A SIMPLE ACT OF PIETY

GERMINAL IDEA: Captain Abdullah, an Asiatic, but educated partly,

and living altogether, in the Occident, finds himself at times, he

declares, in the position, less emotional than intellectual and

cultural, where he has to make a choice between the ideals of East, or

West of Suez. In addition, his friends often ask him to explain certain

Oriental characteristics, motivations and viewpoints.

“Due either to a vital difference in the acceptance and usage of basic

standards, or to my personal inability of expressing with the spoken

word what I feel tersely to be true, I have always been unable in these

discussions to express the one truth which I know; namely, that all

this talk about the Orient being romantic and mysterious and rather

high strung is asinine drivel, that indeed the shoe hurts on the other

foot, and that it is the West which is romantic, both as to life and

motivation of life, while the East is as drab and grey and square as a

question in abstract dynamics.

“I make this claim chiefly in regard to the Chinese, who are the

Orientals _par excellence_. I consider them the most logical, the most

straight thinking, and by the same token, the most civilized race

on earth, not excepting the Latins, the Hindus, the Arabs, or the

Anglo-Saxons. I believe them to be the only people who live up to the

sound dogma that two and two make four, and never four and a quarter,

or three and two thirds. I hold that they are the easiest people in the

world to understand, that they carry their hearts on their sleeves, and

that they always mean exactly what they say, and say exactly what they

mean, in direct contrast to the Occidentals....

“The starting point of my tale, a whole series of Chinatown tales,

directly due to a conversation I had in Chicago with Mr. Ray Long

of the _Red Book_, who said that since I seemed unable to interpret

the Sons of the Middle Kingdom with the spoken word I should try the

written word, was therefore the fundamental prosiness and simplicity of

the Oriental, the Chinaman, in contrast to the complicated, suicidal

emotionalism and maniacal psychologizing of the Occidental--the latter

characteristic including a painful trick of dissecting emotions to such

a degree that they cease to be emotions. I know China and the Chinese

intimately, and am fairly familiar with some of their dialects.

“From a primitive, Occidental viewpoint, murder and a wife’s

faithlessness seem to be the most important things. From an as

primitive Eastern viewpoint, the same two things are the most

negligible things. The thing which matters most to the Oriental is

honor and piety, including their correct, codified outer observances.

“Thence my story.”

PLOT. Structurally perfect, the plot grows naturally out of character.

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