THE LOST PHOEBE

STARTING POINT. The beginning of this story lay in a bit about an

insane man in Missouri, a story which came to Mr. Dreiser quite ten

years before he developed it. The story quality testifies to the value

of the long dormant period.

SETTING. Study the narrative, observing with respect to place that

although you may feel you have your mind on the exact locality, it

presently flits to another probable setting. This is because Mr.

Dreiser attaches no importance to the locality of his short stories, so

long as the incidents are American--and either urban or rural. The gain

is, of course, in favor of the essential nationality; the loss is to

the individual community. Does the first grasp of setting bring with it

the atmosphere of the narrative?

CLASSIFICATION. A story of a search, at last successful. It may be

classed, also, as a story of the supernatural, wherein the vision

is one of a crazed brain. So beautifully has the author handled the

fancy and the vision, however, that the reaction on the reader causes

wonder as to whether sanity and insanity are not relative, or even

interchangeable.

PRESENTATION. By the omniscient author, who exercises omniscience

particularly over the mind of the main character.

CHARACTERS. Henry Reifsneider, Phoebe Ann (his wife), and background

characters of the community folk. These last exist to give

verisimilitude, for contrast, and as plot pivots. Cite an instance for

each use.

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