes away.

_Steps toward the Climax of Action_: Miss Haviland rushes out to

detain him as the possibility occurs to her that his knock may have

heralded the famous guest. He is gone. She betrays to one of her

students her bitter disappointment.

_Climax of Action_: As the guests arrive she tells them that Hurrell

Oaks could not wait, though he and she have spent an “immemorial”

hour together.

_Dénouement_: Two days afterward she announces her engagement to

George Norton.

PRESENTATION. The story is recounted ten years later, after a formal

dinner, by the student whom Miss Haviland had helplessly, impulsively,

taken into her half-confidence. Her auditor is the narrator, presumably

Mr. Johnson, himself. The related story is exceptionally well told

with regard to the assumed narrator; she betrays just enough of the

school-girl character and manner to enliven the drama of middle age.

From a stylistic point of view, the narrative testifies to the author’s

craftmanship; for it is almost as if told by a young woman.

CHARACTERIZATION. Mary Haviland was interesting to the girl narrator

because of her native ability, determination, and her acquired

connoisseurship. Harmonizing her fundamental power with her culture,

hitting off little discrepancies and exaggerations that the reader

might see her whole--these demanded a highly conscious technique.

Further, to regard her half-seriously, half-lightly, yet in the end

to demand the reader’s sympathy and admiration for her, required

nothing short of Meredithian genius. Finally, the bubble of fun blown

out at the last: “She was no doubt _in the tub_,” etc., indicates an

irresponsible humor which makes play of the whole situation.

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